Adams W. BridgesMareMagnum
28 569 résultats
1932Large format paperback with light shelf wear only to covers. Binding is solid and square, covers have sharp corners, text/interior is clean and free of marking of any kind, lavishly illustrated with 1 - 4 sepia photos on glossy paper per page, map at back cover. 48 pages with images of Stratford, Malvern Hills, the Coswolds, the Shires, Halls Croft, Latin School-room, Gild Chapel, Clopton Bridge, Cliffor Manor, Warwick castle, Beauchamp Chapel, Guy's Cliffe, Stoneleigh Abbey, Baddesley Clinton, Compton Wynyates, Honington Hall, Sulgrave Manor, etc.
1954Book is in excellent condition. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Woodcut illustrations by Franz Masereel. Illustrated box is in excellent condition also.
1963Two Volume set: Vol. I : books 1 - 4, Vol. II: books 5 - 9. Vol. I has a bend in the page block: not affecting reading but is notable, Vol. II is in excellent condition in every respect. Bindings are solid exteriors show no other blemishes, texts/interiors are clean and free of marking of any kind. Dust jackets show light signs of shelf wear only, no tears. Text is in Greek with Intro in Latin
1970Book shows light wear to covers only.. Binding is solid and square, , text/interior is clean and free of marking of any kind. 503 pages, contents include: Slavery and the meaning of America, Slavery in Medieval and early modern thought, Comparison of British and Latin American slavery, Religious sources of antislavery thought, The enlightenment as source of antislavery thought, Changing image of the Negro. etc.
1963Book is in excellent condition with very light shelf wear to covers only. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind save ex-libris stamp at half-title page. 240 pages.
1961Book is in excellent condition. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. 349 pages with about 20 pages of b&w photos in the center, occasional illustrations. Nice photo of Aion, or Time, God of the astrologers, with a lion head, bound by a snake.
2002Book is in excellent condition, as new. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Previous owner's name or sticker in front section of the book. 271 pages with b&w photos and illustrations throughout. Includes sports and games of the ancients in Africa, Asia, Europe, Latin america, Middle east, North America, Oceania.
2002Book is in excellent condition, as new. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket is as new also. 252 pages. Contents include: The structure and dynamics of major league baseball's recruitment of foreign baseball talent, Globalization of baseball, etc.
1995Catalogo di mostra, Milano, centro culturale L'oro di Noma, ottobre 1995. Testo introduttivo di Franco Passoni. Con 10 tavole a colori . 8vo. pp. 28. . Molto buono (Very Good). . . .
1980Volume pubblicato in occasione della mostra tenutasi presso l'Istituto Italo-Latino Americano di Roma nel 1980. Premessa di Carlo Perrone Capano. Testi di Paolo Portoghesi, Graziano Gasparini, Folco Quilici, Marcello Fagiolo, et al. Ricco corredo illustrativo in bianco e nero e a colori (alcune tavole a piena pagina). Dettagliato catalogo delle opere esposte. Bibliografia . 4to (cm 30x24). pp. 232. . Ottimo (Fine). . . .
1991Catalogo della mostra antologica, Palazzo delle Esposizioni, Roma 11 dicembre 1991 - 2 febbraio 1992. Testi di Fabrizio D'Amico, Dacia Maraini, Paolo Mauri, Ana Maria Escalon (La corrida). Oltre 100 tavole in bianco e nero e a colori (dipinti, disegni, sculture). Elenco delle opere, biografia, bibliografia . 4to. pp. 212. . Molto buono (Very Good). . . .
1552In-4°, (8), 604 col., legatura in pergamena, marca editoriale al frontespizio, inumerose xilografie nel testo (Donna in piedi si appoggia ad una colonna spezzata sostenendone una parte col braccio destro. La Fortezza: Dominus fortitudo mea). In-8 °, (8), 604 col., vellum binding, printer’s mark on the title page (Woman standing leaning against a broken column supporting one part with her right arm. The Fortress: Dominus fortitudo mea). Various engravings among the text.
