50 393 résultats
réf. 15905TUILERIES BROCHURES ENGLISH ARCHITECTURE. London: Ludowici-Celadon 1930. 4to. Cloth. vi 200 pages. Being a reprint of the first 12 brochures first issued in 1929-1930 all dealing with English architecture. With photographs and measured drawings. Very good spine worn. unknown books
réf. 33703ENGLISH BIBLIOGRAPHICAL SOURCES. Series I. Numbers 1-4. Six volumes. Farnborough: Gregg 1964. 4to. Cloth. Facsimiles of source books on early English printing history including The Monthly Catalogue 1714-1717; The Monthly Catalogue 1723-1730 Two Volumes; A Register of Books 1728-1732; and Bibliotheca Annua 1699-1703 Two Volumes. Bookplates; fine. unknown books
1847réf. List2609Quebec City and Brockton Canada 1847. Four letters approximately sixteen total pages: four 8 x 12.5 inches twelve 8 x 10 inches and smaller. Two letters dated 1846 one 1847 missing final pages and one without date missing initial and final pages. Very good. Edmund John Senkler 1802-1872 was born in Norfolk England educated at Cambridge and in 1827 ordained as an Anglican minister. Senkler his wife Eleanor and their children immigrated to Canada in 1843 to live in Quebec City Canada East now the province of Quebec. They then moved to Sorel also known as William Henry and finally to Brockville near Kingston Canada West now Ontario. Offered here is a set of four letters from Senkler to his friend G. W. Chad back in Norfolk describing the activities of Senkler and his family as they settle into life in Canada. The Senklers had first moved to Quebec City but did not enjoy their time "in that pestiferous cloaca . over which the destroying angel seems evermore to hover with his drawn sword in his hand" May 8 1846. On planning to leave the Bishop of Montreal offers Senkler an unpaid position in "Coteau du Lac a lonely place 40 or 50 miles above Montreal" whose previous missionary had "been enjoying for many years a handsome salary" and was now "on his return to England." Senkler turns down this meager offer and takes his family to Sorel. The move is providential as "Not fewer than 27 persons with whom we had some acquaintance have died there Quebec City since we left" September 10 1846. The family's acquaintances apparently died in a theater fire in Quebec City-probably the St. Louise Theater-which seemed to have turned into a crowd crush: "I knew some of the sufferers: some were very pious people . What shocked the feelings of all who witnessed the scene with some of whom I have conversed was that the misery was so easily approachable and yet so utterly beyond relief. . In the case of poor Mr. Scott mentioned in all the papers particularly the Illustrated London News of July 18 where there is a view of the place his brother could not only see him but talk with him - caress him petting his face weeping over him while the poor suffering man commended his wife family to his care; and yet no force could drag out his limbs from the entangled mass of human beings. They did pull at him until they pulled the ball of his shoulder out of the socket and he begged to be allowed to die." By 1847 the family had sold their property in Sorel and moved west to Brockville in what is now Ontario. The family are noticing the effects of England's Panic of 1847: "The great scarcity of money now felt in England will very shortly be felt here. The produce sent from hence home has not been paid for. Consequently our merchants must pay for the manufactures c. sent out by bills of exchange which must be in so much greater demand therefore fetch a higher premium." December 8 1847 And around the same time an epidemic of typhus breaks out in Canada from Irish immigrants fleeing the famine: "Probably you have learned from the papers what misery the unfortunate Irish emigrants have brought and are likely yet to bring to this country. They have spread a pestilence through the city of Montreal. Grosse Isle the quarantine station below Quebec has been crowded with fever patients to an alarming extent. . The emigrants as they recover are forwarded by the steam-boats from Grosse Isle to Montreal without touching at Quebec where they are received in miserable wooden sheds. Many suffer a relapse; others first shew symptoms of fever when there; and spread the infection though the town by begging. You can imagine what hotbeds of infection those steam-boats must be. Last week 3 passed Sorel without touching at the port one had 1000 emigrants on board the other two about 800 500 respectively. . These unhappy people are forwarded to their destination in the Western Country. For many of them doubtless that destination will be an untimely grave in a strange place." No Date. Nonetheless the Senkler family happily settles in the town of Brockville with "an orchard garden with plenty of pasture for a couple of cows and horses with ground for growing all the vegetables required for the family" December 8 1847. The land is rapidly developing with land prices increasing and a telegraph line from Toronto to Quebec running through it - which to Senkler is "surprising in a country in which 60 years ago there was only an Indian's hunting track for hundreds of miles." Overall the letters provide an intimate look at life for settlers in Canada in the middle period of its rule by the British. unknown books
1884réf. 2221942First edition. Octavo. No half-title page. 3/4 gilt stamped red calf over marbled boards spines with raised bands and gilt stamped devices within gilt rule compartments covers ruled in gilt marbled endpapers. Very good. 207 pages. Heraldic bookplate of Raymond. No signatures. Longmans, Green, and Company hardcover books
1898réf. 2222256First edition. Octavo. Title page in red and black. 3/4 green morocco t.e.g. by Zaehnsdorf London. No dust jacket. Very good spine faded to brown. 297 pages. J. Ogden Armour's copy with his engraved pictorial Tiffany & Co. book plate. Printed by The Gresham Press Unwin Brothers Woking and London. T. Fisher Unwin hardcover books
