170.472 resultados
ref. lc_12397Barcelone seconde édition 1995
ref. 103344Paris, 43, Rue Saint-Georges, s.d (c. 1950-1960), in-8, 72 pp, Broché, couverture illustrée, Catalogue illustré en noir et en couleurs d'huile de graissage pour automobiles. Légers plis, taches, accrocs. Couverture rigide
1899ref. 900123AG1899. Eastbourne 1899. Large vintage Albumen Silver Print of an original photograph. 19.3 cm wide x 14 cm high. Excellent condition. Very rare ! unknown
1991ref. 9046-ABlue Moon Books 1991. softcover. Very Good. 4x7. Brigid a red-haired beauty has caused the prosecution of a rich admirer. As retribution he has Brigid kidnapped and transported to a plantation in the subtropical provinces of Cheluna. Naked and bound before the sadism of Colonel Mantrique and the perversities of the Comte de Xantra Brigid must endure an education in submission until she is ready to serve the man who has chosen her. Blue Moon Books paperback
1989ref. 9047-ABlue Moon Books 1989. softcover. Very Good. 4x7. Rebuffed by a beautiful 20-year-old debutante a wealthy English man-about-town pays a white slavery ring to abduct her and spirit her away to the remote Atlas Mountains of Morocco. There the mistress of the ring and her sinister assistant begin the young woman's education--an education designed to break her will and prepare her for her mentor. Blue Moon Books paperback
ref. LBW-7437[milieu du XVIIe siècle]. 39 x 53,5 cm, sur papier mince, et monté sur papier vergé postérieur.
1924ref. 8309Landsdrukkerij, Weltevreden 1924. Nombreuses illustrations + 7 cartes dépliantes. Rare.Reliure demi-percaline noire. Bon état. Format in-4° (26x18).
1835ref. 13413Frontispice et nombreuses vignettes de titres.Sabine Casimire Amable Voïart, dite « Amable Tastu », (1798-1885) épousa en 1816 l'éditeur Joseph Tastu, qui publiera son principal ouvrage, Poésies, en 1826, avant de faire faillite, quelque temps après. Elle collabora régulièrement au Mercure de France et à la Muse française.Paris, Denain et Delamare 1835. 378 pages.Reliure plein veau glacé de l'époque. Dos à nerf orné et doré. Tranches dorées. Filet doré encadrant les plats avec décor à froid. Coiffe supérieure frottée. Charnières fendillées mais solides. Quelques légères rousseurs. Assez bon état. Format in-12° (16x10).
1900ref. 16312Paris Hachette 1900 In-12 X + 301 pp. Taine a assuré la traduction du témoignage d'une compatriote de Madame Eliott
ref. 897908Cercle Du Livre Précieux Paris 1966 In-16 ( 125 X 75 mm ) pleine basane aubergine, dos lisse orné de fleurons dorés, dentelles dorées d'encadrement sur les plats, tête dorée. Illustrations hors-texte. Charmante édition imprimée sur papier bleu, tirage limité à 3000 exemplaires numérotés ( N°2834 ). Bel exemplaire.
ref. 355865Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1800. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 355879Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1800. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 355864Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1800. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 355878Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1800. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 355863Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1800. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 355877Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1800. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 355876Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1800. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 355866Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1800. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 333369LONDON: Printed in the Year M.DCC.XXVII. 1727. A very scarce forged illegitimate third volume of Gulliver's Travels issued in 1727 octavo brown leather boards remnants of gilt lettering & rule with raised bands to spine gilt rule/borders to boards decorative blind stamp to board edges 14 159pp vignette to prelims decorated headers at begininning of new chapter pages G boards & ffep completely detached but present spine heavily crackled with severe rubbing & heavy surface loss heavy scuffing to boards & board edges with age appropriate discolouration heavy tanning & moderate soiling/staining to page edges level of internal tanning & markings at level expected of books this age but text block still very clear multiple prev. owners' names in ink to prelim pgs- historical LONDON: Printed in the Year M.DCC.XXVII. (1727) hardcover
1930ref. 46404838s. l. n. d. , (vers 1930) ; 16,5 x 11 cm. montées dans des marie-louises et préservées dans une chemise en cartonnage toile in-4, Les 10 planches en noir sont coloriées couleur chair. Elles montrent des scènes de flagellation, lesbianisme, bestialité, etc. Chaque planche est signée P. au crayon, elles sont numérotées 1 à 10 et chacune porte le numéro de la suite (14) à la mine de plomb.
