Willy PoganyBiblio.com
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1928ref. 4814New York: Thomas Nelson and Sons 1928. First Edition Fourth Printing. Hardcover. Good/No dust jacket as issued. Willy Pogany. Not the limited edition but a true first edition later fourth printing so stated signed by the illustrator Willy Pogany on the title page: "To Max Herzberg/ with best compliments/ Willy Pogany/ 1930". Spine does show some detachment from text block but still sturdy with pages that are smooth and sewn in still and are clean and bright. Filled with color and b/w illustrations. Original blue boards. Scuffing on boards and to head and tail of spine along with toning to pages. Please see our photographs for details. A still fantastic copy of this unique edition. Thomas Nelson and Sons hardcover
1928ref. 19621New York: Thomas Nelsonand Sons 1928. Boards. Very Good. Willy Pogany. THE 1928 SIGNED/LIMITED #89 OF 500 COPIES SIGNED BY WILLY POGANY at the limitation. Solid and VG in its 1/4 navy-blue cloth over light-blue boards with a clean bright title-label to the front panel. Light scuffing to the panels light wear along the tips and the spine ends --and a partially-torn spine label. Internally beautifully-designed endpapers and magnificent Pogany color illustrations as well as silhouettes and marginalia at virtually every page. Very light soiling and several minor chips not affecting the plates at a few of the lower-edges tender but still perfectly sturdy inner hinges half-title/frontispiece page loose. Octavo beautiful late '20s illustrations in a number of cases with a strong Deco feel. Thomas Nelsonand Sons unknown
ref. B9781258972813Hardback. New. hardcover
1950ref. 18110289David McKay New York 1950. First Edition. Hardcover. Good/Fair. Hardcover. 48 pages. PUBLISHING DETAILS: David McKay New York 1950. First Edition. CONDITION: The book itself is in good condition and comes in fair dust jacket. More specifically: Edges of boards have superficial wear. Dust jacket has moderate creasing and slight foxing. Edges of dust jacket have major chips and/or tears. Dust jacket is unclipped. Dust jacket is protected in clear plastic sleeve. Pages are lightly tanned. One page spread has numerous small paint stains. Minor water damage to covers text unaffected. Quantity Available: 1. Category: Art & Design; Inventory No: 18110289. David McKay hardcover
19928vo., First Edition, text in German, with numerous photographs, illustrations and diagrams in the text, and endpaper diagrams; blue cloth, backstrip lettered in white, a fine copy in unclipped dustwrapper.
1975359 S. : zahlr. Ill. , 23 cm Leinen mit OUmschlag Stempel auf Vorsatz, sonst tadelloses Exemplar. - The indicated shipping costs refer to books weighing up to one kilogram. - Bücher, die schwerer als ein Kilogramm oder größer als 35 x 25 cm sind, werden als Paket verschickt und kosten innerhalb Deutschlands bis zu zwei Kilogramm 6 Euro, darüber hinaus 7 Euro Porto. -
1975ref. 175670Manfred Pawlak, 1975. gebundene Ausgabe
ref. 18864Paris, Musée de la mode et du costume, [cop. 1986] 1 volume 24 x 32cm Broché sous couverture au 1er plat illustré. 147p.; très nombreuses illustrations en noir, vignettes et pleines pages. Très bon état.
ref. 1332600131.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 1165146444.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 0517625458.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2003ref. 1054722003 Editions Toth - 2003 - Tirage de luxe, Hors Commerce, numéroté 15/25, accompagné de deux ex-libris (N&B, un collé dans l'album, le second à part) numérotés et signés par Lambil - Grand In-4, cartonnage illustré en couleurs, dos toilé noir - 95 p. + suite de planches sans pagination - Très nombreuses planches illustrées en couleurs et N&B
1970ref. 1167661Werner Classen Verlag; Zürich, 1970. 128 S.; viele Illustr. (vorw. farbig); 30 cm. Originalleinen mit farb. illustr. Schutzumschlag.
2015Cresciuto nella fede evangelica su cui fondava un'idea laica di libertà, Willy Jervis - ingegnere all'Olivetti di Ivrea, all'epoca definita "covo" di antifascisti - è figura di rilievo nella storia partigiana, in particolare delle valli del Piemonte. Dopo l'8 settembre 1943 costituì a Ivrea i primi gruppi partigiani. Ricercato, entrò in clandestinità, aderì al Partito d'Azione e aiutò a espatriare in Svizzera, grazie alle doti di alpinista, gruppi di ebrei e prigionieri anglo-americani. Catturato, imprigionato e torturato nel 1944 fu trucidato dai nazifascisti. Autori: Lorenzo Tibaldo.
1974ref. 124732Dresden: Verlag der Kunst, 1974. 32 S. ; 16,5 x 12 cm ; broschiert.
2003ref. 124884Berlin: Bröhan-Museum, 2003. 232 S. ; 24 x 21,5 cm ; kart. ;
2003ref. 1095316Berlin : Bröhan-Museum, 2003. 232 S. Mit zahlr. farb. Abb. Originalbroschur.
2013ref. 1124855Frankfurt, M. : PL Acad. Research, 2013. 141 S. Originalbroschur.
2006ref. 11111Kiel : Ludwig, 2006. 392 S. : Ill. Gr. 8° (23,5x17cm), Hardcover/Pappeinband im OSchutzU.
1965ref. 4000991711965 1965. Willy et Colette - Claudine à Paris / le livre de poche 1965
1963ref. 400099234Le Livre de Poche 1963 1963. Willy et Colette : Claudine à Paris / Le livre de Poche 1963 LBN9
ref. 73-7061Paris: Maison de la Chasse et de la Nature 1977. 64x47 cm. Good. Slight tearing on upper edge. Color poster. Text in French. Paris: Maison de la Chasse et de la Nature, 1977 unknown
2004ref. 500003437Sony Music Entertainment 2004 13x14x1cm. 2004. CD.
1957ref. 3000227481957 1957.
2013ref. 236774Ostenda: Ronny Van De Velde 2013. Rilegato sovracoperta hard cover dust jacket. Molto buono Very Good. Testi in olandese e inglese di Luk Lambrecht e Tanguy Eeckhout. Tavole a colori e alcune immagini a colori nelle pagine di testo. Esposizioni personali e collettive selezionate bibliografia. Cm 30x255. pp. 216. Molto buono Very Good. Prima edizione First Edition. Willy De Sauter si è formato come grafico il che ha lasciato un segno importante nel suo lavoro plastico. È sempre alla ricerca dell'essenza che nei suoi primi lavori si è evoluta in un uso rado della linea. Quando la linea ha occupato l'intero foglio si è passati ad altri materiali con nuove possibilità visive. Il colore fa la sua comparsa nell'opera che viene anche concepita in modo più spaziale. Ronny Van De Velde, hardcover
