1970réf. 37677Walter De Gruyter & Co. . Very Good with no dust jacket. Hardcover. Books range from VG to NF. Scholar's name to ffeps D. Gerber. Very faint shelfwear. Cream coloured boards. Extra shipping charges will apply heavy set.; Vol. I: Historia Critica Comicorum Graecorum Vol. II.1: Fragmenta Poetarum Comoediae Antiquae Pars Prima Vol. II.2: Fragmenta Poetarum Comoediae Antiquae Pars Secunda Vol. III: Fragmenta Poetarum Comoediae Mediae Vol. IV: Fragmenta Poetarum Comoediae Novae Vol. V.1: Comicae Dictionis Index Pars Prior Vol. V.2: Comicae Dictionis Index Pars Altera. Vol. I: XVI 621 pp. Vol. II: 1298 pp. Vol. III: 739 pp. Vol. IV: XVI 876 pp. Vol. V.1: CCCLXXVI 482 pp. Vol. V.2: 483-1223 pp.; 5 Volume Set in 7 Books; 1-5 . 1970. Walter De Gruyter & Co. hardcover
1714réf. 28278Printed for Jacob Tonson at Shakespear's-Head over-against Catherine-Street in the Strand 1714. Sm. 8vo. Third Edition with engraved frontispiece and title-vignette some light age-staining as usual; handomely bound in full blue morocco sides with gilt frame border gilt back gilt top hand-made endpapers ribbon marker an elegant copy of a scarce edition. With the final leaf of epilogue spoken by Mrs. Bracegirdle. First published in 1702. SCARCE. Printed for Jacob Tonson, at Shakespear's-Head over-against Catherine-Street in the Strand, unknown
1852réf. 035696London: John Cassell 1852. Book. Illus. by George Cruickshank. Very Good. Hardcover. First Edition. 8vo. First British Cruickshank illustrated version. pp xxiii 391 b/w frontispiece twenty-seven b/w illustrations by Cruickshank. This copy has been carefully rebound with paper covered boards and matching endpapers the leather spine appears earlier. The binding is very good with just a little wear to the spine surface. Contents clean and tight no inscriptions. A very good copy of this rare edition with numerous illustrations. John Cassell Hardcover
2012réf. 500098671Michel Husson 2012 128 pages 25x2x29cm. 2012. Relié. 128 pages.
1993réf. R785France: Éditions Kimé Collection Argumentation et sciences du langage 1993 Ouvrage en quatre sections : - le texte littéraire et les opérations de relecture / réécriture; - les standards des « discours sociaux »; - les notions de topos et de stéréotype / prototype de l'analyse de la langue; - l'analyse argumentative milieu originel de la réflexion sur les lieux communs. Couverture souple. Très bon. Éditions Kimé (Collection Argumentation et sciences du langage) paperback
Partitur. [19] S. 32 x 25 cm. Rückenschaden überklebt. Fingerfleckig. Nach S. 19 folgen 2 Seiten mit der Singstimme des Liedes "Aus der Ferne" von Wilhelm Baerwolf, datiert "Wiesb: d. 27ten April 1846". D 965. Abschrift wohl nach der Erstausgabe von Haslinger (1830), jedoch ohne Erwähnung "(Oder des Violoncelles" auf dem Titel.
