6 774 résultats
1929réf. 4050Paris: Librairie Gallimard 1929. Édition originale. In-4° 125 pp avec 2 ill. de Yves Tanguy. Broché couverture rouge de l'éditeur. Exemplaire 119/240 sur vergé d'Arches surrealisme Librairie Gallimard unknown
réf. 1526178745.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1980réf. g5761Geneva: Edito-Service S.A. VG : in very good condition with grey slipcase Slipcase broken. 1980. Limited Edition 864. Grey hardback boards with brown leather spine. 370mm x 260mm 15" x 10". 178pp 42pp. 28 full page illustrations mostly in colour 2 of which are double page. Heavy item - shipping supplement may apply for overseas. . Edito-Service S.A hardcover
réf. 1526121670.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. PJH56641Skira 1969. Ownsership Signatre of Roger Cardinal on endpaper VG bright copy in publishers wrappers with film covering peeling. 1st edition. Roger Cardinal was one of Britains most distinguished art historians best known for defining what is generally known as Outsider Art - that is art by people with no formal training. He began his career as a lecturer at the French department of the University of Manitoba Canada subsequently moving to Warwick University and finally to the University of Kent at Canterbury where he taught for fifty years and held a professorship. Roger Cardinal was not only a leading authority on Outsider Art but also on Surrealism. He was a prolific writer and a master of literary style. His eloquent percipient writings include several books on a wide range of subjects such as Outsider Art 1972 German Romantics in Context 1975 Figures of Reality 1981 Expressionism 1984 The Landscape Vision of Paul Nash 1989 The Cultures of Collecting 1994 and Kurt Schwitters 2011. He also acted as a curator and was a regular contributor to art-historical publications. CardinalÕs interest in art lay in its margins - the neurodiverse psychotic uneducated autistic self-taught and ÔotherÕ. His fascination with artists such as the violently psychotic Adolf Wlfli lay in their creativity rather than in the sensationalism of their lives. Certainly it did not lie in the resale value of their work. That outsider art should have its own multimillion-dollar annual fair in New York and specialist departments at ChristieÕs auctioneers ran quite contrary to CardinalÕs thinking. ISBN B0018JO5E4 Skira 1969 unknown
réf. PJH55582Gallimard Paris 1965. Ownership Signature of Roger CardinalVG in creased publishers decorated wrappers. 1st edition. Roger Cardinal was one of BritainÕs most distinguished art historians best known for defining what is generally known as Outsider Art - that is art by people with no formal training. He began his career as a lecturer at the French department of the University of Manitoba Canada subsequently moving to Warwick University and finally to the University of Kent at Canterbury where he taught for fifty years and held a professorship. Roger Cardinal was not only a leading authority on Outsider Art but also on Surrealism. He was a prolific writer and a master of literary style. His eloquent percipient writings include several books on a wide range of subjects such as Outsider Art 1972 German Romantics in Context 1975 Figures of Reality 1981 Expressionism 1984 The Landscape Vision of Paul Nash 1989 The Cultures of Collecting 1994 and Kurt Schwitters 2011. He also acted as a curator and was a regular contributor to art-historical publications. CardinalÕs interest in art lay in its margins - the neurodiverse psychotic uneducated autistic self-taught and ÔotherÕ. His fascination with artists such as the violently psychotic Adolf Wlfli lay in their creativity rather than in the sensationalism of their lives. Certainly it did not lie in the resale value of their work. That outsider art should have its own multimillion-dollar annual fair in New York and specialist departments at ChristieÕs auctioneers ran quite contrary to CardinalÕs thinking. Gallimard (Paris) 1965 unknown
réf. PJH55663University of Nebraska Press 1988. Ownership Signature of Roger Cardinal Signed Presentation to him on title page from Translator Renee Riese Herbert VG in publishers cloth in like dustjacket faded evenly to spine. 1st edition. Roger Cardinal was one of Britains most distinguished art historians best known for defining what is generally known as Outsider Art - that is art by people with no formal training. He began his career as a lecturer at the French department of the University of Manitoba Canada subsequently moving to Warwick University and finally to the University of Kent at Canterbury where he taught for fifty years and held a professorship. Roger Cardinal was not only a leading authority on Outsider Art but also on Surrealism. He was a prolific writer and a master of literary style. His eloquent percipient writings include several books on a wide range of subjects such as Outsider Art 1972 German Romantics in Context 1975 Figures of Reality 1981 Expressionism 1984 The Landscape Vision of Paul Nash 1989 The Cultures of Collecting 1994 and Kurt Schwitters 2011. He also acted as a curator and was a regular contributor to art-historical publications. CardinalÕs interest in art lay in its margins - the neurodiverse psychotic uneducated autistic self-taught and ÔotherÕ. His fascination with artists such as the violently psychotic Adolf Wlfli lay in their creativity rather than in the sensationalism of their lives. Certainly it did not lie in the resale value of their work. That outsider art should have its own multimillion-dollar annual fair in New York and specialist departments at ChristieÕs auctioneers ran quite contrary to CardinalÕs thinking. ISBN 0803210213 University of Nebraska Press 1988 hardcover
