7295 resultados
1953ref. 12BG1953. O. O. 1953. Bildgrösse: 148 x 104 cm. Blattgrösse: 155 x 11 cm. Mit Eintrag u. Signatur unter dem Bild das einen älteren Mann zeigt: "Monsieur Isaac Stern de Montbéliard. France. 29. 12. 53 W. Dr." Von H. S. Herzka herausgegeben erschien 1982 eine Monographie "Willy Dreifuss. Antlitz des Alters. Basel Schwabe & Co. - Leicht angestaubt. Verso mit Couache-Farbspuren. unknown
ref. 959CGBleistiftzeichnung auf Papier. Blattgrösse: 148 x 104 cm. Handschr. Bezeichung signierte und datiert. Das Bild zeigt einen älteren Mann. War eine Vorlage für die 1982 erschienene Monographie von Willy Dreifuss «Antlitz des Alters» Basel Schwabe. Die Zeichnung montiert auf stärkeres Papier. unknown
1953ref. 12BGO. O. 1953. Bildgrösse: 14,8 x 10,4 cm. Blattgrösse: 15,5 x 11 cm.
ref. 959CGBleistiftzeichnung auf Papier. Blattgrösse: 14,8 x 10,4 cm.
ref. 500047705Harrap 1111. Hardcover. Very Good. Willy Pogany. 24 tipped in plates brown suede Printed by Vincent Brooks Day & Son Ltd. undated 75 quatrains. small 4to undated. blind decoration on brown suede Harrap hardcover
ref. 6235912John Wiley & Sons . Hardback. New. pp. 466 John Wiley & Sons hardcover
1936ref. 2365New York: Thomas Y. Crowell Company 1936. 7.25" x 9.25" pp. 96 including 8 mounted color plates and multiple line drawings by famed Hungarian illustrator Willy Pogany. Inscribed by illustrator Pogany on the front free end paper "To Anges Grey - with best wishes / 1937 / Willy Pogany." First edition second printing in very good condition. Rose-colored cloth boards with gilt stamping on spine and rose flower detail on cover; very slight toning. The text is clean; the dust jacket is sharp and tidy presently enclosed in mylar. Includes original box; minor smudging and small tape repair on the inside of one corner. Overall an attractive book of sonnets with beautiful composition and presentation. . Thomas Y. Crowell Company unknown
1930ref. 31122George G. Harrap 1930. The first and fourth renderings in English verse by Edward Fitzgerald and illustrated by Willy Pogany. This being #306 of 750 copies of the English edition signed by Pogany on the limitation page and again in pencil on an inserted print. 12 tipped in colour plates including the frontispiece. Some sunning to the spine but generally a clean collectible copy. George G. Harrap unknown
1952ref. 059635New York: Viking Press 1952. 1st Edition 1st Printing. Hardcover. Near Fine/Very Good. 11 " Tall. Xiv 147 Pp. First Edition Stated First Printing 1952. Green Cloth Stamped In Silver Thick Pages. A Bright Clean Almost Unworn Example No Marks Or Dampstaining. Dustjacket Priced $3.95 Small Chip To Head Of Spine Some Surface Loss Along Front Spine Edge And Along The Flap Folds Spine Faded But Lettering Very Clear. Viking Press hardcover
ref. 80056Zürich Kommissionsverlag Schulthess & Co. AG 1953 Auflage: 1. Leinen gebunden; blauer silbergeprägter illustrierter Einband mit Schutzumschlag / Anz. Seiten: 664 / 185 x 245 cm / Zustand: sehr gut geringe Buch / gut leichte Schutzumschlag Gebrauchsspuren; Einband minim lichtrandig Schutzumschlag leicht fleckig und geringfügig randlädiert Zürich, Kommissionsverlag Schulthess & Co. AG, 1953, Auflage: 1. unknown
1909ref. 76319Albert Messein | Paris 1909 | 12 x 19 cm | broché
1910ref. 62099Sté d'éditions et de publications parisiennes | Paris s. d. [circa 1910] | 12 x 18.50 cm | relié
ref. 9192Paris, Jonquières (Les beaux romans), 1924-1925. 4 volumes in-8, brochés, couvertures rempliées illustrées.
