9.519 Ergebnisse
1931Best.-Nr. 080595New York: Grosset & Dunlap 1931. Book. Good. Hardcover. Photoplay Edition. 8vo - over 7¾ - 9¾" tall. The first page has two quarter inch circular size tears as well as some browning wear. The last page has some light browning wear and the spine is broken along the back inside cover. The jacket has small tears chips creases and scuffing along the edges. . Grosset & Dunlap Hardcover
1835Best.-Nr. 37723New York: Wallis and Newell Publishers 1835. First American Edition. Original purple cloth with gilt title at spine octavo. Novel of a mother and daughter who navigate difficulties after their father and husband Lord Lodore is killed in a duel. Nearly Very Good contemporary previously owner signature at front endpaper stain to first half of pages at lower inside corner fading to cloth Wallis and Newell Publishers hardcover
1821Best.-Nr. 244926London: C. and J. Ollier Vere Street Bond Street 1821. Second edition but the first to appear in England; the book was first printed in Livorno Italy in 1819 in an edition of 250 copies. xvii 103 pp. Printed by C.H. Reynall. 1 vols. 8vo. Bound in full blue morocco spine gilt t.e.g. others uncut by the Rose Bindery Boston. Fine copy. Small booklabel. Second edition but the first to appear in England; the book was first printed in Livorno Italy in 1819 in an edition of 250 copies. xvii 103 pp. Printed by C.H. Reynall. 1 vols. 8vo. One of Shelley's most important works prompted by learning the lurid story of Beatrice Cenci and Guido's portrait of her. He began the play in May 1819 in Rome and finished it in September; he had stage production in mind from the start and he asked Thomas Love Peacock to arrange for it to appear at Covent Garden. As a play by an atheist however and dealing with incest it stood no chance with the censor. The Cenci was never performed in Shelley's lifetime. Ashley Library V p. 69; Wise: A Shelley Library p.51 C. and J. Ollier Vere Street Bond Street unknown
1892Best.-Nr. 318687Cambridge: Printed at the Riverside Press 1892. Large Paper Edition limited to 250 numbered copies inscribed by the editor on the ffep of Volume I: "To Mr. and Mrs. Lewis S. Bigelow/ from their friend/ G.E.R. Woodberry/ April 13 1901. 8 vols. 8vo. Bound in modern half brown morocco over marbled boards spines gilt with burgundy and green calf title labels some foxing to endpapers uncut and largely unopened else fine. Large Paper Edition limited to 250 numbered copies inscribed by the editor on the ffep of Volume I: "To Mr. and Mrs. Lewis S. Bigelow/ from their friend/ G.E.R. Woodberry/ April 13 1901.". 8 vols. 8vo. Printed at the Riverside Press unknown
1880Best.-Nr. 310723London: Reeves and Turner 1880. hardcover. near fine. Edited by Buxton Forman. 4 volumes tall thick 8vo gilt doublures full red French levant red silk end papers top edges gilt bound by Zaehnsdorf One hinge slightly dry. Portrait and facsimilies. London: Reeves and Turner 1880. Near Fine. Previous owner's name on fly-leaf. Reeves and Turner unknown
1821Best.-Nr. 244926London: C. and J. Ollier Vere Street Bond Street 1821. Second edition but the first to appear in England; the book was first printed in Livorno Italy in 1819 in an edition of 250 copies. xvii 103 pp. Printed by C.H. Reynall. 1 vols. 8vo. Bound in full blue morocco spine gilt t.e.g. others uncut by the Rose Bindery Boston. Fine copy. Small booklabel. Second edition but the first to appear in England; the book was first printed in Livorno Italy in 1819 in an edition of 250 copies. xvii 103 pp. Printed by C.H. Reynall. 1 vols. 8vo. One of Shelley's most important works prompted by learning the lurid story of Beatrice Cenci and Guido's portrait of her. He began the play in May 1819 in Rome and finished it in September; he had stage production in mind from the start and he asked Thomas Love Peacock to arrange for it to appear at Covent Garden. As a play by an atheist however and dealing with incest it stood no chance with the censor. The Cenci was never performed in Shelley's lifetime. Ashley Library V p. 69; Wise: A Shelley Library p.51 C. and J. Ollier Vere Street Bond Street unknown books
