7 295 résultats
2020réf. x-0823286746Fordham Univ Pr 2020. Hardcover. New. 172 pages. 9.25x6.50x0.50 inches. Fordham Univ Pr hardcover
réf. 0823286738.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2020réf. x-0823286738Fordham Univ Pr 2020. Paperback. New. 172 pages. 9.00x6.00x0.50 inches. Fordham Univ Pr paperback
réf. ria9783528020743_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Technologie war seit jeher ein Schltisselelement flir die wirtschaftliche und ge sellschaftliche Entwicklung. Ganze Zeitabschnitte wurden nach spezifischen Technologien benannt -yom Steinzeitalter tiber das Dampfzeitalter bis zum Zeita paperback
réf. 37575239-nnew. unknown
réf. 37575238like new. unknown
réf. 37575239like new. unknown
réf. ria9780823286744_inpHardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Technologies of Critique elaborates a critical practice that eludes critique’s capture by institutional and market logics. Building on Chile’s history of dissident art and its entangling of politics and aesthetics Thayer engages contin hardcover
réf. A9780823286744Hardback. New. Technologies of Critique elaborates a critical practice that eludes critique's capture by institutional and market logics. Building on Chile's history of dissident art and its entangling of politics and aesthetics Thayer engages continental philosophical traditions to help pinpoint the technologies and media through which art intervenes critically in socio-political life. hardcover
1992réf. W91913Gent, 1992 29pp., 24cm., gebroch., overdruk uit "Verslagen en Mededelingen van de Koninklijke Vlaamse Academie voor Taal- en Letterkunde" jg.1992, goede staat, W91913
réf. 47072Halle Knapp 1931. 8° 80 S. einige Abb. Brosch. Bibliotheksbd.: Priv. Rückenschildchen handschriftl. Rückentitel Stempel u. Numern a. Titelblatt; Umschlag angestaubt innen allg. gutes Ex. EA. = Enzyklopädie der Photographie und Kinematographie Heft 116. 010 Halle, Knapp, 1931 unknown
réf. 3525461623.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2008réf. __3525461623Vandenhoeck & Ruprecht 2008. Paperback. New. 287 pages. German language. 8.66x5.75x0.79 inches. Vandenhoeck & Ruprecht paperback
réf. 22649Tapuscrit original dude l'article " Trésor enfoui - La Clef de Bob et Bobette " par Pierre-René Serna publié en 2000 dans le n° 90 due la revue " Le Collectionneur de Bande dessinées ". 16 pages tapées à la machine sous chemise au format 21 x 30 cm avec annotations de l'auteur en page 15. On joint les 16 pages de la version définitive, corrigée, sur papier fort. L'auteur a inscrit son nom, au stylo, au verso de la couverture. Edition originale ayant appartenu à Jacques Bisceglia et qui provient de ses archives.
1987réf. BN144256Manesse Verlag 1987. 1987. Tao Tê King Tao Tê King Victor von Strauss & Willy Y. Tonn eds. Lao-tse Manesse Verlag unknown
1911réf. 24558London: G. G. Harrap & Co 1911. Limited edition. Hardcover. Very good. 4to. Full calf embossed on the spine and upper board. Top edge gilt. Illustrated throughout by Pogány in black and white and tipped-in full color plates. Leather rubbed at hinges and edges with some light soiling else this is a very good copy. One of 525 numbered copies signed by Pogány. This is number166. . G. G. Harrap & Co hardcover
1913réf. 24584London: G. G. Harrap & Co 1913. First edition. Very good. Hardcover. Three volumes. 4to. Quarter green calf spine blocked in gilt; Cloth sides with gilt title and design on the upper boards. Top edges gilt. Illustrated throughout by Pogány in black and white and 40 mounted full color plates Spines sunned to a pleasing tan color else this is a very good set. In the publisher's slipcase which has some light wear. G. G. Harrap & Co unknown
1913réf. 24584London: G. G. Harrap & Co 1913. First edition. Very good. Hardcover. Three volumes. 4to. Quarter green calf spine blocked in gilt; Cloth sides with gilt title and design on the upper boards. Top edges gilt. Illustrated throughout by Pogány in black and white and 40 mounted full color plates Spines sunned to a pleasing tan color else this is a very good set. In the publisher's slipcase which has some light wear. G. G. Harrap & Co unknown books
1911réf. 24558London: G. G. Harrap & Co 1911. Limited edition. Hardcover. Very good. 4to. Full calf embossed on the spine and upper board. Top edge gilt. Illustrated throughout by Pogány in black and white and tipped-in full color plates. Leather rubbed at hinges and edges with some light soiling else this is a very good copy. One of 525 numbered copies signed by Pogány. This is number166. . G. G. Harrap & Co hardcover books
1911réf. 24698London: Harrap & Co 1911. leather_bound. Full brown leather front cover decorated in blind. Teg. Very good. Unpaginated. 29 x 20 cm. Limited edition copy 160 of 525 signed by Pogany. With 16 full page tipped-in color plates and numerous intertextual plates in rose and black on light gray stock. Within the later are full page and myriad accompanying illustrations. This work is based on two German legends: Tannhäuser the mythologized medieval German Minnesänger and poet and the tale of the Wartburg Song Contest. Decorated endpapers. Small owner inscription dated 1918 front cover pastedown. Interior contents brilliant and clean. Harrap & Co unknown books
