50 393 résultats
1987réf. KNY100514961987. 209 pp. Language: English. Condition: not graded in detail, please see the photos. The photos show the actual copy offered. Ships from Ukraine by Nova Post with tracking after receipt of payment (bank transfer or PayPal); delivery time 12–28 business days including customs clearance. Shipping for this book (up to 1 kg): Netherlands €24.70, Belgium €29.60, Germany €19.90, France €29.10, Austria €29.10, Switzerland €46.00; other countries on request. The exact amount is confirmed when we accept your order. The parcel is sent from outside the EU/UK/Switzerland. Import VAT on books (e.g. Netherlands 9 %, Germany 7 %, Belgium 6 %, France 5.5 %, Switzerland 2.6 %, UK 0 %) and a customs handling fee of the carrier may be charged to the buyer on delivery; they are not included in the price. Consumers in the EU have the statutory 14-day right of withdrawal (see the seller terms). If the book does not match the description or is damaged in transit, please contact us right after receipt.
1941réf. 1145413Norfolk, Conn., New Directions, (1941). Gr.-8vo. 28 S. m. Titelillustr. v. F. Castelloni, 1 Bl. (The poet of the month 8). OPp. m. OUmschl. (Vors. gestempelt, Umschl. m. kl. Einr.).
1928réf. 527854East Aurora NY: The Roycrofters / Wm. H. Wise & Co. New York - Sole Distributors 1928. Unbound. Very Good. Original shellac 10" 78 rpm record. Words by Robert Burns and music by R. Vaughan Williams on "Ca' The Yowes." Music and words by William Byrd on "Through Amaryllis Dance: Ballet." Some rubbing and light scratches to both sides still very good lacking the case and sleeve. Originally issued as part of a 12 record set numbered 151 to 162 released by Roycroft along with the booklet Word Book of the English Singers' Music which provided information about each song. These are some of the first American recordings of what is now referred to as Early Music which is largely meant to represent European music of the 15th and 16th centuries though it can be expanded to include some Baroque era music but if you hit Bach you've gone too far. The English Singers first arrived in America in 1925 and caused a bit of a sensation as this old music was brand new to American audiences. Though their approach to Early Music would be criticized later due to advancements in our understanding of how the pieces are to be performed their efforts and the fruit they've produced are one of the reasons we have Early Music as a concept today. Complete sets are hard to come by and no one set is fully complete as issued because there were at least four alternate "B-Sides" issued No. 155 No. 156 No. 158 and No. 161. Combine this with the fact that Roycroft was a very small label that was only in operation for a few years and it's easy to understand why these records are so difficult to collect. This is evident in the handful of descriptions/holdings found in OCLC and Discogs with only the website 78 Discography having documented what appears to be a complete list of titles. Roycroft was founded by Elbert Hubbard in 1895 in East Auroa New York and was part of the Arts and Crafts movement. Not just a business Roycroft was a reformist community of artists and craftsmen whose work had a meaningful influence on American architecture and design. In addition to the workshops the Roycroft Campus also housed a press where many books were published including Hubbard's own book Little Journeys and partner publications such as The Buffalo Magazine for Arts. The record label was a very small part of the business and was only in operation from 1927 to 1930. The English Singers recordings may be the most well known of the Roycroft records. An uncommon and interesting piece of both American recording and Early Music history. The Roycrofters / Wm. H. Wise & Co. New York - Sole Distributors unknown books
1928réf. 527853East Aurora NY: The Roycrofters / Wm. H. Wise & Co. New York - Sole Distributors 1928. Unbound. Very Good. Original shellac 10" 78 rpm record. "Sing We and Chant It" composed by Thomas Morley. "The Turtle Dove" arranged by R. Vaughan Williams. Some rubbing and light scratches to both sides still very good lacking the case and sleeve. Originally issued as part of a 12 record set numbered 151 to 162 released by Roycroft along with the booklet Word Book of the English Singers' Music which provided information about each song. These are some of the first American recordings of what is now referred to as Early Music which is largely meant to represent European music of the 15th and 16th centuries though it can be expanded to include some Baroque era music but if you hit Bach you've gone too far. The English Singers first arrived