15 485 résultats
2001réf. __0754606546Ashgate Pub Ltd 2001. Hardcover. New. 4982 pages. 16.75x11.25x8.50 inches. Ashgate Pub Ltd hardcover
1899réf. 13741London: Chatto & Windus 1899. First edition. Bookseller blind stamp WH Smith to upper corner of front free endpaper offsetting to endpapers some moderate foxing mild rubbing to cloth at corner tips and spine edges two small spots to rear cover a very good copy of a scarce book. 13741. Octavo pp. 1-8 1 2-325 326: blank 327: publisher's device 328: blank 32-page catalogue dated "Sept. 1899" inserted at rear original burgundy cloth front panel stamped in tan white and black spine panel stamped in gold fore and bottom edges untrimmed. "Wonderfully lurid sensational horror stories in full-blooded manner of Victorian melodrama; story titles such as 'The Corpse Light' 'The Cave of Blood' and 'A Night of Horror' say it all." - Robert Knowlton. Reference: Ashley Who's Who in Horror and Fantasy Fiction p. 68. Barron ed Horror Literature 2-70. Sullivan ed The Penguin Encyclopedia of Horror and the Supernatural p. 130. Tymn ed Horror Literature 3-66. Wilson Shadows in the Attic p. 192. Bleiler 1978 p. 62. Reginald 10482. Not in Wolff. Chatto & Windus unknown
réf. 2172Seattle Washington: American Drive Guides. CaliforniaOregonWashingtonMaps Archive of Original Publisher Photographs and Artwork and Finished Pamphlets for "American Drive Guides" and "Here's How You Go" Travel Brochures and Maps 1949-1973 with 302 Unique Pamphlets plus Hundreds of Photos and Art Proofs The pamphlet collection is in very good to fine condition with only a couple exceptions. These are from publisher files which likely are untouched since publication. The artwork and photos are working copies with layout notes font sizes trim lines crop marks and touch-up marks throughout. Collection includes original artwork original photographs stock photos plus trimmed linen chrome and photo postcards. Many are annotated as to location and business name. Sizes vary from 8 x 10-inch photos to 2 x 3-inch snapshots. Includes a number of photo postcards. Good to very good condition. 'American Drive Guides' and 'Here's How to Go Maps' were created by Joyce and Elno Hasselstrom of Seattle Washington. Their idea was quite brilliant. Design 3 different six-panel folding vertical brochures with highway maps featuring Highways 99 and 101 plus Interstate 5. The Interstate 5 map was green; Highway 99 was orange and the 101 was red. Each map ran from the Canadian border to the Mexican border. Other than the front cover every brochure was the same. Year to year businesses would drop out or join the list of advertisers. Updating the brochure would be a relatively simple task. The covers would feature motels or restaurants along the three routes with short interior blurbs for all the businesses buying advertising space. Each front-page business would provide an image usually a photograph but sometimes artwork or line drawings for the cover plus text describing the amenities of the hotel or restaurant. These pamphlets would be distributed at the respective businesses. The maps were designed by the Northwest Mapping Service of Seattle. Joyce Hasselstrom was the layout and design expert while her husband Elno covered sales and promotion. This archive contains 302 unique pamphlets plus three shoeboxes filled with photos and artwork used for the pamphlets. While some may think the star of the archive are the 302 near pristine pamphlets this cataloger is partial to the boxes of photos and artwork. It is safe to say the vast majority of the mom-and-pop motels and restaurants featured in this collection no longer exist and this photo collection preserves the images of a by-gone era before homogenized chain motels and restaurants. A true trip down memory lane. A tremendous collection for collectors of travel brochures photo collectors or students of post WW2 travel in the pacific west. Shipping will have a surcharge due to weight. American Drive Guides unknown
