VIRGILELivre Rare Book
10 015 résultats
1962réf. 000628Paris Tartas 1962
1989réf. 201275080Sarvadeshik Arya Pratinidhi Sabha 1993 1978 1984 1986 1989 1989. Good. Hardcovers with dustjacket. Books in good condition. Signs of edgewear to dustjackets and fraying spine part 1. Flaps dustjacket part 3 on two small spots attached to inside bookcover. 952 pp 992 pp 808 pp 800 pp 720 pp. See photo's Sarvadeshik Arya Pratinidhi Sabha 1993, 1978, 1984, 1986, 1989 hardcover
1791réf. 970Utrecht, B. Wild & J. Altheer, 1791. Un vol. in-4 (23 x 26. 3) de VIII+114p. +1 ff. de table. Exemplaire broché, couverture de papier moucheté du temps. Tel que paru.
1798réf. 30604ABZürich, Gessner, Füssli und Compagnie, 1798-1806. 8°. Mit gest. Portrait und 12 Titelvignetten von Johann Heinrich Lips. Kalblederbände der Zeit mit reicher Rückenvergoldung und verg. Deckelfileten. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A 12 Bände.
1918réf. 66277Paris : Librairie Renouard 1918. KIAI-TSEU-YUAN HOUA TCHOUAN. - PETRUCCI Raphaël traduction commentaire et préface.Les Enseignements de la Peinture du Jardin grand comme un Grain de Moutarde. Encyclopédie de la Peinture Chinoise. Traduction et commentaires par Raphaël Petrucci. Augmentés d’une préface d’un dictionnaire biographique des peintures et d’un vocabulaire des termes techniques. Illustrés d’environ cinq cents gravures. Paris Librairie Renouard1918 408x285mmXII - 519 pages demi-chagrin noir dos à nerfs auteur et itre dorés bords du haut du dos fendus sur une dizaine de centimetre reliure solide. Tirage limité exemplaire numéroté n.° 273 / 550. For shipments to the U.S.A. with a value exceeding 800 USD VAT is not included. Please contact us via our website if needed. Librairie Renouard unknown
1793réf. 117972Paris : de l’imprimerie de Didot jeune chez Bleuet père 1793 an 2e. de la République. VIRGILE Publius Virgilius Vergelius ou Virginius Maro. - Abbé de LILLE traduction.Les Géorgiques de Virgile traduites en vers français par de Lille. Edition a laquelle on a joint le texte latin avec les notes et les variantes. Paris de l’imprimerie de Didot jeune chez Bleuet père1793 an 2e. de la République 240x160mm 1 ff. page de faux-titre 1 frontispice gravé sur cuivre par De Longueil d'après Casanova 384 pages 4 planches gravées sur cuivre par De Longueil d'après Ch. Eisen chacun des 4 livres est précédé d'une planche édition bilingue : français - latin reliure maroquin rouge dos à cinq nerfs doré étiquette verte plats encadrés de quelques motifs et filets dorés superexlibris doré au centre des deux plats tranches dorées bordures fleuries dentelles intérieures garde papier marbré. Bel exemplaire. Les superexlibris représentent les armes du Marquis de Villeneuve : “A tout premier Maroquis de France”.Voir le Vapereau Dict. univ. des littératures sur les louanges à l’adresse de Delille pour son oeuvre principale.Brunet V col. 1303-4 mentionne la première édition 1770 Paris Bleuet de cette excellente traduction une édition de Didot 1783 et celle-ci an II 1793. For shipments to the U.S.A. with a value exceeding 800 USD VAT is not included. Please contact us via our website if needed. de l’imprimerie de Didot jeune, chez Bleuet père unknown
1712réf. 32892Jermiah Bright James Brooks John Stuart and James Holland 1712. Contemporary binding in 1/4 leather generally internally clean and bright but with occasional page with staining or toning plate 85 "Goliath Slaine - 2. Samuel 17" plate crudely repaired with tape in the past. Overall a great and very presentable copy 435 by 285mm 17¼ by 11¼ inches. Jermiah Bright, James Brooks, John Stuart and James Holland unknown
1995réf. 2090202120403973Kyoto shoin 1995. Soft Cover. Fine. Number of books: 1 Kyoto shoin paperback
1986réf. 1748Phil Seuling, Nouvelles Editions Oswald (Néo), série Arkham, 1986. In-4 broché, couverture illustrée à rabats. 5 hors-texte couleurs et illustrations in-texte en noir, souvent à pleine page, de Jean-Michel Nicollet. Texte bilingue anglais - français, traduction de François Truchaud.
