Surrealisme - Breton, AndreBiblio.com
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1956réf. 17898AB1956. no. 1- 5. Octobre 1956 - Printemps 1959. Paris Pauvert 1956 - 1959. 195 : 195 cm. With many partly coloured plates and illustratins. Coloured illustrated original wrappers. The complete collection rare. The illustrated covers are by Duchamp Molinier Max Bellmer and Arp. - Without the two enclosures. - Spine of vol. 1 demages otherwise in good condition. Paris: Jean-Jacques Pauvert Éditeur 1957-1959. Sm.8° Sq. - 5 Volumes - 156-167-95-54-64 pages - Colour & B/w reproductions. Complete Collection of Le Surréalisme même/Surrealism itself: is one of the major surrealist journals of the post-war period gathering the works and the remarks of Kostas Axelos Jean-Louis Bédouin Hans Bellmer André Breton Leonora Carrington Georges Darien Adrien Dax Marcel Duchamp Léo Ferré Abel Gance Julien Gracq Nelly Kaplan Joyce Mansour Mayoux ELT Mesens Nora Mitrani P.L. Palau Octavio Paz Benjamin Peret Fernando Pessoa André Pieyre of Mandiargues Man Ray Magloire Saint-Aude. First edition text in French language. Original wrappers. unknown
1961réf. 17854AB1961. Volume 1 - 4 off 8. Paris La Terrain Vague 1961 - 1963. 23 : 15 cm. With many illustrations. Illustrated original wrappers. First edition of the first 4 issues of this rare journal a total of 8 issues was published. With literary contributions by Andre Breton Gérard Legrand Paul Nougé Jean-Claude Silbermann etc. and illustration by Dali Kubon Schroeder-Sonnenstern René Magritte Konrad Klapheck and others. llustrées.Revue littéraire et artistique parue sous la direction de André Breton. 8 numéros en 8 livraisons du n° 1 octobre 1961 au n° 8 novembre 1965.Dernière revue dirigée par André Breton elle prend fin à sa mort. Comité de rédaction Robert Benayoun Gérard Legrand José Pierre Jean Schuster. Textes et illustrations de Pierre Alechinsky Arrabal Vincent Bounoure Annie Le Brun Ghérasim Luca René Magritte. - unknown
1950réf. 16861AB1950. Heidelberg Lambert Schneider 1950. 30 : 235 cm. 90 pages with 36 illustrations 16 1 coloured plates. Original boards First edition. - Introduction into surreal literature and painting on psychoanalytiv basis.based on the method of the complex psychology of C.G. Jung as well as the psychoanalysis of Freud. Very well documented. Treats the most important movements of modern art 'the presurrealist poems' Jarry Rimbaud Lautremont Apollinaire 'the surrealist m ovement' 'the surrealist authors' all important authors 'the painting of surrealkism' most detailled about Max Ernst specially the collage's of Max Ernst. The first issue of 'Un Semaine de Bonté' 'Le Lion de Belfort' and the paintings which are especially typical for surrealism are analyst in-depth. hardcover
réf. 78411A collection artwork artist books and letters sent from artist Mark Ryden to fellow artist Patrick Eddington. Mark Ryden b.1963 is a painter and graduate of Art Center College of Design in Pasadena. He is considered to be part of the Lowbrow or pop surrealist art movement and was dubbed "the god-father of pop surrealism" by Interview magazine. In 2015 Artnet named Ryden and his wife painter Marion Peck the king and queen of Pop Surrealism. Patrick Eddington 1953-2016 was a beloved high school art teacher and artist who worked at Salt Lake City's Highland High School. He earned his BFA and Masters in Education from the University of Utah. Eddington created numerous etchings prints and paintings some of which are now held in the Henry Miller Estate Collection and the Miriam Patchen Collection. Eddington was the co-owner and operator of the publishing company Green Cat Press which focused on publishing literary broadsides as well as art prints. Eddington carried on extensive correspondence throughout his life with a staggering number of writers and visual artists. His charming and persuasive letters convinced many to engage him in lengthy correspondences. Eddington was also a generous gift-giver and was eager to forge connections among the writers and artists that he knew and admired Utah's Art Magazine website "A Passion for Arts and Letters. And Cats. Remembering Pat Eddington" April 5 2016. unknown
