3 050 résultats
1998réf. 68883Pandora; Snoeck-Ducaju & Zoon. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 256 pp. With 269 ills. 235 col. . 31 x 26 cm. Description: "Providing a substantial review of the oeuvre of a noted Belgian Expressionist painter whose charmingly whimsical figurative images reflect a refined self-consciously naive style this catalogue presents a detailed bioigraphical chronology and three critical essays along with fine reproductions of 109 paintings and nearly 120 drawings prints and other works produced by Tytgat 1879-1957 from 1903 to 1956 the selection including portraits nudes and landscapes as well as numerous narrative compositions depicting biblical subjects fairy tales circus performers and scenes of contemporary life." -- with a bonus offer-- . 1998. Pandora; Snoeck-Ducaju & Zoon hardcover
1998réf. 69118D. A. P. / Distributed Art Publishers Distribution . New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Dutch and English. 240 pp. With 273 ills. 130 col. . 29 x 25 cm. -- with a bonus offer--; 0.65 x 11.32 x 9.8 Inches . 1998. D. A. P. / Distributed Art Publishers (Distribution) paperback
1907réf. LCB64841London: T. Fisher Unwin. Very Good with no dust jacket. First Edition; First Impression. Original pictorial cloth binding . Some fading to spine. Some scuffs to head & tail of spine & gentle scuffs to corners. Very mild discolouration spots on back cover & small stain >1cm on front cover. Browning on half-title page & some foxing on title page & page 215. Hingecrack pictured pages 48-49. Small tears >1.5cm pages 52-53 66-77117165 Small stain >1.5cm pages 134 153. Stains to joint pictured - Pages 216-218. Undated Though copies held at British Library; Original publishers blue pictorial cloth with lettering stamped in gilt & decoration in red green & grey depicting Art Nouveau design of a woman playing a Celtic harp amid stars. Blind stamped spine illustration in similar style & colours depicting woman dancing in traditional Welsh stove-pipe hat amid stars. Endpapers illustrated with line drawings in grey & silver shimmer ink. Full page colour illustration & illustrated title page in red & black ink complete with tissue guard. Illustrated contents page. Red ink heading titles throughout. Highly decorative illustrated title page for each story & most with black ink vignettes. Beautiful illustrated initials throughout text body. Includes preface by the author & guide to Welsh pronounciation. A handsome first edition of this cornerstone in the preservation and popularization of Welsh folklore Thomas’s collection captures the magic of native fairy tales & legends during the Celtic Revival. The collaboration with Pogany—then at the dawn of his career—adds great artistic significance his elegant Art Nouveau style perfectly complementing Thomas’s lyrical retellings. A beautiful & important first edition uniting two major figures in early 20th-century folklore & illustration. This enchanting collection brings together eighty-three captivating tales of witches spirits enchantments & other wonders. A timeless volume certain to charm readers & lovers of fairy lore of all ages.; 20.6 cm x 14.5 cm x 4 cm . 1907. T. Fisher Unwin hardcover
1909réf. 003690BLondon: George G. Harrap & Co 1909. Fine. Willy Pogany. A fine copy bound in full leather Mounteney Binding. First Edition 1909. Printed in colors within ornamental boarders throughout with numerous illustrations by Willy Pogany 24 tipped in plates All plates are in excellent condition. Crimson morocco gilt spine in six compartments with five raised bands gilt-lettered in one turn-ins gilt decorative paper doubllures and end papers top edge gold gilt. STAMP-SIGNED BY MOUNTENEY. George G. Harrap & Co unknown
1930réf. 1285981930. First Edition. Signed. POGÃNY Willy illustrator. Rubáiyát of Omar Khayyám. London: George G. Harrap & Co. 1930. Octavo original full turquoise morocco gilt-stamped floral medallion with multicolored onlays to front cover raised bands top edge gilt uncut original publisher's box. $2200.Signed limited edition of Willy Pogány's illustrated Rubaiyat number 25 of 750 copies for sale in the U.K. of a total edition of 1250 copies with 12 mounted color plates and intricate in-text decorations signed twice by the artist elegantly bound in gilt-decorated morocco in the publisher's original box.Hungarian-born Pogány ""specialized in gift book embellishment both before and after the First World War"" Harthan 242. A prolific artist Pogány produced illustrations for more than 150 books in his lifetime including many classics of children's literature such as Mother Goose. He first illustrated the Rubaiyat in 1909 and provided a new entirely different set of illustrations for this 1930 signed limited edition of Edward FitzGerald's classic 1859 translation. Khayyam's ""brief verses vary in theme from sophisticated satires on the unreasonableness of human passion to the passionate lyrics on the joys and sorrows of love and wine and on the wisdom of grasping pleasure while we can"" Hornstein Percy and Brown 377. Signed by Pogány in ink at the limitation page and in pencil on the additional etched frontispiece. Greer 121d. Contemporary owner signature.A fine copy in a worn original publisher's box. hardcover