1697réf. 113991697 2 volumes, reliure janséniste d'époque en vélin ivoire (jansenist's binding full vellum) grand in-octavo , titre manuscrit à l'encre brune sur le dos (handwritten title on the spine), plats muets (cover without text), tranches lisses (smooth edges) jaspées (marbled edges), gouttière rognée (smooth fore-edge), illustré d'un frontispice titre en noir + une gravure sur la page de titre en noir + 4 gravures hors-texte (full page engraving) en noir de G. Hoet gravées par Vianen pour le premier volume + de nombreuses gravures in-texte représentant des monnaies et médailles dans le second volume (in text engraving) en noir (Illustrated with engravings), et orné de bandeaux - lettrines et de culs-de-lampe (and illuminated of headpieces and dropped initials and of tailpieces) en noir, 496 pages + 112 pages d'index pour le premier volume ,758 pages + 60 pages d'index pour le second volume, 1697 Ultrajecti Franciscum Halmam & Guilielmum van de Water Editeurs,
1774réf. 11283Paris, Panckouck, 1774 ; 2 tomes in-8 ; plein veau fauve marbré, dos à nerfs décoré et doré, titre doré, tranches rouges (reliure de l'époque) ; (4), XLVI, 428 pp. ; (4), 589, (3) pp. de Privilège, 1 grande planche dépliante ; le faux-titre porte "État général de la culture anglaise".
réf. 054041Nice A l'enseigne du Chant des Sphères. Editions d'Art Sefer, 1976-1978 1976 in 4 (25x20) 5 forts volumes reliures plein cuir havane de l'éditeur sous étuis bordés, dos et plats ornés d'un riche décor de motifs médiévaux estampés à froid et dorés, têtes dorées, 265 pages, 238 pages, 179 pages, 223 pages, 217 pages. Traduction compète par Antoine Le Maçon conseiller du Roy et trésorier de l'extraordinaire de ses guerres, Secrétaire de la Reine de Navarre (1545). Edition ornée d'illustrations miniatures en couleurs de Jean Gradassi, coloriées au pochoir, et rehaussées à l'or et au palladium, 45 illustrations couleurs de Jean Gradassi dont une planche double, 29 hors texte, 5 titres frontispices et 10 en-têtes de chapitres à pleine page, et de nombreuses lettrines et culs-de-lampe couleur et or. Tirage limité à 2500 exemplaires numérotés sur vélin de Lana, celui-ci un des 350 exemplaires numérotés (N° de 301 à 600) avec un dessin original hors-texte en couleurs signé par Jean Gradassi, légendé: '' Le Décaméron, 5e journée, 7e nouvelle '', et une suite en sépia des hors-texte. Bien complet du certificat d'authenticité. Ensemble complet et en bel état ( Photographies sur demande / We can send pictures of this book on simple request )
1862réf. R45558Paris, Louis Vivès 1862-1868 22 tomes (complet), ensemble +/- 12.000 pp., brochures originales, 23cm., bon état, vol.XXII contient "Table générale des matières", [Louis de Grenade O.P., 1505 Grenade (Espagne), +1588 Lisbonne, théologien et prédicateur], R45558
réf. 054040Nice A l'enseigne du Chant des Sphères. Joseph Pardo 1969 in 4 (26x20,5) 5 volumes reliures plein cuir grenat de l'éditeur sous étuis bordés, dos à nerfs ornés de fleurons dorés, et plats supérieurs ornés d'un décor estampé à froid et dorés, têtes dorées, 143 pages, 152 pages, 191 pages, 195 pages et 185 pages. Edition ornée d'illustrations miniatures en couleurs de Jean Gradassi, coloriées au pochoir, et rehaussées à l'or et au palladium, 30 illustrations miniatures hors-texte sous serpentes comprises dans la pagination, et 30 bandeaux. Texte encadré d'une frise en couleurs. Tome 1: Le Roi Artus, 143 pages [2]. avec 6 illustrations hors-texte en couleurs sous serpentes (dont un hors texte sur double page), et 6 bandeaux. Tome 2: Les Combats d'Artus, 185 pages avec 6 illustrations hors-texte en couleurs sous serpentes, et 6 bandeaux. Tome 3: Lancelot du Lac, 191 pages avec 6 illustrations hors-texte en couleurs sous serpente, et 6 bandeaux. Tome 4: La Quête du Graal, 195 pages avec 6 illustrations hors-texte en couleurs sous serpente, et 6 bandeaux. Tome 5: La Mort d'Artus, 152 pages avec 6 illustrations hors-texte en couleurs sous serpente, et 6 bandeaux. Tirage limité à 3000 exemplaires numérotés sur vélin d'Arches filigrané, celui-ci un des 350 exemplaires numérotés de 151 à 480, avec un dessin original hors-texte en couleurs à pleine page signé par Jean Gradassi, légendé: Lancelot refuse l'épée d'Artus, et une suite en bleu d'Armor des hors-texte. Exemplaire enrichi d'un envoi manuscrit signé par Jean Gradassi sur la page de justification. Bien complet du certificat de garantie. Ensemble complet et en bel état ( Photographies sur demande / We can send pictures of this book on simple request )
