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19th c Journal Poetry and PoemsBiblio.com

Early American Woman's Family Poetry and Prayer Journal 1820-1830

1820réf. 165851820. Tuckerman H. P. Poetry and prayer journal 1820-1830 documents early nineteenth-century manuscript album culture within Anglo-American Protestant communities with particular attention to women's devotional writing moral instruction and shared literary practices. The volume supports research into gendered authorship religious education and the circulation of poetic and didactic texts in the early republic where handwritten albums functioned as spaces for communal inscription. The presence of multiple hands across dated entries demonstrates a participatory literary culture structured around kinship and social networks while recurring themes of childhood piety mortality and moral virtue situate the text within contemporary evangelical and didactic traditions. Tuckerman H. P. Poetry and prayer journal. Circa 1820-1830. Manuscript volume with 53 handwritten entries by multiple contributors including poems hymns and devotional reflections. Entries include a hymn composed for the British and Foreign School Society emphasizing education and moral uplift through the metaphor "Oh stream of knowledge when thy tides.Forget not then the flowers" alongside gendered moral instruction concluding "woman's Happiest destiny Is only - to be good." Biblical passages including references to Luke 2 appear throughout accompanied by original prayers such as an 1827 entry: "Heaven sees no sight so fair As happy childhood bowed in prayer." Several texts address mortality and impermanence including reflections such as "Life is but a scanty ledge.suspended o'er a fathomless abyss" and a memorial poem introduced as written by a young man shortly before death from consumption invoking Romantic-era associations with illness and artistic sensibility. Additional entries focus on natural landscapes including "Spring Mountain" 1828 which situates spiritual reflection within pastoral imagery. The volume includes an original drawing of a mother and child signed "S. Tuckerman" as well as two pencil drawings of forest scenes reinforcing the integration of visual and literary expression within album practices. This manuscript emerges from a period in which evangelical Protestantism moral education movements and literary cultivation intersected within domestic and semi-public spheres particularly among women and youth. The reference to the British and Foreign School Society situates the volume within transatlantic educational reform efforts emphasizing literacy and moral discipline. The collaborative nature of the entries aligns with early nineteenth-century album traditions where social exchange and authorship were intertwined. Such materials provide insight into how religious belief gender norms and literary expression were internalized and reproduced within everyday practice. Original red half morocco binding with owner's name "H. P. Tuckerman" in gilt on front cover; approximately 120 pages with writing on 76 pages; includes three original drawings; measures 9 x 7 1/2 inches. Light toning and minimal foxing throughout; very good condition. A substantive example of early American manuscript culture linking devotional life gendered authorship and communal literary exchange. unknown

Max Rambod Inc. · États-Unis485,00 $US≈ 434,12 €

19th c Journal Poetry and PoemsABAA

Early American Woman's Family Poetry and Prayer Journal 1820-1830

Max Rambod Inc. · États-Unis485,00 $US≈ 434,12 €

36 [A Rare Soviet Yiddish Literary Journal Edited by Itsik Fefer] Fefer, Itsik, editor; Alukraynisher Orgkomitet fun di SovetishBiblio.com

FARMEST: LITERARISH KINSTLERISHER UN KRITISH-BIBLIOGRAFISHER ZSHURNAL. 1935: NOS. 11-12 NOV. DEC. ; 1936: NO. 2 FEB; 1937: NOS. 3-5 & 12 MARCH APRIL MAY DEC. 7 ISSUES TOTAL

