4 010 résultats
1934réf. 31873New York: Farrar & Rinehart 1934. First edition. Orange cloth a near-fine copy jacket with light edge wear small chip at the top of the spine affecting "THE Farrar & Rinehart unknown
1934réf. 24307New York:: Farraar & Rinehart 1934. First American edition. . publisher's orange cloth in dust jacket. Slight shelf wear; a nice copy in a jacket with a little creasing and use along the edges. 8vo. Translated from the French by Frederick A. Blossom. Illustrated by J. O'H. Cosgrave II. Farraar & Rinehart, hardcover
réf. B171341-1Paris Édouard-Joseph 1920. 196 4pp. Prof. illus. Lrg. 8vo. Dec. wraps. Glassine d.j. One of 1000 numbered copies on vélin parcheminé Lafuma from the limited edition of 1200. Paris (Édouard-Joseph), 1920. paperback
réf. B174807-1Paris Arthème Fayard & Cie. Éditeurs 1928. 94 2pp. 16 woodcut illus. Sm. 4to. Dec. wraps. Paris (Arthème Fayard & Cie., Éditeurs), 1928. paperback
1913réf. 299661913. Paris Mercure de France 1907. Un vol. au format in-12 188 x 113 mm de 265 pp. Reliure de l'poque de pleine percaline satine et chine taupe plats jansnistes dos lisse orn de filets dors doubles filets dors en queue piÂce de titre de maroquin vieux-rouge titre dor. Edition originale pourvue d'une mention fictive d'dition en page de titre. Un des exemplaires numrots ; d'un tirage non justifi. ''La Retraite sentimentale marque la fin des rcits que Colette a ddis Claudine. CÕest un voyage de la mort vers la vie travers des saisons intime et sensuel la fois. Malade Renaud son grand amour est l-bas dans un sanatorium. Autour de la CasamÂne qui abrite Claudine ainsi que son amie Annie la verdure est luxuriante. Claudine correspond avec Renaud. Celui-ci reviendra pour mourir peu aprÂs. Autant de rflexions et des sentiments vrais lՎgard dÕun Âtre chri. Claudine restera seule la CasamÂne entoure de son fidÂle Toby-chien et de sa chatte. Et de la nature. Elle vivra avec son souvenir.'' Papier trÂs lgÂrement oxyd. Petit dfaut affectant la marge infrieure du feuillet en regard de la page de titre. Du reste belle condition. Peu courant. b42961 unknown
réf. 24124Aux Editions du Livre Monte Carlo 1946. 4 volumes in/8 broché couverture imprimée rempliée sous chemise et étui façon velin 4 lithographies de Christian BERARD frontispices de chaque volume tome 1 : 371 p. - tome 2 : 288 p . - tome 3 : 285 p. - tome 4 : 260 pages. Exemplaire numéroté sur vélin blanc n°2100/3000. Monod 2994. unknown
réf. 64161Paris Les Éditions G. Crès & Cie. 1926 Auflage: 1. Halbleder gebunden; grün marmoriertes Überzugspapier dunkelgrüner braun goldgeprägter Rücken Kopfgoldschnitt / Anz. Seiten: 195 / 15 x 23 cm / mit 1 Originallithografie von Dignimont als Frontispiz / Zustand: gut leichte Gebrauchsspuren; Einband geringfügig berieben Rücken gebleicht vorderes Innengelenk angeplatzt Papier etwas gebräunt kein sauberer Seitenschnitt Ex Libris auf Vorsatz = "Maitres et Jeunes d'aujourd'hui" deuxième série no. 23; Nr. 427 von 1300 Exemplaren Paris, Les Éditions G. Crès & Cie., 1926, Auflage: 1. unknown
réf. 6c5871Paul Zsolnay Verlag Wien 1955. 203/221/285 S. Leinen mit Schutzumschlägen. - gutes Exemplar in deutscher Erstausgabe/Nach der Übersetzung von Hans Jacob/enthalten: Cherie/Cheries Ende/Gigi - unknown
1920réf. 226207Paris: Artheme Fayard 1920. First. hardcover. fine. 8vo 3/4 green morocco spine faded to brown; original yellow printed wrappers including spine bound in. Paris: Artheme Fayard 1920. First Edition. One of 550 numbered copies on papier velin.Lafuma. This is no. 124. Artheme Fayard unknown
