WILLY Colette:Livre Rare Book
6 058 résultats
1922réf. 12224Paris, Editions d'Art Edouard Pelletan, Helleu et Sergent éditeurs, 1922. In-4 en feuilles de 111-[7] pages, couverture rempliée imprimée noir, vert et rouge, sous chemise à rabats de carton muet, fermé par des rubans. fente aux mors de la chemise, inscriptions à son premier plat au crayon à papier, manque le rabats du bas, un autre avec déchirures. Ces défauts ne touchent que la chemise, le livre est lui en belle condition.
réf. 2263BERTELSMANN CARL. 1. hardcover. BERTELSMANN, CARL hardcover
1929réf. 002018New York 1929. Willy Pogány Hungarian/American 1882-1955. ORIGINAL PEN-AND-INK PORTRAIT OF THE MAD HATTER From his illustrated 1929 Alice's Adventures In Wonderland published by E. P. Dutton. This marvelous drawing is that illustrating "Who Stole the Tarts" from Chapter 11 page 172 wherein The Queen of Hearts is accusing the Mad Hatter of the crime. Pogany's version has the Mad Hatter trembling with fear as he clutches his tea cup and toast. The image is 4.75" x 3.5" situated in one corner of a large sheet of 11" by 14" heavy art paper. Pogány has initialed the drawing at the lower right. His lightly penciled outline and notations can also be seen. The detail of the drawing which is sharply inked and in Very Good condition indeed is spectacular in comparison to the actual printed illustration see our photo of the actual size of the book image to compare. We originally saw this illustration in The Book Sail's 16th Anniversary Catalogue way back in 1984. It's our pleasure to finally be able to both handle it and find it a good home. Signed. Unbound. Very Good. Illus. by Willy Pogany. Paperback books
réf. 120979London George Harrap and Co. 1910. . First trade edition with Pogany's illustrations; large 4to 330 x 254 mms; illustrated endpapers richly decorated half-title & title-page with gilt highlights twenty tipped-in colour plates calligraphic text 10 illustrations in line with colour backgrounds 6 with colour borders 22 decorations in 2 colours 30 vignettes minor spotting to prelims; original suede binding and therefore scarce yapp edges elaborately decorated pictorial board with lettering in gilt VG despite fading and some minor loss to extremities crinkled yapp edges otherwise a very good example. A very good copy of undoubtedly the illustrator's best work and one of the poet's three most critically acclaimed poems the other two being Kubla Khan and Christabel. Willy Pogány 1882-1955 renowned Hungarian book illustrator was a master of dreamy and warm pastel scenes through water-colours oil paintings and especially pen and ink. Painstakingly detailed and confident Pogány's drawings portray the true extent of his talent. The Ancient Mariner is recognised as his masterpiece. From 1924 Pogány worked as an art director on several Hollywood films including Fashions of 1934 and Dames. He painted for the Barrymore family Douglas Fairbanks Jr. Carole Lombard Enrico Caruso and many more. London, George Harrap and Co., 1910. unknown
1907réf. 114322T.Fisher Unwin. London. 1907. T.Fisher Unwin. London. No date but British Library verifies the date as 1907. First edition first issue. Hardback no DW. Original pictorial blue cloth gilt with illustrations in lighter blue red and green. Spine faded and lightly stained with crumpling to head and tail. Coloured frontis. with tissue guard slightly rippled. Chapter headings initial letters and decorations in red and black. Illustrated thoughout with plates many elaborate decorations head and tail pieces and illustrations to text by Willy Pogany. Green endpapers decorated with gilt designs. Front inner hinge very slightly and partially split hinge remains sound. Prelims page edges and rear endpapers lightly foxed pages very slightly browned otherwise a remarkably clean and fresh copy of a very scarce Welsh treasure of a book. hardcover
réf. 14203Paris, Librairie des lettres, 1913. Grand in-8, 308 pp., broché, couverture rempliée, en partie non coupé. Couverture légèrement tachée, petit manque de papier en pied du dos.
