16 618 résultats
1949réf. 160938Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1949. Vintage mini-banner poster for the 1949 film noir. A part-time mail carrier decides to steal what he believes to be $200 from a lawyer's office on his mail route but ends up taking thousands pulling him into a shadowy world of crime and deceit. Farley Granger and Cathy O'Donnell's second pairing following the noted 1948 noir "They Live By Night" directed by Nicholas Ray. Shot on location in New York City. 4.75 x 28 inches. Very Good plus with light creasing at the extremities. Grant US. Selby Master List. Silver and Ward US. Spicer US. Metro-Goldwyn-Mayer [MGM] unknown books
1970réf. 69529Seattle WA: University of Washington Press 1970. First edition. Hardcover. Very Good /Very Good. SIGNED. Unpaginated. Quarto 28cm. 1/4 white paper with black boards. Title stamped in black ink on spine. Spine just a touch rolled. Head of boards sunned. Dust jacket is a bit toned and soiled. Signed by Imogen Cunningham on the title page. Cunningham was a highly awarded photographer primarily known for her shots of urban landscapes nudes and nature photography. This book represents the first full-length treatment of her work presenting 94 of her finest photographs dating from 1901-1970. University of Washington Press hardcover
1970réf. 69529Seattle WA: University of Washington Press 1970. First edition. Hardcover. Very Good /Very Good. SIGNED. Unpaginated. Quarto 28cm. 1/4 white paper with black boards. Title stamped in black ink on spine. Spine just a touch rolled. Head of boards sunned. Dust jacket is a bit toned and soiled. Signed by Imogen Cunningham on the title page. Cunningham was a highly awarded photographer primarily known for her shots of urban landscapes nudes and nature photography. This book represents the first full-length treatment of her work presenting 94 of her finest photographs dating from 1901-1970. University of Washington Press hardcover books
1975réf. 171783N.p.: N.p. 1975. Vintage oversize borderless reference photograph from the 1975 French film showing Delphine Seyrig reclining while Claude Mann and Vernon Dobtcheff intently look on. During monsoon season in Calcutta in the 1930s the French ambassador's wife struggles with boredom and malaise while the men around her struggle to contain their lust for her. Followed by a sequel "Her Venetian Name in Deserted Calcutta" in 1976. 9 x 11.75 inches. Very Good plus lightly edgeworn. N.p. unknown
1975réf. 171783N.p.: N.p. 1975. Vintage oversize borderless reference photograph from the 1975 French film showing Delphine Seyrig reclining while Claude Mann and Vernon Dobtcheff intently look on. During monsoon season in Calcutta in the 1930s the French ambassador's wife struggles with boredom and malaise while the men around her struggle to contain their lust for her. Followed by a sequel "Her Venetian Name in Deserted Calcutta" in 1976. 9 x 11.75 inches. Very Good plus lightly edgeworn. N.p. unknown books
1942réf. 52777E-209: L.B. Fischer. Very Good in Good dust jacket. 1942. First Edition; First Printing. Hardcover. Hardcover. 8vo. L. B. Fischer. 1942. 304 pgs. Illustrated with Black and White Plates. First Edition/First Printing. DJ has chipping shelf-wear and rubbing present to the DJ especially around the extremities. Bound in cloth boards. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. The third children's book by Erika Mann written in exile in California. In a drastic tightening in the face of the war Erika Mann wrote a breathtaking political youth novel in 1942 in the USA with echoes of Erich Kästner's Emil and the detectives: children from all over the world refugees before the war find their new home in a reform school in California. But peace is deceiving. The mysterious Mr. X is supposed to carry the terror into the United States among them. The youthful Gang of Ten is on his trail - and a race against time begins. E-101; 8vo 8" - 9" tall . L.B. Fischer hardcover
réf. 63-2322Berlin: Propylaen 1925. 4to. 71 pp. with 10 panels of Grosz lithographs Yellow Cloth Good with spine missing text block loose covers slightly stained else VG. Illustrated. Lang 45. Text In German. First Edition. Berlin: Propylaen, 1925. hardcover