1920réf. 60344Paris 1920. Bound uncut with the original printed wrappers also the backstrip in a magnificent bright purple lambskin binding with title and author in bright metallic lettering to spine blue pink and green respectively. Triple bright metallic line-borders to boards same three colours inside which the remainder of the boards are covered with a large inlay of shiny coloured leather in crocodile skin-like relief pattern. Recto and verso respectively of flyleaves covered with pink/purple suede. Housed in a chemise with purple lambskin spine with same lettering as the binding and purple cloth boards inside grey suede and purple full lambskin slipcase. The binding is signed Leroux in shiny green lettering to inside of front board. A handwriiten postcard from Leroux to the previous owner of the book is enclosed. The postcard is dated 1997 and concerns the binding including the price. The slipcase has a bit of edgewear but the binding is near mint. Apert from a tiny tear no loss to the upper margin of the front wrapper also internally near mint. Front free end-paper with a four-line inscription for "René Baer" signed "Colette de Jouvenel". First edition - presentation-copy and one of 175 numbered copies on Hollande premier papier out of a total of 725 numbered copies - of Colette's fascinating novel "Chéri" published at the dawn of the roaring 20'ies. The scandalous novel which portrays the love between an older woman and a much younger man is partly inspired by Colette's own life and is considered one of her very best works. Extremely controversial as a person Colette has always been the object of fascination as well as controversy. In 1893 she married Henry Gauthier-Villars who was already a famous author and publisher. He used the pen-name "Willy" under which Colette's famous first novels the Claudine-stories also appeared. Colette and Willy separated in 1906 with a final divorce in 1910. Colette is well known for the series of lesbian relationships she embarked upon after her separation. In 1912 however she married Henry de Jouvenel editor of Le Matin and took his name. Not for her publications but she clearly used it in her personal correspondence. Their marriage ended in divorce in 1924 however due partly to her affair with her 16-year-old stepson Bertrand de Jouvenel. Chéri is partly based upon her experiences with her much younger stepson. " 'Me a feminist' She scoffed in 1910. 'I'll tell you what the suffragettes deserve: the whip and the harem'. COLETTE is an intriguing and flamboyant figure. Born in Burgundy in 1873 she moved to Paris at the age of twenty with her husband the writer and critic Henry Gauthiers-Viller Willy. Forcing Colette to write Willy published her novels in his name and the Claudine series became an instant success. She escaped her exploitative first husband to live by her pen and work in music-halls as a dancer. Colette had a lesbian love affair with a niece of Napoleon's she married three times had a baby at 40 and at 47 preferring 'passion to goodness' she seduced her teenage stepson. In the meantime she wrote stunning novels that were admired by Proust and Gide -- Gigi Sido Cheri and Break of Day. Colette lived to be over 80. She was the first woman President of the Academie Goncourt and was the first woman in France to be accorded a state funeral." "Colette in full Sidonie-Gabrielle Colette 1873 - 1954 outstanding French writer of the first half of the 20th century whose best novels largely concerned with the pains and pleasures of love are remarkable for their command of sensual description. Her greatest strength as a writer is an exact sensory evocation of sounds smells tastes textures and colours of her world. Her best work was produced after 1920 and followed two veins. The first vein followed the lives of the slightly depraved postwar younger generation. Among these novels are Chéri 1920 and La Fin de Chéri 1926; The Last of Chéri dealing with a liaison between a young man Chéri and an older woman. Encycl. Britt. René Baer 1887 - 1962 was a famous French author journalist playwright and songwriter. Georges Leroux 1922-1999 was one of the most accomplished and esteemed French binders of the twentieth century. Before he became a book binder in 1959 he was a poet. His works are known for their exotic materials use of metallic effects and strong polychromatic color. hardcover