1979réf. 64941Albright-Knox Art Gallery. As New. 1979. Paperback. 0914782274 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 98 pp. With 5 text ills. And 62 pls. 28 col. . 28 x 22 cm. -- with a bonus offer-- . Albright-Knox Art Gallery paperback
1910réf. 58902New York:: Thomas Y. Crowell & Co. 1910. First edition: No. 138 of 525 copies signed by Willy Pogany. publisher's full pictorial gilt leather t.e.g. in custom later slipcase. Some light rubbing at the extremities of the spine and boards; the contents fine. . Folio. Presented by Willy Pogany throughout including tipped-in color plates. Thomas Y. Crowell & Co., hardcover
1967réf. 4462421967. Hardcover. Very Good. Octavo. Measuring 5½" x 8½". 290pp. Green cloth. The text block separated from the binding for use as a manuscript with notes and changes by the author for a revised version thus good only. A purposely broken copy of Days on the Wing by Baron Coppens de Houthulst also known as Willy Coppens which he used to prepare the manuscript for the 1970 reissue of the book entitled Flying in Flanders. Coppens was one of Belgium’s top flying aces during World War I “credited with 37 confirmed victories and six probables.” Coppens originally wrote Days on the Wing in 1931 as a memoir of his service in World War I. In the late 1960s he reworked the piece and it was eventually reissued as Flying in Flanders in 1970. Coppens used this copy of Days on the Wing to write extensive notes for the new edition. The book also includes typed and photocopied notes and rewrites throughout the manuscript. Notes are featured in the original book with additions word changes and crossed out footnotes among other changes. Notes throughout the manuscript read “replace this paragraph” “no italics” and other notes to clean up the narrative. Also included is a Typed Note Signed by Coppens. Willy Omer François Jean baron Coppens de Houthulst was a Belgian “flying ace" and “balloon buster” during World War I. According to Coppens 40 Belgians including Coppens went to England to learn to fly at their own expense after Germany invaded Belgium in 1914. Coppens flew his first combat mission on May 1 1917 in a “Sopwith 1½ Strutter two seater.” After numerous aerial victories Coppen’s final mission resulted in a crash where his leg was amputated. Following the war Coppen was knighted for his wartime service where he became Willy Omer François Jean baron Coppens de Houthulst. During World War II he worked with resistance movements in Switzerland. An interesting collection of revisions for the memoir of a Belgian flying ace in World War I. hardcover
1940réf. 65033Philadelphia:: David McKay Co. 1940. original cloth-backed drab boards; preserved in a custom cloth folding box. Fine. Folio. Original drawings include an illustrated half-title and title page frontispiece and seven finished drawings of various sizes plus numerous sketches. David McKay Co., hardcover
1940réf. 58376Philadelphia:: David McKay Co. ca. 1940. old cloth-backed boards in custom folding box. . Fine. 8vo. 10 original pencil drawings and vignettes. David McKay Co., hardcover
réf. 23683London: George G. Harrap and Company. 1913. First edition first printing. First edition first printing. Deluxe limited edition signed by the illustrator. Publisher's original vellum-covered boards with titles and illustrations in gilt to the spine and upper board. Top edge gilt. Illustrated endpapers. Lavishly and profusely illustrated with 8 mounted colour plates colour lithographs and black and white line drawings throughout by Willy Pogany with some of the text and drawings being accented with brown blue and green. A near fine copy the binding firm the boards only very slightly bowed. The contents with very faint spotting to the prelims are otherwise entirely complete and clean throughout and without previous owners' stamps or inscriptions. Complete with the original