1936réf. 015727Paris Editions surréalistes 1936 In-16 Broché, couverture rempliée.
réf. BN382074Chapelle Sixtine Tome 3 - Le Jugement dernier. Chapelle Sixtine Tome 3 - Le Jugement dernier. Pierluigi de Vecchi Gianluigi Colalucci ; Franz Gisler ; translation : Paul Alexandre unknown
1781réf. 1357586London: J. Walker 1781. Second Edition. Hardcover. Octavo xiii 418 pages. In Good condition. Bound in full contemporary leather. Boards show some surface marks to covers cracks to hinges and light wear to edges and corners. Boards slightly shaken binding otherwise tight. Text block has minor age toning and several instances of light staining to edges and light age toning and foxing to pages throughout interiorly. Three plates present and intact. Previous owner bookplate to inside front pastedown: "Ex Libris Julius Friedenwald". An English language translation of Person's Nouveaux elemens d'anatomie raisonnée first published in 1749. MF consignment. Reference: ESTC T114740. 1357586. Special Collections. J. Walker hardcover books
1848réf. 42797Philadelphia: Printed by C. Sherman 1848. 1st edition original cloth boards 8vo viii pages 243 242 2 leaves; 24 cm. In Hebrew and English. Hebrew and English on facing pages with duplicate foliation. Singerman 1024. Rosenbach 636 Deinard 959 Goldman-Kinsberg 37. Vinograd Philadelphia 18. The first English translation of the Ashkenazi prayer book published in America. “To unite Ashkenazic Jews in America using different prayer books and to provide them with an error-free text Leeser issued this work the first Ashkenazic prayer book published in America"--Goldman 37. During the mid-19th century IsaacLeeser was the most prominent leader of American Orthodox Judaism and his writings show a defense of traditional Judaism against the changes in doctrine proposed by the growing Reform movement. Starting with Jewish publications in the 1830s Leeser is considered to have laid the foundation for a consistent Jewish printing industry in America. “Practically every form of Jewish activity which supports American Jewish life today was either established or envisaged by this one man” Bertram W. Korn “Isaac Leeser: Centennial Reflections” in American Jewish Archives Vol. XIX 1967 page 136. Hebrew text is chiefly after Rabbi Wolf Heidenheim's celebrated Sapha Berurah. The most recent copy offered at major auction sold for $1250 in 2023. SUBJECTS: Siddurim -- Texts. Judaism -- Liturgy. Prayers and devotions. Ashkenazim. Germany. Poland. OCLC: 13891018. Wear on spine and cover spine internally fixed some pencil marks. Good Condition. A nice solid copy in original binding. BK5 AMR-69-3-. Philadelphia: Printed by C. Sherman unknown
1973réf. 1401039New York: Harper & Row 1973. First U.S. Edition First Printing. Hardcover. Octavo 172 pages. In Very Good plus condition with Very Good dust jacket. Spine of jacket is dark purple with pink lettering. Dust jacket is sleeved in a protective mylar cover and shows mild shelf wear on covers. Single small closed tears in top and bottom edges of jacket front. Very small area of chipping in top corner of jacket front near spine. Boards show mild rubbing wear and light sunning along bottom edges. Text block shows negligible shelf wear. Inscribed in black ink by Joseph Brodsky to Myra Sklarew on title page: "Joseph Brodsky / For Myra Sklarew from guess who" followed by a small drawing of a heart. Shelved in Room X. Joseph Brodsky was a Nobel-prize winning Jewish Russian-American poet who served as Poet Laureate of the United States from 1991-1992. This book is inscribed to Myra Sklarew another Jewish poet and professor who was a prominent figure within the Washington D.C. literary scene alongside Brodsky. 1401039. Special Collections - Downstairs. Harper & Row hardcover