1937réf. 43101Kharkov: Ukrmelukhenatsmindfarlag 1937. First edition. Original illustrated paper wrappers 8vo issues range from 129-196 pages each. Includes illustrations. 21-23 cm. In Yiddish. Title translates roughly as “Challenge: A Literary Artistic and Critical Bibliographical Journal.” At the time the only Yiddish literary periodical in Ukraine. Farmest 1933–1937 was a monthly Yiddish literary magazine published in Kharkhiv Ukraine by the Ukrainian Committee for Soviet Writers. “Edited by the poet Itsik Fefer 1900–1952 it was continued in Sovetishe literatur: Literarish-kinstlerisher un kritish-bibliografisher zhurnal Soviet Literature: Literary-Artistic and Critical-Bibliographical Journal; 1938–1941. In 1927 Fefer was a founding member of the Jewish Section of the All-Ukrainian Union of Proletarian Writers and from 1928 one of the editors of its Kharkov-based journal Prolit Proletarian Literature. He also coedited the nonproletarian Kharkov journal Di royte velt The Red World from 1929. From 1933 to 1937 he edited the Kiev periodical Farmest Challenge; known as Sovetishe literatur Soviet Literature between 1938 and 1941 which replaced Prolit and Di royte velt and was thereafter the only Yiddish literary periodical in Ukraine.” YIVO. Avrom Gontar was also involved in the collective and editorial committee. The editor Itsik Fefer 1900–1952 “began writing poems in 1918 and in 1922 joined Vidervuks New Growth in Kiev a group of young Yiddish literati whose mentor was Dovid Hofshteyn. That same year the appearance of Fefer’s small collection Shpener Splinters established him as a rising literary star. His poetry amalgamated the Kultur-lige poets’ revolutionary romanticism with the propagandist objectives of the workers’ movement. Fefer was known for his literary credo of proste reyd simple speech a concept he formulated in 1922. In the early 1920s poetry particularly avant-garde poetry swamped the literary pages of Soviet Yiddish periodicals. This phenomenon worried editors and critics who were wary of the fact that Yiddish readers usually could not identify with this style of literature. All Yiddish readers by contrast could understand Fefer’s proste reyd. In 1927 Fefer was a founding member of the Jewish Section of the All-Ukrainian Union of Proletarian Writers and from 1928 one of the editors of its Kharkov-based journal Prolit Proletarian Literature. He also coedited the nonproletarian Kharkov journal Di royte velt The Red World from 1929” Gennady Estraikh. For more see: Gennady Estraikh “The Kharkiv Yiddish Literary World 1920s–Mid-1930s” East European Jewish Affairs 32.2 2002: 70–88; Chone Shmeruk “Yiddish Literature in the U.S.S.R.” in The Jews in Soviet Russia since 1917 ed. Lionel Kochan pp. 242–280 London and New York 1970. SUBJECTS: Yiddish literature -- Ukraine -- Periodicals. Yiddish literature. OCLC: 35051038. Some pages brittle some wear to spines. Overall Good Condition. Rare. YID-46-2-LGG-’excc. Kharkov: Ukrmelukhenatsmindfarlag unknown

Dan Wyman Books · États-Unis1 400,00 $US≈ 1 253,13 €

45 · [Impotant Yiddish Linguistics Journal from the USSR] Katedr far Yidisher Kultur ba der Ukr Visnshaftl Akademye, FilologisheBiblio.com

DI YIDISHE SHPRAKH. WHOLE NRS 1 MAR-APR 1927 2 3/4 5/6 7 8/9 10 16 17/18 19 21/22 23/24 & 25 NOV-DEC 1930 FINAL ISSUE NEARLY COMPLETE RUN OF 19 NRS. IN 13 ISSUES INCLUDING FIRST AND IMPORTANT FINAL ISSUE