1910réf. 29824Sté d'éditions et de publications parisiennes | Paris s. d. [circa 1910] | 12 x 19 cm | broché
réf. 105958ca. 1980. 70 x 76 cm gerahmt 52 x 58 cm Schönes Ex. - Bärtschi Willy Alexander 1906 - 1995 Maler Dozent und Publizist .Bauernsohn aus Lützelflüh Gymnasien in Zürich und Frauenfeld Kontakt mit dem Werk des Philosophen Holzapfel. 1928 Eintritt in die Kunstakademie Breslau die er aber bald wieder verliess. 1929 Eintritt in die Kunstakademie in Dresden ab 1930 Schüler von Otto Dix. Von 1934–1938 lebte Bärtschi als freier Maler in Dresden. 1938 Rückkehr nach Zürich kleinere Arbeiten für die Landi. Nach dem Aktivdienst 1943 Lehrer an der Kunstgewerbeschule in Zürich. Nach der Pensionierung 1971 widmete er sich wieder der Malerei. 010 ca. 1980 unknown
réf. 66367Gent , AA50- vlees en beton 26-27, 1995 Bound, full cloth binding from the hand of handbook bindery Jansen Edegem, size: 28 cm x 23 cm, 124 pages, ****UNIQUE AND LIMITED edition of 11 numbered copies.---- SIGNED BY LUCIEN ENGELS ** THIS IS NUMBER 9. ISBN 9789077833117.
1930réf. 3692New York: Thomas Y. Crowell 1930. First Thus. First Revised American trade edition. Publishers orange silk cloth front cover lettered in gilt with black and gold illustration spine decoratively tooled and lettered in gilt top edge gilt others uncut. Original decorative tan paper dust jacket printed in orange. Original tan cardboard box decoratively printed in dark brown. Ink signature on front pastedown. Twelve tipped-in color plates including frontispiece. Text leaves additionally decorated with an additional 46 mounted black and gold illustrations and head and tailpieces in black and white. A very Fine copy. With the original Thomas Y. Crowell eight-page leaflet describing the work of Willy Pogany loosely inserted. "Had Omar Khayyam the old tentmaker visioned the beauty of his verses centuries later in Western dress as embroidered by a Hungarian artist he might have had a new conception of the meaning of immortality. For Pogany the Hungarian had made Omar the Persian live again" Crowell. Willy Pogany had previously illustrated the Rubaiyat in 1909 but these later illustrations are quite a different interpretation more westernized and modernized than the earlier ones. Thomas Y. Crowell unknown books
1985réf. 23817Zurich, Les éditions d'architecture Artémis, 1985-1986. Complet en 8 volumes in-4 à l'italienne, pleine toile titrée, jaquettes. Quelques défauts aux jaquettes (frottements en bords et petites déchirures), quelques feuillets de certains volumes légèrement gondolés.
réf. 9438Manuel Bruker, 1956. In-4 (323 x 253 mm), 2 ff. blancs, 23 ff. n. ch., 1 f. blanc. En feuilles, couverture vert pastel rempliée imprimée au dos et sur le premier plat, dos passé.
1913réf. POGANYWI001722Harrap London. 1913. First edition. Small quarto. pp xii 362. Numerous tipped-in colour plates as well as illustrations in the text pictorial endpapers and cover design by Willy Pogany. Buckram covers decorated with Turkish motifs. Top edge gilt.Small ownership signature on front free endpaper. Fore-edge lightly spotted. Near fine in very good dustwrapper with a few nicks. Possibly the scarcest of Pogany's books and especially so in the dustwrapper. Harrap, London. hardcover
1939réf. 57932Paris:: Editions de Cluny 1939. First edition; No. 100 of 100 copies on special paper with an extra suite of the illustrations in black total edition 1525 plus 60 hors commerce. publisher's 3/4 morocco over marbled boards t.e.g. in slipcase. A fine set in a rubbed and worn slipcase. 8vo. Illustrations de Mariette Lydis. Editions de Cluny, hardcover
réf. OTF-S-9781568330594Madison Books. New. BRAND NEW GIFT QUALITY! NOT OVERSTOCKS OR MARKED UP REMAINDERS! DIRECT FROM THE PUBLISHER! Madison Books unknown
réf. BN74436teNeues Verlag. To B-Willy Bogner teNeues Verlag unknown
1911réf. 24698London: Harrap & Co 1911. leather_bound. Full brown leather front cover decorated in blind. Teg. Very good. Unpaginated. 29 x 20 cm. Limited edition copy 160 of 525 signed by Pogany. With 16 full page tipped-in color plates and numerous intertextual plates in rose and black on light gray stock. Within the later are full page and myriad accompanying illustrations. This work is based on two German legends: Tannhäuser the mythologized medieval German Minnesänger and poet and the tale of the Wartburg Song Contest. Decorated endpapers. Small owner inscription dated 1918 front cover pastedown. Interior contents brilliant and clean. Harrap & Co unknown
2025réf. __3112220617De Gruyter 2025. Hardcover. New. 1955 pages. 8.98x5.39x11.42 inches. De Gruyter hardcover
réf. 37493Sans lieu, Manuel Bruker, 1956. Gr. in-4°, non paginé, en feuilles, sous couverture imprimée rempliée.
