4 343 résultats
réf. 51-3864Paris: Circa 1898. . Original drawing from a Collection. 28.5 x 22 cm. Signed and annotated William Andrew Pogany born Vilmos András Pogány; August 24 1882 – July 30 1955 was a prolific Hungarian illustrator of children's and other books.Pogany spent two years in Paris.When he finally saved up some money from his work he left Paris to go to London. In London he crafted his quartet of masterpieces: The Rime of the Ancient Mariner 1910 Tannhauser 1911 Parsifal 1912 and Lohengrin 1913. Each of these was designed completely by Pogany from the covers and endpapers to the text written in pen and ink pencil wash color and tipped-on plates.After ten years in London Pogany emigrated to AmericaPogany worked as an art director on several Hollywood films including Fashions of 1934 and Dames. He began his involvement in motion picture set design in 1924 and worked in film until the end of the 1930s. He was commissioned by John Ringling Ettenger Reiner and WIlliam Randolph Hearst's Wyntoon Estate painted for the Barrymore family Douglas Fairbanks Jr. Carole Lombard Enrico Caruso Miriam Hopkins and many others.Expertise by Jean-Marc DECHAUD Expert CNES 10 rue de Chinon – 37220 CRISSAY sur MANSE. France. Paris: Circa 1898. unknown
réf. 51-3863Paris: Circa 1898. . Original watercolor from a French Collection. 32 x 33.5 cm. Expertise by Jean-Marc DECHAUD Expert CNES 10 rue de Chinon – 37220 CRISSAY sur MANSE. France. William Andrew Pogany born Vilmos András Pogány; August 24 1882 – July 30 1955 was a prolific Hungarian illustrator of children's and other books.Pogany spent two years in Paris.When he finally saved up some money from his work he left Paris to go to London. In London he crafted his quartet of masterpieces: The Rime of the Ancient Mariner 1910 Tannhauser 1911 Parsifal 1912 and Lohengrin 1913. Each of these was designed completely by Pogany from the covers and endpapers to the text written in pen and ink pencil wash color and tipped-on plates.After ten years in London Pogany emigrated to AmericaPogany worked as an art director on several Hollywood films including Fashions of 1934 and Dames. He began his involvement in motion picture set design in 1924 and worked in film until the end of the 1930s. He was commissioned by John Ringling Ettenger Reiner and WIlliam Randolph Hearst's Wyntoon Estate painted for the Barrymore family Douglas Fairbanks Jr. Carole Lombard Enrico Caruso Miriam Hopkins and many others.Expertise by Jean-Marc DECHAUD Expert CNES 10 rue de Chinon – 37220 CRISSAY sur MANSE. France. Paris: Circa 1898. unknown
réf. 51-3862Paris: Circa 1898. . Original drawing from a French Collection. 32 x 33.5 cm.titled : Oh Femme adorable .Expertise by Jean-Marc DECHAUD Expert CNES 10 rue de Chinon – 37220 CRISSAY sur MANSE. France. William Andrew Pogany born Vilmos András Pogány; August 24 1882 – July 30 1955 was a prolific Hungarian illustrator of children's and other books.Pogany spent two years in Paris.When he finally saved up some money from his work he left Paris to go to London. In London he crafted his quartet of masterpieces: The Rime of the Ancient Mariner 1910 Tannhauser 1911 Parsifal 1912 and Lohengrin 1913. Each of these was designed completely by Pogany from the covers and endpapers to the text written in pen and ink pencil wash color and tipped-on plates.After ten years in London Pogany emigrated to AmericaPogany worked as an art director on several Hollywood films including Fashions of 1934 and Dames. He began his involvement in motion picture set design in 1924 and worked in film until the end of the 1930s. He was commissioned by John Ringling Ettenger Reiner and WIlliam Randolph Hearst's Wyntoon Estate painted for the Barrymore family Douglas Fairbanks Jr. Carole Lombard Enrico Caruso Miriam Hopkins and many others. Paris: Circa 1898. unknown
1935réf. 14211Los Angeles: Suttonhouse 1935. Very Good. Los Angeles: Suttonhouse 1935. First American Edition. Quarto; publisher's blue gilt-lettered cloth housed in custom cloth slipcase; xiii3180pp.; seven leaves of color plates text illus. throughout two-toned pictorial endpapers. Light shelf wear spine gilt rather dulled evidence of erased ownership signature to front flyleaf light finger soil else a Very Good and sound copy overall. Signed and dated in the year of publication by the illustrator on half title page. Charming collection of fairy tales for children each recounted by a different author. Suttonhouse unknown
