Clarysse, WillyBiblio.com
7 336 résultats
2006réf. DADAX0521839335Cambridge University Press 2006-09-18. hardcover. New. 7.50x3.00x10.25. Buy with confidence. Excellent Customer Service & Return policy. Cambridge University Press hardcover
1991réf. BN822281991. 1991. Das grosse Buch der Witze unknown
2005réf. Q-1402033184Springer 2005-04-19. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Springer hardcover
1993réf. 48988BASTEI-LÜBBE 05/1993. 1. softcover. BASTEI-LÜBBE paperback
réf. 41417[Neuchâtel, chez l'auteur], 1924. Gr. in-8°, 453p. Broché.
1905réf. 16643Paris: Garnier frères 1905. Fine. Garnier frères Paris s. d. circa1905 13 x 19 cm broché First edition one of 15 numbered copies on Japon the only large paper copies. Colored cover ilustrated by Mirande. Garnier frères unknown
2006réf. x-0521839335Cambridge University Press 2006. 2 Hardback books. New. 1st edition. 1056 pages. 10.25x7.50x3.00 inches. Cambridge University Press hardcover
1964réf. 049422New York: Viking Press. Fine in Very Good dust jacket. 1964. 1st Edition; 1st Printing. Hardcover. Hardcover first printing with dustjacket this unique copy is signed by author Willy Ley on the title page book has moderate soiling to the outer page-edge and very mild foxing to the blank end-papers the binding is clean and tight and the contents are fine the jacket has some surface-scuffing and a few short edge-tears it is clean and bright the original price 6.50 is present and a professional removable mylar cover is included features full-color paintings by Chesley Bonestell photos and diagrams and a Foreword by Wernher von Braun "In this book the famous collaborators Chesley Bonestell and Willy Ley invite you to accompany them on a voyage to the strange stellar systems in the nearby regions of the galaxy"; Signed by Author . Viking Press hardcover
1912réf. 54914NY: Thomas Y. Crowell. Very Good. 1912. First Edition. Hardcover. Original gilt-stamped burgundy cloth. First American trade edition. Illustrated by Pogany including tipped-in color plates. Spine gilt darkened wear to spine ends/edges with small loss to spine heel. Long closed tear along gutter of one of the preliminary pages. ; quarto . Thomas Y. Crowell hardcover
réf. D2528London: G. G. Harrap n.d. Hardcover. Very Good. GIlt-ruled half morocco and decorative green cloth gilt-stamped lettering and detail on spine 5 raised bands t. e. g.; illustrated throughout with four-color lithographs and full-color tipped-on plates. A lavish production. Spine a bit sunned; some light scuffing along joints and edges of boards; a little faint browning on prelims and terminals otherwise internally bright and clean. A lovely copy. G. G. Harrap hardcover
réf. D2528London: G. G. Harrap n.d. Hardcover. Very Good. GIlt-ruled half morocco and decorative green cloth gilt-stamped lettering and detail on spine 5 raised bands t. e. g.; illustrated throughout with four-color lithographs and full-color tipped-on plates. A lavish production. Spine a bit sunned; some light scuffing along joints and edges of boards; a little faint browning on prelims and terminals otherwise internally bright and clean. A lovely copy. G. G. Harrap hardcover books
1975réf. 196620New York: Aperture 1975. First edition and first printing. Oblong hardcover. The first major monograph from this important Czech photographer an extended photo essay on a marginalized group. Features an essay by Willy Guy. A very near fine copy in cloth boards and in a near fine first issue dust jacket with a small edge tear to the top of the front panel and some other very minor wear. A very nice copy of this important book. Parr & Badger v1 230. Aperture unknown
1975réf. 196620New York: Aperture 1975. First edition and first printing. Oblong hardcover. The first major monograph from this important Czech photographer an extended photo essay on a marginalized group. Features an essay by Willy Guy. A very near fine copy in cloth boards and in a near fine first issue dust jacket with a small edge tear to the top of the front panel and some other very minor wear. A very nice copy of this important book. Parr & Badger v1 230. Aperture unknown books