1891réf. 2221944First edition with half-title page. Octavo. 3/4 gilt stamped red calf over marbled boards spine with raised bands and gilt stamped devices within gilt rule compartments covers ruled in gilt marbled endpapers. Very good light rubbing. 396 pages. No signatures. Heraldic bookplate of Raymond. Printed by Billing and Sons. Richard Bentley and Son hardcover books
1888réf. 2540891888. hardcover. These documents are dated from 1884 to 1892. Several are signed in type by Robert Todd Lincoln American Ambassador to the United Kingdom Department of State. 13.25 x 8.25-inch slim folio-sized volume bound with marble boards and leather 20 pages with the addition of an important typed letter signed by Benjamin F. Butler investigating a mass inheritance fraud perpetrated on the citizens of America by con artists in the United Kingdom. During this period American citizens would be notified that they were heirs to a large unclaimed English Estate or perhaps a large sum of money held in the Bank of England. To receive their inheritance they were told that certain legal fees and real estate transfer taxes would have to be paid to agents of the British Government. Another variation of the scheme involved American con artists placing advertisements in newspapers calling themselves "European claim agencies" and charging Americans exorbitant fees for investigating the ownership of non-existing estates. Lincoln is flustered because the American Legation in London is receiving hundreds of letters from American citizens who were swindled and yet little was being done in the United States to educate its citizens to the magnitude of the fraud. Mr. Lincoln to Mr. Blaine extract March 3 1891 ".since March 4 1889 one hundred and ninety 190 letters have been received at this Legation alleging the writers claims to large estates in England or to fantastic sums of money 'in chancery' or 'in the Bank of England' none of them containing an element of probability." In conclusion is a typed letter signed by former Union General Benjamin F. Butler 1 page on law office letterhead Boston November 14 1888 whereby he brings to light the vast magnitude of the con in part: ".I have now been more than 45 years in the practice of a legal profession more or less extensively. I have heard of more than 4500--I hope I do not exaggerate--cases of large estates in England awaiting American heirs and I have been consulted in a very great many and early in life looked into such matters; but I have not for the last 25 years at all because I never have heard of one dollar coming from England to any American heir on account of such estates. In the first place it is a legal impossibility unless the heirs are British subjects.all those I have ever known about are swindles." Leather binding worn at the spine with light fading to the marble boards. All interior documents are in good to very good condition. unknown books
1617réf. U26The Holy Bible Conteyning the Old Testament and the New. Newly Translated Out of the Originall Tongues: And with the former translations diligently compared and revised by his Maiesties Speciall Comandement… Summary: Pulpit Folio approx. 16.25" x 11.25". The third of the five distinct pulpit folios of the King James Version. A complete copy with the Genealogies by John Speed at a fraction of the price of the first edition. Description: General title page 1617. Calendar printed in red and black. The Genealogies by John Speed with title page. The double-page map in facsimile. Text in large two column black letter type with 59 lines to the full column and within a ruled border. With the reading "and she went into the citie" in Ruth 3:15. New Testament title page 1617 with the twelve tribes of Israel on the left and the twelve disciples on the right. The four evangelists with their gospel symbols around the letterpress with the Tetragrammaton the dove and the slain Lamb at the center. Collation: A6 -A1 B4 C6 D4 prelims; A-C6 D2 -D2 Genealogies and map A-Z6; Aa-Zz6 Aaa-Zzz6 Aaaa-Zzzz6 Aaaaa-Ccccc6 Old Testament and Apocrypha; A-Z6 Dddddd6 New Testament. Complete Bible text with only the map supplied in facsimile. Binding: Professionally rebound in brown calf. Covers paneled in gilt and blind. Spine with five raised bands gilt and blind tooling to compartments and with two gilt-lined red morocco labels and the words "Holy Bible" and "1611 3rd issue" lettered in gilt. Endpapers renewed. Condition: Title page laid down with loss to upper left corner; A2-C1 of prelims with marginal corner repair; 5D1-2 NT title and first leaf of Matthew with a few ink blots; 5G2 with ink blot to text obstructing a few letters on recto; 6A-6D with lower corner reinforced to margins; final two leaves of Revelation with loss to border and one letter of text; final leaf soiled and frayed to edges; overall a very nice copy with great margins. Note: The 1611 King James Bible was printed in a 59-line folio format in 1611 1613 1617 1634 and in 1640/39. The 1611 He Bible constituted a distinct edition with the reading "and hee went into the citie" in Ruth 3:15. The second edition 1613 She Bible was printed in subsequent years 1613 1617 1634 1640/39 with the variant "and she went into the citie." The second edition is frequently found in a variant state with leaves mixed in from different years but most here appear to originate from 1617. Arguably the most important book ever published in English. Its influence can best be summed up by G.M. Trevelyan who stated that "for every Englishman who had read Sidney or Spenser or had seen Shakespeare acted at the Globe there were hundreds who had read or heard the Bible with close attention as the words of God. The effect of the continual domestic study of the book upon the national character imagination and intelligence for nearly three centuries to come was greater than that of any literary movement in our annals or any religious movement since the coming of St. Augustine." Macaulay said of it "If everything else in our language should perish the King James Bible would alone suffice to show the whole extent of its beauty and power" PMM 114. References: Herbert 319. PMM 114. Robert Barker hardcover books
