2013Best.-Nr. x-1409422593Ashgate Pub Co 2013. Hardcover. New. new edition edition. 324 pages. 9.29x6.38x1.10 inches. Ashgate Pub Co hardcover
Best.-Nr. B9783034302142Paperback / softback. New. This collection offers a sustained and up-to-date analysis of the cultural connections between Ireland and Scotland. It focuses on writers from Charles Robert Maturin to Liam McIlvanney whose work offers insights into debates around identity and politics in the two nations often overwhelmed by connections with their larger neighbour England. paperback
Best.-Nr. 9484Editions du Mercure de France / Collection Traits et Portraits 2006. In-8 broché de 186 pages au format 14 x 20,5 cm. Couverture avec titre imprimé. Dos très légèrement gauchi. Infimes frottis aux coins. Intérieur parfait. Autoportrait de Willy Ronis, d'après 50 photos en hors texte, choisies par le photographe. Edition originale en superbe état de fraicheur. Précieux exemplaire enrichi d'une dédicace autographe, signée, de l'artiste.
1924Best.-Nr. 13404Henry Holt and Company 1924-01-01. First Edition. Hardcover. Very Good/Good. 0x0x0. Dust jacket is quite chipped on the edges darkened all around some soiling spine so darkened text is just barely visible. Boards are covered with batik-like paper purple cloth spine top and bottom edge sunned corners worn head/tail of spine worn. Pen name inside front cover front endpaper removed small damp stain upper left corner frontis page which also has a pen question mark interior paper is toned. 1924 first edition in the English language. Sidonie-Gabrielle Colette 1873 – 1954 known as Colette or Colette Willy was a French author and woman of letters. She was also a mime actress and journalist. She is best known here for her novella "Gigi" which was adapted for a musical. All orders packed with care most dust jackets protected by Brodart sleeve independent bookseller since 2011 Henry Holt and Company hardcover
Best.-Nr. 0331141434.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 0260166316.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 1017873321.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1939Best.-Nr. 41623Melbourne: The Lee-Pratt Press 1939. First edition. Softcover. vg. Quarto 10 1/8 x 7 1/2". 16pp Text 12pp Plates. Original decorative wrappers. Photo-illustrated title. Official catalogue of the International Camera Pictures exhibition held in Melbourne Australia in August 1939. This catalogue features the b/w photographic reproductions of 12 of the 351 photographs submitted in competition. The featured photographs were taken by H. Cazneaux Dr. Julian Smith Quinto Albicocco A. Staunton Archer Willy Lange Yvonne Andor Angyalfi Dr. Tibor de Csorgeo G. L. Hawkins Ray Olson Grete Popper and Harold B. Herbert. Wrappers and interior in overall very good condition. The Lee-Pratt Press unknown books
1939Best.-Nr. 41623Melbourne: The Lee-Pratt Press 1939. First edition. Softcover. vg. Quarto 10 1/8 x 7 1/2". 16pp Text 12pp Plates. Original decorative wrappers. Photo-illustrated title. Official catalogue of the International Camera Pictures exhibition held in Melbourne Australia in August 1939. This catalogue features the b/w photographic reproductions of 12 of the 351 photographs submitted in competition. The featured photographs were taken by H. Cazneaux Dr. Julian Smith Quinto Albicocco A. Staunton Archer Willy Lange Yvonne Andor Angyalfi Dr. Tibor de Csorgeo G. L. Hawkins Ray Olson Grete Popper and Harold B. Herbert. Wrappers and interior in overall very good condition. The Lee-Pratt Press unknown
1998Best.-Nr. EL329491998 Bruxelles, I.R.S.N.B., 1998 : in-4°, broché 236 pp. Très bon état, dos fané !
1998Best.-Nr. EL424611998 236 p., 4to, paperbound. Library stamps.
1930Best.-Nr. 9680New York: The Century Company 1930. First Edition. Hardcover. Near fine/Very good-. Octavo 206pp. illustrated by Willy Pogany on every page. Spine mildly cocked else a fresh bright copy; near fine. In a nearly very good dust jacket with some small chips creases and rubbing to extremities along with a two-inch closed tear at the crown joint. Spine only mildly sunned; less so than usual. The Century Company hardcover
2016Best.-Nr. 2-8416436347Tebeos Dolmen Editorial S.L. 2016. Hardcover. New. 56 pages. Spanish language. 11.42x8.66x0.79 inches. Tebeos Dolmen Editorial, S.L. hardcover
2019Best.-Nr. 2-8416961387Dolmen Ediciones 2019. Hardcover. New. 56 pages. Spanish language. 11.42x8.66x0.79 inches. Dolmen Ediciones hardcover
1903Best.-Nr. 80483Paris: A. Gerschel 1903. Fine. A. Gerschel Paris 17 novembre 1903 9 x 14 cm une carte postale photographique Photographic postcard by Aaron Gerschel showing Willy and Polaire the former having written in black ink the first name of each protagonist in the photograph. On verso: ""17-onze-03 Monsieur Voudrez-vous me faire envoyer un numéro spécimen de la Carte-postale Illustrée Salutations distinguées. Willy"" ""17-Nov-03 Sir Would you please send me a specimen copy of the Illustrated Postcard Distinguished salutations. Willy"" Some minor surface losses to recto. In 1902 Polaire - friend of the couple formed by Colette and Willy - landed the role of Claudine at the Bouffes-Parisiens. The show was immensely successful and was performed in the United States in 1910 and then in London. A. Gerschel unknown
1900Best.-Nr. 644351900. Fine. s. d. 11.50 x 8 cm une carte Autograph letter signed by Henry Gauthier-Villars known as Willy 6 lines in purple ink sender's address at foot: ""Rue de Courcelles 93"". Amusing letter from Willy central personality of Parisian social life at the turn of the 19th century where all his taste for humor and provocation shows through: ""Ah! Ah! You too are a pornographer! I am not displeased my dear colleague to find myself in such good company"". unknown
Best.-Nr. 18016Carte postale Disc AZ noir & blanc de Line et Willy au format 9 x 13,8 cm. Au verso liste des enregistrements. Carte dédicacée par les artistes.