1913réf. 13119Paris: Librairie des Lettres 1913. First Edition. Printed wrappers. Very Good. Small 8vo. Pp. 307. Stiff printed wraps red titles in gray decorative frame. French text. Copyright 1913 stated no printing date. List of available works ends with Prrou Poucette et quelques autres 1913. Advertisement for the "Journal de Colette" appearing in Le Matin from October 1913 laid in. Moderate spine lean top edge dust soiled toning to leaf margins. Signed by Colette on the title page. Continuation of the character Renée Néré based on Colette's marriage to Henry Gauthier-Villars Willy and experiences in the Music-Hall. Colette had married Henry de Jouvenel editor of Le Matin in 1912. A well-preserved first edition signed by the author: scarce in either case. Librairie des Lettres unknown
réf. 27925PARIS: Ernest Flammarion Éditeur. Gran 8º.- Rústica cubiertas originales.- 2 hojas.- 248 páginas. . Ernest Flammarion, Éditeur paperback
réf. 15769Orig. wrappers uncut. No 822 of 1100 "sur papier de Rives" a total of 1180 copies. 35 colourillustrations by Chas Laborde. unknown
1920réf. 5310065Paris: Edouard-Joseph 1920. First Edition. Softcover. Very Good with no dust jacket. Illustrated by Charles Alexandre Picart Le Doux. First Edition. French language. Sound binding slightly shaken. Pages clean bright deckled. Wrapper has light handling wear edge wear. Short fiction by Colette illustrated with colored woodcuts by French artist Charles Alexandre Picart Le Doux. Numbered 400 of 1000 printed on Vélin Parcheminé Lafuma. Woodcuts; 8.0" tall; 198 pages. Edouard-Joseph unknown
réf. 31384Henri Jonquières et Cie éditeur N° 3 de collection "Les beaux romans" 1922. in/8 reliure en plein maroquin rouge dos à 4 nerfs dos et couvertures conservées doré sur tête 251 pages. Illustré de trente-cinq compositions de Chas. Laborde. Exemplaire numéroté sur papier de rives. unknown
1930réf. 12192CLAUDINE AT SCHOOL Albert & Charles Boni 1930 first American edition vg in near vg dust-wrapper with some light wear and tear and some shallow chipping to the dust-wrapper spine extremities. Albert & Charles Boni unknown
1922réf. 138681922. Paris Socit d'Editions littraires et artistiques / Librairie Paul Ollendorff 1909. Un vol. in-12 188 x 113 mm de 323 pp. broch. Edition originale rare mention fictive d'dition porte au premier plat. ''Des yeux noirs superbes des cheveux si blonds qu'ils paraissent argents lance Minne est une ravissante personne adore par sa maman. Elle suit les cours des demoiselles Souhait pour y rencontrer des jeunes filles bien leves et s'y instruire l'occasion. Tout a t arrang pour que Minne ait une vie des plus douillettes. Mais Minne rÂve d'autre chose elle veut connatre ce qu'elle appelle l'Aventure. Marie dÂŽÂue humilie mais maintenant renseigne et ayant compris que l'Aventure c'est l'Amour Minne va alors chercher avec dtermination l'homme qui lui donnera ce bonheur merveilleux dont toutes les femmes qu'elle connat parlent et tous les livres aussi.'' Plats prsentant un clat lgÂrement altr. TrÂs rares rousseurs marginales dans le texte. Nonobstant trÂs belle condition. Rare. b42961 unknown
réf. 120979London George Harrap and Co. 1910. . First trade edition with Pogany's illustrations; large 4to 330 x 254 mms; illustrated endpapers richly decorated half-title & title-page with gilt highlights twenty tipped-in colour plates calligraphic text 10 illustrations in line with colour backgrounds 6 with colour borders 22 decorations in 2 colours 30 vignettes minor spotting to prelims; original suede binding and therefore scarce yapp edges elaborately decorated pictorial board with lettering in gilt VG despite fading and some minor loss to extremities crinkled yapp edges otherwise a very good example. A very good copy of undoubtedly the illustrator's best work and one of the poet's three most critically acclaimed poems the other two being Kubla Khan and Christabel. Willy Pogány 1882-1955 renowned Hungarian book illustrator was a master of dreamy and warm pastel scenes through water-colours oil paintings and especially pen and ink. Painstakingly detailed and confident Pogány's drawings portray the true extent of his talent. The Ancient Mariner is recognised as his masterpiece. From 1924 Pogány worked as an art director on several Hollywood films including Fashions of 1934 and Dames. He painted for the Barrymore family Douglas Fairbanks Jr. Carole Lombard Enrico Caruso and many more. London, George Harrap and Co., 1910. unknown