1825réf. ST20491London: R. Ackermann 1825. FIRST EDITION. 236 x 144 mm. 9 1/4 x 5 3/4". vii 1 84 pp. STRIKING DARK GREEN MOROCCO VERY ELABORATELY GILT BY CUNEO stamp-signed on lower front turn-in for Mildred B. Davey named stamped on upper front turn-in covers with geometric Art Deco frame smooth spine in compartments with triangle ornaments gilt lettering git-ruled turn-ins marbled endpapers. Housed in matching green morocco-backed clamshell box lined with fleece. Engraved map and 24 FINE DELICATELY HAND-COLORED PLATES inlaid on heavy stock as issued; original tissue guards. Verso of front free endpaper with engraved bookplate of Mildred Davey and red morocco ex-libris of Paul Edward Chevalier; front flyleaf with 19th century ink owner inscription of William Mitchell. A Large Paper Copy. Abbey Travel 210; Tooley 245; S. T. Prideaux "Aquatint Engraving: A Chapter in the History of Book Illustration" p. 229. See Peter Thorold "The British in France: Visitors and Residents since the Revolution" p. 64. A very small ink spot just intruding on very bottom edge of a handful of leaves a few vague spots of foxing to map isolated faint offsetting from illustrations but A VERY FINE COPY in all other ways--the text clean fresh and bright the plates immaculate the margins spacious the binding lustrous and sparkling. This is a lovely copy of a work with plates Prideaux considers "among the most beautiful to be found in aquatint engraving" and it comes in a handsome binding commissioned by Mildred Benson Davey and later owned by Paul Chevalier. Issued by a publisher known for his lavishly illustrated travelogues the volume takes us on a journey through the scenic French Pyrenees escorted by Englishman Joseph Hardy who adds his insights on the local population and government gives recommendations on the best mineral baths and describes in word and image the breathtaking scenery. The views are small measuring approximately 90 x 70 mm. but as Abbey notes "part of their charm is certainly in their small size." Sarah Prideaux praised their composition: "The ground is exceedingly fine and there is no line whatever. The colouring is most delicate and all the twenty-four illustrations are exquisite." We can only be impressed by the achievement of the colorist; the detail is cleanly executed the colors are luminescent and the images do not disappoint even under magnification. Thorold notes that this work was "a great success" and was later translated into French. Our copy was bound in a bold modern design at the Chicago workshop founded by in 1926 by John Cuneo 1884-1977. Cuneo hired fine British craftsmen like the Englishman Leonard Mounteney to create bibliophile-quality bindings for American collectors. After apprenticing at the bindery of G. & J. Abbott in Nottingham and studying ornamental design at the Battersea Polytechnic Mounteney worked as an exhibition finisher for Riviere before emigrating to Chicago where he initially worked with Alfred de Sauty at the R. R. Donnelley bindery before joining Cuneo's hand bindery. The present binding was a commission for Mildred Benson Davey 1890-1953 daughter of the founder of Benson & Rixon men’s clothiers. Cuneo also bound books for Chicago retail magnate Marshall Fields. Later our binding was appreciated by distinguished connoisseur Paul Chevalier whose library of beautiful volumes was uniformly characterized by outstanding workmanship and superb condition. The sale of his books in 1990 represented one of the best collections of 20th century bindings brought to auction in the past half century. Laid in is Christie's slip from Chevalier's 9 November sale where this appeared as lot 23 selling for $935. R. Ackermann unknown books
1800réf. ST20221aLondon: T. Bensley for T. Macklin final volume Bensley for T. Cadell & W. Davies 1800 for the six volumes of the Bible 1816 for the Apocrypha. First Printing of this Edition. 480 x 385 mm. 19 x 15 1/8". One leaf in the Apocrypha 3P2 comprising two prologues of Ecclesiasticus invisibly inserted from another copy. Seven volumes comprising the regular Bible in six volumes and the Apocrypha usually not included as a seventh volume. ABSOLUTELY MAGNIFICENT CONTEMPORARY RED NEOCLASSICAL-STYLE STRAIGHT-GRAIN MOROCCO SUMPTUOUSLY GILT AND ONLAID WITH BLUE BY GEORG FRIEDRICH KRAUSS done for Prince Albert Casimir Duke of Saxe-Teschen with repeated "AST" monogram covers with very elaborate frames incorporating 11 plain and decorative gilt rules four onlaid borders of blue morocco and very elegant swirling foliate ornamentation around the central scalloped panel six pairs of raised bands each pair flanking a recessed gilt and blue metope and pentaglyph rule very handsome spine compartments with blue fan-shaped cornerpieces and central gilt-decorated blue medallions within sunburst gilt collars turn-ins with Greek key pattern in gilt striking endleaves of turquoise and green watered silk the Apochrypha endleaves slightly different. With more than 100 allegorical headpieces and tailpieces and some 70 SPLENDID LARGE-FOLIO-SIZE COPPER PLATES after Fuseli Reynolds West and others most plates printed before letters. Tissue guards perhaps later. Herbert 1442 and 1651. First volume with about 30 leaves noticeably foxed the majority of plates offset onto previous and following pages consistent inoffensive offsetting of text on facing pages other trivial imperfections but still a very impressive copy internally with the luxurious paper used for the text both fresh and clean and the engravings richly impressed