illustrated box which is worn at the edges with one side of the bottom half split at the corners. A beautiful scarce edition. This deluxe issue was issued in a limited edition of 525 copies this example numbered 16 and signed by Willy Pogany in black in on the limitation page. Pogany's stunning Art Nouveau-tinged illustrations breathe life into Wagner's opera which is based on the German Arthurian legend of the knight Lohengrin son of of Percival who rode a boat drawn by swans to rescue a lady. Further details and images for any of the items listed are available on request. All items are catalogued by humans. Lucius Books welcomes direct contact with our customers. London: George G. Harrap and Company. 1913 hardcover
réf. H545Oldenburg und Leipzig Schulze 1889. 8vo. IV 248 S. Mit einer doppelblattgroßen Karte. Bedruckte Original-Broschur unaufgeschnitten ein sehr gutes Exemplar. Schildert die im Jahre 1884 von der Afrikanischen Gesellschaft zum Zweck der Erforschung des südlichen Kongobeckens ausgesandte deutsche Expedition an der der Verfasser als Arzt Zoologe und Anthropologe teilnahm. - Hess/Coger 3370; Kainbacher 523. unknown
1955réf. 05614HISTORIC LETTER TYPED LETTERS between Willy Ley & Mrs. Fritz Lang the former dated 7-11-1955 one page over 200 words and SIGNED & the latter dated 7 -25 -1955 one page about 175 words and SIGNED respectively concerning the origin of "The Countdown" in rocket launches. It seems that in the former letter Ley realizes that the first time he encountered such a thing was in Lang's film FRAU IM MOND a silent film released in 1929. He writes to ask Lang if this was an original thought on his part. Mrs. Lang answers for her husband who is on vacation after many weeks work on NEWS IS MADE AT NIGHT in the affirmative! A seemingly historic correspondence. N.p. unknown
1928réf. 58375New York:: Doubleday Doran and Company ca. 1928. Traces of adhesive on verso; otherwise fine. 8vo. Doubleday, Doran and Company, unknown
réf. 1831No Binding. Very Good. Original oil painting of a clown. On canvas. Canvas measures 12 x 10 inches. Label on reverse from The Canton Art Institute. Canton Ohio. Titled "Clown" by Pogany Willy. Donated by Robert A Luntz. unknown
réf. 419451969. 59 x 79 cm Kleine Farbfehlstellen sonst tadell. Mythologisches Bild mit religiösen Anspielungen. Fries Willy 1907 Wattwil SG †18.7.1980 Wattwil SG Maler Zeichner und Grafiker. Wandbild Glasfenster Zeichnung Holzschnitt und Illustration. Der im ländlichen Wattwil aufgewachsene Willy Fries bricht 1929 sein Studium der Kunst- und Literaturwissenschaft an der Universität Zürich auf Anraten von Heinrich Wölfflin zugunsten einer Laufbahn als freier Künstler ab. In Paris kurzzeitig an den Académies Scandinave und Grande Chaumière sowie in den Ateliers von Fernand Léger und Amédée Ozenfant. 1930–34 weitere Ausbildung an der Universität und der Akademie in Berlin sowie Anschluss an den Kreis der bekennenden Kirche um Dietrich Bonhoeffer. Studienreisen nach Italien Frankreich Holland und Flandern. 1935 zwingt ihn ein Skiunfall zum Verbleib in Wattwil. Dort entsteht mit dem Gemäldezyklus Die Passion 1936–1944 Köln-Marienburg Garnisonskirche der die Leidensgeschichte Christi in der damaligen Gegenwart und mit dem Toggenburg als Kulisse schildert in den folgenden Jahren sein Schlüsselwerk. 1939 Heirat mit der Pfarrerstochter Dorothea Wieser und endgültige Niederlassung in Wattwil. Fries entwickelt sich zu einem vielbeschäftigten Künstler der zahlreiche Fresken und Glasfenster für Kirchen Spitäler und Gemeinschaftsräume vorwiegend in der Ostschweiz aber auch in Berlin Bonn und Seifhennersdorf entwirft. Mit der Passion und weiteren Gemäldezyklen wie Christ ist geboren 1944–49 einer Schilderung der Weihnachtsgeschichte vor den Ruinen der zerbombten Stadt München findet er im Kontext zeitgenössischer religiöser Malerei in der Nachkriegszeit starke Beachtung und wird mit Einzelausstellungen in der Schweiz in Deutschland und Frankreich geehrt. Die filmische Umsetzung der Passion in eigener Regie unter dem Titel Gib uns Frieden wird 1962 mit dem Anerkennungspreis der Interfilmtagung in Brüssel prämiert und von zahlreichen Fernsehstationen gesendet. 1964 Gesamtausstellung im Kunstmuseum St. Gallen. Auszeichnung mit dem Rembrandt-Preis in Salzburg 1970. Für seine Bemühungen um die Darstellung des Evangeliums in der Malerei wird er 1972 mit dem Doktor honoris causa der theologischen Fakultät der Universität Bern geehrt. 1977 Jubiläumsausstellung in den beiden Kirchen von Wattwil. Die vom Künstler in seinem Todesjahr gegründete Stiftung veranstaltet 1982 in St. Gallen sowie 1987 in Hamburg und Berlin Gedächtnisausstellungen. 500 1969 unknown