1922réf. 90502Mauritius: The general printing & stationery company 1922. Fine. The general printing & stationery company Mauritius 1922 15.5 x 23 cm Relié Rare first edition.Contemporary half fawn cloth Bradel binding smooth spine place and date gilt at foot marbled paper boards covers preserved.A single copy recorded in the CCF BnF.The only edition uncommon. A collection of notes and anecdotes relating to Abbé Castels period of study in Rome born 1894 ordained 1920 during his seminary years.Some spotting to the endpapers. The general printing & stationery company hardcover
réf. 22542n.d. 205 mm x 135mm Original watercolour mounted framed and glazed. unknown
1928réf. 8288New York. Thomas Nelson and Sons. 1928. Bound in elaborate high art deco pictorial gilt decorated cloth. Pictorial endsheets depicting stylized alphabet. t.e.g. 8vo 8.5" x 6". First Edition. This copy signed in ink by Pogany to half title page. This copy also includes a nine page publishers publicity insert and titled "Willy Pogany and His Work". Marvelously Illustrated throughout with high art deco colour and monochrome plates drawings vignettes and decorations by Pogany. Widely regarded as the quintessential example of high art deco illustration Pogany's Mother Goose has delighted collectors of this genre for many years. Signed first edition copies have grown exceedingly scarce. A true delight of art deco extravagance. Some light staining to covers. Sporadic light water staining to edge of front pastedown and several pages. Mild sporadic foxing throughout. A slight hint of storage mustiness. A Very Good tight bright copy in a somewhat chipped Very Good rare original dustwrapper. Thomas Nelson and Sons. hardcover
1920réf. 25924New York:: George H. Doran ca. 1920. Early edition. publisher's full pictorial gilt leather t.e.g. in publisher's plain box with printed paper label on one edge. A few light smudges to the binding; else fresh bright and unworn. The slipcase is rubbed at the joints but intact. Folio. Presented by Willy Pogany throughout including tipped-in color plates. George H. Doran, hardcover
1954réf. 1163Paris: B. Artaud 1954. First Edition First Printing. Hardcover. Near fine/near fine. Belleville Ménilmontant. Photographs by Willy Ronis. Claud Arthaud editor. Type design by Roger Excoffon. B. Arthaud Paris 1954. 96 pp. Quarto 11 x 9 in./28 x 23 cm First edition. Vol. II in the collection "Les Imaginaires". Hardbound with illustrated boards. Original acetate jacket and printed belly band. 93 gravure reproductions printed by Braun & Co. BOOK CONDITION: Near Fine; a solid tight clean copy with light wear to edges and corners; in a Near Fine dust jacket with slight wear at crown of spine including a tiny chip and tear to acetate; in a Near Fine yellow belly band with signs of uneven fading. The scarce hardbound issue of Ronis's classic! Before his death in 2009 Willy Ronis was one of the last of the surviving documentary photographers in the humanist tradition of Kertesz and Cartier-Bresson. During the 40s and 50s he was a prolific chronicler of many corners of French social life especially the working people of Paris. He tended to wear his politics on his sleeve often photographing strikes demonstrations occupations of factories and the like. For this reason he also kept his distance from the American and British press. In this scarce volume Pierre Mac Orlan offers his paean to the authenticity of these working class neighborhoods of Belleville-Menilmontant. Ronis discovered the area through Daniel Pipart a painter and friend of his wife who kept a studio there. He visited and photographed regularly from 1947-1950 with the aim of one day making a book from the images. Ronis's images like countless Realist artists before him aim to capture the poetry of the streets. Ever respectful of his subjects Ronis's gaze is always affectionate and discrete. Unlike many documentary photographers who search out freaks and weirdoes Ronis seeks out the typical and the ordinary. Yet beneath the surface one senses a subtle sense of melancholy and muted nostalgia. A masterpiece of book design and typography! The images contained in Belleville-Menilmontant are certainly among Ronis's finest and provide an essential point of entry into his work. Included in MM. Auer: 802 Photo Books. B. Artaud hardcover
réf. 83473Leder etwas berieben sonst gutes Exemplar. Konstruktion aus Nussbaum masssiv Sitzfläche und Rückenstütze mit Lederbespannung schwarz. In dieser Ausführung selten. Design Willy Guhl 1959. Hergestellt ca 1965 vermutlich Fa. Röthlisberger.Muss abgeholt werden. 010 unknown