and with very little foxing. Some unimportant scuffing and rubbing to the leather but all defects minor THE MAGNIFICENT BINDINGS REMARKABLY WELL PRESERVED the heavy volumes completely solid with only insignificant signs of use and THE MOROCCO AND LAVISHLY GILT DECORATION EXTREMELY BRIGHT. AN ALTOGETHER MEMORABLE COPY. The most prodigious form of Scripture in English ever published the Macklin Bible was often put into ornate bindings especially by London binders like Staggemeier and his contemporaries. But however much other sets may glisten the present magnificent example surely stands at or near the front of the line as one of the most lavishly decorated and arresting copies in existence. Its decorative extravagance also testifies to the fact that Macklin's publication was sufficiently admired outside of England to warrant the finest workmanship and the expenditure of great sums of money on artistic resources. The very large and bold type the fine Whatman paper and the series of engravings by some of the most celebrated artists of the period make this an item that is already very desirable. Like the Boydell "Shakespeare Gallery" also printed by Bensley our Macklin Bible is a vast picture book with illustrations that are grand both in size and emotional impact. But it is of course the bindings here that matter the most. Francesco Piranesi is generally given credit for inventing the Neoclassical style when he designed volumes presented to Gustavus III of Sweden during this monarch's visit to Rome in 1783-84. Quickly popular the Neoclassical style was imitated and developed by Staggemeier & Welcher in London by F. W. Standlander in Stockholm and by Georg Friedrich Krauss in Vienna. Krauss was the most prominent Continental binder working in this style of the day and Saxe-Teschen was perhaps his most important client. Products of the Krauss bindery have passed through some of the most distinguished collections over the years particularly those of Fürstenberg and Schäfer; and his bindings have consistently brought remarkable sums of money at auction. It is sufficient to say that the present group of bindings represents the most impressive collection of decorative volumes we have ever offered for sale. The collector for whom these bindings were originally executed Duke Albert of Saxe-Teschen 1738-1822 was the son of Friedrich August II of Saxony and the son-in-law of the empress Maria Theresa. After providing important military and civil service to the Habsburg empire he retired to Vienna in 1795 and afterward devoted himself to the fine arts. He founded the Albertina which now houses the greatest collection of prints in the world and he put together a great library distinguished by the highest taste and most exacting standards. The present copy has the additional distinction of containing what amounts to an extra volume: the Macklin Bible however it is bound most often appears in the marketplace without the Apocrypha appearing here as Volume VII which was not issued until 16 years after the others. It is also of some interest that the bindings of our seven volumes were decorated in an entirely uniform fashion as a close inspection shows something not typical of a set with volumes published so many years apart. The non-uniform endleaves in the final volume here may have resulted from the fact that given the physical size of the books the binder simply ran out of the cloth he had used for lining the first six volumes. The present set was offered though unsold at Sotheby's in 2003 with an estimate of £40-50000 approximately $64000-80000 and in 2005 for £30-40000 approximately $54000-72000. T. Bensley for T. Macklin [final volume Bensley for T. Cadell & W. Davies] unknown books
1903réf. ST19464Boston: Privately Printed by Nathan Haskell Dole 1903-05. No. 2 OF 26 COPIES OF THE HELLENIC EDITION printed on Royal Japanese vellum. 230 x 165 mm. 9 x 6 1/2". 10 volumes. SUPERB CONTEMPORARY INDIGO CRUSHED MOROCCO GILT AND INLAID covers with gilt rule border central panel framed by 20 inlaid lighter blue morocco tulips interspersed with tiny gilt stars raised bands spine with three panels inlaid with sprays of dark red and citron morocco tulips and lilies accented with small tools two panels with gilt titling SKY BLUE MOROCCO DOUBLURES featuring an indigo morocco frame inlaid with red morocco lilies at corners central panel inlaid with eight teal morocco tulips and a large red morocco lily on graceful gilt stems a sprinkling of gilt stars above them ivory watered silk free endleaves all edges gilt. LAVISHLY ILLUSTRATED by artists including A. G. Learned and E. F. Bems with decorative frame on limitations and title pages NINE FRONTISPIECES 97 HEADPIECE VIGNETTES 95 DECORATIVE TAILPIECES AND 269 THREE-QUARTER FRAMES ALL HAND COLORED and 675 black & white three-quarter frames. With engraved bookplate of George Clinton Ward on front flyleaf most now loose. Spines with just a hint of dulling a whisper of shelfwear to a couple of volumes isolated small marginal smudges from the printing process but A VERY FINE SET WITH VIRTUALLY NO SIGNS OF USE. This superb set features English translations of important Classical texts handsomely printed on Japanese vellum extravagantly illustrated and sumptuously bound. It contains "The Wisdom of Marcus Aurelius" "The Eclogues of Vergil" "Sayings of Epictetus" "Selections from Gesta Romanorum" "Odes of Anacreon Anacreontics and Other Selections from the Greek Anthology" "The Satires of Horace" "The Story of Odysseus in the Land of the Phacians Being the Sixth and a Part of the Seventh Book of the Odyssey" "Selections from Aristophanes and Lucian" "The Olympic and Pythian Odes of Pindar" and selections from the Koran translated by George Sale. The project was undertaken by writer translator and editor Nathan Haskell Dole a popular member of the Boston literary set. Educated at Philips Andover and Harvard