1860réf. 14084Smith Elder & Co. 1860. 8vo. strongly bound in contemporary half calf pebble-grain dark green cloth boards back with four raised bands ruled in gilt second compartment with red leather label ruled and lettered in gilt all other compartments tooled with a lozenge in blind red sprinkled edges green endpapers corners and joints mildly worn and rubbed else a very good bright clean copy. Following the withdrawal of the two-volume second edition for fear of libel in 1857 the work was first issued as a single volume in Smith Elder's 'Cheap Edition' series later in the same year. Smith records that this 1860 impression was issued without advertisements. Bright copy of an early fifth/sixth edition. See Smith pp.143-146; Wise p.33. Smith Elder & Co., hardcover
1885réf. 27501William Blackwood Edinburgh 1885. 3 vols. 8vo. First Edition with 3 etched frontispieces original tissue guards present 7 plates all original tissue guards present and double-page facsimile neat personal stamp on half-titles frontispiece of first volume very lightly spotted; publisher's decorative beige cloth sides with arabesque pattern in black backstrips lettered and blocked in gilt and black black endpapers uncut a remarakably bright fresh clean copy in wholly unrestored publisher's binding. With the trade ticket of George's of Bristol on front paste-down and relevant cutting mounted on rear paste-down of first volume. Complete with all half-titles. With the errata slip to all three volumes tipped-in at end of third volume. The volumes are titled on half-titles: Vol. I: Unknown; Vol. II: Famous; Vol. III: Sunset. A SPLENDID COPY IN PUBLISHER'S BINDING; VERY SCARCE IN ANYTHING LIKE THIS CONDITION. William Blackwood, Edinburgh, hardcover
1839réf. 013837London: A. H. Baily 1839. Book. Good Plus. Hardcover. First Edition. Folio. "Contributed by distinguished writers and edited by T. K. Hervey." A rare work with various poems prose and engraved plates. pp. xiv 2 96 half-title page' engraved vignette title page additional letterpress title page 11 engraved plates the frontispiece plate is missing The poems include "A Sabbath on the Sea" by Elizabeth Barrett Browning the first time it appeared in print. Bound in the original textured cloth with blind stamped decoration to the boards and gilt lettering to the spine gilt vignette to the title page binding good with some general wear and rubbing cloth somewhat marked and a little frayed at the head/tail of the spine. Contents clean and tight some light staining to the odd plate. A good to very good copy. Scarce. A. H. Baily Hardcover
1775réf. 19679Printed for J. Dodsley in Pall Mall 1775. 3 vols. sm. 8vo. Third Edition on laid paper with an engraved frontispiece large engraved title-vignettes and large engraved armorials on dedications some light offsetting and age-staining tiny uniform signature on blank preliminary in each volume; handsomely bound in nineteenth century full oatmeal buckram backstrips with five flat bands second compartments with leather labels lettered numbered and ruled in gilt a most attractive set ideal as a gift of for presentation. THE SET WAS FORMERLY IN THE LIBRARY OF MICHAEL CHERNIAVSKY AND BEARS HIS SIGNATURE ON FRONT FREE ENDPAPER OF FIRST VOLUME. Dedicated to Elizabeth Countess of Northumberland Percy's 'Reliques' is one of the most important collections of poetry in English. First published in 1765 ii not only encouraged 'with lasting effect the revival of interest in our older poetry' DNB but became a fertile source of content and style for the burgeoning Romantic movement. Michael Theodore Cherniavsky 1920-1992 was a renowned and long-serving 1948-1966 master of history at Christ's Hospital School and subsequently Professor of History at the University of Waterloo Ontario from 1967 to 1983. A lovely copy and scarce in this condition. See NCBEL II 385 386. Printed for J. Dodsley in Pall Mall, hardcover
1930réf. 27898London: Allied Newspapers Ltd. 1930. Book. Good. Leather. 64mo - up to 3" tall. The Works of William Shakespeare 40 vols front cover unstuck but attached Julius Caesar King Henry IV Part 1 King Henry IV Part 2 front cover unstuck but attached The Winter's Tale Much Ado About Nothing Titus Andronicus Comedy of Errors Bio and Glossary Missing All's Well That End Well King Henry V King Henry VIII Sonnets and Poems King Henry VI Part 1 King Henry VI Part 2 King Henry VI Part 3 Twelfth Night King Lear Timon of Athens Pericles Prince of Tyre Taming of the Shrew Midsummer Night's Dream Merchant of Venice Two Gentleman of Verona As You Like It Troilus & Cressida Othello The Moor of Venice Hamlet Prince of Denmark King John Merry Wives of Windsor Romeo & Juliet Antony & Cleopatra Macbeth Love's Labour's Lost TheTempest Cymbeline Measure For Measure King Richard II King Richard III Coriolanus Venus and Adronis & The Rape of Lucrece Each book measures just 5cm by 3.5cm . Allied Newspapers Ltd. Hardcover