1990Prologo di M. Fagiolo. Disegni di J. M. Clemen. Con 210 illustrazioni in bianco e nero e a colori . 4to. pp. 318. . Perfetto (Mint). . . .
1892français In-12 de 379 pp. + (14) pp. de catalogue ; percaline cartonnée de l'éditeur. Nouveau cours de grammaire latine. Versions et thèmes à l'usage de la classe de quatrième.
1933français 2 volumes in-12 de 60-(4) et 64 pp.; brochés de l'éditeur.
1910français In-12 de 177 pp.; cartonné percaline de l'éditeur. Troisième édition. Légères rousseurs sur une tranche.
1920français In-8 de 264 pp.; cartonné de l'éditeur, dos toilé. Recueil gradué (classes de 6e et 5e), avec 52 illustrations commentées (d'après les oeuvres d'art anciennes et modernes) et un lexique. Troisième édition.
1921français In-12 de 446 pp.; cartonné toile de l'éditeur. Sixième édition, revue, avec 28 illustrations.
1895latin Petit in-12 de 155 pp.; Texte revu et annoté par l'Abbé Cliquennois. Deuxième édition.
français Sans date (circa 1920). In-12 de 104 pp.; broché de l'éditeur. Dos passé.
1944français Petit in-12 de 132-(2) pp.; broché de l'éditeur. Le livre de l'étudiant. Rares annotations et soulignages.
1956français In-8 de 381 pp.; broché de l'éditeur. Mention Specimen dans les premiers feuillets.
Catalogo della mostra nella Galleria d'Arte della "Casa do Brasil", Roma 15 - 30 ottobre 1962. Testo di Max Bense in portoghese e italiano. Un ritratto dell'autore e riproduzione di 10 opere. Biografia . Cm 20 x 17. pp. 20. . Molto buono (Very Good). . Prima edizione (First Edition). . Si aggiunge una piccola brochure della mostra alla Galleria Il Giorno, Milano (anni '70) con un testo di Max Bense e 2 illustrazioni
1969Catalogo di una delle principali mostre di Carlos Cruz-Diez (Caracas 1923), Galerie Denise René, Parigi aprile-maggio 1969. Testo critico di Jean Clay. Tavole in nero e a colori. Cenni biografici. La copertina fustellata è un multiplo originale composto da un foglio di acetato stampato in serigrafia a righe verticali che crea giochi ottici con l'immagine a colori sottostante . 16mo. pp. 58. . Molto buono (Very Good). . . . Considered one of the major exponents of contemporary art in our time; has lived and worked in Paris since 1960. His roots go back to the Kinetic Movement of the 1950s and 1960s. He describes his enquiriesand proposals as "Arte del Movimiento y Espacio Reales" [Art of Real Movement and Space]. His visual art has expanded the accepted idea of color, showing that perception of a chromatic phenomenon does not rely on form. ........ Each one takes a different approach to how color behaves. His work shows that when color interacts with the viewer it becomes an autonomous reality that can be launched into space, sans anecdotes or symbols, evolving on its own with no need of form or even support. He describes himself as an artist who is also a researcher: "There is nothing random about my work; everything is thought out, programmed, and coded. Freedom and emotions are only involved when combining colors, a task that is required to live up to a particular standard: it must do a good job of expressing what I am trying to say. It is a blending of reason and the emotions. I do not get inspired; I think." (Cruz-Diez Foundation)
2001Catalogo della mostra tenutasi in occasione della XLIV Biennale di Venezia presso: Padiglione Brasile, Palazzo Fortuny, Chiesa di San Giacomo dall'Orio, Peggy Guggenheim Collection, Venezia, 2001. Testi di Germano Celant, Joao Marino, Antonio Sergio Ribeiro, Rosa Magalhaes. Numerose illustrazioni a colori. In appendice testi in portoghese. Edizione in italiano e inglese . 4to (cm 31x23). pp. 328. . Molto buono (Very Good). . . .
