Locke, Terry,Biblio.com
5 439 résultats
réf. 7684530like new. unknown
1867réf. 972Philadelpia: J.B. Lippincott & Co. 1867. 1st Edition. Good/--. Modest rubbing to board edges - thumb size paper loss to end paper corner spine heavily sunned resulting in fragile cloth and approx. 1/4 inch loss to head and foot. Otherwise still solidly bound. Written by 'Bloody Eleventh' regiment chaplain only a few years after dissolution. In blue cloth with embossed boards and gilt spine lettering. Very rare first edition most sources state 1868 as first edition. J.B. Lippincott & Co. hardcover
réf. 46656206-nnew. unknown
2001réf. DADAX0761964274Sage Publications 2001-03-08. First Edition. hardcover. New. 6.36x0.57x9.46. Buy with confidence. Excellent Customer Service & Return policy. Sage Publications hardcover
réf. DADAX0198269420New unknown
2004réf. x-0415295629Routledge 2004. Hardcover. New. reprint edition. 248 pages. 8.58x5.67x0.94 inches. Routledge hardcover
1945réf. 36455NY: McGraw. Very Good in Good dust jacket. 1945. First Edition; First Printing. Hardcover. 482 pages; 8vo cloth dust jacket. 482 pages. First Edition/First Printing of this exceedingly rare piece of literature. A Lion is in the Streets went through five printings and was eventually made into a film under the same name in 1953. Jacket has some tears along the top of the front and back cover. Dust jacket has some tearing and chipping. Cover has some rubbing. Name of previous owner on front free end paper in ink. Hard to find with a dust jacket. $3- price is still present on DJ. McGraw Hill Book Co up to the year of 1956 showed no additional printings if it was a First edition. This shows no additional printings on the copyright page or anywhere else for that matter. Additionally the dust jacket shows the retail price of $3.00 so we know it could not be a book club edition. You can refer to McBride's guide to first editions to confirm this. . McGraw hardcover
réf. 69984like new. unknown
2024réf. x-1529609895Sage Pubns Ltd 2024. Paperback. New. 7th edition. 752 pages. 9.69x7.44x0.24 inches. Sage Pubns Ltd paperback
réf. 957717like new. unknown
réf. 640601like new. unknown
réf. DADAX0198237219New unknown
réf. DADAX0198810849New unknown
1969réf. 12885New York: Harper & Row Publishers 1969. First Edition. Hardcover. Fine/Near Fine. Demy octavo : 280p. : original orange cloth : top edge dyed orange : black lettering to spine : fore-edge uncut : illustrated dustjacket : SIGNED by Elliott on the front free endpaper. The Paul Bacon designed dustwrapper has a minor crease at the top of the front panel. Galley Proof : Complete : continuous pagination EXCEPT LACKING Bank 11 Slide 80 pp 113-115 in the published book. Numerous pencil edits by "Susan SL" whose name appears at the head of the first sheet along with "deadline : 4/1 or ealier" Author's third novel set in the Blue Mountains. Elliott won the 1977 Patrick White Literary Award. Harper & Row, Publishers hardcover
2013réf. 165661Nebraska: Gryphon Editions 2013. First Edition; First Printing. Hardcover. Fine. Bound in leather Accented in 22kt gold. Printed on archival paper with gilded edges. The endsheets are of moire fabric with a silk ribbon page marker. Smyth sewing and concealed muslin joints. This book is in full leather with hubbed spines. A Limited Edition. The Classics of Liberty Library.; First Gryphon Edition. Gryphon Editions hardcover
1994réf. 207289Norwalk Connecticut: Easton Press 1994. Eliot Edition; First Printing. Hardcover. Near Fine. Leather Bound. Printed on archival paper with gilded bottom and side edges. The endsheets are of moire fabric with a silk ribbon page marker. Smyth sewing and concealed muslin joints to ensure the highest quality binding. This book is in full leather with hubbed spines.; The Harvard Classics. Easton Press hardcover
réf. 6132915-nnew. unknown
réf. 1802776like new. unknown
réf. 2367Concord NH: The Rumford Press n.d. Octavo 9.25 x 6.25 ix 720 pages with 33 interleaved photo pages. Hardcover in green cloth with gold lettering on the spine. Staining and wear on cover and spine. Pages opposite interleaved images are moderately foxed. Volume Includes a list of Unknown Lockes and a Historical Account of the Locke Family in England from the "Gentleman's Magazine" of 1792. John Locke is believed to have emigrated from Yorkshire England to New Hampshire around the years 1638 - 1644. This volume traces his descendants over ten generations. Collateral families prominently appearing include: BERRY CLARKE HILL LAMPREY MOULTON PAGE-PAIGE PHILBRICK RAND SANBORN SANDERS and SMITH. The Rumford Press hardcover