1973réf. 1401039New York: Harper & Row 1973. First U.S. Edition First Printing. Hardcover. Octavo 172 pages. In Very Good plus condition with Very Good dust jacket. Spine of jacket is dark purple with pink lettering. Dust jacket is sleeved in a protective mylar cover and shows mild shelf wear on covers. Single small closed tears in top and bottom edges of jacket front. Very small area of chipping in top corner of jacket front near spine. Boards show mild rubbing wear and light sunning along bottom edges. Text block shows negligible shelf wear. Inscribed in black ink by Joseph Brodsky to Myra Sklarew on title page: "Joseph Brodsky / For Myra Sklarew from guess who" followed by a small drawing of a heart. Shelved in Room X. Joseph Brodsky was a Nobel-prize winning Jewish Russian-American poet who served as Poet Laureate of the United States from 1991-1992. This book is inscribed to Myra Sklarew another Jewish poet and professor who was a prominent figure within the Washington D.C. literary scene alongside Brodsky. 1401039. Special Collections - Downstairs. Harper & Row hardcover books
1962réf. 81278New York: George Braziller 1962. First English Language Edition. First Printing. Folio 33.5cm; red cloth with titles stamped in gilt on spine and front cover; photo-illustrated endpapers; publisher's dustjacket and original acetate overlay; publisher's slipcase; 1011-2106pp; illus. Fine in a Fine unclipped dustjacket priced $35 showing some trivial wear at the crown; acetate overlay is a bit wavy else Near Fine; gentle sunning to slipcase extremities else very Near Fine. Pre-eminent modern artist Marc Chagall was nearly 70 when he began working on his first major stained glass projects during the mid-to-late 1950's. In 1959 he was commissioned to create a set of stained glass windows for Abbell Synagogue at the Hadassah-Hebrew University Medical Center in Jerusalem. Upon completion the Jerusalem Windows enjoyed two short exhibitions in Paris and New York before their permanent installation in the synagogue in 1962. These twelve masterpieces in stained glass each representing one of the twelve tribes of Israel are showcased in this lush folio which also includes two original lithographs Chagall created exclusively for this publication. Readers may observe the development of the windows through a procession of preparatory sketches in pencil ink and watercolor; the final models are represented on full page color plates 36 total. Additional commentary by Jean Leymarie explains the religious significance of each subject as well as Chagall's artistic intentions. An additional chapter details the assembly of the windows themselves and the book concludes with a selection of sketches and paintings related to the project. George Braziller unknown
1962réf. 81278New York: George Braziller 1962. First English Language Edition. First Printing. Folio 33.5cm; red cloth with titles stamped in gilt on spine and front cover; photo-illustrated endpapers; publisher's dustjacket and original acetate overlay; publisher's slipcase; 1011-2106pp; illus. Fine in a Fine unclipped dustjacket priced $35 showing some trivial wear at the crown; acetate overlay is a bit wavy else Near Fine; gentle sunning to slipcase extremities else very Near Fine. Pre-eminent modern artist Marc Chagall was nearly 70 when he began working on his first major stained glass projects during the mid-to-late 1950's. In 1959 he was commissioned to create a set of stained glass windows for Abbell Synagogue at the Hadassah-Hebrew University Medical Center in Jerusalem. Upon completion the Jerusalem Windows enjoyed two short exhibitions in Paris and New York before their permanent installation in the synagogue in 1962. These twelve masterpieces in stained glass each representing one of the twelve tribes of Israel are showcased in this lush folio which also includes two original lithographs Chagall created exclusively for this publication. Readers may observe the development of the windows through a procession of preparatory sketches in pencil ink and watercolor; the final models are represented on full page color plates 36 total. Additional commentary by Jean Leymarie explains the religious significance of each subject as well as Chagall's artistic intentions. An additional chapter details the assembly of the windows themselves and the book concludes with a selection of sketches and paintings related to the project. George Braziller unknown books