ref. BN21168Wiley-VCH Verlag Auflage: 2. vollständig überarbeitete Auflage 29. Juni 1995. Auflage: 2. vollständig überarbeitete Auflage 29. Juni 1995. Hardcover. 246 x 18 x 38 cm. Das Buch ist eine in dieser Form und in diesem Umfang bislang konkurrenzlose Gesamtdarstellung der organischen Pigmente Chem. Rundschau auf dem Markt und gibt einen umfassenden Überblick über anwendungstechnische Begriffe Prüfmethoden Herstellung Eigenschaften und Anwendung industriell genutzter organischer Pigmente. Die Angaben sind vergleichbar unter denselben Bedingungen ermittelt und darin liegt ein unschätzbarer Vorteil für jeden der sich mit organischen Pigmenten beschäftigtForscher Anwender und Pigmentverarbeiter in der Druckfarben- Lack- und Kunststoffindustrie und in vielen anderen Industriezweigen. ' ein äußerst vielseitiges Nachschlagewerk und es fällt schwer ein Thema aus dem Gebiet der organischen Pigmente zu finden zu dem es die Auskunft schuldig bliebe.'Ecochem' Die Darstellung ist durchweg von hervorragender Qualität und das Buch wird das Standard-Referenzwerk auf dem Pigmentgebiet werden 'Dyes and Pigments' ist das umfassendste Buch auf diesem Gebiet was in den letzten Jahren erschienen ist 'Chemical Engineering World Das Buch ist eine in dieser Form und in diesem Umfang bislang konkurrenzlose Gesamtdarstellung der organischen Pigmente Chem. Rundschau auf dem Markt und gibt einen umfassenden Überblick über anwendungstechnische Begriffe Prüfmethoden Herstellung Eigenschaften und Anwendung industriell genutzter organischer Pigmente. Die Angaben sind vergleichbar unter denselben Bedingungen ermittelt und darin liegt ein unschätzbarer Vorteil für jeden der sich mit organischen Pigmenten beschäftigtForscher Anwender und Pigmentverarbeiter in der Druckfarben- Lack- und Kunststoffindustrie und in vielen anderen Industriezweigen. ' ein äußerst vielseitiges Nachschlagewerk und es fällt schwer ein Thema aus dem Gebiet der organischen Pigmente zu finden zu dem es die Auskunft schuldig bliebe.'Ecochem' Die Darstellung ist durchweg von hervorragender Qualität und das Buch wird das Standard-Referenzwerk auf dem Pigmentgebiet werden 'Dyes and Pigments' ist das umfassendste Buch auf diesem Gebiet was in den letzten Jahren erschienen ist 'Chemical Engineering World Wiley-VCH Verlag hardcover
ref. 43040n.d. 22 cm x 18cm. Original watercolour of Mama bear with a bowl of porridge and Baby bear mounted framed and glazed. unknown
ref. D2528London: G. G. Harrap n.d. Hardcover. Very Good. GIlt-ruled half morocco and decorative green cloth gilt-stamped lettering and detail on spine 5 raised bands t. e. g.; illustrated throughout with four-color lithographs and full-color tipped-on plates. A lavish production. Spine a bit sunned; some light scuffing along joints and edges of boards; a little faint browning on prelims and terminals otherwise internally bright and clean. A lovely copy. G. G. Harrap hardcover
ref. D2528London: G. G. Harrap n.d. Hardcover. Very Good. GIlt-ruled half morocco and decorative green cloth gilt-stamped lettering and detail on spine 5 raised bands t. e. g.; illustrated throughout with four-color lithographs and full-color tipped-on plates. A lavish production. Spine a bit sunned; some light scuffing along joints and edges of boards; a little faint browning on prelims and terminals otherwise internally bright and clean. A lovely copy. G. G. Harrap hardcover books
1975ref. 196620New York: Aperture 1975. First edition and first printing. Oblong hardcover. The first major monograph from this important Czech photographer an extended photo essay on a marginalized group. Features an essay by Willy Guy. A very near fine copy in cloth boards and in a near fine first issue dust jacket with a small edge tear to the top of the front panel and some other very minor wear. A very nice copy of this important book. Parr & Badger v1 230. Aperture unknown
1975ref. 196620New York: Aperture 1975. First edition and first printing. Oblong hardcover. The first major monograph from this important Czech photographer an extended photo essay on a marginalized group. Features an essay by Willy Guy. A very near fine copy in cloth boards and in a near fine first issue dust jacket with a small edge tear to the top of the front panel and some other very minor wear. A very nice copy of this important book. Parr & Badger v1 230. Aperture unknown books
