4 748 résultats
2015pp. 226, cm 21x14, brossura, BCM 1220. Nuovo.
2006réf. 37308Presses Universitaires de France Couverture souple Paris 2006
1996Mm 155x225 Brossura originale con copertina figurata, 240 pp. con 48 illustrazioni in nero e a colori nel testo redatto in lingua inglese - text in english. Libro in ottime condizioni, spedizione in 24 ore dalla conferma dell'ordine.
1989IN HEBREW. SIGNED BY IGAEL TUMARKIN (b.1933) - an eminent Israeli painter and sculptor, as well as art critic, with DEDICATION to an eminent Israeli archaeologist, professor at Hebrew University of Jerusalem from 1977 - Trude Dothan. The dedication is in Hebrew and dated 16.8.1989. This rare book is unusual among Tumarkin's writings in that it is a comprehensive text unveiling his philosophy of art in broad outline, dealing with all periods of sculpture throughout human history, rather than a text on his own art works. The book contains numerous b&w reproductions of different sculptural and architectural monuments from around the world, encompassing all periods of sculpture - from ancient to modern. 260x167mm. 264 pages. Semi-rigid illustrated Softcover with gilt lettering on front cover and spine. Cover rubbed and scratched. Cover corners and edges bumped/wrinkled. Spine wrinkled. Spine edges and hinges bumped/wrinkled. Binding slightly curved. Author's signed dedication on pre-title page. [SUMMARY]: This extremely rare book by an eminent modern Israeli artist, bearing his signature and dedication, is overall in good condition.
1997164 p.; 18 cm. Brossura editoriale. Buono
réf. 36893Leicester: Lodge of Research No. 2429 Freemasons' Hall 1935 . Illustrated by Fourty-one Plates Consisting of Fac-similes of Original Documents &c." . A very good original binding. 4to. 8pp./pp.304/4pp. - List of Subscribers . 10" x 7.75" x 1.25" . Very clean blue cloth with gilt titles to spine just a few scuff marks and light rubbing to corners. Very clean throughout and well illustrated. VG. N.B. This is a heavy book so there will be an extra charge for posting overseas. Leicester: Lodge of Research No. 2429, Freemasons' Hall, 1935 . hardcover
1916réf. 41405ABBerlin, Bruno Cassirer, 1916. 8°, XVIII, 574 S., Typo: Fraktur, original Halbpergament-Einband mit goldener Rückenbeschriftung und - verzierung, Erstausgabe altersgemäß ein gutes, sauberes Exemplar
réf. 38594Williamstown Victoria: Australian Masonic Research Council 1993 . A very good booklet with card covers and ring binding. pp.198 . 8.25" x 6" x 0.5" . Blue card covers with black titles and a picture of C. N. Batham. Rear cover with the crest for the Australian Masonic Research Council. Edges lightly rubbed and corners bumped. Clean text throughout. A very good copy of this scarce book. Excerpt from Introduction: ".Cyril Northwood Batham was born in Sutton Coldfield Warwickshire and educated at Bishop Vesey's School where MWBro. Dr. J. T. Desaguliers Grand Master 1719-20 was once a pupil. Bro. Batham was initiated in Bristol in 1955 and was a Grand Steward in 1986. He is a member of 26 lodges and 9 chapters and is a Past Junior Deacon of the United Grand Lodge of England and a Past Assitant Grand Sojurner of the Supreme Gand Chapter of England. He is a member of 26 other orders and holds Grand Rank in all those which it is awarded." Williamstown, Victoria: Australian Masonic Research Council, 1993 . unknown
réf. 38405Manchester: Printed for Private circulation by the Manchester Association for Masonic Research September 1932 . Signed limited edition. 8vo. pp.144/8pp. - Index and Bibliography . 8.75" x 5.75" x 0.75" . A very good and tight binding. Blue cloth with gilt titles to front board and spine . Edges lightly rubbed. Light toning toplain endpapers. Note on fly-leaf opposite the title: "The First Edition. Printed for Private Circulation is limited to 500 Copies of which this is Copy No. 142 ". Signed by the author the signature is thought to be an ink stamp rather than a personal signature. Printed title-page clean text throughout with 4 black & white illustrations. A good clean copy of this scarce work. Manchester: Printed for Private circulation by the Manchester Association for Masonic Research, September, 1932 . hardcover
réf. 46314Farnham: Ashgate 2013. 1st edition. "By the end of the twentieth century Freemasonry had acquired an unsavoury reputation as a secretive network of wealthy men looking out for each others' interests. Yet.this view contrasts sharply with the situation at the beginning of the century when the public's perception of Freemasonry in Britain was much more benevolent with numerous establishment figures including monarchs government ministers archbishops and civic worties enthusiastically recommending Freemasonry as the key to model citizenship.Through an examination of the subject of Freemasonry and the British press a number of related social trends are addressed including the decline of deference the erosion of privacy greater competition in the media the emergence of more aggressive and investigative journalism the consequences of media isolation and the rise of professional Public Relations." Pp.xvi/361 occasional figure illustrations owner's name to half-title page. Black cloth dustwrapper. VG/VG. Farnham: Ashgate, 2013. hardcover
réf. 37760London: Reeves & Turner 1872. 1st edition printed by Reeves & Turner. With Illustrations of the Principles and Precepts Advocated by That Institution. 17cms x 12cms. Pp.62 very clean. Stiff card boards rubbed to top front edge. Scarce. VG. London: Reeves & Turner, 1872. hardcover