1794réf. 754Orléans France: L. P. Couret 1794. Small quarto. Bifolium 4 pp. 3/4-inch of loss at upper corner with no loss to text. Soft early horizontal fold. Very minor foxing. Very good. The 1794 French Revolutionary decree transferring the former royal collections of scientific technological and artistic objects to newly designated state inventories naming the commissioners of each to form the new "commission temporaire des Arts." Forty-three commissioners and twelve categories of objects are named offering an informative view of cultural authority and material taxonomy at the height of the Revolution. Almost immediately upon the overthrow of the French monarchy in 1792 members of the National Convention embarked upon the urgent and staggering task of protecting the massive royal collections and reorganizing them according to Republican and Enlightenment ideals. Within months the famous Jardin du Roi and Cabinet d'Histoire Naturelle were newly established as the Muséum National d'Histoire Naturelle and on August 10 1793 the anniversary of Louis XVI and Marie Antoinette's imprisonment the Louvre palace opened for the first time as a public museum. The following February Pluviôse II the National Convention decreed in this document that a temporary commission of arts be established to "inventory and reunite in suitable depositories the books instruments machines and other objects of science and arts proper to the public instruction" and assigned forty-three leading scientists engineers artists and craftsmen to the task. Among the commissioners inventorying the collections of natural history botany zoology and mineralogy are the great naturalist Jean-Baptiste Lamarck and the veteran gardener of the Jardin du Roi André Thouin. Other particularly notable names listed include the anatomist Honoré Fragonard the famous watchmaker Antide Janvier assigned to "instruments of physics astronomy and others" the important Parisian printer Barrois and the painter and landscape architect Hubert Robert here simply "Hubert" who had narrowly escaped the guillotine a few months earlier. Additional categories of objects to be inventoried include maps paintings and sculptures machines of war antiquities and medals maps chemical laboratories musical instruments "ancient foreign or the most rare in their perfection among the known and modern" and various others. The present copy of the decree is a departmental printing containing a printed acknowledgment of the decree by the authorities of the department of Loiret in its capital Orléans signed 25 days after the decree was issued on 13 Ventôse of the second year of the Republic March 3 1794. OCLC lists three copies. Scarce. L. P. Couret
1794réf. 754Orléans France: L. P. Couret 1794. Small quarto. Bifolium 4 pp. 3/4-inch of loss at upper corner with no loss to text. Soft early horizontal fold. Very minor foxing. Very good. The 1794 French Revolutionary decree transferring the former royal collections of scientific technological and artistic objects to newly designated state inventories naming the commissioners of each to form the new "commission temporaire des Arts." Forty-three commissioners and twelve categories of objects are named offering an informative view of cultural authority and material taxonomy at the height of the Revolution. Almost immediately upon the overthrow of the French monarchy in 1792 members of the National Convention embarked upon the urgent and staggering task of protecting the massive royal collections and reorganizing them according to Republican and Enlightenment ideals. Within months the famous Jardin du Roi and Cabinet d'Histoire Naturelle were newly established as the Muséum National d'Histoire Naturelle and on August 10 1793 the anniversary of Louis XVI and Marie Antoinette's imprisonment the Louvre palace opened for the first time as a public museum. The following February Pluviôse II the National Convention decreed in this document that a temporary commission of arts be established to "inventory and reunite in suitable depositories the books instruments machines and other objects of science and arts proper to the public instruction" and assigned forty-three leading scientists engineers artists and craftsmen to the task. Among the commissioners inventorying the collections of natural