réf. 72191Zürich Emil Matthieu 1967. 58 x 46 cm HLwd.- Mappe mit innenliegenden Mappe m. losen Blatt. Lithographien am Rande minimalst gebräunt nicht beschienen. Exemplar 81 von 100. Unten links num unten rechts m. Bleistift sign. VARLIN. - «Varlin 16.3.1900 als Willy Guggenheim Zürich - 30.10.1977 Bondo heute Gem. Bregaglia von Lengnau AG. . Kantonsschule 1918-19 Lehre in der Lithografenanstalt Seitz und 1919-21 Kunstgewerbeschule in St. Gallen. 1921-22 Schüler von Emil Orlik in Berlin ab 1922 an den Akad. de la Grande Chaumière Julian und André Lhote in Paris. V. begegnete 1930 Leopold Zborowski der zu seinem ersten Förderer wurde und ihm das Pseudonym V. vorschlug. 1932 kehrte er in die Schweiz zurück und liess sich in Zürich nieder. Ab 1963 lebte er hauptsächlich in Bondo. Ab den 1950er Jahren wurden ihm die ersten wichtigen Ausstellungen gewidmet u.a. im Kunsthaus Zürich und 1960 an der Biennale in Venedig. Sein in der realistisch-expressiven Tradition stehendes Werk enthüllt mit teilnehmender Ironie die Zerbrechlichkeit des Daseins indem es die Poesie der Dinge sprechen lässt und den Alltagsgegenstand aufwertet. V. schuf auch Porträts bedeutender Schweizer» HLS. 010 Zürich, Emil Matthieu, 1967 unknown
1953réf. 140947434New York: The Viking Press 1953. First Edition. Very Good/Very Good. First edition first printing. Signed by Wernher von Braun on the title page. viii 126 pp. Bound in publisher's green cloth stamped in silver. Very Good with moderate wear and soiling to covers 1-3/4 inch tear to lower edge of contents page. Gift inscription dated 1984 to half-title page. Offsetting from two newspaper clippings taped to facing page likely indicating occasion of book's signing. In a Very Good unclipped dust jacket with moderate edgewear and toning. Dr. Wernher von Braun was a brilliant and visionary German engineer and onetime SS Stormbahnfuerer who led the V-2 ballistic missile program during the Second World War. He convinced his colleagues to surrender themselves and their materials to the Americans after the war ignoring orders to kill themselves rather than fall into enemy hands. The Americans knew a good thing when they saw it and smuggled 118 German scientists one hundred V-2s and tons of related components and documents out of the country. To Stalin's fury the Soviets were left only with lower-level rocket scientists to press into service hindering their performance in the Space Race years later. Once in the United States von Braun spent fifteen years working for the United States Army on ballistic weapons but his true passion was space travel. He once told a group of British journalists: "The V-2 was a fine rocket. The only thing wrong with it was that it landed on the wrong planet." Frustrated with being sidelined von Braun convinced Collier's associate editor Cornelius Ryan whom he met at a symposium on space medicine in San Antonio to run a series on space travel. The magazine series provided the material for The Conquest of the Moon published in 1953 by Viking. Neil Armstrong read the book when he returned from his tour of duty in Korea and it influenced his decision to become an astronaut. Von Braun's work co-written with popular science writers and beautifully illustrated by Chesley Bonestell inspired the U.S. government as well. In 1960 President Eisenhower transferred von Braun's rocket development group from the Army to the newly established National Aeronautics and Space Administration NASA separating space science from military science for the first time. Von Braun became the director of the Marshall Space Flight Center and was in charge of developing the Saturn space boosters used as the launch vehicles for the Apollo Moon program. His work was essential in the competition with the Soviet Union and the former Nazi was lauded as a national hero. The Viking Press unknown