in America in 1925 and caused a bit of a sensation as this old music was brand new to American audiences. Though their approach to Early Music would be criticized later due to advancements in our understanding of how the pieces are to be performed their efforts and the fruit they've produced are one of the reasons we have Early Music as a concept today. Complete sets are hard to come by and no one set is fully complete as issued because there were at least four alternate "B-Sides" issued No. 155 No. 156 No. 158 and No. 161. Combine this with the fact that Roycroft was a very small label that was only in operation for a few years and it's easy to understand why these records are so difficult to collect. This is evident in the handful of descriptions/holdings found in OCLC and Discogs with only the website 78 Discography having documented what appears to be a complete list of titles. Roycroft was founded by Elbert Hubbard in 1895 in East Auroa New York and was part of the Arts and Crafts movement. Not just a business Roycroft was a reformist community of artists and craftsmen whose work had a meaningful influence on American architecture and design. In addition to the workshops the Roycroft Campus also housed a press where many books were published including Hubbard's own book Little Journeys and partner publications such as The Buffalo Magazine for Arts. The record label was a very small part of the business and was only in operation from 1927 to 1930. The English Singers recordings may be the most well known of the Roycroft records. An uncommon and interesting piece of both American recording and Early Music history. The Roycrofters / Wm. H. Wise & Co. New York - Sole Distributors unknown books
1928réf. 527852East Aurora NY: The Roycrofters / Wm. H. Wise & Co. New York - Sole Distributors 1928. Unbound. Very Good. Original shellac 10" 78 rpm record. "All Creatures Now Are Merry-Minded" composed by John Bennet. "Down in Yon Forest" arranged by R. Vaughan Williams. Some rubbing and light scratches to both sides still very good lacking the case and sleeve. Originally issued as part of a 12 record set numbered 151 to 162 released by Roycroft along with the booklet Word Book of the English Singers' Music which provided information about each song. These are some of the first American recordings of what is now referred to as Early Music which is largely meant to represent European music of the 15th and 16th centuries though it can be expanded to include some Baroque era music but if you hit Bach you've gone too far. The English Singers first arrived in America in 1925 and caused a bit of a sensation as this old music was brand new to American audiences. Though their approach to Early Music would be criticized later due to advancements in our understanding of how the pieces are to be performed their efforts and the fruit they've produced are one of the reasons we have Early Music as a concept today. Complete sets are hard to come by and no one set is fully complete as issued because there were at least four alternate "B-Sides" issued No. 155 No. 156 No. 158 and No. 161. Combine this with the fact that Roycroft was a very small label that was only in operation for a few years and it's easy to understand why these records are so difficult to collect. This is evident in the handful of descriptions/holdings found in OCLC and Discogs with only the website 78 Discography having documented what appears to be a complete list of titles. Roycroft was founded by Elbert Hubbard in 1895 in East Auroa New York and was part of the Arts and Crafts movement. Not just a business Roycroft was a reformist community of artists and craftsmen whose work had a meaningful influence on American architecture and design. In addition to the workshops the Roycroft Campus also housed a press where many books were published including Hubbard's own book Little Journeys and partner publications such as The Buffalo Magazine for Arts. The record label was a very small part of the business and was only in operation from 1927 to 1930. The English Singers recordings may be the most well known of the Roycroft records. An uncommon and interesting piece of both American recording and Early Music history. The Roycrofters / Wm. H. Wise & Co. New York - Sole Distributors unknown books
