SAMSON & CO (designers)Biblio.com
3 406 résultats
1845réf. 10165Paris 1845. Pen ink and watercolour. Good condition apart from some overall light foxing. A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
1845réf. 10166Paris 1845. Pen ink and watercolour. Very good condition apart from some overall light foxing and a few small horizontal brown marks in the left side of the image. A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
1845réf. 13930Paris 1845. Pen ink and watercolour. Very good condition apart from some light foxing mild creasing a small tear at the right edge of the sheet and a few small brown stains at the far left side of the image. A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
1845réf. 14105Paris 1845. Pen ink and watercolour. Very good condition apart from some light soiling. A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
1845réf. 8611Paris 1845. Pen ink and watercolour. Good condition apart from some overall light soiling minor foxing. A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown books
1845réf. 13949Paris 1845. Pen ink and watercolour. Very good condition apart from some light soiling. A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown books
1845réf. 13946Paris 1845. Pen ink and watercolour. Very good condition apart from some light soiling a small loss in the top right corner and a 3" tear traveling from the left edge of the sheet into the left side of the image. A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown books
1845réf. 13943Paris 1845. Pen ink and watercolour. Very good condition apart from some mild creasing two tiny pinholes in the lower left margin and a 3/8" tear in the top left margin. The design instructions on the print read "les filets sont bleus" A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown books
1845réf. 8621Paris 1845. Pen ink and watercolour. Good condition apart from some overall light soiling minor foxing. Writing in the top right-hand corner reading: "Potiche per genre Berlin of 18-3B" A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown books
1845réf. 10165Paris 1845. Pen ink and watercolour. Good condition apart from some overall light foxing. A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown books
1845réf. 10166Paris 1845. Pen ink and watercolour. Very good condition apart from some overall light foxing and a few small horizontal brown marks in the left side of the image. A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown books
1845réf. 13930Paris 1845. Pen ink and watercolour. Very good condition apart from some light foxing mild creasing a small tear at the right edge of the sheet and a few small brown stains at the far left side of the image. A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown books
1845réf. 14105Paris 1845. Pen ink and watercolour. Very good condition apart from some light soiling. A rare example of an original watercolour design for porcelain by the Samson factory of Paris. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown books
1723réf. 209708Amsterdam: Mortier Pieter 1723. unbound. very good. Map. Engraving with hand outline. Image measures 14" x 18.75". Beautifully detailed map showing the area between the the Black and Caspian Seas including modern day Russia Georgia Azerbaijan Armenia and Turkey. Full original margins have minor stains. Based on the plates by Nicolas Sanson 1600-1667 who is considered the founder of the French school of cartography. In reaction to the prevailing trend of Dutch lavishness Sanson favored minimal details focusing rather on accurate cartography than ornament. Mortier, Pieter unknown
1723réf. 209708Amsterdam: Mortier Pieter 1723. unbound. very good. Map. Engraving with hand outline. Image measures 14" x 18.75". Beautifully detailed map showing the area between the the Black and Caspian Seas including modern day Russia Georgia Azerbaijan Armenia and Turkey. Full original margins have minor stains. Based on the plates by Nicolas Sanson 1600-1667 who is considered the founder of the French school of cartography. In reaction to the prevailing trend of Dutch lavishness Sanson favored minimal details focusing rather on accurate cartography than ornament. Mortier, Pieter unknown books
1705réf. 311838Amsterdam: Petrus Schenk 1705. unbound. Map. Engraving with original hand outline. Image measures 18 7/8" x 22 3/4" Beautiful map of southeastern Europe extending from Italy to Turkey and from Hungary to Cyprus. Published circa 1705 this map depicts the region during the Ottoman-Habsburg wars. In fair condition. Wear to original centerfold with tape repair and stain at bottom edge. Lower margin worn and frayed not affecting the image. Minor cracking and small loss near center due to oxidization of original viridian green coloring. Some foxing. Publisher's crease to upper right corner. Sold as-is. Petrus Schenk c.1660--1711 was a German engraver and cartographer. He began his training in Amsterdam in the art of mezzotint and soon began working closely with Gerard Valck. The two took advantage of the bustling cartographic trade in the city and quickly expanded their business from portraits and prints into maps and globes. In 1700 Schenk grew the business further by moving to Leipzig Germany and opening a shop. As his sons and grandson returned to the Netherlands to become active engravers as well the Schenk firm developed into one of the best-known publishing houses in 18th-century Amsterdam. This map attests to Schenk's prolific production and skill in both cartographic artistry and business. Petrus Schenk unknown books
réf. BN105476Coppenrath. Hardcover. Der Himmel kann noch warten Kinder- und Jugendliteratur Der Himmel kann noch warten Kinder- und Jugendliteratur Coppenrath hardcover
réf. BN105930Impressions nouvelles. Hardcover. Chris Ware la bande dessinée réinventée Chris Ware la bande dessinée réinventée Impressions nouvelles hardcover
réf. BN105020Softcover. La place verte - roman La place verte - roman paperback
réf. BN105048STE ECRIVAINS. Softcover. Le rêve de lumière Le rêve de lumière STE ECRIVAINS paperback
réf. BN105021Softcover. Les yeux bleus - la non-voyance vous écrit Les yeux bleus - la non-voyance vous écrit paperback
1773réf. 4723Au Havre de Grâce, P.J.D.G. Faure, 1773. 1773 2 parties en un fort vol. in-12° (175 x 107 mm) de : 179 pp. (dont titre première partie, table pour trouver lheure des pleines mers, usage de la table et avertissement) ; [3] pp. (table des matières) ; [1] f. bl. ; [2] ff. (titre deuxième partie et avertissement) ; 190 pp. ; [7] ff. (table des latitudes, table des matières) ; 20 figures géométriques gravées sur bois, jolis bandeaux et culs de lampes. Vélin souple d'époque, dos lisse, tache sur le premier plat, rosace sur le second plat.
1690réf. 192941690. S.l. Alexis Hubert Jaillot 1680. Une grande carte 892 x 592 mm compose de deux feuillets contrecolls sous cadre moderne. Attractive 892 x 592 mm carte de la fin du XVIIÂme avec rehauts aquarells du temps. Elle s'orne d'un important cartouche aux armes du Grand Dauphin Louis de France et s'agrmente en marge gauche de la figuration de vaisseaux ayant pris part un combat naval. Kupcik Cartes gographiques anciennes p. 159. Papier trÂs lgÂrement oxyd. Prsence de rares et claires rousseurs ou petites tches. Deux plissures et une infime perforation en marge suprieure droite. Du reste belle condition. b42961 unknown
1690réf. 19294S.l., Alexis Hubert Jaillot, 1680. Une grande carte (892 x 592 mm) composée de deux feuillets contrecollés, sous cadre moderne.
1694réf. 14621Langlois Paris 1694 1 vol. In-12 de 6 ff.n.ch. 264 pp. 12 ff.n.ch. (table), basane fauve de l'époque, dos lisse frottée, pièce de titre, tranches rouges (épidermures et quelques trous de vers sur la reliure).