1956réf. 140947438New York: The Viking Press 1956. First Edition. Near Fine/Good. First edition first printing. Signed by Wernher von Braun on the half-title page and inscribed to a young recipient: "Your Uncle Stu has told me of your interest in rockets and satellites. Good luck. Christmas 1958." x 176 pp. Bound in publisher's green cloth titled in silver on the spine blindstamped rocket design to front board. Near Fine with light soiling to covers rubbing to corners and softening to head and tail of spine. Contents lightly toned. In a Good unclipped dust jacket with moderate edgewear creasing and horizontal tears to fold lines and spine and chipping at fold ends and head and tail of spine. Wernher Magnus Maximilian Freiherr von Braun a Prussian aristocrat and SS Stormbahnfuerer who was spirited to the United States after the Second World War was one of the most important rocket developers of the 20th century. His passion had always been space exploration but during the 1940s he was charged with the development of the ballistic missiles that terrorized London during the final months of the war. After surrendering to the Americans in 1945 in order to safeguard his legacy and scientific work and himself von Braun was frustrated to spend the next few years cooling his heels with fellow German scientists in Texas and Alabama. He told one of his colleagues: "We can dream about rockets and the Moon until Hell freezes over. Unless the people understand it and the man who pays the bill is behind it no dice." Von Braun wrote the book The Mars Project in order to spark public enthusiasm for his project. Eighteen publishers turned it down but von Braun had a stroke of luck when he met Cornelius Ryan associate editor of Collier's magazine at a symposium on space medicine in San Antonio. Ryan was impressed with the German engineer's vision and the magazine published eight influential features on space travel over the next two years starting March 1952 in which von Braun essentially outlined the future of NASA. Those features were expanded into the book The Conquest of the Moon in 1953 and by the time Viking published The Exploration of Mars in 1956 von Braun had become a national figure appearing on a "Tomorrowland" feature on Disney's popular television show watched by tens of millions of people. The book was co-written with his Collier's collaborators Willy Ley who had fled Nazi Germany in 1935 to become a science fiction and popular science writer in the United States and the astronomical artist Chesley Bonestell. The Christmas 1958 inscription to little Jimmy was written at the end of a momentous year for von Braun: on January 31 after years of development the satellite Explorer I was successfully launched into orbit. Americans were thrilled and The American Weekly ran von Braun's autobiography in three installments. The story was turned into the 1960 biopic I Aim at the Stars which inspired Kennedy speechwriter Mort Sahl to quip that Wernher von Braun had aimed for the stars but sometimes hit London. The Viking Press unknown
réf. 328855London: George G. Harrap. hardcover. fine. Pogany Willy. Beautifully illustrated by Willy Pogany with 16 tipped-in color plates and ornate marginal designs and initials printed in turquoise. Unpaginated. 8vo magnificently bound by Riviere & Son in full black crushed morocco with a large multi-color oval inset on the front cover depicting Eve in front of the apple tree with lurking snake the whole surrounded by an elaborate grape vine with leaves & fruit. The back cover has an identical oval enclosing a snake entwined around a gilt wine glass. The spine with raised bands is elaborately gilt as are the dentelles; all edges gilt. London: George G. Harrap no date circa 1935. An immaculate copy preserved in a cloth slipcase. George G. Harrap unknown
1930réf. 163830N.p.: N.p. 1930. Vintage caricature drawing of silent film actress dancer and Jazz Age icon Louise Brooks smiling in a short pink dress executed in graphite charcoal and pastel by noted Hungarian artist Willy Pogány circa 1930s. Drawing comes with a letter of provenance from the Louise Brooks estate. A contemporary of Edmund Dulac Harry Rountree Sarah Stilwell Weber and others artist Willy Pogány is perhaps best remembered today for his versatile illustrations for children's books. He also worked prolifically as a sculptor painter portraitist and muralist and even briefly as a designer of stage sets and costumes. During the 1930s Pogány moved to Los Angeles where he found employment as an art director in Hollywood-likely the time period in which this drawing was created. Drawing approximately 14 x 19 inches unexamined out of frame. Near Fine lightly age toned along the edges. N.p. unknown
1908réf. 69956N.p. ca. 1908. in a gilt-lined silk mat framed to an overall size of approx. 20 x 16 inches. Very fine original condition. Image 8-1/2 x 5-1/2 inches. unknown