he was much influenced by family friends like Henry Wadsworth Longfellow and Oliver Wendell Holmes Sr. He showed an early facility for languages teaching himself to read French German Greek and Latin. Our set was designed by Dole to be the crown jewel of a library combining beauty and luxury with Classical erudition. The bindings here are unsigned but are very similar to those on a copy of this work in the Phoebe Boyle sale bound by the Adams Bindery. Ralph Randolph Adams was along with Henry Stikeman and a handful or others one of the great American art bookbinders of his era. His workshop produced bindings of notable beauty and craftsmanship. The New York Times 11 October 1902 described an Adams binding as "so exquisite in design and execution that those long skeptical of the ability of Americans to bind artistically should now be convinced of their error. . . . It is to be hoped that all American binders will be encouraged to strive toward producing designs like Adams' that are in a measure original and which show more of the individual touch of the artist.". Privately Printed by Nathan Haskell Dole unknown books
1856réf. ST17640sLondon: Edward Moxon 1856. Apparently the FIRST EDITION. 200 x 130 mm. 7 7/8 x 5 1/8". viii 355 pp. bound with the half title and with an inserted plate as frontispiece.Edited by Alexander Dyce. VERY PLEASING SLIGHTLY LATER DARK BROWN CRUSHED MOROCCO ATTRACTIVELY GILT covers with French fillet border and elegant botanical cornerpieces raised bands heavily gilt spine in compartments featuring elaborate scrolling cornerpieces an intricate fleuron centerpiece and tiny circlets turn-ins with plain and stippled rules and filigree gilt decoration at corners and midpoints of two sides textured silk brown and cream millefleur-patterned endpapers all edges gilt. EXTRA-ILLUSTRATED WITH 55 PORTRAIT PLATES five in color all with tissue guards. Verso of the front free endpaper with the engraved bookplate of Robert B. Lawrence. A hint of browning to some of the inserted plates but A FINE AND HANDSOMELY BOUND COPY the text especially fresh clean and smooth and the binding bright and virtually unworn. This is a tastefully bound collection of anecdotes and witty banter recorded by poet Samuel Rogers whose private means made his gracious home in Westminster a gathering place for the poets and artists of the age. Scion of a wealthy banking family Rogers 1763-1855 achieved fame with the publication of "The Pleasures of Memory" in 1792. His friend Alexander Dyce who compiled the present work tells us in the preface that Rogers "was in the habit of writing down in all their minutiae the anecdotes &c. with which his conversation abounded." These records provide us with an intriguing glimpse of literary society in London in the first half of the 19th century. Our second work "Porsoniana" contains anecdotes about the "very eminent Greek scholar" Richard Porson 1759-1808 related to Dyce by that individual's close friend William Morby. This edition is one of at least three printings that were issued by Moxon in the initial publication year and it would seem to be the first appearance of the text. In any case our volume has the added feature of 55 inserted engravings of the persons discussed in the book. Although the binding is apparently unsigned the owner's bookplate on the front flyleaf is placed near enough to the top edge that it may be obscuring a stamped binder's signature. The work displayed here is certainly of high enough caliber to have been produced by Riviere or Zaehnsdorf. Edward Moxon unknown books
1918réf. 120430NY: Macmillan 1918. First edition. Total printing of 960 copies 750 of which were numbered and signed. This copy is one of the unnumbered/unsigned issue that has been inscribed by Masefield on the first free engpage. "For Laura - from John Masefield 11 May 1918." Masefield has also signed the second front free endpage. Mild page toning tiny hole in spine cloth; dustjacket with chipped spine ends wear at three corners and slight spine toning. Near Fine condition in a Very Good dustjacket with an archival cover. Inscribed & Signed By Author. First Edition. Hardcovers. Near Fine/Very Good. 12mo - over 6¾" - 7¾" tall. Macmillan Hardcover books
1763réf. 1230541763. Cambridge: Printed by John Baskerville Printer to the University 1763. Royal folio 573 unnumbered leaves. A2 1 B-13D2 a-e2 f1. English binding of contemporary full blue-green morocco covers with elaborate gilt border backstrip richly gilt with red morocco lettering pieces stamped in gilt "HOLY BIBLE" and at the foot "BASKERVILLE" gilt edges marbled endpapers. Inevitable slight signs of wear on such a huge book but in all a very good unrestored copy internally flawless. § First edition of Baskerville's masterwork in a magnificent contemporary English binding. Third issue of the subscribers' list as usual. "John Baskerville was a monumental figure in the history of English bookbinding and printing with contemporary accounts of his work ethic revealing a man deeply engaged in virtually every aspect of book production. Yet for most of his life and indeed for many decades afterwards he was decried as a mere amateur. Still other sources show an individual with highly idiosyncratic and paradoxical habits -- he lived with Sarah Eaves for nearly two decades out of wedlock; a devout atheist who was buried in his own backyard without Christian ceremony; a man who 'had wit but always against religion and decency'" F.E. Pardoe in John Baskerville of Birmingham: Letter-Founder and Printer 1975. Paradoxically after taking the position of Printer to the University of Cambridge on 1 December 1758 Baskerville produced one of the few great Bibles. It is a true masterwork expertly printed with impeccable attention to ink type spacing paper quality and ease of use. Published on 4 July 1763 "the adjective that inevitably comes to mind is 'noble' and the volume warrants the word. It was conceived and executed on a grand scale. to show that he had now learnt his craft and was able to practice it in a masterly fashion. and the result shows again that Baskerville must be placed in the very top rank of book designers" Pardoe 87. Morison and Day The Typographic Book 1963 write that "Baskerville's folio English Bible printed for the University of Cambridge is the finest presentation of Holy Writ since Richelieu's Latin Vulgate printed at the Imprimerie Royal" 48. Gaskell 26. Herbert 1146. Morison & Day The Typographic Book 48. Huntington Library Great Books in Great Editions 7. Rothschild 2640. Rumball Petre 145. unknown books