réf. 69-1683Iowa City: Dada/Surrealism The University of Iowa 1988. 8vo. circa 148 pp. Soft Cover Very Good B&W Plates. Iowa City: Dada/Surrealism, The University of Iowa, 1988 paperback
réf. 69-1699Iowa City: Dada/Surrealism The University of Iowa 1985. 8vo. circa 190 pp. Soft Cover Very Good B&W Plates. Iowa City: Dada/Surrealism, The University of Iowa, 1985 paperback
1995réf. 27755Lincoln:: University of Nebraska Press 1995. First Printing of the First US Edition. A Near Fine copy faint remainder stamp in a Fine dust jacket. Free Rein is a gathering of seminal essays by André Breton the foremost figure among the French surrealists. Written between 1936 and 1952 they include addresses manifestoes prefaces exhibition pamphlets and theoretical polemical and lyrical essays. Together they display the full span of Breton’s preoccupations his abiding faith in the early principles of surrealism and the changing orientations in light of crucial events of those years of the surrealist movement within which he remained the leading force.Having broken decisively with Marxism in the mid-1930s Breton repeatedly addresses the horrors of the Stalinist regime which denounced him during the Moscow trials of 1936. He argues for the autonomy of art and poetry and condemns the subservience to “revolutionary” aims exemplified by socialist realism. Other articles reflect on aesthetic issues cinema music and education and provide detailed meditations on the literary artistic and philosophical topics for which he is best known. Free Rein will prove indispensable for students of Breton surrealism and modern French and European culture. University of Nebraska Press, unknown
1975réf. 27168New York:: Macmillan 1975. First Printing of the First US Edition. A Fine copy in a Fine uinclipped dust jacket. Thirion a French revolutionary was a prominent member of the French avant-garde involved in the Marxist-surrealist movement in Paris after World War I. His fellow "revolutionaries" included the likes of Breton Aragon Dali Miro and Giacometti. Thiron joined the Communist party in 1925 and he joined the surrealist movement in 1928. He was a friend of Louis Aragon and Georges Sadoul and was active with the surrealists between 1928 and 1934. During the Second World War he joined the Gaullist resistance. Thiron's autobiography captures the lost period between the wars and the rise in ideological disputes that followed; it is the journal of one man's devotion and disillusionment when the world was changing in revolutionary ways. Macmillan, unknown
1991réf. 27282New York:: Thames & Hudson 1991. First Printing of the First Edition. A Fine copy in a Fine dust jacket. The author provides a narrative history of the Surrealist movement of the 1920's in Paris and an analysis of the major Surrealist literature accented by Parisian photographs by Micahel Woods. Uncommon in the hardcover. Thames & Hudson, hardcover
1950réf. 9830Munich West Germany 1950. Four original ink drawings on paper various sizes roughly 14x10" up to 20x14". Two are dated "24 X 50" and perhaps from a series with roman numerals IV and V. Another is dated "20 XII 50" and the last simply dated 52. Some light foxing and a few faint stains and smudges corners occasionally bumped. Residue from old adhesive on back of one of the larger images the two smaller pieces matted. Generally very good. A cohesive group of four surrealist ink drawings by Rolf Engler active in West Germany in the early 1950s as both painter and experimental filmmaker associated with the Munich film industry. The drawings dated across the years 1950-1952 fall squarely within the period of Engler's work on the animated