1911réf. 24698London: Harrap & Co 1911. leather_bound. Full brown leather front cover decorated in blind. Teg. Very good. Unpaginated. 29 x 20 cm. Limited edition copy 160 of 525 signed by Pogany. With 16 full page tipped-in color plates and numerous intertextual plates in rose and black on light gray stock. Within the later are full page and myriad accompanying illustrations. This work is based on two German legends: Tannhäuser the mythologized medieval German Minnesänger and poet and the tale of the Wartburg Song Contest. Decorated endpapers. Small owner inscription dated 1918 front cover pastedown. Interior contents brilliant and clean. Harrap & Co unknown
1915réf. 78793London & Paris::: Liberty & Co. 1915. First edition. publisher's wrappers with remnants of the original ribbon tie. One of the tipped in plate is creased at one corner and there is light use to the one on the front cover. Wrappers a little tanned with a few tiny chips and use. . 8vo. With seven tipped-in color plates by Williy Pogany and an additional color plate on the front cover. . Liberty & Co., unknown
1911réf. 15139London: G. G. Harrap. Very Good. Limited Edition. Hardcover. Rare vellum bound limited edition. This is copy number 455 from a limited edition of only 525 copies and signed by Pogany on the limitations page. Vellum cover with gilt blind stamped decor is toned with modest wear but in very good condition. Front board is warped as occurs commonly with vellum bindings. Spine is straight. Binding is tight. Pages are slightly toned but near pristine. Beautifully illustrated on every page and complete with 16 tipped-in color plates. .; 0 pages; Signed by Illustrator . 1911. G. G. Harrap hardcover
réf. BL-000926London: G. G. Harrap and Co. n.d. Hardcover 7 1/2 x 10" black cloth binding with gilt design and title lettering to front board and spine no dust jacket unpaginated and untrimmed 12 color plates 10 b/w plates light extremity wear otherwise a very good copy.A dramatic poem by Richard Wagner 1813 - 1883 freely translated in poetic narrative form by T. W. Rolleston and presented by Willy Pogany. The story centers on the struggle between sacred and profane love and redemption through love a theme running through most of Wagner's mature work. G. G. Harrap and Co. hardcover
réf. 1262New York: Brentano's. Very Good with no dust jacket. Hardcover. Lacks the elusive dust jacket. Rubbing to edges corners hinges and spine ends. Previous owner's name in ink on front pastedown. The front endpaper has a small abrasion possibly from sticker removal. Pastedowns and endpapers lightly toned.; Tannhäuser the full title being Tannhäuser and the Minnesängers' Contest at Wartburg is Richard Wagner's epic poetic opera of the opposition of sacred otherworldly love and profane worldly love. The mythical character Tannhäuser is a medieval German poet and songwriter who abandons his chaste Elizabeth and descends to be with Venus in her ethereal subterranean realm of Venusberg. Dissatisfied he ascends to the real-worldly Wartburg. reunites with Elisabeth enters the songwriting contest of the Minnesängers and horrifies the staid pious listeners with his song of earthly sensual love. In disgrace he repairs to Rome to do penance. Meeting the Pope he is not absolved but instead is cursed. Although Venus welcomes him to return to her he learns that the despairing Elizabeth has died by her own hand. Finding her in her funeral procession he begs her soul to forgive him then he dies. All of this is written poetically as the libretto for Wagner's score in three acts. Translated into five parts by prolific Irish poet author and translator T. W. Thomas William Hazen Rolleston. Rolleston was ideal for the task having lived in Germany being fluent in the language and having a poetic sense for recreating Wagner's story in verse form. The original work was first published in 1900 and a Harrap edition with similarities to this one in 1910 and 1911. There is no date of publication for this edition but it would be before 1933 when Brentano's sold its publishing department to Coward-McCann. While the Brentano's and Harrap editions have similarities they use differing sets of Pogany's illustrations some illustrations use differing colors and page frames are different. What sets this edition apart are the 114 mildly-erotic illustrations depicting the story's human and otherworldly characters as god-like perfect beings. Hungarian book illustrator Willy Pogany's sensuous Art Nouveau pen-and-ink drawings and paintings place these characters in dreamy ethereal scenarios. Collated and all illustrations are present. This work was published by Brentano's in variants with differing sizes and differing quantities and types of illustrations. This variant has 12 tipped-in color plates 25 monochrome plates and 77 in-text cuts and ornaments. Most pages have text and cuts within a floral frame printed in light rose. The illustrations in the first four and last monochrome plates are overprinted in this second color. Pogany used this style of 2-color printing to good effect in this and other books such as Walk Me Through My Dreams by Joe Lindsay. Unpaginated but 127 pages. In serif and calligraphic text on fine paper head of the text block trimmed. At the tail of the last plate it's stated "Printed by H. & J. Pillans & Wilson Edinburgh." Pogany's gilt illustration in blind on black buckram over boards. Gilt title and decoration to spine. With the ownership signature of William M. Emerson President 1948-1977 of the Fred L. Emerson Foundation a community services philanthropic organization in North Central New York. Clean inside and out attractive and about Very Good.; Drawings; Large 8vo 9" - 10" tall; 127 pages . N.D. Brentano's hardcover