1892Best.-Nr. 318687Cambridge: Printed at the Riverside Press 1892. Large Paper Edition limited to 250 numbered copies inscribed by the editor on the ffep of Volume I: "To Mr. and Mrs. Lewis S. Bigelow/ from their friend/ G.E.R. Woodberry/ April 13 1901. 8 vols. 8vo. Bound in modern half brown morocco over marbled boards spines gilt with burgundy and green calf title labels some foxing to endpapers uncut and largely unopened else fine. Large Paper Edition limited to 250 numbered copies inscribed by the editor on the ffep of Volume I: "To Mr. and Mrs. Lewis S. Bigelow/ from their friend/ G.E.R. Woodberry/ April 13 1901.". 8 vols. 8vo. Printed at the Riverside Press unknown books
1880Best.-Nr. 310723London: Reeves and Turner 1880. hardcover. near fine. Edited by Buxton Forman. 4 volumes tall thick 8vo gilt doublures full red French levant red silk end papers top edges gilt bound by Zaehnsdorf One hinge slightly dry. Portrait and facsimilies. London: Reeves and Turner 1880. Near Fine. Previous owner's name on fly-leaf. Reeves and Turner unknown books
1839Best.-Nr. 191840London: Edward Moxon 1839. Giving the productions of a sublime genius to the world First collected edition uniformly bound by Root & Sons. Mary Shelley's collected edition of her husband's poetical works established him finally and irreversibly amongst the great poets of the English language. The appearance of pirated editions of Shelley's works persuaded his father Sir Timothy that hope of obscurity had vanished and Mary was permitted to prepare a proper edition provided she kept biographical detail to a minimum. "Mary Shelley brought Shelley into the mainstream of the national culture. He was no longer the author of a notorious banned poem Queen Mab only obtainable from shops specializing in blasphemy sedition and advice on birth control. He was the prophet of Prometheus Unbound one of the most ambitious attempts ever made to uplift life by literature and of other works such as the "Ode to the West Wind". The notes that Mary added are masterpieces of editing adding so immeasurably to the reader's understanding that nobody would now consider printing Shelley's poems without them" St Clair p. 492. 4 vols octavo 165 x 104 mm. Bound with half-titles. Engraved portrait frontispiece in vol. I as issued. Near-contemporary polished calf by Root & Sons for Charles E. Lauriat Boston twin spine labels compartments decorated in gilt covers with triple gilt rule borders and fleur-de-lis cornerpieces gilt roll to turn-ins marbled endpapers top edges gilt orange silk bookmarkers. Christmas gift inscription to Anne Lockwood Putnam Jr 1926-2015 from her grandmother Elizabeth Lowell Putnam 1862-1935 dated 1927 on first blanks. Spines uniformly browned shallow wear to vol. IV spine head couple of partial splits to inner hinges light foxing to outer leaves splash mark to edges. A very good set. Dunbar Shelley Studies 345; Granniss 88; Wise p. 87. William St Clair The Godwins and the Shelleys: The Biography of a Family 1989. unknown
1818Best.-Nr. 163729London: for C. and J. Ollier 1818. Fear not the future weep not for the past First edition revised issue with new title and cancels and the 1818 date as usual. This is a very nice copy of Shelley's poem dedicated to Mary Shelley with the errata leaf at the rear. In 1817 the publishers C. and J. Ollier agreed to publish Shelley's long poem Laon and Cythna. Shelley's new father-in-law William Godwin recommended a master printer for the job Buchanan Millan who made minor alterations to the text without consulting the poet. Shelley wrote to the Olliers complaining about these liberties whereupon the Olliers read the work for the first time and realised what they had agreed to publish. In the original version the titular lovers were brother and sister. London was alive with gossip about Shelley living with both Mary Godwin and her half-sister Claire Clairmont and in contemporary usage such a ménage was termed incest St Clair p. 432. Shelley therefore made alterations removing any hint of incest and gave the book a new title The Revolt of Islam by which it is still known. The book is made up from original sheets of Laon and Cythna with 26 cancelled leaves and a new title leaf. A few copies were issued with the title misdated 1817; this is the second issue as usual with the correct date. Octavo 223 x 144 mm. Early 20th-century red crushed morocco spine with five raised bands lettered and decorated in gilt turn-ins richly gilt blue endpapers top edge gilt others trimmed. Binding a little rubbed a couple of corners lightly worn short closed tear to title page skilfully repaired a few small marginal stains to contents otherwise clean internally. A very good copy. Ashley V pp. 67-8; Forman Shelley 50; Granniss 44; Tinker 1895. William St Clair The Godwins and the Shelleys: A Biography of a Family 1991. hardcover