short Der Traum in Tusche A Dream in Ink 1952 an abstract animated film employing fluid ink imagery and experimental animation to explore the psychological devastation of war lingering guilt and unresolved trauma through dreamlike and nightmarish forms. The Harvard Film Archive described the work as "an animated fantasy film with nightmarish aspects including not overly allegorical references to the more recent past made by a genius of the FRG animation art." Der Traum in Tusche received a prestigious Bundesfilmpreis in 1953 and was later screened at the Locarno International Film Festival and other such events. Though we have not been able to view the film the present drawings exhibit the same visual language described: surreal figures distorted anatomy and shifting dreamlike forms rendered in bold ink line and fluid drawing techniques that formed the basis of Engler's experimental animated work. Two pieces bear Roman numeral notation suggesting a conceptual or sequential framework consistent with animation-adjacent production methods. We find it very likely these drawings were either used or heavily influential in Traum in Tusche or other projects of Engler's from this time period. We find documents and scripts by Engler held in the Landesrchive in Nordrhein-Westfalen though we have not been able to find examples of his artwork. A rare surviving group of works on paper from the formative years of postwar German experimental animation preserving the hand of an elusive but historically important mid-century artist and filmmaker. . unknown
1957réf. 32435Paris: Le Surréalisme même 1957. A remarkably well-preserved specimen; minor bump to upper corner else fine. Bifolium sheet 10.5 inches. Questionnaire from the editors of the post-War Surrealist organ Le Surréalisme même soliciting insights into the phenomenon of striptease in response to Roland Barthes' essay on the matter in Mythologies. With separate sets of questions posed to the questionnaire's male and female recipients including Balthus George Bataille Hans Bellmer Roger Caillois Leonora Carrington Jacques Lacan Meret Oppenheim and Alain Robbe-Grillet. Paris: Le Surréalisme, même unknown
1924réf. 2729Paris: Imprimerie Croutzet et Depost 1924. First edition. Original wrappers. Very Good. FIRST EDITION of Roche's surreal dadaist roman à clef exposing the misogynistic world of the French avant-garde. With annotations likely in Roche's hand. Like too many women artists of the early twentieth century French writer and artist Juliette Roche 1884 - 1980 has been long overshadowed by her male contemporaries. Roche came of age amidst leading artistic and literary salons of early 20th century Paris. She studied at Académie Ranson then considered the absolute best art school in Paris and was an early adopter of Cubism. However she is most closely associated with Dadaism. Despite Dada being a movement of absolute rebellion it harbored the normalized misogyny of the early twentieth century. Roche's most explicit critique of this discrepancy of rebellion vs repression can be found in La Minéralisation de Dudley Craving Mac Adam her groundbreaking novella. Part satire and part Dada nonsense the thinly veiled roman à clef is a prime example of the daring poetic style that Roche developed while living in New York during World War I. Having watched artistic vanguards come and go in Paris' salons and exhibitions Roche observed the New York City hijinks of Francis Picabia French 1879 - 1953 and Marcel Duchamp 1887 - 1968 with a level of detachment that alluded their American peers. She had close access to Picabia perhaps too close: in 1917 he and his wife Gabrielle Buffet-Picabia moved into an apartment directly beneath one Roche shared with her husband Albert Gleizes a French artist and philosopher who helped popularize Cubism on the Upper West Side. While Roche admired Picabia's iconoclasm she was disturbed by the misogyny she saw