1980réf. 02353THE ART OF THE GREAT HOLLYWOOD PORTRAIT PHOTOGRAPHERS Knopf 1980 first edition small faint moisture stain in the lower gutters of the end-papers and paste-downs same to the last 30 leaves else a near fine copy in like dust-wrapper save for some stains to the base of the flaps and a couple of closed tears. Contains the photographic artisty of: Ruth Harriet Louise Ernest Bachrach Joseph Von Sternberg Eugene Robert Richee Don English William Walling Jr. George Hurrell Clarence Sinclair Bull & Laszlo Willinger. Knopf unknown books
1926réf. ST20084Waltham St. Lawrence: Golden Cockerel Press 1926. No. 48 OF CLXXV COPIES. 258 x 195 mm. 10 1/4 x 7 3/4". 15 3 pp. Understated black crushed morocco by J. Franklin Mowery stamp-signed "JFM 94" on rear turn-in wraparound design of blind-stamped L-shaped panels of intersecting lines smooth spine with vertical gilt lettering leather hinges edges untrimmed. Original illustrated upper cover of dust jacket repaired at one corner bound in at rear. In a matching morocco-lipped slipcase. Title page with large woodcut of the risen Christ four large vignettes in the text four pictorial half borders and four full-page woodcuts all by David Jones printer's device in colophon. Front pastedown with bookplate of Jan van der Marck. Chanticleer 40. A pristine copy. This is a wonderfully--if understatedly--bound copy of one of the most strictly limited Golden Cockerel Press productions. The binding is the work of J. Franklin Mowery retired Head of Conservation at the Folger Shakespeare Library and past president of the Guild of Book Workers. Mowery studied bookbinding under Professor Kurt Londenberg at the Staatliche Hochschule für bildende Künste Academy of Art in Hamburg and trained as a paper conservator under Otto Wächter in Vienna before returning to the U.S. to work at the Huntington Library. According to his article "A Binder's Training" Guild of Book Workers' Journal XX 1981-82 the blind-stamping technique seen here was "particularly favored by Professor Londenberg" and often employed by Mowery for the range of design possibilities it offers. The method uses dies to stamp the patterns: "a photographic process can transfer any black and white image onto zinc plates that are deeply etched and mounted onto type-high metal blocks for heated impressions or onto wood for cold embossing." Mowery stated that lines of the design here represent the driving rain of the storm that struck Jonah's ship. Founded in 1920 with the intention to print fine editions of important well-known books as well as new literary works of merit from young authors the Golden Cockerel Press was purchased in 1924 by the illustrator and wood-engraver Robert Gibbings. "Under his direction" says Cave the Press was "transformed into the principal vehicle for the renaissance of wood-engraved book illustration that took place in the years between the wars." In addition to doing wood engravings himself Gibbings employed a stable of eminent artists including among others Eric Gill Blair Hughes-Stanton John Nash John Farleigh Eric Ravilious and David Jones. The memorable woodcuts are the work of Jones 1895-1974 who had a brief but impressive career as an illustrator before eye strain forced him to abandon engraving in 1930. In his published study of Jones' work Douglas Cleverdon says that in the short time Jones was engraving "he produced a remarkable amount of work of great variety; some witty some mystical; some boldly cut some delicately shaded; some simple to print some virtually impossible. Although he never attained . . . the greatest technical mastery in the conventional sense his prints are nearly always distinguished by their excellence of design personal commitment and absolute individuality." Our binding was commissioned by collector and self-described "radical" museum administrator Jan van der Marck 1929-2010 who championed artists that pushed boundaries--often to the consternation of the museum boards who employed him. Golden Cockerel Press unknown books
1967réf. 623657Oxford: Pergamon Press 1967. Hardcover. Fine/Near Fine. First English edition. Octavo. x 462pp. Illustrated. Black patterned cloth stamped in forest green and gilt. Owner name and stamp of a noted American psychologist on the front fly else fine in price-clipped else about fine dust jacket with a tiny bit of wear and soil. The symposium was held in Leningrad in May and June 1963. Issued as International Series of Monographs in Pure and Applied Biology Zoology Division Volume 34. A nice copy. Pergamon Press hardcover books
