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1924rif. 95913Harvard 1924. Hardcover. Good/No jacket. #204/260cc signed by the author. Cover edges very worn with bare spots on spine. Harvard hardcover
1924rif. 009633Cambridge Mass: Harvard University Press 1924. Hardcover. Near Fine -. 10 69 1 p.; 22 cm. Beige cloth spine with gilt spine title; marbled brown paper over boards. Top page edges gilt. Bookplate of Raymond Dexter Havens 1880-1954 on front fixed endpaper. Havens received his Ph.D. in English from Harvard University in 1908 and then taught at the University of Rochester which was interrupted by his service as a Y.M.C.A. volunteer in France from 1917 to 1919. In 1925 he was appointed Professor of English at Johns Hopkins University. Inscribed on the blank page following the front endpapers: "To R. H. fr. C. B. Xmas 1924." Written on the front fixed endpaper: "Raymond D. Havens from Cecilia Beaux Christmas 1924." Havens and the American painter Cecilia Beaux 1855-1942 were friends; the Raymond Dexter Havens Papers at the University of Rochester contain a number of letters from Beaux to Havens from 1915 to 1941. On the title page verso is written in pencil: "Gift Dr. Raymond D. Havens." A bookplate of the Johns Hopkins University library partially covers Havens' bookplate on the front fixed endpaper. Small perforated stamp of the university's initials "JHU" on title page and final page of text. Contents: On the Planning of Printing -- Style in the Use of Type -- The Seven Champions of Typography. In Near Fine- Condition: corners are rubbed; clean and tight. Harvard University Press hardcover
1924rif. 268329Cambridge: Harvard University Press 1924. hardcover. near fine. Slim 8vo 70 pages khaki cloth backed boards. Cambridge: Harvard University Press 1924. First Edition. Near Fine. Printed by the author at the Merrymount Press. Signed presentation by Updike. Laid in is a 2 page A.L.S. and stamped envelope from Updike dated Dec. 16th 1935. Harvard University Press unknown
1924rif. 0008442Cambridge: Harvard University Press 1924. First Limited edition. Hardcover. Very Good. 8vo 69 pages marbled cloth frayed a bit at head of spine unopened. Ex libris printer John Frank Connor of R. H. Connor & Co. Buffalo NY and with a business card. Copy no. 86 of only 260 copies thus. Three essays by this master printer with facsimiles Harvard University Press hardcover
1924rif. 252927Cambridge: Harvard University Press 1924. First. hardcover. near fine. Slim 8vo 70 pages khaki cloth backed boards. Cambridge: Harvard University Press 1924. First Edition. Near Fine. Printed by the author at the Merrymount Press. Signed inscription by Updike " who wishes this book was a better exponent or example of what it commends in book-making!" Laid in are a T.L.S. & a T.N.S. from Updike on the Merrymount Press letterhead. Harvard University Press unknown
1924rif. 25679Cambridge: Harvard University Press 1924. Limited edition. Hardcover. vg. 1/260. 8vo. Original marbled boards with printed title-label on spine as issued. Signed by D. B. Updike on limitation page. Pages unopened. Contents: On the planning of printing. Style in the use of type. The seven champions of typography. Illustrated with 11 reproductions of title-pages bookplates programs invitations and tickets. Head and tail of spine slightly chipped with closed tears. Severely torn glassine jacket separated in 3 pieces laid-in. Binding in good- interior in near fine condition. Harvard University Press hardcover
1976rif. 3131877Berkeley, Los Angeles & London: University of California Press 1976. XIV, 191 Seiten. Gr. 8° (22,5-25 cm). Orig.-Leinenband mit silbergeprägtem Rückentitel. [Hardcover / fest gebunden].
rif. 0265179726.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 1331323045.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 1359904565.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 69-1522Berkeley CA: The Imogen Cunningham Trust 1978. 4to. circa. 40 pp. Stapled Wrap Very Good B&W Plates. Essay by Richard LorenzProvenance: Richard A. Lorenz 1952-2001 author art conservatorcurator and director of the San FranciscoRegional Art Conservation Center. As a trustee of The ImogenCunningham Trust Mr. Lorenz organized and curatedexhibitions of Cunningham's photographs and authored four major books onthe photographer. Berkeley, CA: The Imogen Cunningham Trust, 1978. unknown
rif. BN293378Im Auftrag des Syndikats Im Auftrag des Syndikats Berkeley Mather unknown
1995cm. 17 x 24, 228 pp. Biblioteca di storia della scienza 420 gr. 228 p.