1930réf. 42139Kiev: Katedr far Yidisher Kultur ba der Ukr. Visnshaftl. Akademye Filologishe Sektsye 1930. Paper Wrappers. 1st edition. Original printed publisher’s color paper wrappers 4to large ca 72-116 columns ca 36-58 pages per issue. 28 cm. In Yiddish. Title translates roughly as “The Yiddish Language.” Succeeded in 1931 by “Afn shprakhfront.”Di Yidishe Shprakh was a “Yiddish linguistic journal published in Kiev from 1927 to 1930. A bimonthly journal Di yidishe shprakh The Yiddish Language was published by the cooperative publishing house Kultur-lige and was the main philological publication of the Kiev Yiddish academic center. Its editor was the veteran Yiddishist Nokhem Shtif a founder of YIVO who had returned to Kiev from Germany in 1926. The journal’s inaugural issue March–April 1927 was published under the auspices of the Central Yiddish Bureau of the Ukrainian Commissariat for Education. With the next issue Di yidishe shprakh was an organ of the Chair and from July to October 1929 it was an organ of the Institute for Jewish later Proletarian Jewish Culture at the Ukrainian Academy of Sciences. Initially defined as a 'journal for practical Yiddish linguistics' from May to June 1927 it appeared as simply a 'journal for Yiddish linguistics. 'Shtif distinguished three language registers: the vernacular of the old generation partly represented in the works of Sholem Aleichem and predecessors; the highbrow language of modern writers such as Dovid Bergelson; and the contemporary 'culture language' most notably of the press. Although Shtif sought to target speakers of the mass 'culture language' the journal’s circulation hovered around 500 copies read mainly by Yiddish teachers.Apart from Shtif who published articles on various language-planning problems the most active contributors to Di yidishe shprakh were Ber Slutski Ayzik Zaretski Elye Falkovitsh Lipe Reznik and Shimen Dobin. In early 1929 Moscow literary critic Aron Gurshteyn criticized the journal for its purist approach to language planning. In the July–October 1929 issue Shtif published his article 'Di sotsyale diferentsiatsye in yidish' The Social Differentiation in Yiddish heralding an intensification of Soviet linguists’ anti-Hebraist campaign. That issue of Di yidishe shprakh adopted completely reformed Soviet spelling omitting for example final consonant letters.Although the last—twenty-fifth—issue of the journal was dated November–December 1930 it included materials from the First All-Union Yiddish Language Conference convened in Kiev from 8 to 13 February 1931 that issue is present here. Published under the imprint of the Central Publishing House this issue also signaled the demise of the remaining vestiges of the Kiev Kultur-lige. Yoysef Liberberg’s article 'Far parteyishkayt in der yidisher visnshaft-arbet' For a Party Approach to Yiddish Linguistics marked a full break with YIVO scholars particularly with YIVO director Max Weinreich whom Liberberg ridiculed for presenting Yiddish as an emanation of the Ashkenazic Jews’ soul. The Yiddish Language Conference decided to change the name of the journal. Between 1931 and 1939 it appeared sporadically under the title Afn shprakhfront On the Language Front reflecting its new more aggressive and politically charged approach' Gennady Estraikh in YIVO Encyclopedia of Jews in Eastern Europe 2010. For more see David Shneer “Yiddish and the Creation of Soviet Jewish Culture 1918–1930” Cambridge and New York 2004. SUBJECTS: Yiddish language -- Periodicals. Title also listed on covers in Russian “Ievreis'ka Mova” and German “Jiddische Sprach”. OCLC: 22840298. Most holdings in OCLC appear to be fragmentary. Covers are browning and fragile as expected but are otherwise very well preserved with very little edgewear. Internal text pages are also toning but remain relatively strong as pulp paper. Very important journal scarce in this degree of completeness Note that Estraikh suggests a circulation of only 500!. B YID-43-5-E. Kiev: Katedr far Yidisher Kultur ba der Ukr. Visnshaftl. Akademye, Filologishe Sektsye unknown

Dan Wyman Books · États-Unis3 000,00 $US≈ 2 685,29 €

50 [A Rare Soviet Yiddish Literary Journal Edited by Itsik Fefer] Fefer, Itsik, editor; Alukraynisher Orgkomitet fun di SovetishBiblio.com

FARMEST: LITERARISH KINSTLERISHER UN KRITISH-BIBLIOGRAFISHER ZSHURNAL. 1935: NO. 12 DECEMBER.

1935réf. 43308Kharkov: Ukrmelukhenatsmindfarlag 1935. First edition. Original illustrated paper wrappers 8vo 156 pages.Includes illustrations. 21-23 cm. In Yiddish. Title translates roughly as “Challenge: A Literary Artistic and Critical Bibliographical Journal.” At the time the only Yiddish literary periodical in Ukraine. Farmest 1933–1937 was a monthly Yiddish literary magazine published in Kharkhiv Ukraine by the Ukrainian Committee for Soviet Writers. “Edited by the poet Itsik Fefer 1900–1952 it was continued in Sovetishe literatur: Literarish-kinstlerisher un kritish-bibliografisher zhurnal Soviet Literature: Literary-Artistic and Critical-Bibliographical Journal; 1938–1941. In 1927 Fefer was a founding member of the Jewish Section of the All-Ukrainian Union of Proletarian Writers and from 1928 one of the editors of its Kharkov-based journal Prolit Proletarian Literature. He also coedited the nonproletarian Kharkov journal Di royte velt The Red World from 1929. From 1933 to 1937 he edited the Kiev periodical Farmest Challenge; known as Sovetishe literatur Soviet Literature between 1938 and 1941 which replaced Prolit and Di royte velt and was thereafter the only Yiddish literary periodical in Ukraine.” YIVO. Avrom Gontar was also involved in the collective and editorial committee. The editor Itsik Fefer 1900–1952 “began writing poems in 1918 and in 1922 joined Vidervuks New Growth in Kiev a group of young Yiddish literati whose mentor was Dovid Hofshteyn. That same year the appearance of Fefer’s small collection Shpener Splinters established him as a rising literary star. His poetry amalgamated the Kultur-lige poets’ revolutionary romanticism with the propagandist objectives of the workers’ movement. Fefer was known for his literary credo of proste reyd simple speech a concept he formulated in 1922. In the early 1920s poetry particularly avant-garde poetry swamped the literary pages of Soviet Yiddish periodicals. This phenomenon worried editors and critics who were wary of the fact that Yiddish readers usually could not identify with this style of literature. All Yiddish readers by contrast could understand Fefer’s proste reyd. In 1927 Fefer was a founding member of the Jewish Section of the All-Ukrainian Union of Proletarian Writers and from 1928 one of the editors of its Kharkov-based journal Prolit Proletarian Literature. He also coedited the nonproletarian Kharkov journal Di royte velt The Red World from 1929” Gennady Estraikh. For more see: Gennady Estraikh “The Kharkiv Yiddish Literary World 1920s–Mid-1930s” East European Jewish Affairs 32.2 2002: 70–88; Chone Shmeruk “Yiddish Literature in the U.S.S.R.” in The Jews in Soviet Russia since 1917 ed. Lionel Kochan pp. 242–280 London and New York 1970. SUBJECTS: Yiddish literature -- Ukraine -- Periodicals. Yiddish literature. OCLC: 35051038. Pages toning as expected some sunning and stains to cover Good Condition. BYID-46-2A-LGG-’excc. Kharkov: Ukrmelukhenatsmindfarlag unknown

