JOYCE, JamesBiblio.com
15 485 résultats
1934réf. 334890New York: Random House 1934. hardcover. fine. Thick 8vo handsomely rebound in full beige morocco red leather spine labels. New York: Random House 1934. First Authorized American Edition. Fine. Slocum & Cahoon 21. Random House unknown
réf. 0296-25Basel Rhein-Vlg. 1927. Privatdruck. 3 Bll. 458; 2 Bll. 465; 2 Bll. 662 S. Blauer OLn.-Bd./Orig. blue cloth binding. m. Rückensch. Kanten sehr leicht berieb. Alter Namenszug am flieg.Vorsatz. Slocum-C. D.45.2 - Erste deutsche Ausgabe. Nummer LXXV von nur 100 numerierten Exemplaren als Sonderausgabe in einem Band für die Presse: "Privatdruck für die Presse". Weitere erschienen in einer Auflage von 1000 num. Exemplaren. - First edition in german. The first translation of Ulysses published by Joyce. Limited to 100 numbered copies for the press. (Basel, Rhein-Vlg.) 1927. hardcover
1934réf. 000016927New York: Random House 1934. First authorized American edition. Hardcover. Near Fine/Very Good or better. 8vo. 6 vii-xvii 5 5-767 7 pp. Pale buckram cloth over beveled-edge boards black and red lettering on the front board and spine; dark purple topstain. Price of 3.50 on the front flap of the dust jacket. The jacket does not state the jacket designer's name on the front panel. Slocum and Cahoon do not address the question of the designer's name credit though many consider the credit's presence on the jacket to be the preferred variant we have seen this point referred to as a state and as an issue. Slocum and Cahoon 21. A sharp copy of Joyce's modern epic an impressionistic comic tour de force using the epic narrative as a framework. A cultural blend of Irish wit and Greek literary devices and themes dense but beloved and extraordinarily influential. The spine's cloth very gently toned the free front endpaper with two faint wrinkles to its corner; jacket with about three tiny chips on its folds. Random House hardcover
1935réf. 18427New York: Limited Editions Club 1935. Limited Edition First Edition Thus. Hardcover. Good bound in original full brown cloth with gilt decoration on front panel and spine. Webbing exposed at front hinge binding intact. Toning. Edge wear to exterior includind a few bumps some fading to gilt at a few locations. No markings to text. 4to 12"h x 9 1/4"w. Illustrated by Matisse limited edition also signed by Matisse on the Limitation Page. Limited Editions Club hardcover
1989réf. 586FISCHER 02-07/1989. 1. softcover. Tredana Deutsche Erstausgabe! 274827492753 FISCHER paperback
1907réf. WRCLIT64584London: Elkin Mathews 1907. Green cloth lettered in gilt. Ornamental title border. Spine faintly sunned endsheets a bit tanned with faint binding adhesive discoloration along gutter otherwise a near fine bright copy. First edition second binding thin wove endsheet variant of Joyce's first clothbound book. The entire first printing consisted according to early sources of five hundred and nine sets of sheets. The first lot of sheets were bound for publication in May of 1907; a second binding lot was ordered at an unknown but significantly later date. The copy in hand has the thin wove endsheets as opposed to thicker wove endsheets that appear in other copies of the second binding lot priority undetermined and likely nonexistent. SLOCUM & CAHOON A3. Elkin Mathews hardcover books
1922réf. WRCLIT70000Paris: Published for the Egoist Press London by John Rodker 1922. Small thick quarto. Original blue and white wrappers. Quarto gathering of errata laid in. Wrappers chipped at spine ends with partial splits of wrapper joints at extremities a few light rubs or soft creases to wrappers a bit of minor foxing to errata and endleaves but internally very good and if properly bound a quite agreeable copy. "First English edition" but more precisely the second impression of the first edition printed from the largely unaltered plates used for the first impression and intended for distribution in Britain. Copy #645 of 2000 numbered copies printed on handmade paper i.e. a copy from the sequence erroneously alleged to have been burnt by US customs. SLOCUM & CAHOON A18. MODERN MOVEMENT 42. Published for the Egoist Press, London, by John Rodker unknown books