réf. 52406Addlestone: Lewis Masonic 2016. 1st edition. "Covers all aspects of the work involved in being a Freemason including ritual philosophy and symbolic work. It's also an enthralling exploration of Masonic esoteric philosophy past present an with visions of what it could be in the future." Pp.280. Black boards dustwrapper. VG/VG. Addlestone: Lewis Masonic, 2016. hardcover
réf. 53136London: Simpkin Marshall Hamilton Kent & Co. Ltd 1921. 1st edition. "So far as possible I have accumulated evidence of the use of our signs and symbols throughout the world; among savages among the ancient nations and among the peoples of the East wise in the ancient wisdom.The theory I venture to propound is that Freemasonry originated in the primitive initiary rites of prehistoric man and from those rites have been built up all the ancient mysteries and thence all the modern religious systems."Author's preface. Pp.xxii/373 colour frontispiece 49 further black & white illustrations slight toning to pages with light marginal spotting throughout. Faded maroon cloth gilt title to spine masonic emblem to front board. Scarce. G. London: Simpkin, Marshall, Hamilton, Kent & Co. Ltd, 1921. hardcover
1967réf. fa901Giulio Einaudi editore Nuovo Politecnico Broché 1967 In-12 (10,3 x 18,2 cm), broché, 109 pages, iconographie en noir et blanc hors-texte, texte italien ; coiffes et coins frottés, mors supérieur fendu en queue, mouillure en tête du premier plat, traces d'usage sur la couverture, par ailleurs intérieur bien conservé, assez bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
In-12 oblong, broché, couverture vert bronze imprimée, 55 références et 8 reproductions en noir. Edition originale du catalogue des expositions de Bristol, Birmingham et Bradford en 1961. Ex-libris manuscrit "Ursus Dix", fils d'Otto Dix au crayon. Très bon exemplaire. (Originalausgabe des Ausstellungskatalogs von Bristol, Birmingham und Bradford aus dem Jahr 1961. Handschriftlicher Exlibris "Ursus Dix", Sohn von Otto Dix in Bleistift. Sehr gute Kopie.)
In-4, demi-toile rouge de l'éditeur, titre en long doré, sous jaquette illustrée (jaquette lég. défr.), 87 p. de texte, 154 reproductions en fin sur papier glacé et 7 planches hors texte de reproductions en couleurs. Bon exemplaire.
1967In 8°, brossura editoriale pp. LXVI, 299, (5), coll. "Biblioteca Sansoni", tracce di nastro adesivo alle prime e ultime carte, per il resto buon esemplare. (MAG ZH3/d) (spedizione standard SEMPRE tracciata con raccomandata-piego di libri, eventuale FATTURA da richiedere all'ordine)
2010ill., br. C'era un volta il cinema, la fotografia, la pittura. Ci sono ormai, sempre più spesso, le immagini. Passaggi tra le immagini. Perché tutto "passa" in televisione. Perché il video ha potuto formare, trasformare tutte le immagini (è il destino delle "nuove immagini"). Tra fotografia, cinema, video l'"entre-image" è un luogo di passaggio, il luogo dove oggi passano le immagini tra immobilità e movimento, figurazione e defigurazione. E, anche, tra pittura e letteratura, o linguaggio. Tra queste immagini, questi passaggi, bisogna scegliere le immagini e le opere per le quali far esistere ancora un mondo e un'arte. I saggi raccolti in questo volume tentano di disegnare un campo d'azione delle immagini, facendo di questo studio uno dei libri più autorevoli sull'arte video: l'indagine tra arte, cinema e video di uno dei più importanti studiosi francesi delle figure in movimento.
réf. 33260P., Tisné, 1950, in 4°, cartonnage de l'éditeur, jaquette illustrée (un peu fanée), 168 pages ; très nombreuses illustrations, en noir et en couleurs.
2011réf. ART5982MRelié, 400 pages, paru le 16 novembre 2011 chez Faton, livre en très bon état général, proche du neuf.
réf. 31509Wien, Verlag Anton Schroll, 1944. In-4, demi-toile rouge de l'éditeur, titre en long doré, sous jaquette illustrée (jaquette lég. défr.), 87 p. de texte, 154 reproductions en fin sur papier glacé et 7 planches hors texte de reproductions en couleurs.
1963réf. 11069Éditions Ophrys 1963 505 pages in8. 1963. broché. 505 pages.
2019br. Il volume apre al dibattito teorico sulla fotografia nella contemporaneità. L'immagine fotografica travalica i confini di un'estetica intesa come discorso attorno alle poetiche della produzione artistica e diventa domanda sul valore dell'arte, sulla sua persistenza nel mondo attuale. Se è innegabile che la rivendicazione delle potenzialità creative ed espressive della fotografia segna una linea maestra nel corso della sua storia, l'applicazione al mondo dell'arte di criteri propri del mercato finanziario ha profondamente cambiato la fruizione dell'opera, incanalata in un circuito privato di case d'asta, gallerie, collezioni e fondazioni, che spesso monopolizzano le modalità di esposizione al pubblico e selezionano opere e artisti, piegando il gusto degli spettatori ai criteri del mercato. Il volume affronta quindi i grandi temi della fotografia, dall'estetica alla relazione tra fotografia e pittura, in un'ottica estremamente attuale, mettendo nel contempo in grande rilievo anche i problemi più specifici che si insinuano nelle contraddizioni delle definizioni di fotografia artistica, documentaria, di moda, amatoriale ecc.
1955Mm 160x240 Volume in copertina rigida con sovraccoperta, 354 pagine. Qualche fioritura all'esterno, peraltro copia molto ben conservata. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
1945Mm 150x230 Brossura editoriale di pp. 538, tavole fuori testo, coperta con segni d'uso. Sottlineature e annotazioni a matita ma testo ben fruibile. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE. WORLDWIDE DELIVERY