1928réf. 527851East Aurora NY: The Roycrofters / Wm. H. Wise & Co. New York - Sole Distributors 1928. Unbound. Very Good. Original shellac 10" 78 rpm record. Arrangement by R. Vaughan Williams on "A Farmer's Son." The composition of "Sumer Is Icumen In" is credited to John of Fornsete. Some rubbing and light scratches to both sides still very good lacking the case and sleeve. Originally issued as part of a 12 record set numbered 151 to 162 released by Roycroft along with the booklet Word Book of the English Singers' Music which provided information about each song. These are some of the first American recordings of what is now referred to as Early Music which is largely meant to represent European music of the 15th and 16th centuries though it can be expanded to include some Baroque era music but if you hit Bach you've gone too far. The English Singers first arrived in America in 1925 and caused a bit of a sensation as this old music was brand new to American audiences. Though their approach to Early Music would be criticized later due to advancements in our understanding of how the pieces are to be performed their efforts and the fruit they've produced are one of the reasons we have Early Music as a concept today. Complete sets are hard to come by and no one set is fully complete as issued because there were at least four alternate "B-Sides" issued No. 155 No. 156 No. 158 and No. 161. Combine this with the fact that Roycroft was a very small label that was only in operation for a few years and it's easy to understand why these records are so difficult to collect. This is evident in the handful of descriptions/holdings found in OCLC and Discogs with only the website 78 Discography having documented what appears to be a complete list of titles. Roycroft was founded by Elbert Hubbard in 1895 in East Auroa New York and was part of the Arts and Crafts movement. Not just a business Roycroft was a reformist community of artists and craftsmen whose work had a meaningful influence on American architecture and design. In addition to the workshops the Roycroft Campus also housed a press where many books were published including Hubbard's own book Little Journeys and partner publications such as The Buffalo Magazine for Arts. The record label was a very small part of the business and was only in operation from 1927 to 1930. The English Singers recordings may be the most well known of the Roycroft records. An uncommon and interesting piece of both American recording and Early Music history. The Roycrofters / Wm. H. Wise & Co. New York - Sole Distributors unknown books
1928réf. 527851East Aurora NY: The Roycrofters / Wm. H. Wise & Co. New York - Sole Distributors 1928. Unbound. Very Good. Original shellac 10" 78 rpm record. Arrangement by R. Vaughan Williams on "A Farmer's Son." The composition of "Sumer Is Icumen In" is credited to John of Fornsete. Some rubbing and light scratches to both sides still very good lacking the case and sleeve. Originally issued as part of a 12 record set numbered 151 to 162 released by Roycroft along with the booklet Word Book of the English Singers' Music which provided information about each song. These are some of the first American recordings of what is now referred to as Early Music which is largely meant to represent European music of the 15th and 16th centuries though it can be expanded to include some Baroque era music but if you hit Bach you've gone too far. The English Singers first arrived in America in 1925 and caused a bit of a sensation as this old music was brand new to American audiences. Though their approach to Early Music would be criticized later due to advancements in our understanding of how the pieces are to be performed their efforts and the fruit they've produced are one of the reasons we have Early Music as a concept today. Complete sets are hard to come by and no one set is fully complete as issued because there were at least four alternate "B-Sides" issued No. 155 No. 156 No. 158 and No. 161. Combine this with the fact that Roycroft was a very small label that was only in operation for a few years and it's easy to understand why these records are so difficult to collect. This is evident in the handful of descriptions/holdings found in OCLC and Discogs with only the website 78 Discography having documented what appears to be a complete list of titles. Roycroft was founded by Elbert Hubbard in 1895 in East Auroa New York and was part of the Arts and Crafts movement. Not just a business Roycroft was a reformist community of artists and craftsmen whose work had a meaningful influence on American architecture and design. In addition to the workshops the Roycroft Campus also housed a press where many books were published including Hubbard's own book Little Journeys and partner publications such as The Buffalo Magazine for Arts. The record label was a very small part of the business and was only in operation from 1927 to 1930. The English Singers recordings may be the most well known of the Roycroft records. An uncommon and interesting piece of both American recording and Early Music history. The Roycrofters / Wm. H. Wise & Co. New York - Sole Distributors unknown