1910Best.-Nr. 6404London: Robt. Riviere & Son 1910. A fine example. Square sixteenmo 5 1/16 x 3 15/16 inches; 129 x 100 mm. 46 2 blank pp. Title-page and initial letters printed in red and black. Handsomely bound ca. 1910 by Rivière & Son stamp-signed in gilt on lower turn-in. Full dark blue crushed levant morocco covers bordered in gilt surrounding an ornate floral design stamped in gilt each with twelve inlaid red morocco flowers spine with five raised bands decoratively tooled and lettered in gilt in compartments gilt board edges and turn-ins cream paper liners and end-leaves top edge gilt. Neat ink inscription on front free end-paper and a small gold bookplate. Shelley's poem The Sensitive Plant is a beautiful and tragic poem commemorating the brevity of life and immortality of cyclical nature. Written after death of his son while Percy and Mary Shelley struggled with their grief in Pisa the poem consists of four stanzas with three sections charting the change of seasons. It is set in a garden bursting with blooms but highlights the sensitive plant-a mimosa-with its humble leafy foliage. Human will is nothing in the face of the impartial power of nature and time. First published in Prometheus Unbound and Other Poems 1820 here it has been reproduced with a delicate binding to match its subject. "For the Sensitive Plant has no bright flower; Radiance and odour are not its dower; It loves even like Love its deep heart is full It desires what it has not the Beautiful!" "The Riviere Bindery was one of the most notable and prolific shops in London's West End from about 1840 through 1939" Princeton. Bath-based Bayntun Bindery acquired the firm in 1939 transforming into the "Bayntun-Riviere bindery" which is still in existence and family owned. Robt. Riviere & Son unknown
1910Best.-Nr. 6404London: Robt. Riviere & Son 1910. A fine example. Square sixteenmo 5 1/16 x 3 15/16 inches; 129 x 100 mm. 46 2 blank pp. Title-page and initial letters printed in red and black. Handsomely bound ca. 1910 by Rivière & Son stamp-signed in gilt on lower turn-in. Full dark blue crushed levant morocco covers bordered in gilt surrounding an ornate floral design stamped in gilt each with twelve inlaid red morocco flowers spine with five raised bands decoratively tooled and lettered in gilt in compartments gilt board edges and turn-ins cream paper liners and end-leaves top edge gilt. Neat ink inscription on front free end-paper and a small gold bookplate. Shelley's poem The Sensitive Plant is a beautiful and tragic poem commemorating the brevity of life and immortality of cyclical nature. Written after death of his son while Percy and Mary Shelley struggled with their grief in Pisa the poem consists of four stanzas with three sections charting the change of seasons. It is set in a garden bursting with blooms but highlights the sensitive plant-a mimosa-with its humble leafy foliage. Human will is nothing in the face of the impartial power of nature and time. First published in Prometheus Unbound and Other Poems 1820 here it has been reproduced with a delicate binding to match its subject. "For the Sensitive Plant has no bright flower; Radiance and odour are not its dower; It loves even like Love its deep heart is full It desires what it has not the Beautiful!" "The Riviere Bindery was one of the most notable and prolific shops in London's West End from about 1840 through 1939" Princeton. Bath-based Bayntun Bindery acquired the firm in 1939 transforming into the "Bayntun-Riviere bindery" which is still in existence and family owned. Robt. Riviere & Son unknown books
1902Best.-Nr. 3497London: Hacon and Ricketts The Vale Press 1902. First editions thus. First editions thus. Tall 8vo. Two separate titles five total volumes two Keats three Shelley. A superb set of both Vale Press titles sold here together since bound similar and obviously stored safely together by the same owner as all five volumes in fine condition. Bound in publisher's original beige smooth buckram cloth. Borders initials and decorations including a full-page decoratvie title in each volume of the Shelley and double-page title spread in the Keats by Charles Ricketts. Spine as near to original hue as ever seen. Browning to prelims in the Keats but no browning in the three Shelley volumes amazingly. Shelley all three volumes unopened.The finest set we have seen in some time. Hacon and Ricketts, The Vale Press unknown