1938réf. WRCLIT83028Paris The Hague etc. 1938. Whole numbers 1-14 and 18 through 27 in 23 issues of 25 published bound up in eight volumes gilt cloth original wrappers and some cover slips bound in. Accompanied by two issues #15 and double number 16/7 in original wrappers and two supplements in original wrappers. A few wrappers show modest soiling those issues which inevitably show slight to a bit more than slight tanning to the text stock do so here some minor soiling and a few isolated spots to the cloth bindings tidemark at the toe of the spine of the volume containing 21/22/23 with some slight isolated rippling to some of the plates issues 15 and 16/17 lightly worn but unusually nice for these particular issues. Withal a good to largely very good or better run. A complete run of the most famous and influential expatriate literary periodical of its times edited by Eugene Jolas and various associate editors. This is a good association set with additions bound for and with the ownership signature in the second volume of poet/publisher James Laughlin who dedicated the premiere volume of his annual NEW DIRECTIONS IN PROSE & POETRY to "The Editors The Contributors & The Readers of TRANSITION who have begun successfully The Revolution of the Word." Issues number 1 and 6 are denoted second editions ie. printings with #1 now printing the correct order for Stein's "An Elucidation." Accompanied by the separate pamphlet printing of the corrected version of "An Elucidation" issued at Stein's insistence concurrent with the appearance of the first printing of issue #1. Also present is a fine copy of the supplement to issue #23 printing the collective "Testimony Against Gertrude Stein" in response to various slights errors or attacks made by her in THE AUTOBIOGRAPHY OF ALICE B. TOKLAS. Maria and Eugene Jolas Georges Braque Henri Matisse André Salmon and Tristan Tzara are the respondents. In addition to providing the forum for the serial publication of Joyce's WORK IN PROGRESS TRANSITION records a virtual who's who of the literary innovators of the times with the notable exception of Ezra Pound whose lack of affinity with one of the most frequent contributors may have led him to steer a separate course. WILSON & UPHILL A10 etc. SLOCUM & CAHOON C70. HANNEMAN C300 etc. hardcover books
1966réf. 140604Los Angeles: Expanding Cinema 1966. Shooting final for the 1966 film. Copy belonging to actor Peter Haskell with his manuscript annotations throughout and his shooting schedule laid in. Mary Ellen Bute's final film and the first cinematic adaptation of James Joyce's masterfully complex work of fiction. Shot over a two year period Bute was tasked with transforming Joyce's impenetrable prose without losing any of the work's surreal lyrical essence. The subsequent film maintains the original novel's oneiric style. Bute and her husband Ted Nemeth were longtime collaborators and Nemeth worked as both cinematographer and producer of the film. In 1965 it was honored at the Cannes Film Festival as Best Debut and remains Bute's sole feature length film. Shot on location in New York City and Dublin. Brown untitled wrappers. Title page present dated March 4 1963 and December 3 1962 noted as Shooting Final with credits for screenwriters Mary Ellen Bute Romana Javitz and T. J. Nemeth Jr and editor A.I.M.S. Street. 148 leaves with last page of text numbered 139. Mimeograph duplication with onionskin revision pages throughout. Pages Very Good plus wrapper Very Good plus. Some pages detaching and wrapper slightly cracked. Bound internally with prong binding. Expanding Cinema unknown
1917réf. 142971London: The Egoist Ltd 1917. First English edition of Joyce’s classic stream-of-consciousness work his first novel one of about 1000 copies. Octavo original cloth. In very good condition. Housed in a custom half morocco and chemise clamshell box. A Portrait of the Artist as a Young Man is a semi-autobiographical novel by James Joyce which describes the formative years of the life of Stephen Dedalus. It was published first in book format in 1916 by B. W. Huebsch New York. The first British edition was published by the Egoist Press in February 1917. Chosen by Modern Library as one of 100 greatest novels of the twentieth century. The Egoist Ltd hardcover