1928réf. 527852East Aurora NY: The Roycrofters / Wm. H. Wise & Co. New York - Sole Distributors 1928. Unbound. Very Good. Original shellac 10" 78 rpm record. "All Creatures Now Are Merry-Minded" composed by John Bennet. "Down in Yon Forest" arranged by R. Vaughan Williams. Some rubbing and light scratches to both sides still very good lacking the case and sleeve. Originally issued as part of a 12 record set numbered 151 to 162 released by Roycroft along with the booklet Word Book of the English Singers' Music which provided information about each song. These are some of the first American recordings of what is now referred to as Early Music which is largely meant to represent European music of the 15th and 16th centuries though it can be expanded to include some Baroque era music but if you hit Bach you've gone too far. The English Singers first arrived in America in 1925 and caused a bit of a sensation as this old music was brand new to American audiences. Though their approach to Early Music would be criticized later due to advancements in our understanding of how the pieces are to be performed their efforts and the fruit they've produced are one of the reasons we have Early Music as a concept today. Complete sets are hard to come by and no one set is fully complete as issued because there were at least four alternate "B-Sides" issued No. 155 No. 156 No. 158 and No. 161. Combine this with the fact that Roycroft was a very small label that was only in operation for a few years and it's easy to understand why these records are so difficult to collect. This is evident in the handful of descriptions/holdings found in OCLC and Discogs with only the website 78 Discography having documented what appears to be a complete list of titles. Roycroft was founded by Elbert Hubbard in 1895 in East Auroa New York and was part of the Arts and Crafts movement. Not just a business Roycroft was a reformist community of artists and craftsmen whose work had a meaningful influence on American architecture and design. In addition to the workshops the Roycroft Campus also housed a press where many books were published including Hubbard's own book Little Journeys and partner publications such as The Buffalo Magazine for Arts. The record label was a very small part of the business and was only in operation from 1927 to 1930. The English Singers recordings may be the most well known of the Roycroft records. An uncommon and interesting piece of both American recording and Early Music history. The Roycrofters / Wm. H. Wise & Co. New York - Sole Distributors unknown
1928réf. 527854East Aurora NY: The Roycrofters / Wm. H. Wise & Co. New York - Sole Distributors 1928. Unbound. Very Good. Original shellac 10" 78 rpm record. Words by Robert Burns and music by R. Vaughan Williams on "Ca' The Yowes." Music and words by William Byrd on "Through Amaryllis Dance: Ballet." Some rubbing and light scratches to both sides still very good lacking the case and sleeve. Originally issued as part of a 12 record set numbered 151 to 162 released by Roycroft along with the booklet Word Book of the English Singers' Music which provided information about each song. These are some of the first American recordings of what is now referred to as Early Music which is largely meant to represent European music of the 15th and 16th centuries though it can be expanded to include some Baroque era music but if you hit Bach you've gone too far. The English Singers first arrived in America in 1925 and caused a bit of a sensation as this old music was brand new to American audiences. Though their approach to Early Music would be criticized later due to advancements in our understanding of how the pieces are to be performed their efforts and the fruit they've produced are one of the reasons we have Early Music as a concept today. Complete sets are hard to come by and no one set is fully complete as issued because there were at least four alternate "B-Sides" issued No. 155 No. 156 No. 158 and No. 161. Combine this with the fact that Roycroft was a very small label that was only in operation for a few years and it's easy to understand why these records are so difficult to collect. This is evident in the handful of descriptions/holdings found in OCLC and Discogs with only the website 78 Discography having documented what appears to be a complete list of titles. Roycroft was founded by Elbert Hubbard in 1895 in East Auroa New York and was part of the Arts and Crafts movement. Not just a business Roycroft was a reformist community of artists and craftsmen whose work had a meaningful influence on American architecture and design. In addition to the workshops the Roycroft Campus also housed a press where many books were published including Hubbard's own book Little Journeys and partner publications such as The Buffalo Magazine for Arts. The record label was a very small part of the business and was only in operation from 1927 to 1930. The English Singers recordings may be the most well known of the Roycroft records. An uncommon and interesting piece of both American recording and Early Music history. The Roycrofters / Wm. H. Wise & Co. New York - Sole Distributors unknown