1922réf. OCB3802Ulysses. By James Joyce. First English Edition. Published in 1922. Printed in Paris France. "Published for the Egoist Press London by John Rodker Paris". October 1922. Quarto rebound in later morocco gilt tooling fillet dentelle and armorial at both front and rear boards. Some toning and light surface soiling to title bound without the half title and the rare errata often missing a facsimile of the errata is however laid in at rear. Some wear at edges of spine bit of loss at head. One of 2000 copies. First English Edition printed in France number 245 of of 2000 numbered copies on handmade paper. As is noted on the verso of the limitation page 'Ulysses' was first published by Shakespeare and Company of Paris in February 1922 in an edition limited to just 1000 copies. Within a month of the publication this first printing was practically sold out; eight months after the initial printing October 1922 a second printing the first English edition appeared. This edition is actually rarer than the limitation statement would suggest. In a letter from Harriet Shaw Weaver dated February 25 1947 the following account is recorded: "A good number of copies sent by ordinary book post to the U.S.A. got through to their various destinations but some time between October 1922 when the Egoist edition was published and December the U.S.A. censorship authorities evidently became suspicious; copies were held up and accumulated at the U.S.A. post offices until finally 400-500 copies were confiscated and burnt." Slocum A18. John Rodker for Egoist Press hardcover
1916réf. 2940New York: B. W. Huebsch 1916. First edition. Very Good. A Very Good copy with bright gilt on the spine. Shelfwear to extremities. Front inner hinge starting but holding. Some offsetting to front endpaper and early ownership signature to front pastedown. Page 16 with slight skinning affecting several lines of text. Joyce's first novel recounts the coming of age story of Stephen Dedalus the artistic alter-ego of Joyce himself. Stephen grows up ensconced in rigid institutions: the church school system family and national politics. Feeling trapped Stephen experiences a series of awakenings as he grows older and as a result of these awakenings Stephen rejects these traditional bulwarks of Irish culture. Instead he develops an aestheticism that will support his artistic vision. This rejection of existing communities and institutions alongside his embrace of a new aestheticism alienates Stephen from what he knows. Facing this alienation Stephen decides to leave Ireland and pursue his art abroad. A Portrait of the Artist as a Young Man is an important contribution to literary modernism. One innovation is Joyce's use of age-appropriate syntax and vocabulary. The beginning of the novel which starts in Stephen's infancy is mostly monosyllabic nonsense. As Stephen grows older and grasps more about the world and his place in it the novel's vocabulary and syntax become correspondingly complex. Of Joyce's first novel H.G. Wells writes that "It is a mosaic of jagged fragments that does altogether render with extreme completeness the growth of a rather secretive imaginative boy in Dublin. The technique is startling but on the whole it succeeds." Very Good. B. W. Huebsch unknown
1930réf. 46676Paris:: Henry Babou and Jack Kahane 1930. First edition; Copy 526 of 600 copies on pure linen Vidalon Royal. publisher's printed stiff wrappers in glassine and publisher's slipcase. . Very slight browning to glassine; but a near fine copy in a very nice slipcase with the slightest of wear to edges. Much nicer than usually seen. Small folio. Prospectus laid in. Henry Babou and Jack Kahane, unknown
1925réf. 140948862Paris: Shakespeare and Company 1925. Early Reprint. Near Fine. Seventh printing of the first edition. 736 pp. Bound in publisher's blue printed wraps lettered in white. Housed in a custom teal blue cloth clamshell case with green morocco spine label stamped in gilt. Near Fine with light toning and wear to the notoriously fragile wraps. Light creasing to spine light chipping to ends to ends small closed tear to rear joint at foot with tiny abrasion to rear cover. Light corner creases from prelims to 112 p. A nicer than usually found copy of Joyce's epic modern novel. Shakespeare and Company unknown
1914réf. 35George H. Doran 1914. Hardcover. Good With Dust Jacket 12mo 6.75 - 7.75'' tall. Early printing with 'Printed in the United States of America' on copyright page. This is a RARE FIND to acquire such a fine book with the Original Dust Jacket In place. Doubleday Doran and Company Inc. hardcover
1916réf. CLL-462New York, B. W. Huebsch, 1916 In-12 de1 f.bl., (2)ff., 299pp. (verso bl.), 1 f.bl., percaline bleue de l'éditeur avec auteur et titres estampés à froid sur le premier plat et dorés au dos.