1794réf. 51002Boston: Manning & Loring 1794. Hardcover. 16mo. Full calf with gilt spine rules and gilt-lettered burgundy calf spine label. viii 250pp. Good. Binding edgeworn and scuffed with tiny chips at spine head and spine lettering rubbed; text block tight but moderately and irregularly age toned with endpapers and preliminary leaves more so; front endpaper rough and a bit chipped at outer edge; contemporary ownership signature at head of title page and at bottom a small convent inkstamp. Decent copy of the first American edition of the best-known and groundbreaking 1690 work on grasping human knowledge by the Enlightenment thinker nicknamed the "father of liberalism" 1632-1704 as condensed with Locke's approval by British cleric John Wynne 1665-1743. This abridgment was first published in London in 1696 proving popular and going through many more editions throughout the 18th century. Not until 1794 did the U.S. see its first edition. Front pastedown bears early bookplate ca. 1800 of Rice Jones and below it a 1947 gift inscription to the convent whose inkstamp appears at bottom of title page. Manning & Loring hardcover
1923réf. 441182New York: Dodd Mead and Company 1923. Hardcover. Fine/Near Fine. First edition. Fine in near fine dustwrapper with a wrinkle and a short tear both on the front panel. Jacket art by "G. Allun Gilbert". Young woman entrusted to two guardians both who fall in love with her. Dodd, Mead and Company hardcover
1868réf. 1152523J.B. Lippincott Co. 1868. Written by 'Bloody Eleventh' regiment chaplain only a few years after dissolution. Gilt titles on blindstamped deep blue cloth. Worn at tips of spine. Hinges firm. Ex-Donald L. Smith with his small address label on ffep. Damp stain on second ffep/frontis. Gift inscription likely original erased on second ffep. Hardcover. Good/No Jacket. Octavo. Book. J.B. Lippincott Co. Hardcover
1923réf. 441182New York: Dodd Mead and Company 1923. Hardcover. Fine/Near Fine. First edition. Fine in near fine dustwrapper with a wrinkle and a short tear both on the front panel. Jacket art by "G. Allun Gilbert". Young woman entrusted to two guardians both who fall in love with her. Dodd, Mead and Company hardcover books
1986réf. 50940Los Angeles: Rough Weather Press 1986. First editions. Softcovers. Very good condition. Rohwedder was a Los Angeles magazine for literature and art founded in 1986. Counting Volume Zero the “dress rehearsal” for a magazine concerned with under-representation of the multitude of foreign cultures present in Los Angeles in favor of generally Eurocentric culture policies in Los Angeles a total of eight issues were published. Contributions in foreign languages were presented in the original as well as English translation. Rohwedder Volume Zero: Published by H. J. Schacht editors Nancy A. Antell and Colin McLeod. Reproduction of drawing by H. J. Schacht on cover. 1986. Octavo. 16pp. Original illustrated stiff wraps with black lettering on cover. The selection of contributions in volume Zero included “The President’s Statement” by Colin McLeod “Anti Apart Hate Art” by Michelle Clinton pure criticism of that Eurocentric culture by Robert Harris early environmental concerns in the centerfold illustration “Urban Blue Plates A Polar Fantasy” by Barry Markowitz and Salvadoran poetry by Hildebrandt Juarez and Joaquin Meza translated with a contribution on Salvadoran poetry by Ruben Martinez. Rohwedder Volume 1. 1986. Octavo. 32pp. Original illustrated glossy white stiff wraps with black lettering on covers. Now published by Schacht and Antell. Title page with: "editorial tic mantic romantic eddy memorial you yum rhetorical cal i methodical him ham therefore she he all September fall just as any other year editorial me. The next issue will be about from for and probably against LA." Contains Salvadoran and Lithuanian poetry illustrations by Julie Overski and Sergio Zenteno. Ruben Martinez had joined as contributing editor. Design including cover by Sergio Zenteno. Faint staining on front cover. Rohwedder Volume 2 1987: Octavo. 42pp. Original photo-illustrated stiff wraps with yellow lettering. Illustrated with photographs including cover by Carol Cetrone with centerfold by Sergio Zenteno. Art director: Kevin Hosman. Colin MacLeod had left as contributing editor. Contributions by Sesshu Foster Elia Arce Lyn Lifshin Julien Foreman Joanna Warwick Stanislaw Baranczak Colin MacLeod Ruben Martinez and others. Includes illustrated letter from Wieland Schmidt Kiel. Back cover with addition to imprint: Rough Weather Press. Rohwedder Volume 3. The Latin America Issue. Spring 1988. Quarto. 