1928réf. 527853East Aurora NY: The Roycrofters / Wm. H. Wise & Co. New York - Sole Distributors 1928. Unbound. Very Good. Original shellac 10" 78 rpm record. "Sing We and Chant It" composed by Thomas Morley. "The Turtle Dove" arranged by R. Vaughan Williams. Some rubbing and light scratches to both sides still very good lacking the case and sleeve. Originally issued as part of a 12 record set numbered 151 to 162 released by Roycroft along with the booklet Word Book of the English Singers' Music which provided information about each song. These are some of the first American recordings of what is now referred to as Early Music which is largely meant to represent European music of the 15th and 16th centuries though it can be expanded to include some Baroque era music but if you hit Bach you've gone too far. The English Singers first arrived in America in 1925 and caused a bit of a sensation as this old music was brand new to American audiences. Though their approach to Early Music would be criticized later due to advancements in our understanding of how the pieces are to be performed their efforts and the fruit they've produced are one of the reasons we have Early Music as a concept today. Complete sets are hard to come by and no one set is fully complete as issued because there were at least four alternate "B-Sides" issued No. 155 No. 156 No. 158 and No. 161. Combine this with the fact that Roycroft was a very small label that was only in operation for a few years and it's easy to understand why these records are so difficult to collect. This is evident in the handful of descriptions/holdings found in OCLC and Discogs with only the website 78 Discography having documented what appears to be a complete list of titles. Roycroft was founded by Elbert Hubbard in 1895 in East Auroa New York and was part of the Arts and Crafts movement. Not just a business Roycroft was a reformist community of artists and craftsmen whose work had a meaningful influence on American architecture and design. In addition to the workshops the Roycroft Campus also housed a press where many books were published including Hubbard's own book Little Journeys and partner publications such as The Buffalo Magazine for Arts. The record label was a very small part of the business and was only in operation from 1927 to 1930. The English Singers recordings may be the most well known of the Roycroft records. An uncommon and interesting piece of both American recording and Early Music history. The Roycrofters / Wm. H. Wise & Co. New York - Sole Distributors unknown
réf. 19794On letterhead of Riverside Lodge Wandsworth. 27 November 1883. 2pp. 12mo. In fair condition lightly aged. He thanks him for his note adding: 'I think perhaps it will be better to clear the platform as the apparatus will then be more easily seen. I should be glad if possible to have the use of a distant room in the building to which I could run an experimental telephone wire. The room may of course be a very small one.' On letterhead of Riverside Lodge, Wandsworth. 27 November 1883. unknown
2001réf. KNY10079424Donetsk, 2001. 352 pp. Language: English. Condition: not graded in detail, please see the photos. The photos show the actual copy offered. Ships from Ukraine by Nova Post with tracking after receipt of payment (bank transfer or PayPal); delivery time 12–28 business days including customs clearance. Shipping for this book (up to 1 kg): Netherlands €24.70, Belgium €29.60, Germany €19.90, France €29.10, Austria €29.10, Switzerland €46.00; other countries on request. The exact amount is confirmed when we accept your order. The parcel is sent from outside the EU/UK/Switzerland. Import VAT on books (e.g. Netherlands 9 %, Germany 7 %, Belgium 6 %, France 5.5 %, Switzerland 2.6 %, UK 0 %) and a customs handling fee of the carrier may be charged to the buyer on delivery; they are not included in the price. Consumers in the EU have the statutory 14-day right of withdrawal (see the seller terms). If the book does not match the description or is damaged in transit, please contact us right after receipt.