1902Best.-Nr. 3497London: Hacon and Ricketts The Vale Press 1902. First editions thus. First editions thus. Tall 8vo. Two separate titles five total volumes two Keats three Shelley. A superb set of both Vale Press titles sold here together since bound similar and obviously stored safely together by the same owner as all five volumes in fine condition. Bound in publisher's original beige smooth buckram cloth. Borders initials and decorations including a full-page decoratvie title in each volume of the Shelley and double-page title spread in the Keats by Charles Ricketts. Spine as near to original hue as ever seen. Browning to prelims in the Keats but no browning in the three Shelley volumes amazingly. Shelley all three volumes unopened.The finest set we have seen in some time. Hacon and Ricketts, The Vale Press unknown books
1826Best.-Nr. 322393London: William Benbow 1826. First pirated edition. Pencilled note on the Buxton Forman copy identifies this edition as a piracy. Poems selected from Benbow's edition of "Miscellaneous and Posthumous Poems" published the same year. ii title contents leaf 144pp. headline on page 143 not reversed. Collation as issued: 1 1 and C-D 2E Z 2A-2B U-Y 2F 2H all in 6s. 1 vols. 12mo 150 x 90 mm. Bound in Twentieth Century brown levant elaborately gilt with flower devices on the spine and front cover stamped by Riviere & Sons uncut fine. With the bookplate of Louis Ledoux. First pirated edition. Pencilled note on the Buxton Forman copy identifies this edition as a piracy. Poems selected from Benbow's edition of "Miscellaneous and Posthumous Poems" published the same year. ii title contents leaf 144pp. headline on page 143 not reversed. Collation as issued: 1 1 and C-D 2E Z 2A-2B U-Y 2F 2H all in 6s. 1 vols. 12mo 150 x 90 mm. But for 1824's Posthumous Poems this is the first selected poems of Shelley. This version reprints the poems from the earlier volume omitting the longer poems and translations but adding "Stanzas Written in Dejection near Naples" with the fifth line of the first stanza with the correct reading "earth" for "air" which did not appear in the authorized editions until 1870. In Watt's "Poetical Album" 1829 this line is entirely omitted. Only four copies of this edition have sold at auction in the last 35 years. It was through this work that Browning first became acquainted with his first poetic hero. Grannis 87 William Benbow unknown
1826Best.-Nr. 322393London: William Benbow 1826. First pirated edition. Pencilled note on the Buxton Forman copy identifies this edition as a piracy. Poems selected from Benbow's edition of "Miscellaneous and Posthumous Poems" published the same year. ii title contents leaf 144pp. headline on page 143 not reversed. Collation as issued: 1 1 and C-D 2E Z 2A-2B U-Y 2F 2H all in 6s. 1 vols. 12mo 150 x 90 mm. Bound in Twentieth Century brown levant elaborately gilt with flower devices on the spine and front cover stamped by Riviere & Sons uncut fine. With the bookplate of Louis Ledoux. First pirated edition. Pencilled note on the Buxton Forman copy identifies this edition as a piracy. Poems selected from Benbow's edition of "Miscellaneous and Posthumous Poems" published the same year. ii title contents leaf 144pp. headline on page 143 not reversed. Collation as issued: 1 1 and C-D 2E Z 2A-2B U-Y 2F 2H all in 6s. 1 vols. 12mo 150 x 90 mm. But for 1824's Posthumous Poems this is the first selected poems of Shelley. This version reprints the poems from the earlier volume omitting the longer poems and translations but adding "Stanzas Written in Dejection near Naples" with the fifth line of the first stanza with the correct reading "earth" for "air" which did not appear in the authorized editions until 1870. In Watt's "Poetical Album" 1829 this line is entirely omitted. Only four copies of this edition have sold at auction in the last 35 years. It was through this work that Browning first became acquainted with his first poetic hero. Grannis 87 William Benbow unknown books