history botany zoology and mineralogy are the great naturalist Jean-Baptiste Lamarck and the veteran gardener of the Jardin du Roi André Thouin. Other particularly notable names listed include the anatomist Honoré Fragonard the famous watchmaker Antide Janvier assigned to "instruments of physics astronomy and others" the important Parisian printer Barrois and the painter and landscape architect Hubert Robert here simply "Hubert" who had narrowly escaped the guillotine a few months earlier. Additional categories of objects to be inventoried include maps paintings and sculptures machines of war antiquities and medals maps chemical laboratories musical instruments "ancient foreign or the most rare in their perfection among the known and modern" and various others. The present copy of the decree is a departmental printing containing a printed acknowledgment of the decree by the authorities of the department of Loiret in its capital Orléans signed 25 days after the decree was issued on 13 Ventôse of the second year of the Republic March 3 1794. OCLC lists three copies. Scarce. L. P. Couret books
1983réf. 16007New York / Boston: New York Graphic Society / Little Brown 1983. Signed by Paul Camponigro on the front-free end-paper placed and dated: Santa Fe 3/28/89. Also inscribed by the photographer: To Donald Fleming -- with all best wishes. First edition / First printing. Brown cloth spine beige paper-covered boards. Near fine in near fine dust jacket. Non-laminated jacket is rubbed as usual but has no tears. New York Graphic Society / Little Brown, hardcover
réf. 16-6380Paris: Bauger 1842. Lithograph sur blanc Handcolored and gommée. Second state of 3. Delteil III no. 989.32.6 x 24.9cm.'Carissimi signori ze vous remercie perché je vous promets zi zamais ze çante de ne çantare que sur la scène del Teatro-Italiano di Parizi'. 1842. Il signor Rubini redit aux échos de la Tamise les éternelles cavatines de la Somnambula des Puritains et de la Niobé. Italian singer in broken French: 1841. 'Dear sirs I thank you because I promise that if I ever sing again it will only be on the stage of the Teatro-Italiano of Paris'. 1842. Signor Rubini performs to the echoes of the Thames the eternal cavatinas of The Somnambula from the Puritans and from The Niobé. Rubini promises the Parisians not to sing anywhere else but the following year appears on the London stage.The Promises of a Tenor" a series of caricatures dating from1841-1842 mocks the often unfulfilled promises of Italian opera tenors particularly the famous Giovanni Battista Rubini by juxtaposing their Parisian vows at the Teatro Italiano with their incessant rehearsals of the same arias cavatines on the London stage illustrating the hypocrisy and boredom felt by the audience towards these vocal divas. Provenance: Jacques Cathy - Né en 1906 à Lezay Deux-Sèvres Jacques Cathy a exercé d’abord la profession de caricaturiste à l’hebdomadaire « Le Rire ». Il a rejoint vers 1927 l’équipe du Cabaret « La Vache Enragée » conduite par Roger Toziny. Jacques Cathy poursuit sa carrière de chansonnier après le décès de Toziny en 1939 et après la guerre il conduit parallèlement une carrière d’acteur dans le cinéma. Jacques Cathy était le 3ème Maire de La Commune Libre de Montmartre à partir de l’élection en 1949.Final provenance: Les Collections Aristophil - 164 bis avenue Charles-de-Gaulle 92200 Neuilly-sur-Seine. Paris: Bauger, 1842 unknown
2007réf. 110769Tampa: The Norman Mailer Society 2007. First edition. Limited issue of 56 bound copies in green full cloth-covered boards 40 of which were numbered and 16 were presentation copies all signed by Mailer and Sipiora on the limitation page. Copy #32. Issued without dustjacket. Contributors include Morris Dickstein Donald L.Kaufmann J. Michael Lennon Barbara Mailer Wasserman et al. Also two contributions by Mailer one of which is an excerpt from the previously unpublished 1942 play "The Naked and the Dead." Supplemental Bibliography. Color photographs. The Inaugural Issue. ISSN: 1936-4679. Unread copy in Fine condition. Signed by Author and Editor. First Edition. Hardcovers. Fine/Not Issued. 8vo - over 7¾" - 9¾" tall. Limited Edition. The Norman Mailer Society Hardcover
2007réf. 110769Tampa: The Norman Mailer Society 2007. First edition. Limited issue of 56 bound copies in green full cloth-covered boards 40 of which were numbered and 16 were presentation copies all signed by Mailer and Sipiora on the limitation page. Copy #32. Issued without dustjacket. Contributors include Morris Dickstein Donald L.Kaufmann J. Michael Lennon Barbara Mailer Wasserman et al. Also two contributions by Mailer one of which is an excerpt from the previously unpublished 1942 play "The Naked and the Dead." Supplemental Bibliography. Color photographs. The Inaugural Issue. ISSN: 1936-4679. Unread copy in Fine condition. Signed by Author and Editor. First Edition. Hardcovers. Fine/Not Issued. 8vo - over 7¾" - 9¾" tall. Limited Edition. The Norman Mailer Society Hardcover books