1989réf. 13275HEAT Whitney Musem 1989 first edition 2 volumes complete very fine in like cloth tray case. Bound in full leather and produced as clasp-locked hand-written diaries with illustrations by Robert Gober. Limited to 140 copies and SIGNED by both author and artist. A Fine Press item to be sure. Whitney Musem hardcover
1916réf. 2940New York: B. W. Huebsch 1916. First edition. Very Good. A Very Good copy with bright gilt on the spine. Shelfwear to extremities. Front inner hinge tender but holding. Some offsetting to front endpaper and early ownership signature to front pastedown. Page 16 with slight skinning affecting several lines of text. Joyce's first novel recounts the coming of age story of Stephen Dedalus the artistic alter-ego of Joyce himself. Stephen grows up ensconced in rigid institutions: the church school system family and national politics. Feeling trapped Stephen experiences a series of awakenings as he grows older and as a result of these awakenings Stephen rejects these traditional bulwarks of Irish culture. Instead he develops an aestheticism that will support his artistic vision. This rejection of existing communities and institutions alongside his embrace of a new aestheticism alienates Stephen from what he knows. Facing this alienation Stephen decides to leave Ireland and pursue his art abroad. A Portrait of the Artist as a Young Man is an important contribution to literary modernism. One innovation is Joyce's use of age-appropriate syntax and vocabulary. The beginning of the novel which starts in Stephen's infancy is mostly monosyllabic nonsense. As Stephen grows older and grasps more about the world and his place in it the novel's vocabulary and syntax become correspondingly complex. Of Joyce's first novel H.G. Wells writes that "It is a mosaic of jagged fragments that does altogether render with extreme completeness the growth of a rather secretive imaginative boy in Dublin. The technique is startling but on the whole it succeeds." Very Good. B. W. Huebsch unknown books
1989réf. WRCLIT52163New York: Vincent FitzGerald & Co. 1989. Small folio 35.5 x 25 cm. Linen over boards with stiff-handmade paper endleaves. The crown of the spine is marred by three pin- pick size holes in the surface cloth and several smaller dents evidently the work of a cat otherwise fine. One of fifty numbered copies with the text and illustrations printed on handmade Dieu Donné and special Japanese papers by Daniel Keleher and Bruce Chandler at Wild Carrot Letterpress signed and numbered by the artist below the portrait of Joyce facing the colophon. As a follow-up to her collaborative edition of Joyce's EPIPHANIES of 1987 Weil here illustrates Joyce's text in a variety of media including etchings stencil cuttings original watercolors etc. The calligraphy was executed by Jerry Kelly the etchings printed by Marjorie Van Dyke and the collages by Zahra Partovi. Vincent FitzGerald & Co. hardcover books
1974réf. SBBI-L-BBG00679-RAG-20240Mills & Boon 1974. hardcover. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Mills & Boon hardcover
1936réf. 192844London: John Lane The Bodley Head 1936. A man of genius makes no mistakes. His errors are volitional and are the portals of discovery First UK edition limited issue number 870 of 900 copies on japon vellum and bound in buckram from a total edition of 1000 copies. The Bodley Head Ulysses established the text for the succeeding 25 years. The famous legal judgement by John M. Woolsey lifting the ban in America on the publishing of the book is printed as an appendix together with the International Letter of Protest 1927 against Samuel Roth's piracy of Ulysses to which over 167 literary and intellectual figures put their names including Wyndham Lewis E. M. Forster Albert Einstein Ernest Hemingway W. B. Yeats D. H. Lawrence Virginia Woolf and T. S. Eliot. Ulysses was first published in Paris in 1922 by Shakespeare and Company. Large octavo. Original green buckram spine lettered in gilt Homeric bow device designed by Eric Gill on front cover in gilt top edge gilt others untrimmed. Ownership inscription on first blank. Spine sunned bumps to extremities. A very good copy. Slocum & Cahoon A23. hardcover
1929réf. 003849OOParis France: Black Sun Press 1929. First Edition. Very Fine. A very fine clean and tight copy in original glassine wrapper and slipcase. Copy is very clean and bright. Original glassine has no tears no chips. Copy number 161/500 copies comes in a custom clam shell box. Slip case is tight with rubbing to the edges. A very nice copy. Tossed in a worn copy at no cost Haveth Childers Every-Where. First Printing. Black Sun Press unknown