1931ref. 81837New York New York: Paul B. Hoeber Inc 1931. Presumed First Edition First printing. Hardcover. Good. xxxiii 3 427 1 pages. Footnotes Some cover wear. Includes Preface Introduction List of Illustrations and List of Portraits. Part 1 covers the Origin the Development and the Self-Perpetuation of Cancer; Part 2 covers The Therapy of Cancer including the treatment of Operable and Inoperable Cancer in the Light of a Systemic Conception of Malignancy. The book also contains a Summary a Retrospect and an Outlook an Index of Personal Names and an Index of Subjects as well as 5 black and white illustrations of Lymph nodes and 12 black and white portraits of deceased scientists renowned in cancer research. Inscribed by the author on the fep: Inscription reads: To Dr. H. Beaman Douglass with kind regards Willy Meyer Palm Beach February 1931. Thoracic surgery in America owes a great deal to Meyer's pioneer work. In his clear vision of the importance of this specialty he founded in I919 the New York Society for Thoracic Surgery and the American Association for Thoracic Surgery. Dr. Meyer's interest in cancer and his extensive study of the literature on cancer are best evidenced in his last publication a book entitled "Cancer" in which he comes to the conclusion that cancer is a systemic disease. Among his publications those on thoracic surgery are probably the most numerous. He was a Fellow of the American College of Surgeons a member of the American Medical Association American Surgical Association American Thoracic Gastro-Enterological and Urological Associations American Association for Cancer Research New York Academy of Medicine Pathological Society. Dr. Beaman Douglass was an eye ear nose and throat specialist. He invented the Douglass tonsillotome among other instruments. He was a former consulting surgeon at the New York Post-Graduate Hospital. This book deals with the tumor cancer as an ordinary lawful reaction of the tissue to certain systemic and local morbid conditions of the human organism. The book denies the autonomy of cancer. Halsted and Meyer were the first to achieve successful results with the radical mastectomy thus ushering in the modern era of surgical treatment for breast cancer. In 1894 William Halsted published his work with radical mastectomy from the 50 cases operated at Johns Hopkins between 1889 and 1894. Willy Meyer also published research on radical mastectomy from his interactions with New York patients in December 1894. The en bloc removal of the breast tissue became known as the Halsted mastectomy before adopting the title "the complete operation" and eventually "the radical mastectomy" as it is known today. Radical mastectomy was based on the medical belief at the time that breast cancer spread locally at first invading nearby tissue and then spreading to surrounding lymph ducts where the cells were "trapped". It was thought that hematic spread of tumor cells occurred at a much later stage. Halsted himself believed that cancer spread in a "centrifugal spiral" solidifying this opinion in the medical community at the time. Paul B. Hoeber, Inc hardcover
ref. 51-3887Paris: Circa 1898. . Original drawing from a French Collection. 32 x 23.5 cm.titled : Mais c'est ignoob. .Expertise by Jean-Marc DECHAUD Expert CNES 10 rue de Chinon – 37220 CRISSAY sur MANSE. France. William Andrew Pogany born Vilmos András Pogány; August 24 1882 – July 30 1955 was a prolific Hungarian illustrator of children's and other books.Pogany spent two years in Paris.When he finally saved up some money from his work he left Paris to go to London. In London he crafted his quartet of masterpieces: The Rime of the Ancient Mariner 1910 Tannhauser 1911 Parsifal 1912 and Lohengrin 1913. Each of these was designed completely by Pogany from the covers and endpapers to the text written in pen and ink pencil wash color and tipped-on plates.After ten years in London Pogany emigrated to AmericaPogany worked as an art director on several Hollywood films including Fashions of 1934 and Dames. He began his involvement in motion picture set design in 1924 and worked in film until the end of the 1930s. He was commissioned by John Ringling Ettenger Reiner and WIlliam Randolph Hearst's Wyntoon Estate painted for the Barrymore family Douglas Fairbanks Jr. Carole Lombard Enrico Caruso Miriam Hopkins and many others. Paris: Circa 1898. unknown