réf. PJH55844Prentice - Hall 1970. Ownership Signature of Roger Cardinal on endpaper with some of his marginal markings in the text VG bright tight copy in cloth backed decorated boards in like slightly dusty dustjacket. 1st edition. Illustrated throughout. In the New Library of French Classics Series. Roger Cardinal was one of BritainÕs most distinguished art historians best known for defining what is generally known as Outsider Art - that is art by people with no formal training. He began his career as a lecturer at the French department of the University of Manitoba Canada subsequently moving to Warwick University and finally to the University of Kent at Canterbury where he taught for fifty years and held a professorship. Roger Cardinal was not only a leading authority on Outsider Art but also on Surrealism. He was a prolific writer and a master of literary style. His eloquent percipient writings include several books on a wide range of subjects such as Outsider Art 1972 German Romantics in Context 1975 Figures of Reality 1981 Expressionism 1984 The Landscape Vision of Paul Nash 1989 The Cultures of Collecting 1994 and Kurt Schwitters 2011. He also acted as a curator and was a regular contributor to art-historical publications. CardinalÕs interest in art lay in its margins - the neurodiverse psychotic uneducated autistic self-taught and ÔotherÕ. His fascination with artists such as the violently psychotic Adolf Wlfli lay in their creativity rather than in the sensationalism of their lives. Certainly it did not lie in the resale value of their work. That outsider art should have its own multimillion-dollar annual fair in New York and specialist departments at ChristieÕs auctioneers ran quite contrary to CardinalÕs thinking. Prentice - Hall 1970 hardcover
réf. PJH55941Holmes & Meier 1962. Ownership Inscription of Roger Cardinal and with his marginal notes throughout. VG bright tight copy in publishers cloth in rubbed chipped and creased dustjacket.Illustrated throughout. Roger Cardinal was one of BritainÕs most distinguished art historians best known for defining what is generally known as Outsider Art - that is art by people with no formal training. He began his career as a lecturer at the French department of the University of Manitoba Canada subsequently moving to Warwick University and finally to the University of Kent at Canterbury where he taught for fifty years and held a professorship. Roger Cardinal was not only a leading authority on Outsider Art but also on Surrealism. He was a prolific writer and a master of literary style. His eloquent percipient writings include several books on a wide range of subjects such as Outsider Art 1972 German Romantics in Context 1975 Figures of Reality 1981 Expressionism 1984 The Landscape Vision of Paul Nash 1989 The Cultures of Collecting 1994 and Kurt Schwitters 2011. He also acted as a curator and was a regular contributor to art-historical publications. CardinalÕs interest in art lay in its margins - the neurodiverse psychotic uneducated autistic self-taught and ÔotherÕ. His fascination with artists such as the violently psychotic Adolf Wlfli lay in their creativity rather than in the sensationalism of their lives. Certainly it did not lie in the resale value of their work. That outsider art should have its own multimillion-dollar annual fair in New York and specialist departments at ChristieÕs auctioneers ran quite contrary to CardinalÕs thinking. ISBN 0841907307 Holmes & Meier 1962 hardcover
réf. A9780195305968Hardback. New. hardcover
1972réf. 021671New York: Harcourt Brace Jovanovich. Original white cloth. Complete in 2 vols. First American Edition. Fine in Near Fine Dust Jackets in Near Fine Slipcase. . Near Fine. Hardcover. 1st Edition. 1972. Harcourt Brace Jovanovich hardcover
1963réf. ART-MX-1963-1845México 1963 UNAM. Tela con camisa 4to menor 24 cm. 41 pp. de texto y 209 ilustraciones numeradas. Colección de Arte 15. En buenas condiciones ligeras roturas en camisa interiores impecables. UNAM paperback
réf. 45338426-nnew. unknown
réf. 28606054-nnew. unknown
réf. 47360916-nnew. unknown
réf. 2070361209.Gpocket_book. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
réf. 2070754073.Gmass_market. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
réf. 45542157-nnew. unknown
réf. 0803210213.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1936réf. mon0000013934Deno�l 1936. Unknown Binding. Good. in x in x in. Fast Despatch by First Class Royal Mail Deno�l unknown
1988réf. 250916009Univ of Nebraska Pr 1988. Hardcover. Clean & Unmarked/Very Good. 4x0x7. A very clean and straight copy with clean text and a sturdy binding. Price clipped jacket has only ver slight wear and is still bright. 101 pp. Univ of Nebraska Pr hardcover