1916réf. 152253New York: B.W. Huebsch 1916. First American edition of Joyce’s classic stream-of-consciousness work his first novel. Octavo original publisher's blue cloth titles stamped in blind to the front panel. In very good condition. Housed in a custom hand-painted board slipcase in good condition. A Portrait of the Artist as a Young Man New York 1916; London 1917 is the first novel of James Joyce 1882-1941 and one of the foundational texts of literary modernism a semi-autobiographical Bildungsroman tracing the intellectual spiritual and artistic development of Stephen Dedalus from earliest childhood through his rejection of Irish Catholicism nationalism and family obligation and his determination to pursue his vocation as an artist in voluntary exile from everything that had formed him. Originally composed as the abandoned manuscript Stephen Hero beginning in 1904 the novel was radically reconceived and rewritten in the stream of consciousness technique that would define Joyce's mature style serialized in Harriet Shaw Weaver's literary journal The Egoist from February 1914 to September 1915 before appearing in book form with its American publication by B.W. Huebsch preceding the British Egoist Press edition. The epitome of the modernist Bildungsroman the novel was controversial from the moment of its publication with contemporary readers finding its treatment of the minutiae of daily life indecorous and its central character unappealing while Ezra Pound accurately predicted that the book would remain a permanent part of English literature and H.G. Wells praised its originality and courage in the New Republic. It was chosen by Modern Library as one of 100 greatest novels of the twentieth century. B.W. Huebsch hardcover
réf. L3 box798 b3Mathews' Chinese-English Dictionary Xin Hua2 Zi4 Dian3 Revised. This dictionary is combined and revised from Mathews' Chinese-English Dictionary and Xin Hua2 Zi4 Dian3. By Peter C. Huang Joyce M. Huang; Editors: Frank C. Huang Jean J. Huang Faye F. Huang. 2011 Taius Press. Hardcover 1470 pages. 1. This dictionary is combined and revised from Mathews' Chinese-English Dictionary and Xin Hua2 Zi4 Dian3. 2. The main character is in Chinese Traditional or Taiwan with simplified character adding counted stroke serial number phonetic alphabetic phonation and Pinyin into main character string. 3. Romanization is used in Mathews' Chinese-English Dictionary Robert H. Mathews and Pinyin is used in Xin Hua2 Zi4 Dian3; the former is revised into Pinyin for main character's phonation. 4. The reason of using Pinyin to replace Romanization is that the former uses more English alphabets to represent the phonetic alphabets. Hence its phonation is more accurate. 5. Almost the whole part of Mathews' Chinese-English Dictionary text is shifted into this dictionary. It collects Chinese characters and phrases along with English to the utmost and good for reference in translation reading and understanding. Xin Hua2 Zi4 Dian3 is in Pinyin and in Chinese-Chinese structure. They are referred and excerpted into this dictionary. Hence this dictionary covers all main characters from the said two dictionaries. 6. Used Pinyin is transliterated from Phonetic Alphabets the latter used for the phonation of Chinese traditional are the bases for Pinyin. hardcover
1934réf. 1508062Random House 1934. 1st Edition. Hardcover. Fine/Very Good. First authorized US edition fine in a very good dust jacket first issue jacket with artist's name on front. Housed in a custom-made collector's slipcase. Random House hardcover books
1922réf. 253423London: Egoist 1922. First. hardcover. very good. Thick large 8vo original blue wrappers; front cover detached; spine & edges rubbed. London: Printed for the Egoist Press by John Rodker 1922. Limited Edition. First English edition printed in Paris. Number 1516 of 2000 numbered copies of which 500 were reportedly destroyed by U.S. Customs. The Errata pages are present. Protected in an blue cloth clamshell case with black leather label. Egoist unknown books
1977réf. 21550Paris Le Soleil Noir 1977 In-12, broch, couverture illustre. Embotage in-4 dont le premier plat ajour laisse voir travers un rhodod les gravures originales de Camacho (embotage de l'diteur).Edition originale, orne de 5 illustrations hors texte de Camacho. Tirage limit 1.899 exemplaires numrots. Un des 99 premiers exemplaires sur vlin d'Arches dans la srie Livre-objet, seuls tre placs dans un livre-tableau qui renferme 5 eaux-fortes originales sur vlin de Rives, justifies et signes par l'artiste.
