26 071 résultats
réf. 57171Paris, Librairie de l’Art Catholique 1920, 250x160mm, XVI- 240pages, broché. Bon état.
réf. 95324Paris, Librairie Hachette et Cie. 1889, 225x145mm, XX - 356pages, broché. Couvertures et dos muet.
réf. 95463Oxonii, E. Typographeo Clarendoniano 1955, 190x125mm, X - reliure d'éditeur. Bel exemplaire.
réf. 113311New York, St Martin’s Press 1989, 215x140mm, XXXIX - 326pages, paperback. Name of previous owner on botton of title page of front page. Book in good condition.
réf. 95244Paris, Albert Fontemoing 1903, 200x130mm, 409pages, broché. Non coupé. Bel exemplaire.
réf. 95515Paris, Chez L. Hachette, Librairie de l’Université Royale de France 1844, 180x120mm, VIII - 512pages, reliure demi-basane. Pièce de titre doré au dos à nerfs avec fleurons dorés. Plats papier marbré. Belle reliure. Cachet de possesseur. Rousseurs marginales.
réf. 94486Paris, Société d’Edition Les Belles Lettres 1935, 245x155mm, XIX - 329pages, reliure demi-toile. Couverture supérieur conservée et collée sur le plat.
réf. 112589Paris, Société d’Edition Les Belles Lettres 1962, 255x165mm, 363pages, broché. Bon état, nou coupé.
réf. 76569Roma, Edizioni di Storia e Letteratura 1977, 250x175mm, 441pages, broché. Pages non coupées. Exemplaire à l'état de neuf.
réf. 41335Columbia, Author-Editor 1900, 245x155mm, 113pages, paperback.
réf. 95902Lipsiae, Symptibus et Formis B. G. Teubneri 1890, 175x120mm, XXVIII - 343pages, demi-percaline. Plats papier marbré. Cachet de possesseur, autrement bon état.
1907réf. 9938E Prelo Clarendoniano (Clarendon), 1907. Petit in-12 de 479 pages, plein chagrin souple, titre dorée au dos, vignette dorée au premier plat, toutes tranches dorées. Reliure un brin frottée, inscription sur garde.
1996A sound book with clean pages and clear content.
réf. 2174Paris, Le Normant, 1824 - gr. in-8 : vii, 1044 pp. (dernière p. déchirée avec affectation du texte) - bas. brune, dos lisse orné (pet. accident en tête, coins émoussés dont un avec accroc - état d'usage).
1981This is a very good hardcover copy in a very good dust jacket. This copy signed and briefly inscribed by Sebastian on the front endpaper. Otherwise completely clean inside and out. Text in Spanish. Text by Ida Rodriguez Prampolino. Illustrated in color and black & white. Bibliography. Exhibition history. Writings by Sebastian. 11" high X 8 1/2" wide, 157 pages. This book published in an edition of 2000 copies.
1993Unit I of the Cambridge Latin Course [the 3rd.North American editon] .an introductory program organized into four well-integrated units. This proven approach includes a stimulating continuous story line, interwoven grammatical development and cultural information, supportive illustrations and photographs, and a complete Language Information section. Reading is the heart of the Cambridge Latin Course, and all the elements of the program - illustrations, vocabulary, grammar and syntax, cultural contexts and references, activities - are carefully introduced and arranged to provide students with the skills they need to read with comprehension and enjoyment from the very first page. 264p. illus, index Book
1995Level three text for students of Latin. 25p. illus glossary bibliography. School/Library editon inprinted inside front cover..Name of previous owner on ffep, else as new. Book
1987Spine sunned and a bit discolored. Scholar's blindstamp to halftitle. Light shelfwear to wraps. Pages tanned. ; 272 pages
1971277 p. ; 20 cm. In Spanish. Nueva narrativa hisp·nica; No. 0915 of 4000 printed.
1959Scholar's bookplate to inner cover (G. P. Goold). Spine and part of front board sunned. Small chip to cloth along upper edge. ; 8vo; 168 pages
1979Ex-library copy with usual stamps, call numbers and pocket. DJ taped down to boards now in plastic sleeve. ; Offers a new account of Virgil's pastoralism. Alpers' interpretation of the poems and his new translation (with facing latin text) makes the Eclogues accessible to contemporary readers. ; 253 pages
2015Publisher's stamp to base of textblock. Else book is fine. Very faint scuffing to DJ. Else fine. ; The study of Homeric imitations in Vergil has one of the longest traditions in Western culture, starting from the very moment the Aeneid was circulated. Homeric Effects in Vergil's Narrative is the first English translation of one of the most important and influential modern studies in this tradition. In this revised and expanded edition, Alessandro Barchiesi advances innovative approaches even as he recuperates significant earlier interpretations, from Servius to G. N. Knauer. Approaching Homeric allusions in the Aeneid as "narrative effects" rather than glimpses of the creative mind of the author at work, Homeric Effects in Vergil's Narrative demonstrates how these allusions generate hesitations and questions, as well as insights and guidance, and how they participate in the creation of narrative meaning. The book also examines how layers of competing interpretations in Homer are relevant to the Aeneid, revealing again the richness of the Homeric tradition as a component of meaning in the Aeneid. Finally, Homeric Effects in Vergil's Narrative goes beyond previous studies of the Aeneid by distinguishing between two forms of Homeric intertextuality: reusing a text as an individual model or as a generic matrix. For this edition, a new chapter has been added, and in a new afterword the author puts the book in the context of changes in the study of Latin literature and intertextuality. ; 216 pages
1926Book has been rebound in blue boards with original front cover mounted to front board and gilt lettering. Some rubbing and edgewear to boards. Pages browned. Small hole to last 3 pages and rear board. Small pen mark to titlepage. ; Undated-- preface dated 1926. ; 335 pages
1995Light shelfwear. Pencil checkmarks to margins of some pages. ; Pp 90-176; Classical World November-December 1995, Volume 89 No. 2; 86 pages
1995Writing in pencil to spine. Foxing/dustsoiling to top of textblock. ; Pp 90-176; Classical World November-December 1995, Volume 89 No. 2; 86 pages