ref. 51-3864Paris: Circa 1898. . Original drawing from a Collection. 28.5 x 22 cm. Signed and annotated William Andrew Pogany born Vilmos András Pogány; August 24 1882 – July 30 1955 was a prolific Hungarian illustrator of children's and other books.Pogany spent two years in Paris.When he finally saved up some money from his work he left Paris to go to London. In London he crafted his quartet of masterpieces: The Rime of the Ancient Mariner 1910 Tannhauser 1911 Parsifal 1912 and Lohengrin 1913. Each of these was designed completely by Pogany from the covers and endpapers to the text written in pen and ink pencil wash color and tipped-on plates.After ten years in London Pogany emigrated to AmericaPogany worked as an art director on several Hollywood films including Fashions of 1934 and Dames. He began his involvement in motion picture set design in 1924 and worked in film until the end of the 1930s. He was commissioned by John Ringling Ettenger Reiner and WIlliam Randolph Hearst's Wyntoon Estate painted for the Barrymore family Douglas Fairbanks Jr. Carole Lombard Enrico Caruso Miriam Hopkins and many others.Expertise by Jean-Marc DECHAUD Expert CNES 10 rue de Chinon – 37220 CRISSAY sur MANSE. France. Paris: Circa 1898. unknown
ref. 51-3863Paris: Circa 1898. . Original watercolor from a French Collection. 32 x 33.5 cm. Expertise by Jean-Marc DECHAUD Expert CNES 10 rue de Chinon – 37220 CRISSAY sur MANSE. France. William Andrew Pogany born Vilmos András Pogány; August 24 1882 – July 30 1955 was a prolific Hungarian illustrator of children's and other books.Pogany spent two years in Paris.When he finally saved up some money from his work he left Paris to go to London. In London he crafted his quartet of masterpieces: The Rime of the Ancient Mariner 1910 Tannhauser 1911 Parsifal 1912 and Lohengrin 1913. Each of these was designed completely by Pogany from the covers and endpapers to the text written in pen and ink pencil wash color and tipped-on plates.After ten years in London Pogany emigrated to AmericaPogany worked as an art director on several Hollywood films including Fashions of 1934 and Dames. He began his involvement in motion picture set design in 1924 and worked in film until the end of the 1930s. He was commissioned by John Ringling Ettenger Reiner and WIlliam Randolph Hearst's Wyntoon Estate painted for the Barrymore family Douglas Fairbanks Jr. Carole Lombard Enrico Caruso Miriam Hopkins and many others.Expertise by Jean-Marc DECHAUD Expert CNES 10 rue de Chinon – 37220 CRISSAY sur MANSE. France. Paris: Circa 1898. unknown
ref. 51-3862Paris: Circa 1898. . Original drawing from a French Collection. 32 x 33.5 cm.titled : Oh Femme adorable .Expertise by Jean-Marc DECHAUD Expert CNES 10 rue de Chinon – 37220 CRISSAY sur MANSE. France. William Andrew Pogany born Vilmos András Pogány; August 24 1882 – July 30 1955 was a prolific Hungarian illustrator of children's and other books.Pogany spent two years in Paris.When he finally saved up some money from his work he left Paris to go to London. In London he crafted his quartet of masterpieces: The Rime of the Ancient Mariner 1910 Tannhauser 1911 Parsifal 1912 and Lohengrin 1913. Each of these was designed completely by Pogany from the covers and endpapers to the text written in pen and ink pencil wash color and tipped-on plates.After ten years in London Pogany emigrated to AmericaPogany worked as an art director on several Hollywood films including Fashions of 1934 and Dames. He began his involvement in motion picture set design in 1924 and worked in film until the end of the 1930s. He was commissioned by John Ringling Ettenger Reiner and WIlliam Randolph Hearst's Wyntoon Estate painted for the Barrymore family Douglas Fairbanks Jr. Carole Lombard Enrico Caruso Miriam Hopkins and many others. Paris: Circa 1898. unknown
1911ref. 70440New York:: Thomas Y. Crowell & Co 1911. publisher's cloth decorated in gold and colors in glassine wrapper and publisher's two-part decorated box. Ink gift inscription on the illustrated front free endpaper; otherwise a lovely copy in slightly used glassine. The box shows the lightest of use. . Large 8vo. Illustrated throughout by Willy Pogany. Thomas Y. Crowell & Co,, hardcover