2010réf. 5457Tokyo: Hayakawa Books 2010. First Edition. A key translation by Haruki Murakami of Chandler's sixth novel - the apex of 20th century detective fiction winner of the Edgar Award for Best Novel in 1955 and basis for Robert Altman's 1973 film starring Elliott Gould and Sterling Hayden. While Murakami is world-renowned for his fiction and essays he has enjoyed a parallel career doing translation work including translations of Raymond Carver F. Scott Fitzgerald J.D. Salinger Ursula K. LeGuin and Truman Capote. His biographer and primary translator Jay Rubin notes Murakami developed a fondness for hard-boiled literature while attending high school in Kobe devouring works by Chandler Ross Macdonald and Ed McBain and Murakami himself acknowledged his debt to Chandler's influence on his novel A Wild Sheep Chase: "The structure of A Wild Sheep Chase was deeply influenced by the detective novels of Raymond Chandler. I am an avid reader of his books and have read some of them many times. I wanted to use his plot structure in my new novel. This mean first of all that the protagonist would be a lonely city dweller. He would be searching for something. In the course of his search he would become entangled in various kinds of complicated situations. And when he finally found what he was looking for it would already have been ruined or lost. This is obviously Chandler's method and it is what I wanted to use in A Wild Sheep Chase. One West Coast reader saw the connection. Referring to Chandler's The Big Sleep he called my novel The Big Sheep. I felt honoured by this" Rubin Haruki Murakami and the Music of Words p.81. Uncommon one of a few signed copies offered through Japanese bookstores to promote the new translation. Hubin p.76. First Impression. Octavo 15.75cm; pale grayish-green wrappers with titles printed in dark purple; dustjacket and publisher's original wraparound advertising band; 67-64511pp; text is entirely in Japanese. Signed by Murakami in Japanese on the title page directly above his English-language rubber-stamp. Fine in a Fine dustjacket and wraparound band. Hayakawa Books unknown
1923réf. 4745London: Chatto & Windus 1923. First UK Edition. First English language edition of Constance Garnett's translation of The Overcoat issued as Volume III of her five-volume Works of Nikolay Gogol published between 1923-28. Contents include "The Nevsky Prospect" "A Madman's Diary" "The Prisoner" "The Carriage" "The Nose" "The Portrait" and "The Overcoat" a tragic story which Vladimir Nabokov called "the greatest Russian short story ever written." The Art of Translation 1941. Garnett's English translation is significant still in print today preceded by Isabel Hapgood's translation as "The Cloak" in St. John's Eve and other stories from "Evenings at the farm" and "St. Petersburg stories" Crowell 1886. Scarce in dustjacket with no copies found in the auction record. cf.Line p.19 Bibliography of Russian Literature in English Translation to 1945. First Impression and first in English. Octavo 19.5cm; denim blue cloth with titles stamped in royal blue on spine; blue topstain; dustjacket; viii2791pp. Gentle sunning to spine topstain faded owners name in ink to front endpaper with the faintest suggestion of foxing to a few preliminary leaves and right edge of textblock; Near Fine. Dustjacket is gently sunned particularly at spine lightly edgeworn with some small nicks and shallow losses to spine ends and corners; tiny bits of sticker remnant and a few faint stains to spine with a neat 2" split at lower front joint; still a complete Very Good unrestored example. Chatto & Windus unknown
2020réf. 066416London Great Britain: The Folio Society 2020. Book. Fine. Hardcover. 753 pages Folio. Includes slipcase. Limited Edition of 750 numbered copies. This is copy 421. SIGNED by the translator Robin Waterfield introducer Peter Frankopan and illustrator Nick Hayes on limited page. Test and illustrations printed by Northend Sheffield on Abbey Pure Paper. Bound in full light blue leather by Smith Settle Yeadon and blocked with a gilt and black design by Nick Hayes. Minor shelfwear. Tight binding no marks. Volume is in Fine-minus condition. The Folio Society Hardcover