1 38 1pp. Original stiff wraps with photomontage by Julien Foreman on covers black and gray lettering. Imprint and biographies printed on bound in half-pages at front and back. With contributions by Juan Felipe Herrera Manlio Argueta Ruben Martinez Gaspar Aguilar Diaz Roque Dalton Elia Arce Alberto Blanco Victor Valle and others. Illustrated with reproductions of paintings by Augusto Crespin Thomas Kidd Michel Aguilar Su Knill drawings by Yuske Inoue and photographs by Ruben Martinez Palo Martin Amador Teran Gary Douglas Antonio Turok and Carol Cetrone. Layout. design and typesetting by Julien Foreman. Rohwedder Volume 4: Issue featuring German European and local artists and writers. Fall 1988. Quarto. 48pp. The most ambitious issue yet. It features the first publication of Sarah Kirsch poetry in the USA in English contributions by Peter Schneider on the subject of immigrants poetry by Eugenio de Andrade translated and introduced by Alexis Levitin Berlin artist Rafael Rheinsberg and his pseudo-archaeological aesthetics poetry by Ursula Krechel Halina Poswiatkowska Pia Tafdrup Fr. Benedict Auer and Reiner Kunze an interview with Eric Trules photographs by Christian Jungeblodt drawings by Ricardo Garcia photographs and a painting by Kain Karawahn among others. The issue includes reviews of the Anselm Kiefer exhibition at MOCA as well as a review of the MOCA staging of “The Mission” by the Kitchen Collective. Layout and design by Ricardo Garcia. The magazine now distributed in Los Angeles bookstores. Rohwedder Volume 5: The issue internally referred to as "the bridge issue” not only because of the twelve reproduction of photos of Los Angeles bridges by Julien Foreman but for the spirit among editors and contributors to created a wide-ranging international texture with this publications. Spring 1990. 48pp. The contributions include works in French Spanish German and a translation from Bengali. It includes artwork by three members of the Costa Rican art group Clima Natal and a cartoon short story by LA-based Japanese artist Rika Ohara “Madame Butterfly Meets Fatman” the story of the detonation of the nuclear bomb over Nagasaki. Design by Nancy Antell and H. J. Schacht. Cover design by Bruce Licher. Rohwedder Volume 6: The Los Angeles Issue. Summer/Fall 1991. Contributions by Luis Alfaro Wanda Coleman Cheta Martinez Laurel Ann Bogen Terry Wolverton Ruben Martinez on the LA Poetry Scene Bruce Wright’s photos of LA graffiti by “The Phantom” Florence Bonneville drawings architectural graphics by Charles Crawford and photographs by Carol Cetrone Nina Chierichetti Julien Foreman and Kain Karawahn. Design by Julien Foreman. The first issue supported by a grant from the Los Angeles Cultural Affairs Department. Rohwedder Volume 7: The Feminist Issue. Spring/Summer 1992. Design by Julien Foreman. "About this issue: When we originally envisioned it we wanted to present“new” feminist theory but soon realized that there is no one feminist theory. This issue presents different voices from all age groups and many areas of the country expressing their visions of feminisms by way of language-oriented poetry performance pieces goddess-based poetry radical feminisms traditional storytelling and post structuralism.” Editors. Text in translation if not English and the original language. Volume Zero with light sunning of cover. Rough Weather Press unknown
1986réf. 50940Los Angeles: Rough Weather Press 1986. First editions. Softcovers. Very good condition. Rohwedder was a Los Angeles magazine for literature and art founded in 1986. Counting Volume Zero the “dress rehearsal” for a magazine concerned with under-representation of the multitude of foreign cultures present in Los Angeles in favor of generally Eurocentric culture policies in Los Angeles a total of eight issues were published. Contributions in foreign languages were presented in the original as well as English translation. Rohwedder Volume Zero: Published by H. J. Schacht editors Nancy A. Antell and Colin McLeod. Reproduction of drawing by H. J. Schacht on cover. 1986. Octavo. 16pp. Original illustrated stiff wraps with black lettering on cover. The selection of contributions in volume Zero included “The President’s Statement” by Colin McLeod “Anti Apart Hate Art” by Michelle Clinton pure criticism of that Eurocentric culture by Robert Harris early environmental concerns in the centerfold illustration “Urban Blue Plates A Polar Fantasy” by Barry Markowitz and Salvadoran poetry by Hildebrandt Juarez and Joaquin Meza translated with a contribution on Salvadoran poetry by Ruben Martinez. Rohwedder Volume 1. 