1977réf. 36910Paris Le Soleil Noir 1977 In-12, broch, couverture illustre; embotage in-4 dont le premier plat ajour laisse voir travers un rhodod les gravures originales de Camacho (embotage de l'diteur).Edition originale, orne de 5 illustrations hors texte de Camacho. Tirage limit 1.899 exemplaires numrots. Exemplaire dartiste, identique aux 99 premiers exemplaires sur vlin d'Arches dans la srie "Livre-objet" qui se prsentent sous la forme d'un "livre-tableau" renfermant 5 eaux-fortes originales sur vlin de Rives, justifies et signes par l'artiste.
1934réf. 140949980New York: Random House 1934. First American Edition. Near Fine/Very Good. First authorized American edition first printing. xvii 768pp. Bound in publisher's cream-colored cloth lettered in black an red over beveled boards top edge stained red. Near Fine with light wear and toning to cloth two bookplates to front paste down. In a Very Good unclipped dust jacket with designer's name Reichl to bottom corner of front panel spine darkened and extremities toned a few closed tears archival tape to verso reinforcing the ends of the spine and flap folds and the entire front flap fold. Slocum 21. A nice copy of the novel that was sued in the Southern District of New York in 1933 in the famous trial named United States vs. One Book Called Ulysses. Random House publisher Bennett Cerf and attorney Morris Ernst arranged a deliberate legal challenge. The U.S. government brought an in rem action a lawsuit against the physical object to seize a copy of Ulysses under tariff and obscenity laws. Federal Judge John M. Woolsey ruled that the book was not obscene effectively lifting the ban and permitting its publication in the United States. Random House unknown
1934réf. 333702New York: Random House 1934. First. hardcover. very good/good. Thick 8vo cream colored cloth lettered in red & black. d.w. N.Y.: Random House 1934. First Authorized American Edition. The first issue dust wrapper with "Reichl" on the front cover & the $3.50 price is lightly tanned & edge-chipped. Ownership name on end-paper. Laid in is the very rare folio sheet folded to pamphlet form entitled "How to Enjoy James Joyce's Ulysses" presented with the compliments of Random House to the original buyers of the book. Random House unknown
1934réf. 149451New York: Random House 1934. First American edition of Joyce’s masterpiece. Octavo bound in full morocco by the Harcourt Bindery with gilt titles and tooling to the spine in four compartments within raised bands double gilt ruling to the front and rear panels gilt signature of Joyce to the front panel gilt ruled inner dentelles stamp-signed by the Harcourt Bindery marbled endpapers all edges gilt. In fine condition. An exceptional presentation. "Within a month of the publication the first printing of Ulysses Shakespeare and Company Paris 1922 was practically sold out and within a year Joyce had become a well-known literary figure. Ulysses was explosive in its impact on the literary world… Then began the great game of smuggling the edition into countries where it was forbidden especially England and the United States. The contraband article was transported across the seas and national borders in all sorts of cunning ways" de Grazia 27. In this edition the text of Joyce's great work is preceded by a foreword synopsis of the District Court decision and letter from Joyce to his publisher Bennett Cerf all discussing the extraordinary controversy surrounding the book's publication. In 1929 an unauthorized American edition of the novel appeared a piracy of the legitimate ninth printing of Shakespeare and Company. "This Random House edition was set up from the text of a copy of that pirated edition incorporating most of its typographical errors and adding a few new ones" Slocum A21. The United States' ban on Ulysses was not lifted until December 6th 1933; one month later the first authorized American edition was delivered to the public. Joyce's "novel is universally hailed as the most influential work of modern times" Grolier Joyce 69. Named by Modern Library as one of the 100 greatest novels of the 20th century. Random House hardcover
1989réf. 290816New York: Whitney Museum 1989. Limited. hardcover. fine. Gober. 2 vols. bound in crushed white leather with diary-style gilt clasps and enclosed side by side in the publishers 4to lavender silk box. New York: Whitney Museum 1989. Limited Edition. This beautifully conceived artist's book of a short story concerning a pair of twins was designed by Robert Gober along with the hand-written text & lithographed end-papers. One of 140 copies signed by Oates and Gober. As new in a very lightly stained box. Whitney Museum unknown