1928réf. 19621New York: Thomas Nelsonand Sons 1928. Boards. Very Good. Willy Pogany. THE 1928 SIGNED/LIMITED #89 OF 500 COPIES SIGNED BY WILLY POGANY at the limitation. Solid and VG in its 1/4 navy-blue cloth over light-blue boards with a clean bright title-label to the front panel. Light scuffing to the panels light wear along the tips and the spine ends --and a partially-torn spine label. Internally beautifully-designed endpapers and magnificent Pogany color illustrations as well as silhouettes and marginalia at virtually every page. Very light soiling and several minor chips not affecting the plates at a few of the lower-edges tender but still perfectly sturdy inner hinges half-title/frontispiece page loose. Octavo beautiful late '20s illustrations in a number of cases with a strong Deco feel. Thomas Nelsonand Sons unknown
1928réf. 19621New York: Thomas Nelsonand Sons 1928. Boards. Very Good. Willy Pogany. THE 1928 SIGNED/LIMITED #89 OF 500 COPIES SIGNED BY WILLY POGANY at the limitation. Solid and VG in its 1/4 navy-blue cloth over light-blue boards with a clean bright title-label to the front panel. Light scuffing to the panels light wear along the tips and the spine ends --and a partially-torn spine label. Internally beautifully-designed endpapers and magnificent Pogany color illustrations as well as silhouettes and marginalia at virtually every page. Very light soiling and several minor chips not affecting the plates at a few of the lower-edges tender but still perfectly sturdy inner hinges half-title/frontispiece page loose. Octavo beautiful late '20s illustrations in a number of cases with a strong Deco feel. Thomas Nelsonand Sons unknown books
1935réf. 14211Los Angeles: Suttonhouse 1935. Very Good. Los Angeles: Suttonhouse 1935. First American Edition. Quarto; publisher's blue gilt-lettered cloth housed in custom cloth slipcase; xiii3180pp.; seven leaves of color plates text illus. throughout two-toned pictorial endpapers. Light shelf wear spine gilt rather dulled evidence of erased ownership signature to front flyleaf light finger soil else a Very Good and sound copy overall. Signed and dated in the year of publication by the illustrator on half title page. Charming collection of fairy tales for children each recounted by a different author. Suttonhouse unknown books
1910réf. 13118Paris: Ollendorff 1910. First Edition. Printed wraps. Very Good. 12mo. Pp. 329. Stiff paper wraps red titles in gray decorative frame edges untrimmed. French text. Colette signed on the half title. Copyright 1910 stated no printing date: list of available works ends with L'Ingénue Libertine 1909. Spine minimally creased and toned head edges lightly soiled endpapers toned. The last novel Colette published with her pseudonym Willy. The character Renée Néré was based on her marriage with Henri Gauthier-Villars Willy and subsequent work in the Music-Hall. A well-preserved first edition signed by the author: scarce either way. Preserved in a removable clear archival sleeve. Ollendorff unknown
réf. 43040n.d. 22 cm x 18cm. Original watercolour of Mama bear with a bowl of porridge and Baby bear mounted framed and glazed. unknown
réf. BN21168Wiley-VCH Verlag Auflage: 2. vollständig überarbeitete Auflage 29. Juni 1995. Auflage: 2. vollständig überarbeitete Auflage 29. Juni 1995. Hardcover. 246 x 18 x 38 cm. Das Buch ist eine in dieser Form und in diesem Umfang bislang konkurrenzlose Gesamtdarstellung der organischen Pigmente Chem. Rundschau auf dem Markt und gibt einen umfassenden Überblick über anwendungstechnische Begriffe Prüfmethoden Herstellung Eigenschaften und Anwendung industriell genutzter organischer Pigmente. Die Angaben sind vergleichbar unter denselben Bedingungen ermittelt und darin liegt ein unschätzbarer Vorteil für jeden der sich mit organischen Pigmenten beschäftigtForscher Anwender und Pigmentverarbeiter in der Druckfarben- Lack- und Kunststoffindustrie und in vielen anderen Industriezweigen. ' ein äußerst vielseitiges Nachschlagewerk und es fällt schwer ein Thema aus dem Gebiet der organischen