1893ref. 557511 vol. in-4 format à l'italienne reliure plein chagrin marron, chasse ornées, toutes tranches dorées, mention "Antoinette 29 juin 1893" au premier plat, avec deux aquarelles anciennes dont une ornée d'une dédicace en russe, et deux belles encres modernes par Michel Suffran, les 64 feuillets suivants sont restés vierges
1919ref. 3309BZürich, Mayer u. Schulz [Ort u. Verlag fingiert], 1919. Kl.8°. 431 S. HLeinen mit RTitel.
1903ref. R320108082IMP. GOUNOUILHOU. 1903. In-4. Relié demi-cuir. Bon état, Couv. défraîchie, Dos satisfaisant, Intérieur frais. 55 + 416 + 28 pages - Plats et contre-plats jaspés - Titres, filets, fleurons et reliure signée, dorés au dos - Dos à 5 nerfs. 3 PHOTOS DISPONIBLES -. . . . Classification Dewey : 620-Art de l'ingénieur et activités connexes
ref. DN-AYNF-50HPFine. Hardback with dust jacket. Indexed edition red letter no marks in text shipping daily. hardcover
1790ref. 4138London: Published by Robert Sayer 1790. Hand-coloured mezzotint. State vi/viii. A remarkable portrait of Lord Grosvenor's Pangloss by the master equine painter George Stubbs. George Stubbs is considered to be one of the greatest English painters. His ingenious animal and sporting pictures remain unrivalled in their passionate depiction of emotion and their commitment to naturalistic observation. Stubbs was briefly apprenticed to the painter Hamlet Winstanley a relationship that quickly ended leaving the young artist to his own education. In contrast to contemporary academic theory Stubbs attached great importance to the belief that art should imitate nature not the work of other artists. He spent years carefully studying human and equine anatomy so that he could truthfully represent natural form and movement. A result of this study was his famous Anatomy of the Horse which details with beautiful engraving the various elements of a horse's anatomy from skeletal form to muscular definition. By the 1760's Stubbs had developed a considerable reputation as a sporting artist and had attracted a number of distinguished patrons. Continuing in search of innovation Stubbs began experimenting with a myriad of different mediums becoming accomplished in both enamels and printmaking. Through arduous application he became a talented mezzotint engraver and worked with ease in both soft ground and etching techniques. Stubbs' masterful paintings inspired some of the greatest engravers of the day to reproduce his work for publication including his own son George Townly Stubbs who reproduced with faithful accuracy the sublime emotion inherent in his father's exquisite works. Stubbs was elected Director of the Society of Artists and a Royal Academician and today his prized paintings are housed in some of the finest museums in the world. Stubbs was often commissioned to paint accurate portraits of specific racehorses for proud aristocratic patrons who wished to highlight their horses' racing success. This practice is expertly exemplified with this magnificent print of Pangloss Lord Grosvenor's beloved horse. Pangloss was foaled in 1755 and named after a character in Voltaire's Candide; little is known about Lord Grosvenor's horse apart from the fact that his racing career was ended by a broken leg. This print was the second of a series of engraved horse portraits begun by the publisher Ryland in 1771 and extended by Robert Sayer in 1777. Although the inscription on the print establishes Stubbs as the painter the painting has not been identified making this print extremely intriguing since it is the only record of Stubbs' lost work. Lennox-Boyd George Stubbs 20 vi/viii; Gilbey Life of George Stubbs no.39; Siltzer The Story of British Sporting Prints p.270. Published by Robert Sayer unknown books
