7234 risultati
rif. 23918Paris, Arthème Fayard & Cie, 1919. In-8; [2] ff bl-251-[3] pp. Demi-maroquin lavallière, dos à nerfs, tête dorée sur témoins, couvertures et dos conservés (Reliure Signée Yseux sr de Thierry-Simier), étui.
1970rif. 257121964 und 1970. Insel, Frankfurt. Sarkowski 498. Mit Abbildungen aus der Handschrift aus der Bibliotheque Nationale Paris, MS. fr. 12400. Originalpergamentbände mit vergoldetem Rückentitel und blindgeprägter Deckelvignette. 278, [2] - 294, ([2] - [XII], 405, [5] Seiten. [2 Warenabbildungen]
rif. 3949Paris, Tresse et Stock, 1894. 19 x 12 cm, 360 pp. Relié demi percaline orange, dos lisse, pièce de titre marron, couverture ill. par Guillaume conservée. Bon exemplaire.Édition originale, envoi a.s. de Willy à son éditeur Victor Stock. Insérées trois belles lettres a.s. de Willy à Victor Stock, dont une rédigée au dos d'une page d'épreuves du livre. Deux lettres sont datées de 1893 à Lons-le-Saunier et la dernière de 1894 à Belle-Isle en Mer. Et insérée de plus le prospectus d'annonce du livre de 4 pages.
rif. 3949Paris, Tresse et Stock, 1894. 19 x 12 cm, 360 pp. Relié demi percaline orange, dos lisse, pièce de titre marron, couverture ill. par Guillaume conservée. Bon exemplaire.Édition originale, envoi a.s. de Willy à son éditeur Victor Stock. Insérées trois belles lettres a.s. de Willy à Victor Stock, dont une rédigée au dos d'une page d'épreuves du livre. Deux lettres sont datées de 1893 à Lons-le-Saunier et la dernière de 1894 à Belle-Isle en Mer. Et insérée de plus le prospectus d'annonce du livre de 4 pages.
rif. TAB0000017"Non Renseigné. XXème siècle. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pastel sans titre sur carton sous vitre. Oeuvre représentant le Pont des Invalides (Paris) et un aperçu du Pont Alexandre III. Dimensions : 38 x 47 cm. Signature ""W.Worms"" en bas à droite. XXème siècle.. . . . Classification : 910.3-Pastels"
rif. TAB0000018"Non Renseigné. XXème siècle. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pastel sur panneau encadré sous verre. Sans titre. Paysage de campagne avec meules de foin. XXème siècle. Dimensions : 38 x 56cm. Signature ""W. Worms"" en bas à droite.. . . . Classification : 910.3-Pastels"
rif. TAB0000019". XXème siècle. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Sans titre. Pastel sur toile encadrée sous verre. Non daté (XXème siècle). Dimensions avec cadre : 38 x 61 cm. Signature en bas à droite ""W.Worms"". Quelques points d'humidité sous la vitre (voir photo). Une étiquette collée au dos avec les coordonnées de l'artiste.. . . . Classification : 900-Beaux-Arts"
1896rif. 43069Leipzig, Johann Ambrosius Barth, 1896. 8vo. Contemporary half cloth with gilt title to spine. Band 58 of ""Annalen der Physik und Chemie"". Library stamp to verso of title-page. Light wear to edges and capitals and a damp-stain to the lower part of the last three leaves. Otherwise a clean and well preserved copy. The entire volume offered. Pp. 662-669. [Entire volume: VIII, 776 pp. + 6 folded plates].