Best.-Nr. 016593Pennyroyal West Hatfield 1983. Second Edition. Hardcover. Very Good Condition/No Dust Jacket. Size: 14" x 10 1/2". . Book only lacks slipcase and portfolio of prints. Quarter leather with red cloth over boards 5 raised bands three volumes in one illustrated with woodcuts by Barry Moser. This book is number 142 of a limited edition of 350. Dampstain on spine corners rubbed spots of damage on gilded top text block edge some minor staining at bottom text block edge. Quantity Available: 1. Shipped Weight: 6 lbs 7 oz. Category: Fiction; Pictures of this item not already displayed here available upon request. Inventory No: 016593. . Pennyroyal hardcover
2002Best.-Nr. 82747Museum. New. 2002. Paperback. 0940717735 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ASIN: B002J7P3T0 and ISBN: B002J7P3T0. X 86 pages 89 illus. 4 in color appendices sm. 4to. -- with a bonus offer-- . Museum paperback
2002Best.-Nr. 82746Museum. New. 2002. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- x 86 pages 89 illus. 4 in color appendicies sm. 4to. -- with a bonus offer-- . Museum paperback
Best.-Nr. MWS006New York: Dodd Mead & Company 1983 With approximately 45 full-page black and white illustrations by Bernie Wrightson. Introduction by Stephen King. Limited edition. One of 500 numbered copies signed by Stephen King and Bernie Wrightson this being number 322 an additional 26 lettered copies were produced for private distribution. Publisher's black cloth with front board stylistically lettered in blue foil and gilt spine lettered in gilt and navy-blue endpapers; housed in publisher's blue slipcase. Fine book; fine slipcase with just a touch of soiling to panels. With parts of the original glassine wrapper laid in. Overall a marvelous strikingly illustrated copy. First published anonymously by 20-year-old Mary Shelley in 1818 Frankenstein is recognized as one of the greatest novels in the English language and a foundational text in the horror and science fiction genres. Mary Shelley famously devised the story during a stay at a mansion in Switzerland with her husband Percy Bysshe Shelley her stepsister Claire Clairmont Lord Byron and John Polidori after the five of them began a game to see who could write the best ghost story. The story is told through a series of letters from Captain Robert Walton to his sister beginning in the middle of his voyage to the North Pole when Walton and his crew happen upon the lone emaciated Victor Frankenstein in need of shelter. They take the stranger on board and Walton slowly learns of his tortured past from a tragic childhood to scientific experiments that eventually resulted in the creation of a monster who threatens his life. For this edition of Frankenstein American artist Bernie Wrightson worked on the illustrations based directly on the 1831 text on and off for seven years. He wasn't paid for the project saying "I've always had a thing for Frankenstein and it was a labor of love. It was not an assignment it was not a job.". Signed. Limited Edition. Hard Cover. Fine. Illus. by Wrightson Bernie. New York: Dodd, Mead & Company, hardcover
1835Best.-Nr. 170915004New York: Wallis and Newell 1835. First Edition. Hardcover. Very Good. First American edition. Following the three volume British edition. Two volumes in one. Bound with The Naval Officer by Frederick Marryat as issued. 228; 219pp. Period half calf and marbled boards morocco spine label lettered in gilt. About Very Good. Small stain in upper margin of first 60 pages or so of Lodore. Crease down middle of spine wear to edges. Some textual foxing and spotting heaviest at Naval Officer title page and facing last page of Lodore; wrinkling to pages of Naval Officer. Published as part of the Franklin Library series but fortunately unlike most surviving copies not an institutional copy. The rare first American appearance of a proto-feminist novel by Mary Shelley best-known as the author of Frankenstein also known as The Beautiful Widow. Wallis and Newell hardcover
1835Best.-Nr. 170915004New York: Wallis and Newell 1835. First Edition. Hardcover. Very Good. First American edition. Following the three volume British edition. Two volumes in one. Bound with The Naval Officer by Frederick Marryat as issued. 228; 219pp. Period half calf and marbled boards morocco spine label lettered in gilt. About Very Good. Small stain in upper margin of first 60 pages or so of Lodore. Crease down middle of spine wear to edges. Some textual foxing and spotting heaviest at Naval Officer title page and facing last page of Lodore; wrinkling to pages of Naval Officer. Published as part of the Franklin Library series but fortunately unlike most surviving copies not an institutional copy. The rare first American appearance of a proto-feminist novel by Mary Shelley best-known as the author of Frankenstein also known as The Beautiful Widow. Wallis and Newell hardcover books