1910réf. 184938London: George Harrap & Co. 1910. The rarest issue of Pogány's masterpiece First Pogány edition signed extra limited issue number 23 of 25 copies signed by the artist. Pogány's illustrated edition of Coleridge's famous long poem is one of the artist's most lavish undertakings and was clearly inspired by the grand medieval tradition of book illustration. This extra limited issue was "for sale in England and America". A further 525 signed copies were issued on paper and there was also a standard trade issue. As noted by Richard Dalby "Willy Pogány was Dulac's most successful European contemporary during the highest peak of the Golden Age of book illustration. The Rime of the Ancient Mariner was his most ornate and impressive production with hand-scripted text full-page black and white drawings and colour plates tipped-in on grey matte paper. This combination of illustration and calligraphic text by the artist was rarely repeated" p. 87. Quarto. With title page 20 tipped-in colour plates other full-page illustrations each page of text within decorative borders all by Pogány. Original vellum by Morrell spine and front cover lettered in gilt and with illustrations in gilt blue green and red illustrated endpapers top edge gilt others untrimmed. Housed in a custom blue morocco entry slipcase. Vellum moderately soiled boards bowed as usual contents bright. A very good copy. Richard Dalby The Golden Age of Children's Book Illustration 1991. hardcover
1990réf. 94211Birkhauser Architecture. New. 1990. Hardcover. 3764355158 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- EIGHT 8 VOLUME SET. 1708 pages; 1720 color illustrations and 3500 in black and white. Description: "This exceptional Complete Works edition documents the enormous spectrum in the uvre of one of the most influential architects of the 20th Century. Published between 1929 and 1970 in close collaboration with Le Corbusier himself and frequently reprinted ever since the eight volumes comprise an exhaustive and singular survey of his work." Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer . Birkhauser Architecture hardcover
1965réf. 918Germany - Israel 1965. Original half-cloth binding with marbled paper panels and ornamented printed endpapers. Pages are handmade Zanders paper. Binding slightly rubbed corners bumped some pages loose. Rear endpaper restored at the joint. Inside clean. Overall in very good condition. The guestbook contains 17 full-page artworks paintings and drawings in ink crayon and pencil many signed and dated 1920–1921 in Berlin some with short dedications. Additionally there are 12 pages of handwritten greetings dated 1955&n. The guestbook contains 17 full-page artworks paintings and drawings in ink crayon and pencil many signed and dated 1920–1921 in Berlin some with short dedications. Additionally there are 12 pages of handwritten greetings dated 1955&n. Original half-cloth binding with marbled paper panels and ornamented printed endpapers. Pages are handmade Zanders paper. . 38 leaves including 17 with full-page artworks graphics and paintings and 12 pages of handwritten greetings. Page size: 22 × 28 cm. Illustrated guestbook of Hugo Graetz art dealer and managing director of the Novembergruppe a collective of German Expressionist artists. This guestbook belonged to Hugo Graetz an art dealer and the managing director of the Novembergruppe a prominent collective of German Expressionist artists. The volume includes: Two drawings by Friedrich Feigl 1884–1965 Czech Expressionist painter. An ink drawing by Jakob Steinhardt 1887–1968 a German-born Israeli painter member of the Berlin Secession founder of the Pathetiker Group and later associated with the Bezalel school group. Three images by Willy Robert Huth 1890–1977 a founding member of the “Jung-Erfurt” artist group and two collaborative works with Martel Schwichtenberg 1896–1945 who also contributed an individual pencil drawing. Schwichtenberg was a member of the Deutschen Werkbund and the Novembergruppe. A portrait of Hugo Graetz playing the cello by Wilhelm Schmid 1892–1971 a founding member of the Novembergruppe. A gouache by Otto Beyer 1885–1962 member of the Berlin Secession. A signed crayon drawing and an unsigned painting by Franz Winninger 1893–1960. Four works by unidentified artists. The greetings written during the Graetz family’s later years in Israel provide a personal and historical complement to the artworks. The Novembergruppe was founded in 1918 by Max Pechstein and César Klein to promote Expressionist art and its connection to social and cultural transformation. Hugo Graetz became its managing director in 1919 a position he held until Hitler’s rise to power in 1933. After emigrating to Palestine with his wife Trude Graetz left the art business settling in Safed and working as a meteorologist and weatherman on Mount Canaan where he lived for the rest of his life. . unknown