1931réf. 81837New York New York: Paul B. Hoeber Inc 1931. Presumed First Edition First printing. Hardcover. Good. xxxiii 3 427 1 pages. Footnotes Some cover wear. Includes Preface Introduction List of Illustrations and List of Portraits. Part 1 covers the Origin the Development and the Self-Perpetuation of Cancer; Part 2 covers The Therapy of Cancer including the treatment of Operable and Inoperable Cancer in the Light of a Systemic Conception of Malignancy. The book also contains a Summary a Retrospect and an Outlook an Index of Personal Names and an Index of Subjects as well as 5 black and white illustrations of Lymph nodes and 12 black and white portraits of deceased scientists renowned in cancer research. Inscribed by the author on the fep: Inscription reads: To Dr. H. Beaman Douglass with kind regards Willy Meyer Palm Beach February 1931. Thoracic surgery in America owes a great deal to Meyer's pioneer work. In his clear vision of the importance of this specialty he founded in I919 the New York Society for Thoracic Surgery and the American Association for Thoracic Surgery. Dr. Meyer's interest in cancer and his extensive study of the literature on cancer are best evidenced in his last publication a book entitled "Cancer" in which he comes to the conclusion that cancer is a systemic disease. Among his publications those on thoracic surgery are probably the most numerous. He was a Fellow of the American College of Surgeons a member of the American Medical Association American Surgical Association American Thoracic Gastro-Enterological and Urological Associations American Association for Cancer Research New York Academy of Medicine Pathological Society. Dr. Beaman Douglass was an eye ear nose and throat specialist. He invented the Douglass tonsillotome among other instruments. He was a former consulting surgeon at the New York Post-Graduate Hospital. This book deals with the tumor cancer as an ordinary lawful reaction of the tissue to certain systemic and local morbid conditions of the human organism. The book denies the autonomy of cancer. Halsted and Meyer were the first to achieve successful results with the radical mastectomy thus ushering in the modern era of surgical treatment for breast cancer. In 1894 William Halsted published his work with radical mastectomy from the 50 cases operated at Johns Hopkins between 1889 and 1894. Willy Meyer also published research on radical mastectomy from his interactions with New York patients in December 1894. The en bloc removal of the breast tissue became known as the Halsted mastectomy before adopting the title "the complete operation" and eventually "the radical mastectomy" as it is known today. Radical mastectomy was based on the medical belief at the time that breast cancer spread locally at first invading nearby tissue and then spreading to surrounding lymph ducts where the cells were "trapped". It was thought that hematic spread of tumor cells occurred at a much later stage. Halsted himself believed that cancer spread in a "centrifugal spiral" solidifying this opinion in the medical community at the time. Paul B. Hoeber, Inc hardcover
réf. 51-3887Paris: Circa 1898. . Original drawing from a French Collection. 32 x 23.5 cm.titled : Mais c'est ignoob. .Expertise by Jean-Marc DECHAUD Expert CNES 10 rue de Chinon – 37220 CRISSAY sur MANSE. France. William Andrew Pogany born Vilmos András Pogány; August 24 1882 – July 30 1955 was a prolific Hungarian illustrator of children's and other books.Pogany spent two years in Paris.When he finally saved up some money from his work he left Paris to go to London. In London he crafted his quartet of masterpieces: The Rime of the Ancient Mariner 1910 Tannhauser 1911 Parsifal 1912 and Lohengrin 1913. Each of these was designed completely by Pogany from the covers and endpapers to the text written in pen and ink pencil wash color and tipped-on plates.After ten years in London Pogany emigrated to AmericaPogany worked as an art director on several Hollywood films including Fashions of 1934 and Dames. He began his involvement in motion picture set design in 1924 and worked in film until the end of the 1930s. He was commissioned by John Ringling Ettenger Reiner and WIlliam Randolph Hearst's Wyntoon Estate painted for the Barrymore family Douglas Fairbanks Jr. Carole Lombard Enrico Caruso Miriam Hopkins and many others. Paris: Circa 1898. unknown