1965réf. 132240Germany: Atlas Films 1965. Original German A1 poster for a 1965 re-release of the 1930 German film. From the collection of noted film historian Amos Vogel. Full provenance available. Marlene Dietrich became an immediate international star on the strength of her performance as the temptress Lola Frohlich in Josef von Sternberg's classic tale of love and obsession. Professor Immanuel Rath Emil Jannings is a strict and humorless schoolmaster who is shocked when he discovers the boys in his class have been spending their time at a sleazy cabaret called The Blue Angel where an entertainer named Lola Dietrich keeps the men in thrall and sells suggestive postcards of herself. "The Blue Angel" was shot in both German and English language versions; the German is preferable as most of the cast were obviously more expert in that tongue. Dietrich introduced what would become her theme song "Falling In Love Again" in this film. 23 x 33 inches folded. Several short tears at the edges light rubbing. Very Good plus overall. Atlas Films unknown
1965réf. 132240Germany: Atlas Films 1965. Original German A1 poster for a 1965 re-release of the 1930 German film. From the collection of noted film historian Amos Vogel. Full provenance available. Marlene Dietrich became an immediate international star on the strength of her performance as the temptress Lola Frohlich in Josef von Sternberg's classic tale of love and obsession. Professor Immanuel Rath Emil Jannings is a strict and humorless schoolmaster who is shocked when he discovers the boys in his class have been spending their time at a sleazy cabaret called The Blue Angel where an entertainer named Lola Dietrich keeps the men in thrall and sells suggestive postcards of herself. "The Blue Angel" was shot in both German and English language versions; the German is preferable as most of the cast were obviously more expert in that tongue. Dietrich introduced what would become her theme song "Falling In Love Again" in this film. 23 x 33 inches folded. Several short tears at the edges light rubbing. Very Good plus overall. Atlas Films unknown books
1961réf. 366061London: Cassell 1961. First Edition. The final script of the winner of the 1962 Academy Award for best adapted screenplay. It was only published in the UK; there was no corresponding American edition. The script reproduces the final version of the text with considerable fidelity keeping the original scene numbering even though there are scene numbers marked "omitted" throughout. Illustrated with stills of the stars Spencer Tracy Montgomery Clift Burt Lancaster Maximilian Schell who won an Oscar and Judy Garland who received her second and last nomination for this movie. viii 182 2: blank pages plus inserted plates. First edition first printing stating "First published 1961" with no indication of later printings. A very good rather MUSTY copy with the lines of Irene played by Judy Garland in the film MARKED in purple ink and the top of the spine is abraded. The jacket is very good with light shelfwear. Inscribed "To D. A. or perhaps D. W. with warmest regards and admiration. Abby Mann. Dec. 27 1961." Your cataloguer was unable to identify the recipient. Very uncommon signed. Cassell unknown
1972réf. 598628Cambridge Massachusetts: The Red Prison Movement/Hovey Street Press 1972. Softcover. Near Fine. Second printing expanded from 64 to 120 pages. Small quarto. Illustrated from black and white photographs with color centerfold designed by Rafael Morante for OSPAAL. Stapled pictorial wrappers. Short tear at the crown tiny soil mark on front cover near fine. A tribute to Soledad Brother George Jackson by Red Prison Movement activist Eric Mann. The Red Prison Movement/Hovey Street Press unknown
1972réf. 598628Cambridge Massachusetts: The Red Prison Movement/Hovey Street Press 1972. Softcover. Near Fine. Second printing expanded from 64 to 120 pages. Small quarto. Illustrated from black and white photographs with color centerfold designed by Rafael Morante for OSPAAL. Stapled pictorial wrappers. Short tear at the crown tiny soil mark on front cover near fine. A tribute to Soledad Brother George Jackson by Red Prison Movement activist Eric Mann. The Red Prison Movement/Hovey Street Press unknown books