1927réf. 000759Paris: Shakespeare & Co. The 9th printing printed from the wholly new and corrected setting of type prepared for the eighth edition. Original blue wrappers bound in 3/4 leather boards and green tan and gilt paper. Green and tan designed end pages. Gilt title on spine. Gilt topstain. . Very Good. Hardcover. 1st Edition. 5th or later Printing. 1927. Shakespeare & Co., hardcover
1936réf. 46625London:: John Lane The Bodley Head 1936. First edition printed in England; No. 847 of 900 copies on Japon vellum. . publisher's green buckram stamped with Homeric bow in gold; in dust jacket. Very slight browning to extremities of spine; else a fresh bright copy in a price-clipped jacket with some light wear to its extremities and some hand-soiling particularly to the spine. Uncommon in dust jacket. Small 4to. John Lane, The Bodley Head, hardcover
1925réf. 151568New York: Greenberg Publisher Inc 1925. First limited edition of this classic work inspired by King John. Octavo original half-cloth. One of 500 numbered copies this is number 8. Association copy inscribed by the author to fellow writer James Joyce on the limitations page "To James Joyce in admiration Joseph Shipley." The recipient James Joyce was an Irish modernist writer whose novel Ulysses 1922 is widely regarded as one of the most influential works of twentieth-century literature. In very good condition. Joseph T. Shipley 1893–1988 was an American author literary critic and lexicographer whose career spanned several decades of influential work in both theater criticism and the study of language. He served as drama critic for The Call later The New Leader from 1918 to 1962 and extended his critical reach through radio broadcasts on New York station WEVD where his program First Nights ran from 1940 to 1982. Shipley was an early and perceptive commentator on modern drama publishing one of the first critical studies of Eugene O’Neill in 1928 and he later held leadership roles in the New York Drama Critics’ Circle including serving as president from 1952 to 1954. Although widely respected as a theater critic he is perhaps best remembered for his contributions to etymology and literary reference particularly his Dictionary of World Literary Terms 1943 and his final work The Origins of English Words 1984. Over the course of his career he authored or edited 27 books and received honors such as the Townsend Harris Medal. Greenberg, Publisher, Inc hardcover
réf. 17744Saint-Gérand le Puy 2 avril 1940 181 x 138 mm. 1 feuillet écrit au recto, encre un peu passée mais bien lisible.
1939réf. 145126London: Faber and Faber Limited 1939 First UK edition. iv 628 pp. Tall octavo. Original burgundy cloth. Top edge trimmed. Gilt title and decoration on spine. Fore edge and bottom edges untrimmed. Original endpapers. Text block clean and crisp. Original printed dustwrapper. Touch of wear on the top edge. Price trimmed and a rubber stamp with a US dollar amount added. Really no fading to speak of. A fine copy of a scarce item in this condition. 3400 sets of sheets for the trade edition were printed for Faber. Of these 2255 were bound and sold at 25 shillings 950 were destroyed by the publisher and the remaining were complimentary copies. Joyce thought that the 950 discarded sets of sheets remained unsold because of the price which Joyce believed was too high. Slocum & Cahoon A47. Also included is a small group of ephemera that relates to the first sale of the book in 1939 by Philip C. Duschnes in New York 1939 Faber and Faber Limited hardcover
1916réf. 3926New York: B. W. Huebsch 1916. First edition. Very Good . A Very Good copy with minor shelfwear to extremities. Spine toned. Rear inner hinge tender but holding. Previous owner's bookplate to the front free endpaper. Joyce's first novel recounts the coming of age story of Stephen Dedalus the artistic alter-ego of Joyce himself. Stephen grows up ensconced in rigid institutions: the church school system family and national politics. Feeling trapped Stephen experiences a series of awakenings as he grows older and as a result of these awakenings Stephen rejects these traditional bulwarks of Irish culture. Instead he develops an aestheticism that will support his artistic vision. This rejection of existing communities and institutions alongside his embrace of a new aestheticism alienates Stephen from what he knows. Facing this alienation Stephen decides to leave Ireland and pursue his art abroad. A Portrait of