Pigmente zu finden zu dem es die Auskunft schuldig bliebe.'Ecochem' Die Darstellung ist durchweg von hervorragender Qualität und das Buch wird das Standard-Referenzwerk auf dem Pigmentgebiet werden 'Dyes and Pigments' ist das umfassendste Buch auf diesem Gebiet was in den letzten Jahren erschienen ist 'Chemical Engineering World Das Buch ist eine in dieser Form und in diesem Umfang bislang konkurrenzlose Gesamtdarstellung der organischen Pigmente Chem. Rundschau auf dem Markt und gibt einen umfassenden Überblick über anwendungstechnische Begriffe Prüfmethoden Herstellung Eigenschaften und Anwendung industriell genutzter organischer Pigmente. Die Angaben sind vergleichbar unter denselben Bedingungen ermittelt und darin liegt ein unschätzbarer Vorteil für jeden der sich mit organischen Pigmenten beschäftigtForscher Anwender und Pigmentverarbeiter in der Druckfarben- Lack- und Kunststoffindustrie und in vielen anderen Industriezweigen. ' ein äußerst vielseitiges Nachschlagewerk und es fällt schwer ein Thema aus dem Gebiet der organischen Pigmente zu finden zu dem es die Auskunft schuldig bliebe.'Ecochem' Die Darstellung ist durchweg von hervorragender Qualität und das Buch wird das Standard-Referenzwerk auf dem Pigmentgebiet werden 'Dyes and Pigments' ist das umfassendste Buch auf diesem Gebiet was in den letzten Jahren erschienen ist 'Chemical Engineering World Wiley-VCH Verlag hardcover
réf. 9192Paris, Jonquières (Les beaux romans), 1924-1925. 4 volumes in-8, brochés, couvertures rempliées illustrées.
1952réf. 059635New York: Viking Press 1952. 1st Edition 1st Printing. Hardcover. Near Fine/Very Good. 11 " Tall. Xiv 147 Pp. First Edition Stated First Printing 1952. Green Cloth Stamped In Silver Thick Pages. A Bright Clean Almost Unworn Example No Marks Or Dampstaining. Dustjacket Priced $3.95 Small Chip To Head Of Spine Some Surface Loss Along Front Spine Edge And Along The Flap Folds Spine Faded But Lettering Very Clear. Viking Press hardcover
1930réf. 31122George G. Harrap 1930. The first and fourth renderings in English verse by Edward Fitzgerald and illustrated by Willy Pogany. This being #306 of 750 copies of the English edition signed by Pogany on the limitation page and again in pencil on an inserted print. 12 tipped in colour plates including the frontispiece. Some sunning to the spine but generally a clean collectible copy. George G. Harrap unknown
1936réf. 2365New York: Thomas Y. Crowell Company 1936. 7.25" x 9.25" pp. 96 including 8 mounted color plates and multiple line drawings by famed Hungarian illustrator Willy Pogany. Inscribed by illustrator Pogany on the front free end paper "To Anges Grey - with best wishes / 1937 / Willy Pogany." First edition second printing in very good condition. Rose-colored cloth boards with gilt stamping on spine and rose flower detail on cover; very slight toning. The text is clean; the dust jacket is sharp and tidy presently enclosed in mylar. Includes original box; minor smudging and small tape repair on the inside of one corner. Overall an attractive book of sonnets with beautiful composition and presentation. . Thomas Y. Crowell Company unknown
réf. 6235912John Wiley & Sons . Hardback. New. pp. 466 John Wiley & Sons hardcover
1986réf. 000545Publisher: Bally Arola Schuh AG Schönenwerd 1986. Printer: JCM Werbedruck Schlieren. Technique: Colour offset. Size: 128 × 90 cm F4 - 50½ × 35½ in. Ref.: APG 1991 343; KKSP chccsa000007846; Tön apg_001486 Condition: An original poster in very fine condition with no significant or at most slight signs of use commensurate with its age such as slight folds tears or bubbles. Not mounted. Awards: The poster was awarded for outstanding design and print in the "Swiss Poster of the Year" competition. Bally Arola Schuh AG
réf. 959CGBleistiftzeichnung auf Papier. Blattgrösse: 14,8 x 10,4 cm.
réf. 959CGBleistiftzeichnung auf Papier. Blattgrösse: 148 x 104 cm. Handschr. Bezeichung signierte und datiert. Das Bild zeigt einen älteren Mann. War eine Vorlage für die 1982 erschienene Monographie von Willy Dreifuss «Antlitz des Alters» Basel Schwabe. Die Zeichnung montiert auf stärkeres Papier. unknown
1882réf. 665041 brochure in-8, Conférence Olivaint, séance du 2 mars 1882, Gauthier-Villars, Imprimeur-Libraire, 1882, 54 p.