1853réf. h45580Syracuse: Hall Mills and Company 1853. First Edition. Hardcover. Very good. 12mo period binding of half brown calf and paper-covered boards very good light wear and rubbing contents a bit tanned and foxed throughout 1878 pencil gift inscription on flyleaf bookseller's old tag on pastedown J. T. Heald Bookbinder Wilmington DE. 141 pp. First printings are rare in the trade and at auction. The work consists of two lectures Mann delivered in 1853 and 1854 in which he explores women's role in society arguing for the importance of education for women and their unique capacity to shape the moral character of those around them. From what we can gather from online sources in these lectures Mann who was the leading early 19th-century proponent of public school education expresses a degree of ambivalence about women's social roles and the relations between men and women. Rather than positing two entirely separate "spheres" for the sexes Mann reframed the traditional "woman's sphere" as a hemisphere - one half of a single shared orb of human interaction - emphasizing that each sex is necessary as the complement of the other. Consistent with his broader educational philosophy Mann believed women were particularly well suited to teaching and to the moral elevation of society and the lectures advocate giving women access to quality education so they can fulfill that role. He also argued that women should be permitted to participate in public life and be accorded the same legal rights as men - though a contemporary feminist critic Ernestine Rose sharply challenged his lectures accusing him of "pandering to prejudiced public opinion" by confining woman's greatest duty to the cradle and to educating children. Overall the work sits in interesting tension: progressive in its call for women's education and rights yet still tethered to 19th-century notions of feminine moral influence and domestic purpose. Hall, Mills, and Company hardcover
1839réf. 2133Boston: Marsh Capen Lyon and Weber 1839 Volume 1 and 2 bound together in a three quarter leather binding marbled boards. Light foxing page 69- 70 has a rip possibly from binder very solid book subtly rubbed through on marbled boards leather in nice condition. A seemingly scarce book edited by Horace Mann. Marsh, Capen, Lyon and Weber hardcover
1979réf. 279280New York 1979. unbound. near fine. Important letter providing an extensive biographical history of his experiences with European Theater but more importantly defining his goals for the establishment of his lifelong dream in setting up an "American Theatre Training Institute 4 pages 11 x 8.5 inches New York City May 15 1979 to Maria Piscator co-founder with husband Erwin of the Dramatic Workshop which helped launch the careers of Marlin Brando and Tony Randall in small part: ".First here is a compact statement about the American Theatre Training Institute ATTI.which is still the story of a long and as yet unfulfilled desire. In our talk you seemed to respond to the idea of ATTI so hear goes.My major concentration is to develop ATTI so that it can help to continue to create for our country an artistically trained corps of theatre people equipped with a fully professional solid education in theatre arts and techniques -- acting voice speech movement gymnastics history of theatre literature art music etc. -- for a sufficient period of time to provide each one of them with a firmly-based strong and structured craft that will fully prepare them for their profession in the same way that the best European theater people are proudly certain of their craft." Note: Boston University is the repository of Paul Mann's personal papers. Near fine Condition. Canadian-American film and theatre actor best remembered for his development of Method Acting in America through his founding of the prestigious Actors Workshop. Alumni included Ruby Dee Ossie Davis Cicely Tyson Sidney Poitier Al Lewis and Vic Morrow. unknown
1979réf. 279280New York 1979. unbound. near fine. Important letter providing an extensive biographical history of his experiences with European Theater but more importantly defining his goals for the establishment of his lifelong dream in setting up an "American Theatre Training Institute 4 pages 11 x 8.5 inches New York City May 15 1979 to Maria Piscator co-founder with husband Erwin of the Dramatic Workshop which helped launch the careers of Marlin Brando and Tony Randall in small part: ".First here is a compact statement about the American Theatre Training Institute ATTI.which is still the story of a long and as yet unfulfilled desire. In our talk you seemed to respond to the idea of ATTI so hear goes.My major concentration is to develop ATTI so that it can help to continue to create for our country an artistically trained corps of theatre people equipped with a fully professional solid education in theatre arts and techniques -- acting voice speech movement gymnastics history of theatre literature art music etc. -- for a sufficient period of time to provide each one of them with a firmly-based strong and structured craft that will fully prepare them for their profession in the same way that the best European theater people are proudly certain of their craft." Note: Boston University is the repository of Paul Mann's personal papers. Near fine Condition. Canadian-American film and theatre actor best remembered for his development of Method Acting in America through his founding of the prestigious Actors Workshop. Alumni included Ruby Dee Ossie Davis Cicely Tyson Sidney Poitier Al Lewis and Vic Morrow. unknown books