the Artist as a Young Man is an important contribution to literary modernism. One aspect of this innovativeness is Joyce's use of age-appropriate syntax and vocabulary. The beginning of the novel which starts in Stephen's infancy is mostly monosyllabic nonsense. As Stephen grows older and grasps more about the world and his place in it the novel's vocabulary and syntax become correspondingly complex. Of Joyce's first novel H.G. Wells writes that "It is a mosaic of jagged fragments that does altogether render with extreme completeness the growth of a rather secretive imaginative boy in Dublin. The technique is startling but on the whole it succeeds." Very Good . B. W. Huebsch unknown
1934réf. 216882New York: Random House 1934. First American Edition; First Printing. Hardcover. Very Good in a Fair dust jacket. Dust jacket heavily chipped away at spine crown/heel. 2 inch closed tear at top of front panel. Reichl name printed at bottom of front panel. Random House hardcover
1916réf. 101988New York: Huebsch 1916. First edition of Joyce's classic stream-of-consciousness work his first novel. Octavo original blue cloth with titles to the spine in gilt. In excellent condition without the usual fade to the spine with some rubbing to the extremities. A Portrait of the Artist as a Young Man is a semi-autobiographical novel by James Joyce which describes the formative years of the life of Stephen Dedalus. It was published first in book format in 1916 by B. W. Huebsch New York. The first British edition was published by the Egoist Press in February 1917. Chosen by Modern Library as one of 100 greatest novels of the twentieth century. Huebsch hardcover books
1928réf. WRCLIT63296New York: Crosby Gaige 1928. Gilt cloth t.e.g. Trace of light wear at toe of spine light neat pencil acquisition note on free endsheet dated 1929 small smudge of dulling toward lower edge of upper board otherwise a near fine copy in custom cloth-covered slipcase. First edition in book form. One of 800 numbered copies signed by the author from a total edition of 850. The first owner notes this copy was acquired when "tempted by this at Random House - succumbed!" Random House distributed a portion of the edition. SLOCUM & CAHOON A32. Crosby Gaige hardcover books
1939réf. 1407517Faber and Faber Limited London 1939. 1st Edition. Hardcover. Near Fine/Very Good. First edition first printing. First published in Mcmxxxix stated on the copyright page. Book near fine fore and tail edges untrimmed slight foxing on paste-downs end papers and last page some very minor soiling on covers. Dust jacket very good some repair along top edges and rear hinge visible on inside of dj some minor soiling and minor foxing on inside of dj. Flap price 25s.net. Comes in custom-made slipcase. Faber and Faber Limited, London hardcover books
1939réf. 25419London: Faber & Faber Limited 1939. Light foxing and offsetting to the endpapers small bookseller's label inside back cover spine ends lightly crimped with bottom corners gently bumped; near fine in a near fine jacket completely unrestored clipped at all edges and price-clipped with three short closed tears and a hint of edgewear still bright and unfaded. An exemplary copy of one of the least read and understood novels of the 20th century. Housed in a custom quarter leather clamshell box. First Edition. Thick octavo. First British Edition trade issue published simultaneously with the American and the British deluxe. Total printing of 3400 copies with 50 copies in sheets destroyed Slocum and Cahoon A47. London: Faber & Faber Limited unknown books
1929réf. 299582Paris: Black Sun 1929. First. paperback. fine/fine. Three Fragments from a Work in Progress. With a "Portrait" by Brancusi. Sq. 8vo printed wrappers with original glassine. Paris: The Black Sun Press 1929. First Edition. Contains work that was later to appear in Finnegans Wake. Number 66 of 500 copies. Fine in the original gilt slipcase. Slocum & Cahoon A-36. Black Sun unknown books
