Andrae, OswaldAntiquariat.de
8647 resultados
1965ref. 195538Jever, Verlag C. L. Mettcker & Söhne, 1965.
1909ref. 128977Berlin: S. Fischer. 1909. XLVI.; 231; 223; 307. 19,5cm. Zustand: Gut bis Sehr Gut min. gebräunt (Innen); Mit einem Portrait Hartlebens von Peter Behrens; Besitzerstempel; Einband Außen hat bis leichte Gebrauchsspuren; Deckel ist etwas gewölbt; Archivex. mit Klebestreifenrest (Außen); Schutzumschlag fehlt, oder es gibt keinen; Schnitt oben etwas angestaubt und GOLD / Kopffarbschnitt; Buchrücken hat sehr kleine weisse Markierung von der Bibliothek; Besitzerstempel auf Schnitt; Band 1: Gedichte. Band 2: Prosa. Band 3. Dramen; 1.-4. Tsd. Ganzpergament
ref. 1125238Würzburg : Königshausen & Neumann, 2019. 247 Seiten ; 24 cm; kart.
1963ref. 34990ABMünchen, Kindler., 1963. 8°. [14 : 21 cm]. 1192, 1247 Seiten. Weiße Originalleinenbände mit Kopffarbschnitt und farbigem Schutzumschlag. - Sehr gut erhaltene, saubere Exemplare ohne Eintragungen. = Dünndruckausgaben.
ref. 62092Troisième année - N° 22 - Septembre 1898 - Paris. 55, avenue de La Bourdonnais, 55 - in-8 broché - revue illustrée - 150 pages
1900ref. 490693Leipzig: Reclam. 1900. ca. 3800 Seiten. 14x9,5cm. Zustand: Gut gering gebräunt, im Durchschnitt gering wellig (Innen); Ex Libris vor dem Titelblatt; Einband (Außen) hat geringe Gebrauchsspuren; Wenn ich den Beschreibungen im Internet folge, fehlt wohl hier der Band 13; Gewebe (Brauner Leinen)
1975ref. 375130Stuttgart: Klett. 1975. 61; mit Abb. 30x21cm. Zustand: Sehr Gut, eher ungelesen; Kleiner Schrifteintrag vor dem Titelblatt; Mit sieben GOuachen von HAP Grieshaber; Schutzumschlag fehlt, oder es gibt keinen; Halbleinen
2011ref. 172107Venice: L & M Arts 2011. Hardcover. VG- light wear to edges and corners light soiling to boards. Cream cloth boards with gilt stamped lettering. 79 pp. Color and BW illustrations. Catalogue of an exhibition from March 26 to May 7 2011. L & M Arts hardcover books
2018ref. 204577New York NY: Lehmann Maupin Gallery 2018. Softcover. VG. Quarto. Softcover. Illustrated covers. 56 pages : color illustrations ; 31 cm. "The title of the exhibition is inspired by amateur meteorologist Luke Howard's Essay on the Modification of Clouds which met with great acclaim when it was presented as a lecture in 1802. The poet Mark Strand recently wrote "Clouds are thoughts without words" yet Howard was able to give names to the ungraspable. By classifying and naming the clouds he influenced painters and poets alike. Observing daily atmospheric phenomena in the two cities where the artist divides her time--Durban South Africa where clouds are often tumultuous and Los Angeles where skies are mostly blue--Lou began to make cloud paintings en plein air. This exhibition features the resulting monumentally scaled work The Clouds 2015-2018 recently exhibited in the 21st Biennale of Sydney. Stretching 50 feet across by 23 feet high in Lehmann Maupin's new gallery space The Clouds is comprised of a grid of 600 beaded cloths which are hand sewn in her Durban studio. These cloths become the surface upon which the artist paints and then partially smashes the beads away with a hammer revealing the paint-stained network of thread beneath. The materiality of the cloths is in stark contrast with the groundlessness of passing clouds."--Exhibition press release. Lehmann Maupin Gallery paperback books
2005ref. 210737New York: Aperture 2005. First edition and first printing. Hardcover. 95 pages. Features an essay by Francine Prose. A collection of 45 four color images by Lux. A clean near fine copy in photo-illustrated boards. No dust jacket as issued. Aperture unknown books
2005ref. 40712NY: HarperCollins 2005. First edition first prnt. One of an unspecified number of copies signed by Prose on a tipped-in page as issued by the publisher for promotional purposes. Unread copy in Fine condition in a Fine dustjacket with an archival cover. Hardcovers. 8vo - over 7¾" - 9¾" tall. Prose's twelfth novel. Winner of the Dayton Literary Peace Prize for fiction. HarperCollins hardcover books
2000ref. 9032787New York: HarperCollins 2000. 1st. Hardcover. Fine/Fine. Bound in publisher's original quarter black cloth with gray boards and spine stamped in blue. 6 x 9 1/2 inches. 314 pages. HarperCollins hardcover books
1983ref. 560917New York: Pantheon 1983. Hardcover. Fine/Fine. First edition. Fine in fine dust jacket. Advance Review Copy with slip laid in. A novel. Pantheon hardcover books
1992ref. 83551NY: Farrar Straus Giroux 1992. First edition. 227 pp. Fine in fine dust jacket. SIGNED by Prose on the title page. NY: Farrar Straus Giroux unknown books
2003ref. 419099Washington D.C.: National Geographic 2003. Hardcover. Fine/Fine. First edition. Fine in fine dustwrapper. Inscribed by the author to fellow author Nicholas Delbanco. National Geographic hardcover books