in works like his manometres where woman as 'la machine' was at best a manipulable object at worst the butt of a private joke. If taking Roche's ambivalence towards and her neighborly proximity to Picabia into consideration the novella could be inspired in part by an age-old story: pure contempt of one's neighbor. The novella is an indirect indictment of certain illicit behaviors Roche found annoying and dangerous. She synthesizes her fellow expatriates' personalities and physical traits to create the decadent Mac'Adam and the men he encounters on the day of his demise. Picabia becomes Mac'Adam. Swiss writer and boxer Arthur Craven 1887 - 1918 lends his name to the protagonist while becoming Lloyd Willow. Juliette Roche herself appears as Juliette Granite a play on words since roche means rock in French. Roche spins the narrative in poetic and surreal fragments at turns absurd and others told in a stream-of-consciousness style. La Minéralisation moves beyond conventional storytelling to allow readers into the minds of her characters through rich interior monologues revealing in each case her estimation of the particular model's idiosyncrasies. Roche seemed to find the antics of the all-male world of the Dadaists to be too limited and they're wickedly satirized among these pages. Written in ink on the first page is "Publié dans 'La Vie des Lettres' en 1921 / New York 1918" and there are a few words written on page 20 in the same hand. It appears to be Roche's handwriting from the few samples we've seen but we can't guarantee it. Paris: Imprimerie Croutzet et Depost 1924. Thin octavo 33pp terminal blank original printed wrappers stapled as issued; custom box. Small tear and split at top of spine; a near-fine extremely well-preserved copy. EXCEEDINGLY RARE: We can find records of no other copies that have been on the market. References: Burke Carolyn "Recollecting Dada: Juliette Roche." Women in Dada: Essays on Sex Gender and Identity edited by Naomi Sawelson-Gorse MIT Press 1998 557. Imprimerie Croutzet et Depost unknown
1936réf. 2345Paris: Jeanne Bucher 1936. First edition. Original wrappers. Very Good. FIRST EDITION THE PRINTER JACQUES GROU-RADENEZ'S COPY WITH TWO LONG PERSONAL INSCRIPTIONS BY HUGNET. WITH COVER MY MARCEL DUCHAMP. ONE OF ONLY 294 COPIES IN THE EDITION; AN OUT-OF-SERIES COPY LABELED "EXEMPLAIRE NO. G.H.". "This is Georges Hugnet's first volume of 'poemes-decoupages.' The title echoes Andre Mallarme's Un Coup de Des N'Abolira Jamais le hazard 1895 and Hugnet's poems printed on the left-hand pages of the book mirror the unusual spacing and various typefaces and sizes of Un Coup de Des. Hugnet had joined the Surrealists by 1932 and the collages on the right-hand pages centered around nude images cut out of Paris Magazine rehearse typical Surrealist themes. The cover by Marcel Duchamp spells out the title in letters containing the names of a whole Surrealist pantheon including Sade Freud Rimbaud Paracelsus Swift Heraclitus Roussel Chaplin Jarry Uccello and Saint-Juste and also a Man Ray photograph of DuChamp's assisted readymade 'Why Not Sneeze Rrose Sélavy' consisting of 152 marble cubes the size of sugar cubes a thermometer and a cuttlebone inside a small cage" Roth 101 p.92. An extraordinary association copy signed and inscribed twice by Hugnet: On the half-title Hugnet has written a warm inscription dated 1936 the year of publication thanking Grou-Radenez for his work on the book. Beneath that in 1963 he added an additional inscription to the new owner of the book the surrealist photographer Leo Dohmen praising Grou-Radenez who had been arrested and murdered by the Nazi's for hiding Jewish children and aiding the French Resistance. Paris: Editions Jeanne Bucher 1936. Original photographically embossed wrappers hand-sewn as issued; housed in beautiful custom box. Illustrated throughout with black-and-white photo collages several hand-colored. Only mild wear to wrappers; remnants of paper at spine ends we have not been able to confirm that there was originally a paper spine under the external sewing; all other copies we've seen have not had a paper spine. A beautiful copy. Jeanne Bucher unknown
