Pogany, WillyBiblio.com
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réf. 052500George G. Harrap & Company. Very Good with no dust jacket. Hardcover. Hardcover in slipcase. No publication date. Beautifully bound in full calf red leather by the distinguished bindery Bayntun-Riviere. Gold snake and goblet vignette on front board with gold ruling. Minor wear. Title and gold decorations in gold on spine between raised bands. Gilt edges. Marbleized endpapers with gold dentelle to inside paste downs. Text pages are crisp and clean. Beautiful color illustrations by Willy Pogany. Plain maroon cloth slipcase. Always carefully wrapped and shipped in cardboard boxes to protect your purchase.; 8vo 8" - 9" tall . N.D. George G. Harrap & Company hardcover
1928réf. 005714New York: Thomas Nelson & Sons 1928. First Edition . Cloth. Very Good. Tall Octavo. Willy Pogany. Half-blue cloth over blue paper boards printed paper title lables to spine and front board without dustjacket as issued top edge gilt 9.25 x 7.25 inches. Limited First Edition SIGNED by Pogany on limitation page one of 500 numbered copies. A true first edition/first printing with "latch" misspelled. Unpaginated; illustrated by Pogany with full page color plates and half-page color illustrations b&w drawings silhouettes and endpapers all in high Art Deco style. Includes politically incorrect "Ten Little N----- Boys" rhyme with caricatured images of black children. Pogany's interpretation of "Mother Goose" is regarded as a masterpiece of Art Deco book design and illustration. Internally exceptionally clean and bright showing some light wear to exterior heaviest at corners spine lightly sunned. A highly collectable and desirable copy of a high point of 20th century children's illustrated books Thomas Nelson & Sons hardcover
1922réf. 90502The general printing & stationery company | Ile Maurice 1922 | 15.5 x 23 cm | Relié
1980réf. 1987London: Pan Books 1980. First Edition / Limited Edition. Leather bound. Near fine. Known as The Brandt Report this leather-bound presentation copy was inscribed by former German Chancellor Willy Brandt to Secretary of State Robert McNamara. Additional signatures by Washington Post publisher Katharine Graham and Secretary of Commer. Octavo 304pp. Brown leather covers title in gilt on spine and cover. Inscribed on the front end paper by the following people: Chancellor Willy Brandt Katharine Graham Secretary of Commerce Peter G. Peterson and Sir Sonny Ramphal the Secretary-General of Guyana. The Brandt Report was an independent commission report that analyzed income disparities between the "North-South Divide." It advocates for the transfer of manufactured goods to developing countries to stimulate trade and improve economic conditions. From the personal library of former Secretary of Defense Robert McNamara. Provenance: The Robert McNamara Estate & Diane Byfield McNamara Book Collection The Potomac Company October 2019. Pan Books unknown books
1972réf. 2941LINGEN HELMUT 1972. 1. hardcover. Elefantenleder-Einband! LINGEN, HELMUT hardcover
réf. 195064H. Blanchetière Paris 1925 Petit in-4 carré ( 260 X 200 mm ) de 202 pages, en feuilles sous couverture imprimée rempliée et étui cartonné. Premier livre illustré par LOBEL-RICHE, portrait de COLETTE gravé sur bois en frontispice et 21 fines pointes sèches dont 10 à pleine page. Tirage à 275 exemplaires, celui-ci numéroté sur papier vélin à la cuve de Fabriano avec dans une chemise cartonnée:1- Une suite à part en 2e état avec remarques tirées en sanguine des 21 planches gravées et utilisées dans l'ouvrage.2- Une épreuve en 1er état des 3 planches refusées.Très bel exemplaire. ( Carteret IV, 108 « Premier et bon ouvrage de Lobel-Riche ». )
1931réf. 8684Paris, Albin Michel, 1931. In-8, 285 pp. Reliure Jotau en résine teintée dans la masse, le pollopas, étiquettes en métal gravé au dos et sur le plat, frise en métallique, bords biseautés, couvertures conservées.
réf. 22742Paris, Flammarion, s.d. (1913). In-8 de: un faux-titre, titre et 248 pages. Edition originale, exemplaire sur Hollande (n°13) tirée à 30 exemplaires seulement. Brunissement du faux-titre et de la dernière page (décharge des couvertures) sinon intérieur parfait. Demi-maroquin bleu nuit à coins, dos à nerfs, tête dorée, non rogné, couvertures et dos (Affolter). Le dos a légèrement viré au vert.