1986. Octavo. 32pp. Original illustrated glossy white stiff wraps with black lettering on covers. Now published by Schacht and Antell. Title page with: "editorial tic mantic romantic eddy memorial you yum rhetorical cal i methodical him ham therefore she he all September fall just as any other year editorial me. The next issue will be about from for and probably against LA." Contains Salvadoran and Lithuanian poetry illustrations by Julie Overski and Sergio Zenteno. Ruben Martinez had joined as contributing editor. Design including cover by Sergio Zenteno. Faint staining on front cover. Rohwedder Volume 2 1987: Octavo. 42pp. Original photo-illustrated stiff wraps with yellow lettering. Illustrated with photographs including cover by Carol Cetrone with centerfold by Sergio Zenteno. Art director: Kevin Hosman. Colin MacLeod had left as contributing editor. Contributions by Sesshu Foster Elia Arce Lyn Lifshin Julien Foreman Joanna Warwick Stanislaw Baranczak Colin MacLeod Ruben Martinez and others. Includes illustrated letter from Wieland Schmidt Kiel. Back cover with addition to imprint: Rough Weather Press. Rohwedder Volume 3. The Latin America Issue. Spring 1988. Quarto. 1 38 1pp. Original stiff wraps with photomontage by Julien Foreman on covers black and gray lettering. Imprint and biographies printed on bound in half-pages at front and back. With contributions by Juan Felipe Herrera Manlio Argueta Ruben Martinez Gaspar Aguilar Diaz Roque Dalton Elia Arce Alberto Blanco Victor Valle and others. Illustrated with reproductions of paintings by Augusto Crespin Thomas Kidd Michel Aguilar Su Knill drawings by Yuske Inoue and photographs by Ruben Martinez Palo Martin Amador Teran Gary Douglas Antonio Turok and Carol Cetrone. Layout. design and typesetting by Julien Foreman. Rohwedder Volume 4: Issue featuring German European and local artists and writers. Fall 1988. Quarto. 48pp. The most ambitious issue yet. It features the first publication of Sarah Kirsch poetry in the USA in English contributions by Peter Schneider on the subject of immigrants poetry by Eugenio de Andrade translated and introduced by Alexis Levitin Berlin artist Rafael Rheinsberg and his pseudo-archaeological aesthetics poetry by Ursula Krechel Halina Poswiatkowska Pia Tafdrup Fr. Benedict Auer and Reiner Kunze an interview with Eric Trules photographs by Christian Jungeblodt drawings by Ricardo Garcia photographs and a painting by Kain Karawahn among others. The issue includes reviews of the Anselm Kiefer exhibition at MOCA as well as a review of the MOCA staging of “The Mission” by the Kitchen Collective. Layout and design by Ricardo Garcia. The magazine now distributed in Los Angeles bookstores. Rohwedder Volume 5: The issue internally referred to as "the bridge issue” not only because of the twelve reproduction of photos of Los Angeles bridges by Julien Foreman but for the spirit among editors and contributors to created a wide-ranging international texture with this publications. Spring 1990. 48pp. The contributions include works in French Spanish German and a translation from Bengali. It includes artwork by three members of the Costa Rican art group Clima Natal and a cartoon short story by LA-based Japanese artist Rika Ohara “Madame Butterfly Meets Fatman” the story of the detonation of the nuclear bomb over Nagasaki. Design by Nancy Antell and H. J. Schacht. Cover design by Bruce Licher. Rohwedder Volume 6: The Los Angeles Issue. Summer/Fall 1991. Contributions by Luis Alfaro Wanda Coleman Cheta Martinez Laurel Ann Bogen Terry Wolverton Ruben Martinez on the LA Poetry Scene Bruce Wright’s photos of LA graffiti by “The Phantom” Florence Bonneville drawings architectural graphics by Charles Crawford and photographs by Carol Cetrone Nina Chierichetti Julien Foreman and Kain Karawahn. Design by Julien Foreman. The first issue supported by a grant from the Los Angeles Cultural Affairs Department. Rohwedder Volume 7: The Feminist Issue. Spring/Summer 1992. Design by Julien Foreman. "About this issue: When we originally envisioned it we wanted to present“new” feminist theory but soon realized that there is no one feminist theory. This issue presents different voices from all age groups and many areas of the country expressing their visions of feminisms by way of language-oriented poetry performance pieces goddess-based poetry radical feminisms traditional storytelling and post structuralism.” Editors. Text in translation if not English and the original language. Volume Zero with light sunning of cover. Rough Weather Press unknown books