réf. 51-3864Paris: Circa 1898. . Original drawing from a Collection. 28.5 x 22 cm. Signed and annotated William Andrew Pogany born Vilmos András Pogány; August 24 1882 – July 30 1955 was a prolific Hungarian illustrator of children's and other books.Pogany spent two years in Paris.When he finally saved up some money from his work he left Paris to go to London. In London he crafted his quartet of masterpieces: The Rime of the Ancient Mariner 1910 Tannhauser 1911 Parsifal 1912 and Lohengrin 1913. Each of these was designed completely by Pogany from the covers and endpapers to the text written in pen and ink pencil wash color and tipped-on plates.After ten years in London Pogany emigrated to AmericaPogany worked as an art director on several Hollywood films including Fashions of 1934 and Dames. He began his involvement in motion picture set design in 1924 and worked in film until the end of the 1930s. He was commissioned by John Ringling Ettenger Reiner and WIlliam Randolph Hearst's Wyntoon Estate painted for the Barrymore family Douglas Fairbanks Jr. Carole Lombard Enrico Caruso Miriam Hopkins and many others.Expertise by Jean-Marc DECHAUD Expert CNES 10 rue de Chinon – 37220 CRISSAY sur MANSE. France. Paris: Circa 1898. unknown
réf. 51-3863Paris: Circa 1898. . Original watercolor from a French Collection. 32 x 33.5 cm. Expertise by Jean-Marc DECHAUD Expert CNES 10 rue de Chinon – 37220 CRISSAY sur MANSE. France. William Andrew Pogany born Vilmos András Pogány; August 24 1882 – July 30 1955 was a prolific Hungarian illustrator of children's and other books.Pogany spent two years in Paris.When he finally saved up some money from his work he left Paris to go to London. In London he crafted his quartet of masterpieces: The Rime of the Ancient Mariner 1910 Tannhauser 1911 Parsifal 1912 and Lohengrin 1913. Each of these was designed completely by Pogany from the covers and endpapers to the text written in pen and ink pencil wash color and tipped-on plates.After ten years in London Pogany emigrated to AmericaPogany worked as an art director on several Hollywood films including Fashions of 1934 and Dames. He began his involvement in motion picture set design in 1924 and worked in film until the end of the 1930s. He was commissioned by John Ringling Ettenger Reiner and WIlliam Randolph Hearst's Wyntoon Estate painted for the Barrymore family Douglas Fairbanks Jr. Carole Lombard Enrico Caruso Miriam Hopkins and many others.Expertise by Jean-Marc DECHAUD Expert CNES 10 rue de Chinon – 37220 CRISSAY sur MANSE. France. Paris: Circa 1898. unknown
réf. 51-3862Paris: Circa 1898. . Original drawing from a French Collection. 32 x 33.5 cm.titled : Oh Femme adorable .Expertise by Jean-Marc DECHAUD Expert CNES 10 rue de Chinon – 37220 CRISSAY sur MANSE. France. William Andrew Pogany born Vilmos András Pogány; August 24 1882 – July 30 1955 was a prolific Hungarian illustrator of children's and other books.Pogany spent two years in Paris.When he finally saved up some money from his work he left Paris to go to London. In London he crafted his quartet of masterpieces: The Rime of the Ancient Mariner 1910 Tannhauser 1911 Parsifal 1912 and Lohengrin 1913. Each of these was designed completely by Pogany from the covers and endpapers to the text written in pen and ink pencil wash color and tipped-on plates.After ten years in London Pogany emigrated to AmericaPogany worked as an art director on several Hollywood films including Fashions of 1934 and Dames. He began his involvement in motion picture set design in 1924 and worked in film until the end of the 1930s. He was commissioned by John Ringling Ettenger Reiner and WIlliam Randolph Hearst's Wyntoon Estate painted for the Barrymore family Douglas Fairbanks Jr. Carole Lombard Enrico Caruso Miriam Hopkins and many others. Paris: Circa 1898. unknown