Best.-Nr. MWS006New York: Dodd Mead & Company 1983 With approximately 45 full-page black and white illustrations by Bernie Wrightson. Introduction by Stephen King. Limited edition. One of 500 numbered copies signed by Stephen King and Bernie Wrightson this being number 322 an additional 26 lettered copies were produced for private distribution. Publisher's black cloth with front board stylistically lettered in blue foil and gilt spine lettered in gilt and navy-blue endpapers; housed in publisher's blue slipcase. Fine book; fine slipcase with just a touch of soiling to panels. With parts of the original glassine wrapper laid in. Overall a marvelous strikingly illustrated copy. First published anonymously by 20-year-old Mary Shelley in 1818 Frankenstein is recognized as one of the greatest novels in the English language and a foundational text in the horror and science fiction genres. Mary Shelley famously devised the story during a stay at a mansion in Switzerland with her husband Percy Bysshe Shelley her stepsister Claire Clairmont Lord Byron and John Polidori after the five of them began a game to see who could write the best ghost story. The story is told through a series of letters from Captain Robert Walton to his sister beginning in the middle of his voyage to the North Pole when Walton and his crew happen upon the lone emaciated Victor Frankenstein in need of shelter. They take the stranger on board and Walton slowly learns of his tortured past from a tragic childhood to scientific experiments that eventually resulted in the creation of a monster who threatens his life. For this edition of Frankenstein American artist Bernie Wrightson worked on the illustrations based directly on the 1831 text on and off for seven years. He wasn't paid for the project saying "I've always had a thing for Frankenstein and it was a labor of love. It was not an assignment it was not a job.". Signed. Limited Edition. Hard Cover. Fine. Illus. by Wrightson Bernie. New York: Dodd, Mead & Company, hardcover books
1829Best.-Nr. 042Octavo A beautiful Contemporary full decorative dark blue morocco binding elaborately gilt decorated spine and boards raised bands All edges gilt. No previous ownership inscriptions. Housed in green clamshell box with a marbled interior and a black morocco label. FIRST EDITION of this collection of works by these three Romantic poets. Comprises the first collected edition of Shelley the first collected edition of Keats and only the second collected edition of Coleridge with many poems published for the first time. With frontispiece portrait of the three poets. This edition was published in Paris because the poets lacked international copyright protection and no royalties needed to be paid. However Galignani in fact worked closely with friends and relatives of the poets to create these three exhaustive collections. The frontispiece portrait is the first printed portrait of Shelley. MacGillivray B1. Peck ii 440. A scarce and desirable copy in a beautiful and very appropriate period binding. A. and W. Galignani hardcover
1824Best.-Nr. 2408424London: John and Henry L. Hunt 1824. Good fresh copy with a few bumps and scuffs. Octavo 415 pp. without errata not required in this first issue; contemporary polished green calf An attractive copy of this important collection with a short but poignant biographical notice by Mary Shelley. Shelley died in July 1822 drowned in the sea off Livorno. Mary spent the ensuing year in Genoa with Leigh Hunt and his family but returned to London in 1823 where she was granted a small allowance by Shelley's disapproving father Sir Timothy and busied herself with literary work including editing many of his poems and manuscripts for this edition. It includes Julian and Maddalo The Witch of Atlas Letter to Maria Gisborne The Triumph of Life Prince Athanase Ode to Naples and Mont Blanc as well as fifty-nine "Miscellaneous Poems" nine "Fragments" five translations and Alastor included because the original volume published in 1816 was now so scarce that even Mary had found it difficult to track down a copy. . John and Henry L. Hunt unknown