1896rif. 43069Leipzig Johann Ambrosius Barth 1896. 8vo. Contemporary half cloth with gilt title to spine. Band 58 of "Annalen der Physik und Chemie". Library stamp to verso of title-page. Light wear to edges and capitals and a damp-stain to the lower part of the last three leaves. Otherwise a clean and well preserved copy. The entire volume offered. Pp. 662-669. Entire volume: VIII 776 pp. 6 folded plates. First edition of Wilhelm Wien's highly influential paper on the phenomenon of radiation also known as Wien's displacement law. Wien followed Ludwig Boltzmann's approach when incorporating electrodynamics and thermodynamics in investigating radiation and its characteristics. "He argued that if a system reaches the same temperature by the increase of temperature or by the adiabatic compression of the volume containing heat radiation it should yield the same energy distribution. Considering also the Doppler effect of the radiation Wien arrived at an expression for energy distribution that states that the product of temperature and the wave length is a constant". Mathew Chandrankunnel Philosophy of physics 2000 4 p.Wien's empirical observations functioned as a starting point for Max Planck who wanted prove the theoretical foundation for Wien's wishing thus to justify the entropy law. Today Wien's approximation is also known as Wien-Planck law.This phenomenon was coined "Wien's displacement law" because the energy density curve is displaced correspondingly to the temperature; it implies that the hotter an object is the shorter the wavelength at which it will release most of its radiation. Wien's description of radiation awarded him the Nobel Prize in Physics in 1911. Wien's constant is today used in a wide range of different aspects of physics e.g. cosmic microwave background and the determination of how much energy is emitted from a light bulb. Magie "A Source Book in Physics". Pp. 597-600.Other papers of interest contained in the present volume:KOHLRAUSCH F. Ueber Widerstandsmessungen von Electrolyten mit Wechselströmen durch das Dynamometer. Pp. 514-516.BOLTZMANN L. Zur Energetik. Pp. 595-598.RYDBERG J. J. Die Neuen Grundstoffe des Cleveïtgases. Pp. 674-679.WIEN W. Ueber die auf einer schweren Flüssigkeit möglichen Wellen von sehr Höhe. Pp. 729-735.Etc. hardcover
rif. 03820Philadelphia: David McKay Co. 1942. A Finely Bound Rubaiyat Illustrated by Willy Pogany POGANY Willy illustrator. Rubáiyát of Omar Khayyám in English Verse by Edward Fitzgerald. Illustrations by Willy Pogany. Philadelphia: David McKay Co. 1942. Small folio 9 7/8 x 7 1/16 inches; 250 x 180 mm. vii 1-101 1 printers mark pp. Sixteen full-page and four smaller black & white drawings all with decorative borders. Bound ca 1942 by Maurin stamp-signed in gilt on front turn-in. Full orange-brown morocco covers ruled in gilt with a central 'arabesque' design surrounded by four richly gilt decorated corner pieces. Spine with four raised bands decoratively tooled and lettered in gilt gilt-ruled board edges elaborate gilt turn-ins marbled end-papers top edge gilt. Very slight crack but perfectly sound at top of front joint otherwise near fine. First published in 1859 Edward FitzGerald's version of Omar Khayyam's quatrains was widely read only after it was taken up by the Pre-Raphaelites in 1861. The height of the poem's popularity corresponded with the heyday of the illustrated book and such well-known illustrators as Willy Pogany Edmund Dulac René Bull and Frank Brangwyn received commissions to illustrate the poem. The drive to illustrate the Rubáiyat was given extra impetus first by the development from the 1860s onwards of wood-engraved colour illustrations and later around the end of the century by the coming of color halftone printing. The lushly exotic and sentimental colored illustrations enabled by Victorian print technology matched the melancholy hedonism of FitzGerald's version of the Rubaiyat. Apart from the vast number of illustrated Rubáiyats the proliferation of Omar Khayyam clubs was another manifestation of the cult. Their meetings furnished excuses for rumbustious drinking and the composition of appalling doggerel. The membership of London's Omar Khayyam Club included an impressive number of convivial bookmen including Andrew Lang Arthur Pinero Arthur Conan Doyle and Edmund Gosse. Justin McCarthy the politician and prolific hack novelist presided. The literary dinners and the pastiches of Khayyam's quatrains tended to stress the heedless bibulousness of the original work. But there is another aspect