1911réf. 70440New York:: Thomas Y. Crowell & Co 1911. publisher's cloth decorated in gold and colors in glassine wrapper and publisher's two-part decorated box. Ink gift inscription on the illustrated front free endpaper; otherwise a lovely copy in slightly used glassine. The box shows the lightest of use. . Large 8vo. Illustrated throughout by Willy Pogany. Thomas Y. Crowell & Co,, hardcover
1935réf. 14211Los Angeles: Suttonhouse 1935. Very Good. Los Angeles: Suttonhouse 1935. First American Edition. Quarto; publisher's blue gilt-lettered cloth housed in custom cloth slipcase; xiii3180pp.; seven leaves of color plates text illus. throughout two-toned pictorial endpapers. Light shelf wear spine gilt rather dulled evidence of erased ownership signature to front flyleaf light finger soil else a Very Good and sound copy overall. Signed and dated in the year of publication by the illustrator on half title page. Charming collection of fairy tales for children each recounted by a different author. Suttonhouse unknown
1928réf. 19621New York: Thomas Nelsonand Sons 1928. Boards. Very Good. Willy Pogany. THE 1928 SIGNED/LIMITED #89 OF 500 COPIES SIGNED BY WILLY POGANY at the limitation. Solid and VG in its 1/4 navy-blue cloth over light-blue boards with a clean bright title-label to the front panel. Light scuffing to the panels light wear along the tips and the spine ends --and a partially-torn spine label. Internally beautifully-designed endpapers and magnificent Pogany color illustrations as well as silhouettes and marginalia at virtually every page. Very light soiling and several minor chips not affecting the plates at a few of the lower-edges tender but still perfectly sturdy inner hinges half-title/frontispiece page loose. Octavo beautiful late '20s illustrations in a number of cases with a strong Deco feel. Thomas Nelsonand Sons unknown
1928réf. 19621New York: Thomas Nelsonand Sons 1928. Boards. Very Good. Willy Pogany. THE 1928 SIGNED/LIMITED #89 OF 500 COPIES SIGNED BY WILLY POGANY at the limitation. Solid and VG in its 1/4 navy-blue cloth over light-blue boards with a clean bright title-label to the front panel. Light scuffing to the panels light wear along the tips and the spine ends --and a partially-torn spine label. Internally beautifully-designed endpapers and magnificent Pogany color illustrations as well as silhouettes and marginalia at virtually every page. Very light soiling and several minor chips not affecting the plates at a few of the lower-edges tender but still perfectly sturdy inner hinges half-title/frontispiece page loose. Octavo beautiful late '20s illustrations in a number of cases with a strong Deco feel. Thomas Nelsonand Sons unknown books
1935réf. 14211Los Angeles: Suttonhouse 1935. Very Good. Los Angeles: Suttonhouse 1935. First American Edition. Quarto; publisher's blue gilt-lettered cloth housed in custom cloth slipcase; xiii3180pp.; seven leaves of color plates text illus. throughout two-toned pictorial endpapers. Light shelf wear spine gilt rather dulled evidence of erased ownership signature to front flyleaf light finger soil else a Very Good and sound copy overall. Signed and dated in the year of publication by the illustrator on half title page. Charming collection of fairy tales for children each recounted by a different author. Suttonhouse unknown books
1910réf. 13118Paris: Ollendorff 1910. First Edition. Printed wraps. Very Good. 12mo. Pp. 329. Stiff paper wraps red titles in gray decorative frame edges untrimmed. French text. Colette signed on the half title. Copyright 1910 stated no printing date: list of available works ends with L'Ingénue Libertine 1909. Spine minimally creased and toned head edges lightly soiled endpapers toned. The last novel Colette published with her pseudonym Willy. The character Renée Néré was based on her marriage with Henri Gauthier-Villars Willy and subsequent work in the Music-Hall. A well-preserved first edition signed by the author: scarce either way. Preserved in a removable clear archival sleeve. Ollendorff unknown
réf. 43040n.d. 22 cm x 18cm. Original watercolour of Mama bear with a bowl of porridge and Baby bear mounted framed and glazed. unknown