1964réf. 13688New York: Fuck You Press 1964. First Edition Thus. Original Wraps. Very Good in Wraps. First Edition Thus. Original Wraps. The cover is by Allen Ginsberg and the work a pamphlet of 12 staplebound pages in 3 paper colors was produced on a mimeograph in an edition of 500 copies though apparently a significant number were destroyed by the mimeo. Originally intended for inclusion in The Yage Letters it was considered so obscene it was cut by the English printers. An earlier version appeared in the journal Floating Bear 1961 before Ed Sanders printed this separate edition. Maynard & Miles A9 A handsome copy. Minor shelf/edge wear else tight bright and unmarred. Printed pink wraps and pink blue and white papper texkblock. Limited edition of 500 copies. Fuck You Press unknown
1913réf. 13119Paris: Librairie des Lettres 1913. First Edition. Printed wrappers. Very Good. Small 8vo. Pp. 307. Stiff printed wraps red titles in gray decorative frame. French text. Copyright 1913 stated no printing date. List of available works ends with Prrou Poucette et quelques autres 1913. Advertisement for the "Journal de Colette" appearing in Le Matin from October 1913 laid in. Moderate spine lean top edge dust soiled toning to leaf margins. Signed by Colette on the title page. Continuation of the character Renée Néré based on Colette's marriage to Henry Gauthier-Villars Willy and experiences in the Music-Hall. Colette had married Henry de Jouvenel editor of Le Matin in 1912. A well-preserved first edition signed by the author: scarce in either case. Librairie des Lettres unknown
1930réf. 1394289London: George G. Harrap 1930. Limited Edition #506/750. Hardcover. Quarto 171 5 pages. In Very Good condition. Bound in publisher's full teal morocco red and gilt floral circular emblem on front cover. Spine paneled with gilt. Some fading to spine and extremities. Light shelfwear to extremities. Limited Edition #506/750 of the British Issue. Signed twice by Pogany as issued on the limitation page and in pencil on the frontispiece. With twelve tipped-in color plates small black and white tipped in decorative pieces and printed head and tail pieces. Shelved case 0. There are 750 copies for England and another 500 copies for the United States. 1394289. Shelved Dupont Bookstore. George G. Harrap hardcover
réf. 022306New York; 1909: Thomas Y. Crowell and Co. Limited Edition. Small Quarto. Limited to 525 copies. The present copy is number 59 and signed by Willy Pogany the illustrator. Based on the first edition text of Edward Fitzgerald and illustrated with 24 full page color illustrations tipped-in text in oriental style script printed in brown within ornamental borders decorative endpapers plates are fine there is some light scattered foxing to mount sheets. Bound in full gilt decorated suede with yapped edges spine plain previous owner's gift inscription dated 1910 inner front hinge with some splitting but not broken. A very good copy. Thomas Y. Crowell and Co unknown
1962réf. 154817Hamburg: Freie Akademie Der Kunste 1962. Hardcover. Near Fine. First edition. Large quarto. Text in German. Paper covered boards. Bookplate light wear to the boards else near fine. copy number 34 of 100 numbered copies Signed by Willy Haas. Volume commenorating the German screenwriter's 70th birthday. Among many others he wrote screenpalys for The Burning Soil 1922 Joyless Street 1925 The Girl with a Patron 1925 One Does Not Play with Love 1926 The Brothers Schellenberg 1926 Dancing Vienna 1927 The Weavers 1927 and Napoleon at Saint Helena 1929. Freie Akademie Der Kunste hardcover
1975réf. 17068Millerton NY: Aperture 1975. Hardcover. SIGNED. First edition first printing. A collection of images made in the separated Gypsy settlements in East Slovakia between 1962 and 1968. The photographer's first monograph. Photographs by Josef Koudelka; afterword by Willy Guy; forewords by John Szarkowski and Anna Farova. SIGNED BY KOUDELKA on the title page; no inscription. Unpaginated 135 pages; 60 full-page b&w plates printed recto only; 12 x 10.75 inches. Condition: Near Fine clothbound hardcover with crisp silver-stamped titling to front and spine with a very slight bow to the fore edge of the boards and a light bump to one tip in a Very Good dust jacket with a touch of shelf wear a one-inch tear at the crown a small patch of laminate peel to the back and spots starting on the front and light rubbing to the extremities. LAID-IN is the original illustrated Aperture press release announcing the publication of this volume. Ref: Parr & Badger Photobook: Vol. I p.230; Roth Open Book p.304-5; Auer 802 Photo Books p.587. All dust jackets are protected by a clear mylar cover. Ships the next business day wrapped in padding in a box. Due to size and weight international and expedited shipping may be more than quoted. Aperture hardcover