1931réf. 49605Paris: Editions surrealistes Les Editions Denoel et Steele 1931. Hardcover. Fine. 4to pp. 83 5 errata leaf tipped in at end. Full leather design binding with original wrappers bound in with cancel slip over publisher's imprint on the title page and upper cover of the original red paper wrapper. The work is a collection of poems by Louis Aragon published in 1931. A radical turning point in his career marking the end of his Surrealist phase and his full commitment to communist political engagement. The collection comprises thirteen long poems characterized by violent imagery and destruction. It opens with the well known and highly politicized poem Front rouge which calls for the violent overthrow of capitalism and celebrates proletarian revolution. A couple of pamphlets relating to "Front Rouge" are loosely inserted. Finely bound by Georges Leroux in full grey morocco with gilt spine lettering and thick sculpted black leather onlays depicting oppressive figures marked with red inlays to their heads above figures without red inlays. A striking design binding in fine condition. Housed in a red card chemise with a felt-lined interior together within a matching red card slipcase. From a total edition of 1015 copies this being no. 675. Editions surrealistes [Les Editions Denoel et Steele] hardcover
1524réf. 7312Valencia 1524. Hardcover Tapa dura. 320x220mm. 12½x8¾". Manuscrito. Dado en Valencia a 23 días del mes de diciembre de 1524. En folio 320 x 220mm. 6 hojas sobre pergamino. Escritura cursiva. 32 líneas por página. Letras iniciales doradas. Firma autógrafa de Germana de Foix. Guardas de papel. Manuscrito de excepcional importancia dado por Germana de Foix viuda de Fernando el Católico reina de Aragón y Lugarteniente General en el Reino de Valencia en nombre del Emperador Carlos V y de su madre Doña Juana actúa como "Lugarteniente general de este dicho reyno de Valencia" y hace relación de los graves desmanes cometidos por las Germanías y a las familias valencianas a las que concede el indulto imponiéndoles una fuerte sanción económica. La rebelión de las Germanías fue un conflicto que se produjo en los reinos de Valencia y Mallorca a comienzos del reinado de Carlos I entre 1519 y 1523. Tuvo lugar paralelamente a la rebelión de las Comunidades de Castilla. Fue un movimiento social y político complejo de origen urbano pero que se extendió por todo el territorio con tintes antiseñoriales y que desencadenó una guerra civil. Gran parte de los artesanos y campesinos se enfrentaron a los señores territoriales y sus vasallos con especial presencia de los mudéjares. El emperador apoyó al bando señorial que fue el que finalmente salió victorioso. Tras la toma en marzo de 1522 de la ciudad de Valencia y la ejecución de los rebeldes con su líder Vicente Peris al frente la rebelión de las Germanías tocaba a su fin. Únicamente Játiva y Alcira quedaron bajo dominio agermanado lo que dio lugar a un rebrote de la rebelión esta vez acaudillada por un misterioso personaje conocido por "El Encubierto". Sin embargo tras el asesinato en Burjasot de "El Encubierto" en mayo de 1522 por dos seguidores suyos para cobrar la recompensa ofrecida por el virrey y la caída de Játiva y Alcira se produce la derrota definitiva de los agermanados nombrándose virreina de Valencia a Germana de Foix la cual gobernó duramente hasta su muerte. Germana de Foix Foix Francia 1488 - Liria Valencia 1536 esposa de Fernando II de Aragón El Católico fue reina consorte de Aragón 1505-1516 tras enviudar se casó con Juan de Brandeburgo en 1519. A lo largo de su reinado Germana de Foix ejerció como lugarteniente general durante las ausencias del rey Fernando y en 1523 fue nombrada virreina de Valencia 1523-1536 por el Emperador Carlos V cargo que ejerció hasta su muerte. Instalada como virreina de Valencia en el Palacio Real reprimió desde allí con severidad y brutal fuerza el movimiento de las germanías. Finalmente el día 23 de diciembre de 1524 Germana concedió un indulto a los "perayres" en este documento oficial que es considerado como uno de los primeros redactados en castellano en el Reino de Valencia. En el documento se hace una relación de las familias valencianas que lucharon con los rebeldes en las Germanías y se les concede indulto a cambio de fuertes sanciones económicas incautación de bienes tierras y astronómicas multas algunas de entre 1-2 millones de ducados en conceptos de indemnización y daños causados cantidades imposibles de pagar tanto a particulares como a gremios y gobiernos municipales implicados en la revuelta. hardcover
réf. 131861Juan García Infanzón 1707 Madrid. . 21x15. Pergamino de época. 446tabla de contenidos. Papel de hilo. Encuardernación con presillas. Pequeña perforación en el lomo. E9674 Juan García Infanzón, 1707, Madrid. unknown
1630réf. 8926Napoles: Lázaro Scorrigio 1630. Hardcover Tapa dura. 213x157mm. 8½x6¼". Napoles Lázaro Scorrigio 1630. 2 obras en un volumen. En 4º 213 x 157mm. -I: 8 152 pp. -II: 20 1991 pp. Reencuadernado en pergamino de época guardas renovadas. Primera edición del "Espejo del Duque de Alcalá" y segunda edición la primera 1628 del "Exemplar de la constante paciencia" las dos obras de la constancia política y educación de príncipes de Francisco Lanario y Aragón duque de Carpiñano. Estos tratados posiblemente contratados por el Conde Duque de Olivares se encargaron para refutar las tesis de fray Juan de Santa María y su Tratado de la República. Lázaro Scorrigio hardcover