1992réf. 28476Gemona Italy: La Cineteca del Friuli. Near Fine. 1992. No. 44/45. Journal. virtually as-new with just the teensiest bit of handling wear. facsimiles B&W photos color poster reprod. A double number of this highly-specialized film history journal published in conjunction with the Pordenone Silent Film Festival and generally keyed to the contemporaneous festival offerings and presentations. Major topics of this issue/festival were the Eclair Company a French film producing firm that also had an American branch and silent comedian Lloyd Hamilton. All articles are presented in both English and Italian. The Eclair section begins with an overview of the studio's history by Richard Abel followed by a reminiscence of "My First Visit to the Eclair Studio" in Fort Lee New Jersey by art director Ben Carré a checklist of the company's French films 1907-1919 and a "filmographic chronology" of the American arm of the company covering the years 1911-1915 derived from the trade press and the company's own house organ. There are two articles about Lloyd Hamilton by Bo Berglund and Richard M. Roberts plus a filmography. Also in this issue: an article about the discovery of the Komiya Collection a large private collection of early European cinema that was donated to a Japanese museum in 1988; an article about Ernest Shipman an early Canadian film producer by D.J. Turner; an article by Scott Eyman about the clashes between Ernst Lubitsch and Mary Pickford during the making of ROSITA 1923 the former's first American film starring the latter; and an article about "The First Danish Film with Photographic Sound" presented in 1923. . La Cineteca del Friuli unknown books
1973réf. 346401Old Westbury NY: The Feminist Press 1973. Pamphlet. 94p. stapled wraps illus. wraps unevenly toned else very good first edition. Glass Mountain Pamphlet No. 2. The Feminist Press unknown books
1597réf. ST15850London: Printed by the Widow Orwin for Thomas Man 1597. FIRST EDITION. PRESENTATION COPY. 187 x 130 mm. 7 3/8 x 5 1/8". 5 p.l. 93 pp. 20th century gray paper boards. Printer's device on title page. Title page inscribed "Gyven to name inked through but perhaps "Thomas Langham" by the aucthor Jo. Norden"; tail margin of title inscribed "Constantin Adyn his booke"; 19th century ink signature of Benjamin Hynam on recto and verso of title. Front pastedown with early 20th century bookseller's description pasted on. STC 18614; ESTC S113322. ◆Boards a bit soiled but otherwise unworn minor dust-soiling or browning to head margins one quire a little browned occasional trivial smudges or tiny rust spots but an excellent copy generally clean and fresh. Written during a fallow period in the author's regular career as a cartographer this work emphasizing the importance of service to God for all leaders and common soldiers in the sovereign's army was inscribed by the author to a friend or patron. One of several works Norden dedicated to the earl of Essex it got our author into professional difficulties when Essex's enemy Robert Cecil rose to power and was in a position to impede Norden's career as a mapmaker. Norden quickly tried to push responsibility onto a "false Norden" from Kent he was from Somerset but biographer Frank Kitchen has established that the shared "interests backgrounds written expression everyday circumstances and style" indicate there was but one author. Though best known for his surveys and maps--including the first county maps of England to include roads--the pious Norden ca. 1547-1625 also produced numerous works of devotion and prayer among them the enormously popular "A Pensive Mans Practice" which went to 40 editions in his lifetime. While his sincere religious sentiments are not to be doubted it must be acknowledged that Norden was most moved to write these manuals when he was between surveying jobs and short of money. Aimed at soldiers of every rank the present work urges the "necessity of the fear and service of God" and "the use of all divine virtues both in commanding and obeying practicing and proceeding in the most honorable affairs of war." Norden also encourages civilians to support and respect the military and to pray for men-at-arms. This is an especially rare work: OCLC and ESTC find five copies in U.S. libraries and except for the two copies in the Cottesloe Library there seems to have been only one other--defective--copy at auction listed by RBH and ABPC. The present item is even more desirable as an extremely uncommon presentation copy signed by a 16th century English author. The Constantin Adyn who owned our copy is likely the early seventeenth-century schoolmaster otherwise known as Constantine or Constantinus Adyn fl. 1605-25 whose school was situated in Brighton according to Church of England records. The latest owner is likely the Anglo-Russian writer bibliophile and watchmaker Benjamin Hynam 1769-1859 a prominent figure in the distinguished Hynam family imperial watchmakers to Russian royalty. In the late eighteenth century the Hynams maintained a presence in both St Petersburg and London. Printed by the Widow Orwin for Thomas Man unknown books
1613réf. U11The Holy Bible conteyning the Old Testament and the New: Newly translated out of the originall Tongues: And with the former Translations diligently compared and revised by his Majesties Speciall commandement. Summary A textually complete 72-line folio King James She Bible. Bound with Speed's Genealogies in eighteenth century calf. Description Pulpit Folio 15.5" x 10.5". General title page in facsimile. Preliminaries include the Translators to the Reader 11 pp.; Kalendar in red and black 6 ff.; Almanack 1 p. in red and black; The Table and Kalendar Expressing the order of the Psalms and Lessons… 5 pp.; The Names of all the Books… in red and black 1 p. Bound with The Genealogies… by John Speed 34 pp. without the double-page map. Text in two column black letter in smaller type with 72 lines to the full column. Text within ruled border. Each chapter begins with a woodcut initial. New Testament title page 1613 features the Tetragrammaton above the Agnus Dei and the Holy Dove with Matthew and Mark on either side; on the left side are the tents of the twelve tribes and on the right side the twelve apostles; below the letterpress are the Lamb slain along with Luke and John. Many headpieces vignettes and decorated initials throughout. Collation A-B4 -A1 title C6 D4 prelims; A-C6 Genealogies; A-Z6 Aa-Zz6 Aaa-Zzz6 Aaaa-Mmm6 Nnnn6 Bible text. Lacks general title page supplied in facsimile. Binding Eighteenth century calf