réf. BBS-2024251Willy Pogany. Loose Leaf. Good. Signed. nd ca 1930. 6 x 5 inches on inner and outer mounts total size about 12.5 x 10 inches. Signed by Pogany to the outer mount. The drawing is adhered to the inner mount with adhesive tape and has small closed tears at top right corner and from bottom edge at left. Some penciled notes to inner mount. A sweet drawing which depicts a child pushing a small plough with wings. Inquiries welcome; photographs available upon request. Willy Pogany unknown
réf. 51-3860Paris: 1898. . Original drawing from a French collection. 28.5 x 20 cm. Signed titled and dated. Expertise by Jean-Marc DECHAUD Expert CNES 10 rue de Chinon – 37220 CRISSAY sur MANSE. France. William Andrew Pogany born Vilmos András Pogány; August 24 1882 – July 30 1955 was a prolific Hungarian illustrator of children's and other books.Pogany spent two years in Paris.When he finally saved up some money from his work he left Paris to go to London. In London he crafted his quartet of masterpieces: The Rime of the Ancient Mariner 1910 Tannhauser 1911 Parsifal 1912 and Lohengrin 1913. Each of these was designed completely by Pogany from the covers and endpapers to the text written in pen and ink pencil wash color and tipped-on plates.After ten years in London Pogany emigrated to AmericaPogany worked as an art director on several Hollywood films including Fashions of 1934 and Dames. He began his involvement in motion picture set design in 1924 and worked in film until the end of the 1930s. He was commissioned by John Ringling Ettenger Reiner and WIlliam Randolph Hearst's Wyntoon Estate painted for the Barrymore family Douglas Fairbanks Jr. Carole Lombard Enrico Caruso Miriam Hopkins and many others.Expertise by Jean-Marc DECHAUD Expert CNES 10 rue de Chinon – 37220 CRISSAY sur MANSE. France. Paris: 1898. unknown
réf. 51-3891Paris: Circa 1905. Original drawing from a French Collection. 32 x 23.5 cm.Expertise by Jean-Marc DECHAUD Expert CNES 10 rue de Chinon – 37220 CRISSAY sur MANSE. France. William Andrew Pogany born Vilmos András Pogány; August 24 1882 – July 30 1955 was a prolific Hungarian illustrator of children's and other books.Pogany spent two years in Paris.When he finally saved up some money from his work he left Paris to go to London. In London he crafted his quartet of masterpieces: The Rime of the Ancient Mariner 1910 Tannhauser 1911 Parsifal 1912 and Lohengrin 1913. Each of these was designed completely by Pogany from the covers and endpapers to the text written in pen and ink pencil wash color and tipped-on plates.After ten years in London Pogany emigrated to AmericaPogany worked as an art director on several Hollywood films including Fashions of 1934 and Dames. He began his involvement in motion picture set design in 1924 and worked in film until the end of the 1930s. He was commissioned by John Ringling Ettenger Reiner and WIlliam Randolph Hearst's Wyntoon Estate painted for the Barrymore family Douglas Fairbanks Jr. Carole Lombard Enrico Caruso Miriam Hopkins and many others. Paris: Circa 1905 unknown
réf. 51-3890Paris: Circa 1905. Original drawing from a French Collection. 32 x 23.5 cm.Expertise by Jean-Marc DECHAUD Expert CNES 10 rue de Chinon – 37220 CRISSAY sur MANSE. France. William Andrew Pogany born Vilmos András Pogány; August 24 1882 – July 30 1955 was a prolific Hungarian illustrator of children's and other books.Pogany spent two years in Paris.When he finally saved up some money from his work he left Paris to go to London. In London he crafted his quartet of masterpieces: The Rime of the Ancient Mariner 1910 Tannhauser 1911 Parsifal 1912 and Lohengrin 1913. Each of these was designed completely by Pogany from the covers and endpapers to the text written in pen and ink pencil wash color and tipped-on plates.After ten years in London Pogany emigrated to AmericaPogany worked as an art director on several Hollywood films including Fashions of 1934 and Dames. He began his involvement in motion picture set design in 1924 and worked in film until the end of the 1930s. He was commissioned by John Ringling Ettenger Reiner and WIlliam Randolph Hearst's Wyntoon Estate painted for the Barrymore family Douglas Fairbanks Jr. Carole Lombard Enrico Caruso Miriam Hopkins and many others. Paris: Circa 1905 unknown