1910réf. 3732274George G. Harrap & Co 1910. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition suitable as a study copy. No dust jacket. No. 327 of 525 limited copies for sale in England and America and signed by Willy Pogany. Please note the Image in this listing is a stock photo and may not match the covers of the actual item1600grams ISBN: George G. Harrap & Co hardcover
1910réf. 890173New York: Thomas Y. Crowell. Very Good- with No dust jacket as issued. 1910. First Edition. Hardcover. Wonderful illustration by Pogany -- tipped in color plates and more. Spine lettering is badly rubbed and dulled in and otherwise very good binding. ; 4to 11" - 13" tall; Unpaginated pages . Thomas Y. Crowell hardcover
2015réf. 1-1606600281Calla Editons 2015. Hardcover. New. reprint edition. 192 pages. 12.00x9.25x1.00 inches. Calla Editons hardcover
réf. 345440George G Harrap 1910. Quarto green buckram boards gilt lettering & decoration to spine & front board coloured illus to front board teg deckled page edges illus eps illus/illuminated prelims unpaginated illus/plates- all but one present VG light to moderate bruising & rubbing to extrems moderate staining to front board light to moderate staining to rear board moderate tanning to page edges prev. owner's name in ink to ffep moderate foxing to prelims & terminals occasional light cracking to gutters occasional light foxing single plate missing- page still present George G Harrap 1910 hardcover
1910réf. 091972London: George G. Harrap 1910. 1st Edition 1st Printing. Hardback. Very Good/Very Good. 4to - over 9¼ - 12" tall. Willy Pogany. First edition first printing thus Large quarto hardback. Gilt embossed decoration on front cover and spine; olive green cloth. 21 tipped in colour Illustrations plus other black and white illustrations Content within is in excellent condition. Boards in Good condition with slight faded bottom right hand edge of front cover due to damp. Slightly discoloured spine. Has a custom made olive green box which it is kept in. No inscriptions. Photographs available on request George G. Harrap hardcover
1910réf. 77636New York: 1910. First trade edition. publisher's green gilt-decorated cloth; t.e.g. Small area of damage at the bottom edge of one of the tipped-in plates 3/16 x 1/2 inch; contents otherwise fine. Decoration on the spine dulled; slight use to cloth; tight and sound. Folio. Presented by Willy Pogany throughout including twenty tipped-in color plates. hardcover
1910réf. 10849George G. Harrap and Co London. 1910. FIRST POGANY EDITION. Large 4to. 12.5 x 9.3 inches. Fully illustrated by Pogany with illustrated title page 20 tipped-in colour plates scores of other mono and two colour illustrations printed in light green and mauve some full page and calligraphic text all within decorative borders all illustrated or written by Pogany. A fine copy in the scarce publishers deluxe burgundy coloured suede binding with yapp edges. Lovely bright and clean gilt decoration and lettering to the front board. Top edge gilt the others untrimmed. Original illustrated end papers. A fine and truly handsome copy of this classic work and a remarkable survivor. The suede bindings of this period are fragile and prone to drying out often resulting in the suede perishing and the yapp edges splitting. Rare in this condition. George G. Harrap and Co, London. 1910