2013réf. x-147578516XSpringer Verlag 2013. Paperback. New. 685 pages. 8.75x6.00x1.25 inches. Springer Verlag paperback
1912réf. 682699e édition, 1 vol. in-12 reliure de l'époque demi-basane marron, dos à 4 nerfs orné, couv. conservée, Société d'Editions Littéraires et Artistiques, Paris, s.d., 323 pp.
1960réf. 2850Sans lieu [Montreuil ?], sans nom, sans date (circa 1950-1960). 64,5 x 80 cm. Technique mixte sur papier et matière plastique peinte avec collage de fils textiles, sous cadre en bois. Composition de grand format mettant en scène des animaux dans un paysage désertique, rocheux et nocturne. Sorte de jardin d'Eden où se côtoient lions et colombes, faune sauvage ou de jungle exotique (tigre, serpent) et chat domestique, avec au premier plan une créature mi-chatte mi-femme enlaçant un renard, l'oeuvre joue sur les contrastes et multiplie les références. Elle s'inscrit dans le cadre d'une double évolution de la carrière du peintre Willy Ingold dans les années 1950-1960 : d'une part, le retour à une esthétique d'inspiration surréaliste qui avait marqué ses débuts, et sous la bannière de laquelle il se présente lors de plusieurs Salons des Artistes Indépendants ; d'autre part, sur le plan formel, l'expérimentation de "nouvelles matières" (résine, plastique, textile, ...), objets d'une exposition au long cours dans son atelier de Montreuil. Souvent couplées à l'emploi de techniques mixtes innovantes, elles signent son intérêt grandissant - et de plus en plus exclusif - pour la décoration. Il y consacre d'ailleurs la seconde partie de sa vie professionnelle à travers des créations multiformes : panneaux, tentures, affiches, objets, sculptures, mobiliers, accessoires, etc.
1909réf. 76319Paris: Albert Messein 1909. Fine. Albert Messein Paris 1909 12 x 19 cm broché First edition on ordinary paper printed in 505 copies with only 1 Japan and 4 Holland deluxe copies. Preface by Willy. Rare and handsome copy. Albert Messein unknown
1910réf. 62099Paris: Sté d'éditions et de publications parisiennes 1910. Fine. Sté d'éditions et de publications parisiennes Paris s. d. circa 1910 12 x 18.50 cm relié First edition of the French translation by Willy of which there is no mention of great papers. Cover illustrated with a blood Garnier Salbreux. Binding half brown shagreen discolored smooth back and adorned with gold cartridges marbled paper plates guards and contreplats of handmade paper preserved covers golden head ex-libris engraved by Walter Furst pasted on a contreplat. Autograph dedication dated and signed by Meg Villars who was the mistress of Willy while he was married to Colette Walter Furst enriched with an autograph dedication signed by Willy. Both shipments are written in English and made on the illustrated cover. Our copy is also embellished with a photographic postcard pasted on a guard representing the authors on which Willy has made a new autograph dedication dated and signed to Walter Furst: "". exiled to Brussels . "" written in Brussels and also containing the handwritten signature of Meg Villars. Finally three photographic postcards representing Willy alone for the first then Willy and Polaire for the second and Willy and Claudine for the last were mounted on tabs between pages 156-157 264-265 and 294-295. On each of the three photographic postcards Willy cracked a signed autograph or a few words to Walter Furst. Unique copy nicely enriched with handwritten documents. Sté d'éditions et de publications parisiennes unknown
1895réf. 1026W30Paris: Ernest Flammarion 1895. First edition. Hardback. Very Good. 7.5" by 5". None. A scarce first edition and a very scarce example of a presentation copy signed by the author to the title page. A scarce work. A first edition. Undated dated from the author's ink inscription and from a copy held by the British Library. Bound in marbled boards and quarter cloth. With a bookplate to the front paste down - 'In Medio Stat Ex-Libris Fleury'. A very scarce presentation copy with the author's ink inscripiton and signature to title page. With original paper covers bound into blanks. With book ribbon. Bound in marbled boards and quarter cloth. Externally very smart. Mild rubbing and bumping to extremities. Slight surface worming to cloth. Bookplate to front paste down. Rear blanks pasted down. Internally firmly bound with infrequent mild strain. Pages generally bright and clean with moderate age toning to page extremities. With the minor odd spot handling mark. Author's ink inscription to title page. With the original covers bound into blanks. Very Good Ernest Flammarion hardcover