2004réf. 87944StarGroup International 2004-04-01. Hardcover. Very Good. Author inscribed to previous owner and signed one of limited edition of 1000 as Looks unread but has tiny blem to spine and faint bump to corners. 2004 first edition illustrated throughout. oversized and overweight. Please email for photos. StarGroup International hardcover
1988réf. 49356New York: Aperture / A New Images Book 1988. First edition. Hardcover. Good to fine condition. Signed Sally Mann on title page. Quarto. 53 1pp. Original gray cloth with black lettering on spine in original photo-illustrated dustjacket black lettering on spine. Gray endpapers. Frontispiece photograph. "At Twelve is Sally Mann's revealing collective portrait of twelve-year-old girls on the verge of adulthood. To be young and female in America is a time of tremendous excitement and social possibilities; it is a trying time as well caught between childhood and adulthood when the difference is not entirely understood. As Ann Beattie writes in her perceptive introduction "These girls still exist in an innocent world in which a pose is only a pose-what adults make of that pose may be the issue." The consequences of this misunderstanding can be real: destitution abuse unwanted pregnancy. Mann does not deny this reality but records it both in the faces of her subjects and in written stories that accompany thirteen of the portraits adding another dimension to our understanding of "Childhood. The young women in Mann's unflinching large-format photographs however are not victims. They return the viewer's gaze with a disturbing equanimity." Publisher. Illustrated with thirty-seven striking photographs. Dustjacket with light wear along edges and lightly rubbed. Binding with very light wear along edges. Endpapers with minor sunning along edges. Interior in fine condition. Aperture / A New Images Book hardcover
1988réf. 9186New York: Aperture 1988. Third printing. Paperback. Very good. Quarto. 9.5 x 11 in. 54 pp. Fully illustrated with black & white reproductions of photographs. Very good in original pictorial wrappers with a previous owner signature to front free endpaper light general soiling to covers and rubbing to covers including a crease to lower fore-corner of front. Inscribed by Mann on the title page. With an introduction by Ann Beattie. Aperture paperback
2015réf. 626558New York: Little Brown and Company 2015. Hardcover. Fine/Fine. First edition. Tall octavo. 482pp. Illustrated from photographs. Fine in fine dust jacket. Signed by Sally Mann on the title page. Little, Brown and Company hardcover
1992réf. B77022New York: Aperture 1992. Second printing. Hardcover. Near fine/near fine. Black and gray cloth boards in dust jacket oblong quarto 11.25" x 9.75" unpaginated illustrated in b&w. Book has very mild wear to spine ends and corners binding tight text clean and unmarked. DJ gently rubbed $45 printed on front flap. Aperture hardcover
1997réf. 1363720New York: Edwynn Houk Gallery 1997. First Edition 1/3000 copies. Softcover. Quarto 59 pages; VG-; spine plain grey; mild shelfwear and rubbing; signed flat on the title page by Sally Mann; shelved case 11. 1363720. Shelved Dupont Bookstore. Edwynn Houk Gallery unknown
2006réf. 2999NY: Gagosian Gallery 2006. First. Cloth. Fine. Mint condition hardcover no dust-jacket as issued. From a 2006 exhibition. Uncommon. Gagosian Gallery unknown
2009réf. 203047New York: Aperture 2009. Hardcover. VG: Exlibrary book in excellent condition. Stamp on front free end page. Sticker and stamp on back pasted end page. Stamp on top text block. Gray cloth casebound book with the title in debossed black lettering down the spine. The free and pasted end pages are gray. Pages: ~64. Contains thirty-three black-and-white plates. "Mann's photographs of her husband Larry who has late-onset muscular dystrophy." Aperture hardcover
2003réf. 324791Boston: Bulfinch 2003. hardcover. fine/fine. Mann Sally. Illustrated with 85 of Mann's beautifully printed tritone photographs and 1 four color photograph. Slim oblong 4to gray cloth d.w. just a touch scuffed. Boston: Bulfinch Press 2003. First edition. A fine copy in a near fine dust wrapper. Inscribed at dated by Mann on the title page: "To. good caretakers with thanks Sally Mann 2003" Bulfinch unknown