1937réf. 19377SSParis: GLM Guy Lévis Mano 1937. First Edition. wrappers. Very Good /Very Good . Man Ray photos. Man Ray / André Breton Photography is not art. Paris: GLM 1937. Portfolio In-8 9.7" x 6.5" 24.5x16.1cm Issued unbound with twelve halftone photo reproduction plates and with five sheets of text by Andre Breton in blue wrappers. Unspecified print run but in small quantities on cream vellum paper. --- --- Original edition of a charming surrealist work published by Guy Lévis Mano with a preface by André Breton under a poem titled Convulsionnaires and complemented by 12 photographs by Man Ray 1890-1976 reproduced in black on beige glossy paper. Beautiful copy. In sheets with a double black and blue cover the first with a window. In excellent condition. Blue cover with no scratches. Impeccable interior. Slightly browned pages. ---- ---- ---- Emmanuel Radnitsky or Rudzitsky known as Man Ray born August 27 1890 in Philadelphia United States and died November 18 1976 in Paris 6th arrondissement was an American painter photographer and filmmaker who became a naturalized French citizen. A figure of Dadaism in New York then of Surrealism in Paris Man Ray perfected Christian Schad's photogram technique and alongside photographer Lee Miller rediscovered the so-called solarization process. GLM (Guy Lévis Mano) unknown
2005réf. D07HS1011Christie's London 2005. 1st Edition. SOFTCOVER. Extra Large Quarto size 4to. in colour printed stiff card covers 151pp approx 40 lots illustrated in colour some folding plates copious biographical notes etc all the main surrealists represented. Hammer price list stapled to rear leaf __CONDITION : NEW copy. . __We always ship in PROTECTIVE CARD PARCELS Christie's, London paperback
1968réf. 46364New York 1968. First edition. A very good cop a few corner tape marks and pin pricks folds. 17x 22 inches. Published by Allen Van Newkirk later arrested for holding up a Toys-R-Us store in 2005 and who in the 1960s charged the stage during a Kenneth Koch reading firing a pistol loaded with blanks declaring "death to bourgeois poets" the free newspaper of the streets was an important if short lived publication helping to shape the counterculture’s understanding of surrealism’s relationship to contemporary social movements and is perhaps best summed up by the subtitle of this issue taken from the surrealists' open letter in 1925: “Art matters little to us we profoundly hope that revolutions wars and the colonial insurrections will annihilate this Western civilization whose vermin you defend even in the Orient and we call upon this destruction as the least unacceptable state of things for the mind…We assert that we have found treason and whatever else can harm the security of the State more reconcilable with poetry than the sale of ‘large quantities of lard’ to a nation of pigs and dogs." Includes poetry and quotes from Ed Dorn LeRoi Jones Surrealists Rimbaud Smohalla Nez Perce tribe Diane Di Prima Sam Abrams Robert Kelly Margaret Randall Victor Hernandez Cruz and others. And an illustration attributed to “CHE” of a modified weapon designed to launch Molotov cocktails. Scarce. OCLC locates only six copies of this issue: NYU Yale Univ. Kansas Univ. Indiana Northern Illinois Univ. While we could locate a few auction and sales records for other issues we could find none for this issue. unknown
1956réf. 227075Paris: Jean-Jacques Pauvert 1956. First. paperback. very good. With b/w illustrations throughout. 168pp. Tall 8vo green printed wrappers spine ends a bit worn. Paris: Librairie Jean-Jacques Pauvert 1956. A very good copy of this uncommon surrealist periodical. Jean-Jacques Pauvert unknown