réf. 51-3888Paris: Circa 1898. . Original drawing from a French Collection. 32 x 23.5 cm. Signed in pencil.Expertise by Jean-Marc DECHAUD Expert CNES 10 rue de Chinon – 37220 CRISSAY sur MANSE. France. William Andrew Pogany born Vilmos András Pogány; August 24 1882 – July 30 1955 was a prolific Hungarian illustrator of children's and other books.Pogany spent two years in Paris.When he finally saved up some money from his work he left Paris to go to London. In London he crafted his quartet of masterpieces: The Rime of the Ancient Mariner 1910 Tannhauser 1911 Parsifal 1912 and Lohengrin 1913. Each of these was designed completely by Pogany from the covers and endpapers to the text written in pen and ink pencil wash color and tipped-on plates.After ten years in London Pogany emigrated to AmericaPogany worked as an art director on several Hollywood films including Fashions of 1934 and Dames. He began his involvement in motion picture set design in 1924 and worked in film until the end of the 1930s. He was commissioned by John Ringling Ettenger Reiner and WIlliam Randolph Hearst's Wyntoon Estate painted for the Barrymore family Douglas Fairbanks Jr. Carole Lombard Enrico Caruso Miriam Hopkins and many others. Paris: Circa 1898. unknown
réf. 13888Pencil with india ink background on paper hinged to backing board. 1 vols. 7-1/4 x 5-1/2 in. Glue residue at bottom of image else fine. Pencil with india ink background on paper hinged to backing board. 1 vols. 7-1/4 x 5-1/2 in. A fully realized but unfinished drawing of a robed young man in a state of grace passing through a group of anguished writhing bodies. William Andrew Willy Pogany 1882-1955 was born in Hungary where he studied engineering. His success as a caricaturist led him to pursue a career in art first in London then in the United States. His influences were the Oriental artists and illuminated books and most of his career was devoted to book illustration. Among his many successes were The Rubaiyat Hungarian Fairy Book and Gulliver's Travels. He also painted murals created state settings did illustrations for most of the major magazines and exhibited widely over the course of a long career. Reed The Illustrator in America 1880-1980 p. 105 unknown
1991réf. 341442Denoel 1991. FIRST THUS. Hardcover. Very Good/Very Good. First Edition Thus First Printing. Not price-clipped. Published by Denoel 1991. Quarto. Hardcover. Text is in French. Signed and inscribed by Willy Ronis on the first page. Book is very good with very light toning to the page ends. Dust jacket is very good with light edgewear. A very good scarce signed copy of this look into the photography of Willy Ronis. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor New York. Denoel hardcover
1948réf. 24058Manuel Bruker 1948 1 Orné de lithographies en couleurs. Manuel Bruker éditeur, 1956, broché, in-4, couverture rempliée vert pâle, non chiffré, table des gravures, achevé d'imprimer.
1932réf. 160320Leipzig: Verlag: Hachmeister & Thal 1932. Octavo pp. 1 2-16 illustrations in the text publisher's orange wrappers printed in black stapled. First edition. A brief chronology of the history of rocketry. Ciancone 135. Hübner 388. Ley Rockets Missiles and Space Travel revised edition 1957 p. 507. Several tiny chips from edges short splits at upper and lower spine fold but a remarkably nice copy of a very fragile booklet. Rare. #160320 Verlag: Hachmeister & Thal unknown books
réf. 13888Pencil with india ink background on paper hinged to backing board. 1 vols. 7-1/4 x 5-1/2 in. Glue residue at bottom of image else fine. Pencil with india ink background on paper hinged to backing board. 1 vols. 7-1/4 x 5-1/2 in. A fully realized but unfinished drawing of a robed young man in a state of grace passing through a group of anguished writhing bodies. William Andrew Willy Pogany 1882-1955 was born in Hungary where he studied engineering. His success as a caricaturist led him to pursue a career in art first in London then in the United States. His influences were the Oriental artists and illuminated books and most of his career was devoted to book illustration. Among his many successes were The Rubaiyat Hungarian Fairy Book and Gulliver's Travels. He also painted murals created state settings did illustrations for most of the major magazines and exhibited widely over the course of a long career. Reed The Illustrator in America 1880-1980 p. 105 unknown books
1935réf. Embry 180148Sutton House Ltd. Los Angeles: 1935. 7th printing. A few light stains to the suede wear to corners slight bow to boards still near fine and bright with hinges firm in custom mylar cover. Black & white margin illustrations and full page color tipped-in illustrations by Willy Pogany. Blue suede titled in gilt. 250 copies signed by each author and Pogany on publisher's special edition page. Sutton House, Ltd., Los Angeles: 1935. 7th printing. hardcover books