2010LIBRERIA DANTE E DESCARTES 2010, 113 PAGINE. SEGNO A BIRO NEL RIQUADRO ISBN, PER IL RESTO PERFETTO. Il labirinto e l’ombra. Saggi di filosofia delle immagini, di Francesco De Sio Lazzari e Giuliana Scalera McClintock,Napoli: Libreria Dante & Descartes, 2010, 116 pp. Dalle ombre ai labirinti. Dalla mobilità seducente e allusiva delle apparizioni fantasmatiche alle trappole dell’identico, dal tramonto dell’ombra all’alba fredda degli specchi, si delinea il disegno complessivo del difficile rapporto tra l’io e la propria immagine e si intravede una mistica che non si spiega soltanto attraverso le sue fughe dal mondo, ma che – invece di perdersi nell’indistinto – impara, con la Pizia, a contare, come scrive Erodoto «il numero dei grani di sabbia e le onde del mare». Rispetto a una teoretica classica che riflette sulle origini del sacro, e sulle sue forme, già individuate nei luoghi di un sapere che non disattende mai le sue premesse, secondo gli autori è possibile pensare a una storia delle religioni che confini con una filosofia delle immagini. Il libro ricorda che la beatitudine è proporzionale all’affinamento delle capacità percettive. Celebre, a questo proposito, la descrizione demartiniano dello stato dell’olon: «il soggetto, in luogo di udire o di vedere lo stormire delle foglie, diventa un albero le cui foglie sono agitate dal vento, in luogo di udire la parola, diventa la parola che ode». Numerose e intense le rivisitazioni della questione che ispira il titolo. Non ultima quella per la quale nel passaggio dalla religione greco-romana a quella cristiana la scansione fondamentale sembra essere data dalla rottura degli argini costruiti dai greci intorno all’Ade, facendo sì che una folla di oscure presenze si sparga imprevedibilmente sull’intero creato. Una lettura piacevole e scorrevole che con rapide ma puntuali citazioni recupera a un tema complesso e denso nomi (tra altri) come quello di Borges, Nietzsche, Pessoa, Hume, Wilson, Platone. Francesco De Sio Lazzari ha insegnato a lungo Storia delle religioni all’Orientale di Napoli. Studioso del “disprezzo del mondo” nel XII secolo, ha uno spiccato interesse per la simbolica delle passioni che analizza non solo nei testi religiosi ma anche in quelli filosofici e letterari. Giuliana Scalera McClintock insegna Filosofia dei ststemi simbolici a Salerno. Allo studio delle figure e delle sequenze mitiche in letteratura e in filosofia affianca un forte interesse per il versante teorico delle scienze del mito. Il labirinto e l’ombra. Saggi di filosofia delle immagini, di Francesco De Sio Lazzari e Giuliana Scalera McClintock, Napoli: Libreria Dante & Descartes, 2010, 116 pp.
1991rif. 245222PN. New. 1991. Soft Cover. Date is original print. This is a reprint edition . PN paperback
1991rif. 245221PN. New. 1991. Soft Cover. Date is original print. This is a reprint edition . PN paperback
2007rif. x-1412946174Sage Pubns Ltd 2007. Paperback. New. 161 pages. 9.00x6.00x0.50 inches. Sage Pubns Ltd paperback
2007rif. 2-1412946166Sage Pubns Ltd 2007. Hardcover. New. 161 pages. 9.25x6.25x0.50 inches. Sage Pubns Ltd hardcover
2007rif. Q-1412946174SAGE Publications Ltd 2007-06-18. Paperback. New. In shrink wrap. Looks like an interesting title! SAGE Publications Ltd paperback
2013rif. BN659746Piper Taschenbuch 2013. 2013. Ich bin dein Mörder: Thriller Sam Burke und Klara Swell Band 2 Ich bin dein Mörder: Thriller Sam Burke und Klara Swell Band 2 Ben Berkeley Piper Taschenbuch unknown
1935rif. 161360N.p.: N.p. 1935. Final script for the 1935 film seen here under the working title "Romance in a Glass House." Specially bound copy belonging to screenwriter Jerry Wald with his name in gilt on the front board. Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films including "Mildred Pierce" 1945 "Humoresque" 1946 "Key Largo" 1948 and "Flamingo Road" 1949. In the 1950s he moved to Twentieth Century-Fox and was the producer there for "An Affair to Remember" 1957 "Peyton Place" 1957 and "Sons and Lovers" 1960. A famed stage diva wants her untalented lover as her leading man. To prevent this from occurring the producers select a handsome novice from the streets and declare him the new contracted lead in their production. Bound in full red leather with gilt titles on the spine and front board. Distribution page present stamped copy No. 4 noted as FINAL with receipt removed. Title page present dated 6/25/35 with credits for screenwriters Jerry Wald Julius J. Epstein and Robert Hardy Andrews. 109 leaves with last page of text numbered 105. Mimeograph duplication rectos only. Pages Fine binding about Fine. N.p. unknown books
1935rif. 161360N.p.: N.p. 1935. Final script for the 1935 film seen here under the working title "Romance in a Glass House." Specially bound copy belonging to screenwriter Jerry Wald with his name in gilt on the front board. Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films including "Mildred Pierce" 1945 "Humoresque" 1946 "Key Largo" 1948 and "Flamingo Road" 1949. In the 1950s he moved to Twentieth Century-Fox and was the producer there for "An Affair to Remember" 1957 "Peyton Place" 1957 and "Sons and Lovers" 1960. A famed stage diva wants her untalented lover as her leading man. To prevent this from occurring the producers select a handsome novice from the streets and declare him the new contracted lead in their production. Bound in full red leather with gilt titles on the spine and front board. Distribution page present stamped copy No. 4 noted as FINAL with receipt removed. Title page present dated 6/25/35 with credits for screenwriters Jerry Wald Julius J. Epstein and Robert Hardy Andrews. 109 leaves with last page of text numbered 105. Mimeograph duplication rectos only. Pages Fine binding about Fine. N.p. unknown
rif. 0526521015.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. B125957-3Berkeley 1968. 143 3pp. Prof. illus. Sq. 4to. Wraps. Berkeley, 1968. paperback books
rif. 75-7165Berkeley CA: University Art Museum University of California Berkeley 1968. 8vo. Hard Cover ca.150 pp. B&W and Color Plates. Cover Design of Green Metallic Embossing on Black Cloth is by Hundertwasser and Bruce Montgomery. Very good Ex Library. No Dust JacketProvenance: From the library of the San Francisco Gallerist Pasquale Iannetti. Berkeley, CA: University Art Museum, University of California, Berkeley, 1968 hardcover