to the appeal of Khayyam to the Victorian and Edwardian reading public. The first version of the Rubáiyat had been published in 1859 the same year that Darwin's Origin of the Species had appeared. A few years later Matthew Arnold would publish "Dover Beach" in which the melancholy long retreat of the "Sea of Faith" left humanity on a "darkling plain". Already in 1850 in "In Memoriam" Tennyson had raised questions about Christian doctrine and the immortality of the soul only to dismiss them with suspicious glibness. The doubts and fears of the twelfth-century Persian philosopher were shared by many of his English and American readers. In the Rubáiyat as the day wears on its mostly agnostic protagonist becomes increasingly preoccupied by thoughts of mortality and judgment in a possible afterlife and this too perfectly matched the Victorian preoccupation with death. Deathbed scenes were a popular staple of fiction and the cowled figure stalked through quite a few novels. Philadelphia: David McKay Co., 1942 unknown books
1928rif. 8288New York. Thomas Nelson and Sons. 1928. Bound in elaborate high art deco pictorial gilt decorated cloth. Pictorial endsheets depicting stylized alphabet. t.e.g. 8vo 8.5" x 6". First Edition. This copy signed in ink by Pogany to half title page. This copy also includes a nine page publishers publicity insert and titled "Willy Pogany and His Work". Marvelously Illustrated throughout with high art deco colour and monochrome plates drawings vignettes and decorations by Pogany. Widely regarded as the quintessential example of high art deco illustration Pogany's Mother Goose has delighted collectors of this genre for many years. Signed first edition copies have grown exceedingly scarce. A true delight of art deco extravagance. Some light staining to covers. Sporadic light water staining to edge of front pastedown and several pages. Mild sporadic foxing throughout. A slight hint of storage mustiness. A Very Good tight bright copy in a somewhat chipped Very Good rare original dustwrapper. Thomas Nelson and Sons. hardcover books
1967rif. 5048DBZürich, Emil Matthieu, 1967. 58 x 46 cm. 7 signierte Lithografien von Varlin. Halbleinenmappe mit Pappdeckeln.
1967rif. 5048DB1967. Zürich Emil Matthieu 1967. 58 x 46 cm. 7 signierte Lithografien von Varlin. Halbleinenmappe mit Pappdeckeln. N°. 99 von 100 Exemplaren. Unten rechts mit Bleistift signiert und nummeriert. Mappe und Lithographien in sehr gutem Zustand. unknown
rif. 1059551944. 41 x 50 cm gerahmt 27 x 36 cm Rückseitig etwas stockfl. sonst schönes Ex. - Bärtschi Willy Alexander 1906 - 1995 Maler Dozent und Publizist .Bauernsohn aus Lützelflüh Gymnasien in Zürich und Frauenfeld Kontakt mit dem Werk des Philosophen Holzapfel. 1928 Eintritt in die Kunstakademie Breslau die er aber bald wieder verliess. 1929 Eintritt in die Kunstakademie in Dresden ab 1930 Schüler von Otto Dix. Von 1934–1938 lebte Bärtschi als freier Maler in Dresden. 1938 Rückkehr nach Zürich kleinere Arbeiten für die Landi. Nach dem Aktivdienst 1943 Lehrer an der Kunstgewerbeschule in Zürich. Nach der Pensionierung 1971 widmete er sich wieder der Malerei. 010 1944 unknown
rif. BN90575Springer Berlin. Flugzeugtriebwerke: Grundlagen Aero-Thermodynamik Kreisprozesse Thermische Turbomaschinen Komponenten- und Emissionen VDI-Buch Flugzeugtriebwerke: Grundlagen Aero-Thermodynamik Kreisprozesse Thermische Turbomaschinen Komponenten- und Emissionen VDI-Buch Bräunling Willy J.G. Springer Berlin unknown
1862rif. 370171862. Leipzig Wilhelm Engelmann 1862 4° VIII 38 pp. 1 Blatt Inhalt 5 feine lith. Tafeln Pappband der Zeit; Titel montiert. Selten! Willy Kühne 1837-1900 described the neuromuscular end organ Kühne spindle and introduced the term 'telolemma' for the outer covering of its sheath." Clarke and O'Mailey Human Brian and Spinal Cord pp.75-78.<T>NUC NK 0319696 locates 5 copies. Garrison & Morton No. 1269 unknown
1956rif. 18001THE EXPLORATION OF MARS Viking 1956 first edition fine in vg/near fine full color pictorial dust-wrapper with some light wear and tear with 16 wonderful full color illustrations by Bonestell. Indeed some of his best work. Viking unknown
rif. 83473Leder etwas berieben sonst gutes Exemplar. Konstruktion aus Nussbaum masssiv Sitzfläche und Rückenstütze mit Lederbespannung schwarz. In dieser Ausführung selten. Design Willy Guhl 1959. Hergestellt ca 1965 vermutlich Fa. Röthlisberger.Muss abgeholt werden. 010 unknown