1948réf. 27263Paris: Éditions surréalistes 1948. First edition. 13 p. 17 cm. Wrappers fine. One of 30 numbered copies on Marais paper. Fine. An anti-clerical tract signed in type by Adolphe Acker Sarane Alexandrian Maurice Baskine Jean-Louis Bédouin Hans Bellmer Jean Bergstrasser Roger Bergstrasser Maurice Blanchard Joë Bousquet Francis Bouvet Victor Brauner André Breton Jean Brun Pierre Cuvillier Pierre Demarne Charles Duits Jean Ferry André Frédérique Guy Gillequin Arthur Harfaux Jindrich Heisler Georges Henein Maurice Henry Jacques Hérold Véra Hérold Marcel Jean Alain Jouffroy Nadine Kraïnik Jerzy Kujawski Pierre Lé Stan Lélio Pierre Mabille Jehan Mayoux Francis Meunier Nora Mitrani Henri Parisot Henri Pastoureau Benjamin Péret Gaston Puel Louis Quesnel Jean-Dominique Rey Claude Richard Jean Schuster Iaroslav Serpan Seigle Hansrudy Stauffacher Claude Tarnaud Toyen Clovis Trouille Robert Valançay Jean Vidal Patrick Waldberg. Éditions surréalistes unknown
1952réf. 362568Paris: Pour l'Unite 1952. A French election poster from ca. 1951 with a connection to the Surrealists from three printed emblems reading "Bulletin NOIR Les Surealistes." Your cataloger's knowledge of French and French politics after the Second World War is not sufficient to offer an analysis of the poster. One suspects it mostly means the opposite of what it says or that it is a sort of word salad of election-style statements without meaning but draw your own conclusions: Pas de paix! Car la voie est ouverte à l'orgueil la cupidité la violence et le mensonge No peace! Because the way is open to pride greed violence and lies. Écartez le candidat qui préconise la lutte de classe. L'amour seul est constructif! Reject the candidate who advocates class struggle. Love alone is constructive! Published as a supplement to l'homme nouveau no. 97. 17-3/16 by 23-3/4 inches. Good only apparently removed from a wall with some loss to the margins repaired with infill paper. Linenbacked. Pour l'Unite unknown
réf. 9788527308168-11-131946Perspectiva. New. Perspectiva unknown
réf. B295978-1Paris Jean-Jacques Pauvert 1957. No. 2 Printemps 1957 of 5 issues published in all 1956-1959. 167 1pp. Prof. illus. partly in color and with loose insert Le Royaume de la Terre. Sm. oblong 4to. Orig. blue wraps. Contributions by Joyece Mansour André Breton Robert Lebel Benjamin Peret Fernando Pessoa. Illustrations by Leonara Carrington Man Ray Toyen Wolfgang Paalen and Meret Oppenheim. Very good condition. Paris (Jean-Jacques Pauvert), 1957. paperback
réf. B296158-1Argenteuil Robert Radford 1974. 79 1pp. Prof illus. Sm. oblong 4to. Orig. wraps. slightly worn. Ce numéro a été réalisé sous la responsabilité de Stéphane Arbutina Pascal Colard Lionel Labouhume Daniel Radford Robert Radford. Argenteuil (Robert Radford), 1974. paperback
réf. B295115-1Paris Librairie José Corti 1930. 35 1pp. 8 plates including by Man Ray Yves Tanguy and Salvador Dali. 4to. Orig. wraps. slighlty worn. Texts by Breton Éluard Crevel Char Péret Marcel Duchamp Aragon and Georges Sadoul and others. The issue published in Oct. 1930 opens with an advertisement for Breton's First and Second Manifeste du Surrealisme. Paris (Librairie José Corti), 1930. paperback
réf. B295121-1Paris Librairie José Corti 1933. 55 1pp. 8 plates including by Alberto Giacometti René Magritte Max Ernst André Breton Valentine Hugo Salvador Dali Yves Tanguy. 4to. Orig. wraps. Texts by Breton Buñuel Char Tzara and Péret and others. The issue published in May 1933 opens with an advertisement for the next surrealist periodical Minotaure. Paris (Librairie José Corti), 1933. paperback
réf. B295118-1Paris Librairie José Corti 1931. 35 1pp. 8 plates including by Joan Miro Alberto Giacometti Man Ray Valentine Hugo Salvador Dali and Clovis Trouille. 4to. Orig. wraps somewhat worn. Texts by Breton Éluard Char Tanguy Max Ernst Pierre Unik Crevel Aragon and others. The issue was published in Dec. 1931. Paris (Librairie José Corti), 1931. paperback