2002ref. 60827NY: HarperCollins 2002. Uncorrected proof for the first edition. Signed by Prose on the title page. Perfect-bound illustrated wraps. Unread copy in Fine condition. Prose's first non-fiction book.Soft Cover. Fine/Not Issued. 8vo - over 7¾" - 9¾" tall. Galley/Proof. HarperCollins paperback books
2011ref. 159646New York: Rizzoli 2011. Hardcover. VG no writing or marks. Color-illus. boards with peach spine. 172 pp. with color images throughout. The first monograph on the popular New York-based artist Will Cotton best known for his large-scale portraits of female nudes in candy-coated dreamlike landscapes. Will Cotton is best known for his depictions of “landscapes” composed of sweets: fondant frostings peppermint sticks marshmallows and cotton-candy clouds often inhabited by languidly posed females. Executed with flawless skill and technique Cotton’s work is an optical delight and is formally resonant with the influences of seventeenth-century rococo paintings the nudes of Bouguereau and Cabanel and the classic American pin-ups of George Petty and Alberto Vargas. Cotton’s figures are often inspired by models such as burlesque performers and fellow artists from the art film and music worlds. This book is a celebration of Cotton’s work in all mediums: prints drawings canvases and public events. In addition to this elegantly designed trade volume a limited edition of one hundred copies accompanied by a signed and numbered print will be available through Pace Prints. Rizzoli hardcover books
2005ref. 19828New York: Aperture 2005. First Edition. Hardcover. Paper pastedown. Like New. Showcasing the work of this most painter-ly of portrait photographers who specialized particularly in portraits of children. Not for Lux the saccharine juvenile portrait though. Her take is in line with Surrealism and the crisply sharp photos show children that look as if they could have been from "The Village of the Damned". The enigmatic quality of the portrayals suggests an intelligence secrets an emotional depth perhaps. The images are ones that linger in the mind! 4to. 28.5 by 25 cm. 95 1 pp. With promo for Aperture magazine that was inserted loosely into the book when first for sale. Aperture hardcover books
2021br. Negli ultimi due decenni la storia della lingua italiana ha conosciuto un intenso sviluppo, conquistando una posizione centrale nel panorama degli studi umanistici. Quest'opera in più volumi intende mettere a frutto le innovazioni metodologiche più recenti, per ricostruire quella parte di storia linguistica (la più ampia, non solo cronologicamente) che è legata agli usi scritti dell'italiano. Il risultato è una mappa nitida e aggiornata: un prezioso strumento di lettura e insieme d'interpretazione complessiva della nostra storia linguistica. A cinquant'anni dall'introduzione della linguistica del testo nel panorama degli studi italiani, i saggi raccolti in questo quinto volume rappresentano la prima sistematica applicazione di quel punto di vista ai testi del passato. Appaiono così evidenti le modificazioni che nel corso dei secoli hanno avuto alcuni dispositivi testuali (i coesivi, i connettivi, la deissi) e il progressivo evolvere di dimensioni come quella dialogica o intertestuale nel lungo percorso dai primi manoscritti fino alla testualità digitale.
Napoli, Antonio e Luigi Marotta, 1794. Nuova edizione accresciuta e ricorretta con l’aggiunta delle poesie latine dell’autore. In 16° grande, PP 310n. Legatura in pergamena, lievemente sciupata.
1994In-8 (cm. 21.30), brossura illustrata, con alette, pp. 135, (9). Il volume contiene i testi: Parlami d’amore Mariù. Il Grigio. Il Dio bambino. Prima edizione. Pagine leggermente ingiallite per la qualità della carta, peraltro in buonissimo stato (very good copy).
1833Mm 100x165 Volume di 224 pagine, legatura in mezza pelle non coeva con fioriture sulle prime e ultime pagine e sul taglio. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
1996ref. sc335Les Cahiers de l'Arbre Broché 1996 In-12 (12,5 x 17,8 cm), broché, 97 pages ; dos et bords des plats brunis, par ailleurs bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
2008ref. 14624TABLE RONDE 2008 272 pages 20 8x2 2x30 8cm. 2008. Broché couverture rempliée. 272 pages. Cet ouvrage rassemble les lettres proses et dessins que Louis Krémer a adressés à son ami poète Henry Charpentier entre 1914 et 1918 offrant un témoignage littéraire atypique sur la Grande Guerre mêlant révolte ironie et lyrisme
1968ref. S475München, Biederstein Verlag, 1968. "Ganzleinen mit Schutzumschlag, 8°, 393 S.,1. Auflage Inhalt: Die Bresche (Ein Vorgang in vierundzwanzig Stunden) - Jutta Bamberger (Ein Fragment aus dem Nachlaß - Das Geheimnis des Reichs (Roman - Anhang (Zur Dokumentation, Zur Textfassung ""Jutta Bamberger"", Nachwort"