Dan Wyman Books · États-Unis200,00 $US≈ 179,02 €

[18th century newspaper with Weimar Relations] - [Wieland, Christoph Martin] Starnes, Thomas CBiblio.com

Der Teutsche Merkur - Ein Repertorium.

1994réf. 21401AB1994. Sigmaringen Thorbecke Verlag 1994. Gr.-8°. 694 Seiten. Hardcover / Originaler Ganzleinenband mit illustriertem Original-Umschlag in Brodart. Bis auf ein Eselsohr ist der Band in tadellosem neuwertigem Zustand. Kein Besitzervermerk! Keine Anstreichungen! Kein Mängelexemplar! Umschlag mit minimalen Gebrauchsspuren ansonsten ebenfalls in sehr gutem Zustand. Der Teutsche Merkur wurde von 1773 bis 1789 von Christoph Martin Wieland als Literaturzeitschrift und Rezensionsorgan in Weimar herausgegeben. Vorbild war nicht nur für den Titel der Mercure de France aber mit Einschränkungen. Wieland schreibt: "Uebrigens soll und kan der deutsche Merkur weder was die Ausführung noch was die Anzahl und Beschaffenheit der Artikel betrift völlig nach dem Französischen gemodelt werden. Selbst die wesentliche Verschiedenheit der Nationalverfassung läßt dies nicht zu. Wir haben keine Hauptstadt welche die allgemeine Akademie der Virtuosen der Nation und gleichsam die Gesetzgeberin des Geschmacks wäre. Wir haben kein feststehendes National-Theater; unsre besten Schauspieler so wie unsre besten Schriftsteller Dichter und Künstler sind durch alle Kreise des deutschen Reiches zerstreut und größtentheils der Vortheile eines nähern Umgangs und einer vertraulichen Mittheilung ihrer Einsichten Urtheile Entwürfe u. s. w. beraubt welche zur Vollkommenheit ihrer Werke so viel beytragen würde." Offenbar war es Wielands Ziel die genannten Nachteile der deutschen Kulturlandschaft durch Schaffung eines publizistischen Bindeglieds ausgleichen zu helfen und die Bildung eines literarischen National-Geschmacks durch Rezensionen zu fördern. Dementsprechend übten er und die Mitarbeiter eine ausgebreitete kritische Tätigkeit aus die sich lange Zeit hindurch auf fast alles erstreckte was für die literarische Welt von Bedeutung war. Darüber hinaus erschienen in der Zeitschrift zahlreiche dichterische Arbeiten Wielands im Erstdruck. Eine solche Publikation die September 1773 erschienenen Briefe über Alceste gaben Goethe und Herder Ärgernis und veranlassten Goethe zum Verfassen der Farce Götter Helden und Wieland. Wieland reagierte auf diesen Angriff mit heiterer Milde. Wikipedia hardcover

Inanna Rare Books Ltd. · Irlande78,00 €

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