rebacked and recornered with original spine laid down. Boards paneled in blind. Spine with six raised bands blind stamps to compartments and a red morocco label with the words "Holy Bible" lettered in gilt. Plain endpapers. Condition Light browning and staining but generally clean throughout; trimmed occasionally touching headline; A2 A3 of prelims with lower marginal loss; A4 B6 Kkkk2-5 with marginal fraying or loss not impacting text; Z6 Ss6 NT title with small repair to gutter; Uuu6 with small marginal loss; final leaf of Revelation stained and laid down. Provenance Eighteenth century ownership inscription of Thomas Chisnal to A23. Badder family manuscript record of births from 1765-85 to 3T5v. Note The true 1613 folio edition "easily distinguishable from the other large folio editions by its smaller type" Herbert. The number of leaves are reduced from 732 to 508 and was "no doubt designed as a cheaper alternative for poorer churches" Norton A Textual History of the King James Bible p. 76. This true second folio introduces four readings that have become standard: 'that ye may have' for 'the he may haue' Ez 6:8 'she poured it not' for 'she powred it' Ez 24:7 'as a flower' for 'as floure' 2 Es 15:50 and 'what thy right hand doeth' for 'what they right doeth' Mt 6:3. References Herbert 322; USTC 3005767; ESTC S122066. Robert Barker hardcover books
1901réf. T60The Boke off the Revelacion off Sanct Jhon the Devine done into Englysshe by William Tyndale Summary: A noble private press production of William Tyndale's Book of Revelation under the direction of C.H. St John Hornby. The text follows Tyndale's 1534 translation preserving the language of the earliest printed English New Testament in a setting distinguished by clarity proportion and generous margins. Description: General title page 1587 with printer's device. Each of the four chapters begins within a decorative initial. Text presented in single-column Roman font. Outer margin contains cross-references and few notes. Includes two indexes Tables at the rear. Pagination: 1250797 pp. Collation: par8 A4 B-Z8 Aa-Zz8 Aaa-Zzz8 Aaaa-Iiii8 -Iiii2-8. Textually complete lacking final six leaves of Tables and final blank leaf. Binding: Original limp vellum. Condition: Crisp and clean throughout. Provenance: Philip C. Duschnes Rare Books and bookplate of General Theological Seminary to pastedowns. Note: The Ashendene Press one of the great English private presses of the period alongside the Kelmscott Press and the Doves Press is celebrated for its stately typography and uncompromising craftsmanship. Of the press' 132 books nine were biblical in subject. This book is printed on Ashendene paper made by Batchelor using Fell types on loan from Oxford University. This is the second book produced by the press and the first in two columns and with black an red throughout. References: The Privately Printed Bible pp. 26-27. Ashendene Press hardcover books
1612réf. U08Description Quarto 8.5" x 6.5". The Genealogies by John Speed defective lacking first eleven leaves but with the sought-after double-page map. Lacks the general title page. Text complete in two column Roman font within ruled border and 56 lines to the column. The text follows the 1611 folio Bible including numerous errors though a few mistakes have been corrected. The reading "and she went into the citie" in Ruth 3:15. Apocrypha included as issued. New Testament title page 1612 engraved within woodcut border comprising twenty-four compartments showing the tents of the twelve tribes as well as the figures of the twelve apostles. Title is enclosed within a heart-shaped frame. Ends on colophon 1612. Bound with The Booke of Psalmes by Sternhold and Hopkins lacking title page and all after Psalm 115. First chapter decorative initials and head- and tailpieces. Collation A-Z8 Aa-Zz8 Aaa-Zzz8 A-M8. Bible text complete. Lacks general title page. Binding Rebound in brown paneled morocco. Spine with six recessed bands and the words "Holy Bible" lettered in gilt. Renewed marbled endpapers. Condition Infrequent staining more prevalent to the New Testament with larger stain from 1 Corinthians to Revelation; Map with lower fifth of right half torn away with closed tears and repairs to verso; many leaves of Genealogies repaired to fore-edge margin; trimmed touching outer printed border on occasion; B5 Xxx5 lower corner loss costing a few letters; Ii2 Yyy1 Zzz7 lower corner loss costing a few verses; Uuuu8 Matthew 1 frayed with repaired closed tears but no loss; Psalter stained throughout. A good copy overall of the first quarto She Bible of the King James Version. Provenance "Richard Tribe his book" to verso of New Testament title page; "Mary Hunter her book May the 4 1746" to verso of final leaf of Revelation. Note The first quarto edition of the King James Bible printed with both the "He" and "She" variant with the She Bible this edition being more scarce. A close reprint of the first edition He folio and it represents the earliest state of the text. Prices for the first folio edition of the KJV are now such as to be beyond the means of all but the most avid and wealthy collector. While not cheap this quarto represents an opportunity for the collector of more modest means to obtain the first state of the KJV text. Scarcity USTC shows only 12 copies in holding with four in North America. References Herbert 314; STC 2220; USTC 3005300. Robert Barker hardcover books
1984réf. 200513Ann Arbor Michigan: UMI Research Press 1984. Hardcover. Good Light edgewear/shelfwear to boards; interior is very clean; binding is solid. Light green boards with black and blue illustration and black lettering; xvi 262 pp.; richly illustrated. This title is number 3 in the series "Studies in Photography" by UMI Research Press. UMI Research Press hardcover books
1999réf. 141254London: Key Publishing 1999. Fine. First thus. Fine. Key Publishing unknown books