réf. 16-64531928. Lithograph . 28 x 22cm Signed dedicated a and annotated .31 x 39.5cm. .In 1927 a biplane disappeared while attempting to complete the first non-stop transatlantic flight between Paris and New York City. This memorial stands at the last place it was seen .On May 8 1927 Monument L'Oiseau Blanc a biplane disappeared during an attempt to make the first non-stop transatlantic flight between Paris and New York City. The aircraft was flown by two French pilots Charles Nungesser and François Coli. They departed Le Bourget Field at 05:17 local time. The aircraft heavy with fuel barely cleared the trees at the end of the runway. Four military aircraft accompanied the flight on the first leg. Annex Galleries: "Elie Georges Marie Villa was born in Montmédy the Meuse Lorraine France on January 24 1883. He studied at the Ecole des Beaux-Arts in Paris and exhibited at the Salon des Artistes Francais. Vila was a prolific painter engraver lithographer poster designer and illustrator of political and sports themes for some of the most prominent newspapers and magazines of his time: Artes et Sports l’ Assiette au Beurre Comedia Illustre etc. He was also a well-known portrait artist whose subjects included aviation fencing gastronomy and aristocratic ladies of the 18th century. Between 1944 and 1946 he did illustrations of Montmartre songs including “Avec les lorettes Mimi Pinson et Pierrot.” He gained fame as a portraitist and was invited to Russia by the uncle of Tzar Nicolas II to do portraits of Russian officers. It is probably here where he met General Dimitri d'Osnobichine who was also an artist and whose estate these works are from. In 1908 Villa accompanied a Russian archaeological expedition to Egypt.Back in France he began a new career as an illustrator doing mainly cartoons. He also illustrated books including works by Anatole France Theophile Gautier Edgar Allen Poe and Louys Pierre. In the 1920’s Villa was part of the Parisian Année Folles Crazy Years and became known for his caricatures and portraits as well as his erotic drawings using charcoal and pastel. Many of Villa’s outstanding illustrations can be found in limited edition collectors’ books including 12 erotic lithographs to accompany the poetry of Edmond Haraucourt Poemes hysteriques an eroticized parody of the poems of Victor Hugo. Georges Villa cut his own copper and stone plates for his engravings. Villa illustrated 26 menus between 1925 and 1964 and painted a “masterpiece” Pierrot postcard for Wague in 1930.He was a member of Les Humoristes as well as a Knight of the Legion of Honor. In 1929 Georges Villa and Roger Braun started the Bibliophiles of Cornet an appendage of the Cornet Society. Villa remained a Cornet Society member until his death. He authored his own novel Special Infirmiry published in 1953.Georges Villa died in Paris on November 19 1965. " Provenance: Jacques Cathy - Né en 1906 à Lezay Deux-Sèvres Jacques Cathy a exercé d’abord la profession de caricaturiste à l’hebdomadaire « Le Rire ». Il a rejoint vers 1927 l’équipe du Cabaret « La Vache Enragée » conduite par Roger Toziny. Jacques Cathy poursuit sa carrière de chansonnier après le décès de Toziny en 1939 et après la guerre il conduit parallèlement une carrière d’acteur dans le cinéma. Jacques Cathy était le 3ème Maire de La Commune Libre de Montmartre à partir de l’élection en 1949.Final provenance: Les Collections Aristophil - 164 bis avenue Charles-de-Gaulle 92200 Neuilly-sur-Seine. 1928 unknown
1954réf. 2167NY: Harper & Brothers 1954. First edition limited issue of 500 unnumbered copies signed by White as "EBW" on the tipped-in limitation page as issued. First issue dustjacket. Quarter-cloth with spine lettering and paper-covered boards. Minimal shelfwear and toning on cloth spine ends board corners lightly tapped; dustjacket with wear at corners large chip at spine topedge/rear panel topedge closed tear on front flap fold wear at folds and toning mostly on spine. Altogether a tight copy in Good condition in a Good intact dustjacket with an archival cover. Signed by Author. First Edition. Hardcovers. Good/Good. 8vo - over 7¾" - 9¾" tall. Limited Edition. Harper & Brothers hardcover