2008réf. R200125525Rivages. 2008. In-12. Broché. Etat d'usage, Couv. convenable, Coiffe en pied abîmée, Papier jauni. 279 pages, exemplaire de bibliothèque, couverture plastifiée, tampons et étiquettes - renforts adhésifs au corps de l'ouvrage.. . . . Classification Dewey : 810-Littérature américaine
réf. 13788On letterhead of 9 Dane Road St Leonards on Sea. 20 May 1908. 3pp. 12mo. On bifolium. In good condition on lightly-aged paper. Docketed at head of first page. She begins by explaining that at her 'interview with Mr. Bell on the 8th. he suggested an alteration in an important sentence giving me the alternative of taking the MS. home with me or of correcting the sentence in the proofs. At the time I thought the latter course would be the best but it occurs to me that it would save expence if the correction was made now.' She asks Cazenove to 'ask Mr. O'Connor if he would kindly alter the words in accordance with the enclosed not present'. She indicates the relevant sentence adding that she assumes that 'it is the publishers who bear the cost of necessary alteration to the proofs as nothing was said about it in the agreement'. Turning to the problem of 'how it is that a story supposed to be told by a man is written by a woman' she admits that she 'cannot think of anything that would do' by way of introductory explanation. 'Perhaps the title might read - The Tramping Methodist. The narrative of Humphrey Lyte Preacher. I would rather have this than put "edited by" before my name on the title page.' It does not appear that the suggested subtitle was utilised. On letterhead of 9 Dane Road, St Leonards on Sea. 20 May [1908]. unknown
1944réf. 619044New York: Edward B. Marks Music Corporation 1944. Softcover. Very Good. Sheet music. Quarto. Lyrics in English and Spanish. Single bifolium making four pages. Exterior lightly rubbed and light edgewear very good. For voice and piano. Plate number 12182-2. The front cover features a picture of Dinah Washington who recorded this song. Edward B. Marks Music Corporation unknown books
1909réf. 594870New York: Jerome H. Remick & Co 1909. Softcover. Good. First edition. Folio. 9pp. Wrappers. Wrappers detached but present and all pages are partially detached from the spine but all are present a complete but good only copy. For voice and piano. Plate imprint "My Hero 7." This song is from the opera bouffe The Chocolate Soldier which is based on George Bernard Shaw's Arms and the Man. Jerome H. Remick & Co unknown books
1931réf. 505560New York: Edward B. Marks Music Co 1931. Softcover. Near Fine. First edition. Cover illustration by Manning. Quarto. Lyrics in Spanish and English. Single bifolium with a single sheet insert making six pages. Light edgewear and toning some foxing to the back cover else near fine. For voice and piano. Plate number 9772-3. Features a sample of "Poor Kid" by L. Wolfe Gilbert and Jesse Greer as well as one-measure samples of five other Gilbert songs. J. Rosamond Johnson was an African American composer and singer best known for the song "Lift Every Voice and Sing" which he wrote with his brother James Weldon Johnson. There are a few different versions of this tune some with the subtitle "Rambling Rose of the Wildwood" but this version has the most striking cover we've seen. Edward B. Marks Music Co unknown books
1928réf. 591037Boston Mass: The Boston Music Co 1928. Softcover. Near Fine. First edition. Quarto. Singe bifolium with a single sheet insert making six pages. Rubbing and light soiling to the exterior light bumping to the corners very good or better. For high voice and piano. Plate imprint "B.M.Co. 8271 - 3." The back cover features samples of "Little Lady of My Heart" by Ernest Dowson and Bryceson Treharne and "Water Boy A Negro Convict Song" arranged by Avery Robinson. OCLC locates only a single holding. The Boston Music Co unknown books