Best.-Nr. 007996Henry Gauthier-Villars dit Willy (1859-1931), écrivain. C.A.S., sd, 5 lignes. Amusant courrier : « Seigneur, vous l'avez faite [illisible] Faites le admettre. Et que votre Nom soit béni ! Willy. Elle s'appelle Marcelle Rossat ». [181b]
Best.-Nr. 38211Neuchâtel, Paul Attinger, 1926. In-8°, 235p. Broché.
Best.-Nr. 1258399512.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. A9781258399511Paperback / softback. New. paperback
Best.-Nr. B9781258399511Paperback / softback. New. paperback
1931Best.-Nr. 1415717New York: Paul B. Hoeber Inc 1931. First Edition. Hardcover. Octavo xxxiii 2 427 pages plus eleven plates including frontispiece. In Very Good minus condition. Bound in full red cloth with gilt titling to front board and spine and blind-tooled emblem to rear board. In clear plastic cover. Spine has heavy rubbing throughout with fading to gilding and cloth completely rubbed through in a few spots. Boards have bumping to fore corners rubbing and scuffing throughout and slightly loose joints; front board has heavier rubbing near spine. Text block has age-toning and scuffing to edges with dust soiling to top edge; gift inscription dated April 1931 to front free endpaper and age-toning and light scuffing throughout. Shelved in Room A octavo overflow. 1415717. Special Collections - Upstairs. Paul B. Hoeber, Inc hardcover books
1931Best.-Nr. 1415717New York: Paul B. Hoeber Inc 1931. First Edition. Hardcover. Octavo xxxiii 2 427 pages plus eleven plates including frontispiece. In Very Good minus condition. Bound in full red cloth with gilt titling to front board and spine and blind-tooled emblem to rear board. In clear plastic cover. Spine has heavy rubbing throughout with fading to gilding and cloth completely rubbed through in a few spots. Boards have bumping to fore corners rubbing and scuffing throughout and slightly loose joints; front board has heavier rubbing near spine. Text block has age-toning and scuffing to edges with dust soiling to top edge; gift inscription dated April 1931 to front free endpaper and age-toning and light scuffing throughout. Shelved in Room A octavo overflow. 1415717. Special Collections - Upstairs. Paul B. Hoeber, Inc hardcover
Best.-Nr. 106662Zürich ABC 1979. 4° 159 S. 108 meist farb. Abb. OLwd. Min. gebrauchspurig sonst tadell. - Camille Graeser 1892-1980 wuchs in Stuttgart auf. Er absolvierte eine Schreinerlehre und studierte an der dortigen Königlichen Kunstgewerbeschule Möbelbau und Innenarchitektur bei Bernhard Pankok. 1915 arbeitete er als Möbelzeichner in Berlin und begegnete dort Herwarth Walden von der Galerie Der Sturm. 1917 eröffnete er in Stuttgart ein eigenes Atelier für Innenarchitektur und Werbegrafik und nahm Malunterricht bei Adolf Hölzel.In Stuttgart war Graeser vor allem als Innenarchitekt und Designer von Gebrauchsgegenständen tätig. 1918 konnte er seine Werke im Kunsthaus Schaller in Stuttgart erstmals in einer Einzelausstellung präsentieren. Er wurde 1918 zudem in den Deutschen Werkbund aufgenommen und beteiligte sich an dessen Ausstellungen. So steuerte er zum Beispiel Exponate zu der wegweisenden Ausstellung Die Form ohne Ornament 1924 bei. 1927 richtete Graeser eine Musterwohnung in einem von Mies van der Rohe entworfenen Wohnblock in der Weißenhofsiedlung in Stuttgart im Rahmen der Ausstellung Die Wohnung ein.1933 flüchtete Graeser nach Zürich. In der Schweiz fiel es ihm zunächst schwer beruflich wieder Fuß zu fassen. Er heiratete Emmy Rauch die den Arbeitslosen finanziell unterstützte. In der Schweiz konzentrierte sich Graeser auf die Malerei. Seine künstlerische Tätigkeit begann 1937 mit dem Beitritt zur Künstlergruppe allianz. Ab dem Folgejahr beteiligte er sich an fast allen Ausstellungen der allianz ab 1947 auch im Ausland.Die Staatliche Akademie der Bildenden Künste Stuttgart ernannte Camille Graeser am 8. Februar 1977 aus Anlass seines 85. Geburtstags zum Ehrenmitglied wodurch „nicht nur die engen Beziehungen des Malers und Graphikers zum Stuttgarter Kunstleben sondern auch sein herausragender Beitrag zur konkreten Kunst gewürdigt werden“ sollten.5Er fand seine letzte Ruhestätte auf dem Zürcher Friedhof Nordheim. Seine Grabstätte wurde aufgehoben.Zur Verwaltung seines Nachlasses rief seine Witwe die Camille-Graeser-Stiftung ins Leben die sich bis heute seinem künstlerischen Wirken widmet. 010 Zürich, ABC, 1979 unknown