1954réf. 2167NY: Harper & Brothers 1954. First edition limited issue of 500 unnumbered copies signed by White as "EBW" on the tipped-in limitation page as issued. First issue dustjacket. Quarter-cloth with spine lettering and paper-covered boards. Minimal shelfwear and toning on cloth spine ends board corners lightly tapped; dustjacket with wear at corners large chip at spine topedge/rear panel topedge closed tear on front flap fold wear at folds and toning mostly on spine. Altogether a tight copy in Good condition in a Good intact dustjacket with an archival cover. Signed by Author. First Edition. Hardcovers. Good/Good. 8vo - over 7¾" - 9¾" tall. Limited Edition. Harper & Brothers hardcover books
1982réf. 304711First edition thus. Small octavo. Frontispiece is an original watercolor by Frederic Prokosch. Original stiff brown wrappers hand printed orange paper label on upper wrapper yellow silk tie. Clear plastic dust jacket. Fine fresh. Copy "Beta" one of 5 handwritten copies in red and black inks on Arjomari paper printed illustrated and signed "F Prokosch" on limitation page in blue ink. Signed by Illustrators. Soft cover. Fine/Fine. Prometheus Press paperback
1982réf. 304711First edition thus. Small octavo. Frontispiece is an original watercolor by Frederic Prokosch. Original stiff brown wrappers hand printed orange paper label on upper wrapper yellow silk tie. Clear plastic dust jacket. Fine fresh. Copy "Beta" one of 5 handwritten copies in red and black inks on Arjomari paper printed illustrated and signed "F Prokosch" on limitation page in blue ink. Signed by Illustrators. Soft cover. Fine/Fine. Prometheus Press paperback books
2012réf. 045608Cambridge England: Cambridge University Press 2012. Soft cover. Fine. 8vo - over 7¾" - 9¾" tall. A four volume set bound in eight soft cover books from the Cambridge Library Collection. Photo illustrated wrappers are clean and without wear. Binding square and tight. Octavo: 23 x 15.5cm. German language text. Books appear unread. Additional shipping will be required - 7kg. Volume 1 Part 1: Die Zeit vor den Persenkriegen. Volume 1 Part 2: Die Zeit vor den Persenkriegen. Volume 2 Part 1: Bis auf die Sophistische Bewegung und den Peloponnesischen Krieg. Volume 2 Part 2: Bis auf die Sophistische Bewegung und den Peloponnesischen Krieg. Volume 3 Part 1: Bis auf Aristoteles und die Eroberung Asiens. Volume 3 Part 2: Bis auf Aristoteles und die Eroberung Asiens. Volume 4 Part 1: Die Griechische Weltherrschaft. Volume 4 Part 2: Die Griechische Weltherrschaft. Cambridge University Press paperback
1900réf. 1867s.l., ca 1900. 35 X 26 cm (planches), 8 x 11 ou 7 x 10 cm (photos). 6 planches. Ensemble de 33 photographies originales sur papier, réparties sur 6 planches, titrées et illustrées à la main, à l'encre et à la gouache.Les photographies mettent en scène le port, la célèbre Promenade des Anglais et la "jetée promenade", le village Saint Antoine, le Vallon de la Lanterne, la place Masséna (grotte, préparation du Carnaval), la cascade du canal.Plusieurs vues ont été prises de la gare ou de la cathédrale. Quelques clichés témoignent d'excursions à La Turbie, à Menton, ainsi qu'au Château d'If, au large de Marseille. De nombreuses illustrations ornent également les planches : frises décoratives à motifs variés, à l'encre noire ou rouge, fleurons, petits personnages, animaux, titres ornés, deux paysages à l'aquarelle et à la gouache, un blason de la ville. Au verso d'une planche, le portrait du Maréchal André Masséna, natif de Nice, réalisé à l'encre. Très intéressant ensemble, qui reflète une certaine diffusion sociale de la pratique photographique - au sein de l'élite bourgeoise - à la fin du XIXe siècle, en lien avec l'évolution des techniques, à la fois en ce qui concerne la prise de vue et les procédés de tirage. Equipés d'appareils d'utilisation de plus en plus aisée, de nombreux amateurs immortalisent alors les petits et grands moments de la vie de tous les jours, constituant albums de souvenirs et collections privées qui consacrent le rôle désormais essentiel de l'image dans la culture de la Belle Epoque. L'auteur de ces clichés, qui ne manquait ni d'humour ni de talent, a par ailleurs enrichi son travail artisanal d'autres éléments esthétiques : décors et ornements graphiques issus de l'univers du livre (imitant fleurons,bandeaux, culs-de-lampe, séparations de chapitres...), dessins "classiques" (paysages, portraits), inspirés du mouvement Art Nouveau ou influencés par la presse et l'affiche (typographie fantaisiste, caricatures,...).
réf. 201803194Iran, Iran carpet compagny , s.d. ; in-4, cartonnage de l'éditeur. Les 2 volumes. En 2 volumes.