1916réf. JJ046New York: Huebsch 1916 First edition first printing. Publisher's blue cloth blind-stamped front cover and gilt spine. A very good copy with a slight lean to spine and wear to spine ends some light spotting to cloth and rubbing to board edge a slight mark to fore edge of pages 45-48 binding slightly cracked between pages 28 and 29 otherwise sturdy. Internally free of any writing or bookplates. Lacking the scarce original dust jacket. Overall a solid copy of the author's first novel. Slocum & Cahoon A11. A Portrait of the Artist as a Young Man is Joyce's second book and first novel. With the assistance of Ezra Pound the semi-autobiographical text was first published serially in twenty-one monthly installments in the British literary magazine The Egoist from February 1914-September 1915. Readers' critical reactions and fear of obscenity laws led many British publishers to initially reject publication and it was first published in book form in America in 1916. The book which is a virtual rewrite of his abandoned novel Stephen Hero tells the story of the young artist Stephen Daedalus Joyce's fictionalized alter ego. The name alludes to both the Christian martyr Saint Stephen and the Greek mythological inventor Daedalus. A Portrait of the Artist as a Young Man is a Künstlerroman a subset of the bildungsroman genre. The novel is written in Joyce's characteristic style of free indirect speech; Joyce's writing style matures along with Daedalus' own consciousness so that the sophistication of the narrator's voice mirrors the protagonist's level of awareness. First Edition. Hard Cover. Very Good. New York: Huebsch hardcover
1916réf. 3926New York: B. W. Huebsch 1916. First edition. Very Good . A Very Good copy with minor shelfwear to extremities. Spine toned. Rear inner hinge tender but holding. Previous owner's bookplate to the front free endpaper. Joyce's first novel recounts the coming of age story of Stephen Dedalus the artistic alter-ego of Joyce himself. Stephen grows up ensconced in rigid institutions: the church school system family and national politics. Feeling trapped Stephen experiences a series of awakenings as he grows older and as a result of these awakenings Stephen rejects these traditional bulwarks of Irish culture. Instead he develops an aestheticism that will support his artistic vision. This rejection of existing communities and institutions alongside his embrace of a new aestheticism alienates Stephen from what he knows. Facing this alienation Stephen decides to leave Ireland and pursue his art abroad. A Portrait of the Artist as a Young Man is an important contribution to literary modernism. One aspect of this innovativeness is Joyce's use of age-appropriate syntax and vocabulary. The beginning of the novel which starts in Stephen's infancy is mostly monosyllabic nonsense. As Stephen grows older and grasps more about the world and his place in it the novel's vocabulary and syntax become correspondingly complex. Of Joyce's first novel H.G. Wells writes that "It is a mosaic of jagged fragments that does altogether render with extreme completeness the growth of a rather secretive imaginative boy in Dublin. The technique is startling but on the whole it succeeds." Very Good . B. W. Huebsch unknown books
réf. FW_2010_NumberedSpecialFinnegans Wake by James Joyce. Edited by Danis Rose & John O'Hanlon. Houyhnhnm Press Dublin: 2010. One of 150 Numbered copies of the Special Issue. This is copy No. 29 and is signed by the Editor and the Printer. New Fine. Printed on Magnani Mouldmade 130g deckle-edged paper. Royal quarto. Bound in full black calfskin over boards gilt-stamped on front cover and spine. Presented in a black cloth-covered slipcase with a companion volume of introductory essays hardbound in grey paper over boards. Dublin Houyhnhnm Press. 2010. The first critically emended and completely reset edition of James Joyce's Finnegans Wake since its original publication in 1939. Edited by Danis Rose and John O'Hanlon designed by Martino Mardersteig set in their Dante Val typeface and printed offset and bound by Stamperia Valdonega Verona for Houyhnhnm Press Dublin. This First Edition is limited to a Special Issue consisting of 26 Lettered 150 Numbered and 24 Hors Commerce copies printed on Magnani Mould made paper and hardbound in black calfskin; and a Trade Issue of 800 copies printed on Arcoprint and hardbound in black Imitlin and presented in a grey card slipcase. The Companion Volume contains a Note by Seamus Deane a Forward by Hans Walter Gabler an Introduction by David Greetham and a Preface and Afterword by the Editors. Houyhnhnm Press hardcover