1944réf. 616766New York: Broadcast Music 1944. Softcover. Near Fine. Sheet music. Quarto. Single bifolium with a single-sheet-insert making six pages. Remnants of a price sticker on the front cover corners lightly bumped light toning very good. For voice and piano. Plate imprint "Hymn Of etc. 3." The back cover features a wartime ad "Buy war bonds and stamps for victory." In a New York Times article announcing the release of this new anthem Louis Untermeyer is quoted as saying of the English translation "The lines should not be judged as poetry by themselves. They are an attempt to adhere as closely as possible to the meaning of the original Russian bearing in mind that the first requirement of all song lyrics is that the words should be simple and easily singable to the music." OCLC locates nine holdings and it appears to be equally uncommon in the trade. Broadcast Music unknown books
1931réf. 468139New York: Harms 1931. Softcover. Good. Sheet music 8686-7. Quarto wrappers. 10pp. Spine starting to split crease on front wrapper faint dampstain in gutters good only. "Heywood Broun in association with Milton Raison Presents Shoot the Works. Harms unknown books
1923réf. 524009New York: Chappell-Harms Inc 1923. Softcover. Very Good. First edition. Quarto. Two nested bifoliums making eight pages. Owner name stamp and "with publisher's compliments" stamp on the front cover edgewear including a chip at the bottom of the front cover and toning very good or better. For voice and piano. Plate number 28219. The owner stamp is that of prolific American composer and pianist Fay Foster who took first place in the American Composers Competition of 1913. Paul Laurence Dunbar is an important African American literary figure remembered in part for writing the lyrics for the landmark musical In Dahomey which according to historian Gerald Bordman was "the first full-length musical written and played by blacks to be performed at a major Broadway house." OCLC locates five holdings. Chappell-Harms, Inc unknown books
1961réf. 468135New York: M. Witmark & Sons 1961. Softcover. Fine. Sheet music 21735-2. Quarto bi-fold sheet. 4pp. Fine. M. Witmark & Sons unknown books
1923réf. 524009New York: Chappell-Harms Inc 1923. Softcover. Very Good. First edition. Quarto. Two nested bifoliums making eight pages. Owner name stamp and "with publisher's compliments" stamp on the front cover edgewear including a chip at the bottom of the front cover and toning very good or better. For voice and piano. Plate number 28219. The owner stamp is that of prolific American composer and pianist Fay Foster who took first place in the American Composers Competition of 1913. Paul Laurence Dunbar is an important African American literary figure remembered in part for writing the lyrics for the landmark musical In Dahomey which according to historian Gerald Bordman was "the first full-length musical written and played by blacks to be performed at a major Broadway house." OCLC locates five holdings. Chappell-Harms, Inc unknown
1931réf. 505560New York: Edward B. Marks Music Co 1931. Softcover. Near Fine. First edition. Cover illustration by Manning. Quarto. Lyrics in Spanish and English. Single bifolium with a single sheet insert making six pages. Light edgewear and toning some foxing to the back cover else near fine. For voice and piano. Plate number 9772-3. Features a sample of "Poor Kid" by L. Wolfe Gilbert and Jesse Greer as well as one-measure samples of five other Gilbert songs. J. Rosamond Johnson was an African American composer and singer best known for the song "Lift Every Voice and Sing" which he wrote with his brother James Weldon Johnson. There are a few different versions of this tune some with the subtitle "Rambling Rose of the Wildwood" but this version has the most striking cover we've seen. Edward B. Marks Music Co unknown
1944réf. 616766New York: Broadcast Music 1944. Softcover. Near Fine. Sheet music. Quarto. Single bifolium with a single-sheet-insert making six pages. Remnants of a price sticker on the front cover corners lightly bumped light toning very good. For voice and piano. Plate imprint "Hymn Of etc. 3." The back cover features a wartime ad "Buy war bonds and stamps for victory." In a New York Times article announcing the release of this new anthem Louis Untermeyer is quoted as saying of the English translation "The lines should not be judged as poetry by themselves. They are an attempt to adhere as closely as possible to the meaning of the original Russian bearing in mind that the first requirement of all song lyrics is that the words should be simple and easily singable to the music." OCLC locates nine holdings and it appears to be equally uncommon in the trade. Broadcast Music unknown