1928rif. 8288New York. Thomas Nelson and Sons. 1928. Bound in elaborate high art deco pictorial gilt decorated cloth. Pictorial endsheets depicting stylized alphabet. t.e.g. 8vo 8.5" x 6". First Edition. This copy signed in ink by Pogany to half title page. This copy also includes a nine page publishers publicity insert and titled "Willy Pogany and His Work". Marvelously Illustrated throughout with high art deco colour and monochrome plates drawings vignettes and decorations by Pogany. Widely regarded as the quintessential example of high art deco illustration Pogany's Mother Goose has delighted collectors of this genre for many years. Signed first edition copies have grown exceedingly scarce. A true delight of art deco extravagance. Some light staining to covers. Sporadic light water staining to edge of front pastedown and several pages. Mild sporadic foxing throughout. A slight hint of storage mustiness. A Very Good tight bright copy in a somewhat chipped Very Good rare original dustwrapper. Thomas Nelson and Sons. hardcover
1920rif. 25924New York:: George H. Doran ca. 1920. Early edition. publisher's full pictorial gilt leather t.e.g. in publisher's plain box with printed paper label on one edge. A few light smudges to the binding; else fresh bright and unworn. The slipcase is rubbed at the joints but intact. Folio. Presented by Willy Pogany throughout including tipped-in color plates. George H. Doran, hardcover
1954rif. 1163Paris: B. Artaud 1954. First Edition First Printing. Hardcover. Near fine/near fine. Belleville Ménilmontant. Photographs by Willy Ronis. Claud Arthaud editor. Type design by Roger Excoffon. B. Arthaud Paris 1954. 96 pp. Quarto 11 x 9 in./28 x 23 cm First edition. Vol. II in the collection "Les Imaginaires". Hardbound with illustrated boards. Original acetate jacket and printed belly band. 93 gravure reproductions printed by Braun & Co. BOOK CONDITION: Near Fine; a solid tight clean copy with light wear to edges and corners; in a Near Fine dust jacket with slight wear at crown of spine including a tiny chip and tear to acetate; in a Near Fine yellow belly band with signs of uneven fading. The scarce hardbound issue of Ronis's classic! Before his death in 2009 Willy Ronis was one of the last of the surviving documentary photographers in the humanist tradition of Kertesz and Cartier-Bresson. During the 40s and 50s he was a prolific chronicler of many corners of French social life especially the working people of Paris. He tended to wear his politics on his sleeve often photographing strikes demonstrations occupations of factories and the like. For this reason he also kept his distance from the American and British press. In this scarce volume Pierre Mac Orlan offers his paean to the authenticity of these working class neighborhoods of Belleville-Menilmontant. Ronis discovered the area through Daniel Pipart a painter and friend of his wife who kept a studio there. He visited and photographed regularly from 1947-1950 with the aim of one day making a book from the images. Ronis's images like countless Realist artists before him aim to capture the poetry of the streets. Ever respectful of his subjects Ronis's gaze is always affectionate and discrete. Unlike many documentary photographers who search out freaks and weirdoes Ronis seeks out the typical and the ordinary. Yet beneath the surface one senses a subtle sense of melancholy and muted nostalgia. A masterpiece of book design and typography! The images contained in Belleville-Menilmontant are certainly among Ronis's finest and provide an essential point of entry into his work. Included in MM. Auer: 802 Photo Books. B. Artaud hardcover
rif. 22542n.d. 205 mm x 135mm Original watercolour mounted framed and glazed. unknown
1922rif. 90502Mauritius: The general printing & stationery company 1922. Fine. The general printing & stationery company Mauritius 1922 15.5 x 23 cm Relié Rare first edition.Contemporary half fawn cloth Bradel binding smooth spine place and date gilt at foot marbled paper boards covers preserved.A single copy recorded in the CCF BnF.The only edition uncommon. A collection of notes and anecdotes relating to Abbé Castels period of study in Rome born 1894 ordained 1920 during his seminary years.Some spotting to the endpapers. The general printing & stationery company hardcover
rif. 37493Sans lieu, Manuel Bruker, 1956. Gr. in-4°, non paginé, en feuilles, sous couverture imprimée rempliée.
rif. Z1-C-061-01601Kunnskapsforlaget. Used - Good. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library so some stamps and wear but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Kunnskapsforlaget unknown