DERRIDA, JacquesBiblio.com
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1967rif. 196114Paris: Éditions de Minuit 1967. Constructing deconstruction First edition with the publisher's advertisement leaflet loosely laid in of the work which originated the concept of déconstruction among Derrida's best-known and most controversial texts. Octavo. Original cream card wrappers printed in black and blue. With original glassine jacket. Minimal browning and foxing: still a fine copy. unknown
rif. 23138P., Aux éditions du Seuil, collection “Tel Quel”, 1967, in-8, br., 439 p. Edition originale (pas de grand papier), envoi autographe signé de l’auteur, de sa fine écriture, à Gaëtan Picon: “en le priant d’accepter cet hommage”. Bande annonce jointe et petit prospectus de la revue “Tel Quel”.
1967rif. 50936Paris Minuet 1967. 8vo. Original wrappers. An excellent very nice clean and fresh copy just a tiny bit weak at the inner hinges. Old owner's name to front free end-paper Carl Lemke 13.3.69. 445 3 pp. First edition 20 Septembre 1967 numéro 630 of Derrida's seminal main work the foundational text for deconstructive criticism.1967 marks a turning point in the history of modern philosophy constituting the birth of "Deconstruction". In this one year Derrida publishes all of his three break-through books "De la grammatologie" "L'écriture et la difference" and "La Voix et le phenomene" profoundly altering the course of modern thought. Although all three books are responsible for the introduction of Deconstruction it is primarily "De la Grammatologie" Derrida's magnum opus that has come to be associated with this groundbreaking concept."Jacques Derrida's revolutionary theories about deconstruction phenomenology psychoanalysis and structuralism first voiced in the 1960's forever changed the face of European and American criticism. The ideas in "De la grammatologie" sparked lively debates in intellectual circles that included students of literature philosophy and the humanities inspiring these students to ask questions of their disciplines that had previously been considered improper. Thirty years later the immense influence of Derrida's work is still igniting controversy." Review Spivak's translation of Derrida's "Of Grammatology" 1997.Derrida's concern is to bring to light the binary schema that is hidden in all kinds of texts and ideas of culture. In the present text Derrida brilliantly reveals some of the principles of deconstruction not through theoretical explication but rather by demonstration showing that the arguments promulgated by their subject-matter exceed and contradict the oppositional parameters in which they are situated. Put into other words deconstruction seeks to expose and then to subvert the various binary oppositions that undergird our dominant ways of thinking.The ideas that Derrida here present have had an enormous impact on a number of the human sciences including psychology literary theory cultural studies linguistics feminism sociology and anthropology. Due to this work a whole new world of problematic suppression and marginalisation has become apparent making "De la grammatologie" one of the most important philosophical works of the later part of the 20th century. "One of the major works in the development of contemporary criticism and philosophy". J. Hillis Miller Yale University. unknown
1967rif. 4187Paris: Les Editions de Minuit 1967. First French edition preceding the English translation of this foundational text of deconstructive criticism. Octavo original wrappers. Signed by Jacques Derrida on the half title page. Very good in wrappers with light wear to the extremities. Uncommon especially signed. De la grammatologie by French philosopher Jacques Derrida is one of the foundational text for deconstructive criticism. It is one of three books the others being Speech and Phenomena and Writing and Difference that Derrida published in 1967 and which established his reputation. It discusses writers such as Claude Lévi-Strauss Ferdinand de Saussure Jean-Jacques Rousseau Étienne Condillac Louis Hjelmslev Martin Heidegger Edmund Husserl Roman Jakobson Gottfried Wilhelm Leibniz André Leroi-Gourhan and William Warburton. Les Editions de Minuit unknown books
2001rif. 16632Chicago Illinois U.S.A.: Stanford Univ Pr. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless -- with a bonus offer--; 016632; FRANCE BIOGRAPHY PHILOSOPHY FRENCH AUTOBIOGRAPHY . 2001. 0804737959 . Stanford Univ Pr paperback
2002rif. 57654Indiana Univ Pr. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- with a bonus offer-- . 2002. 0253215080 . Indiana Univ Pr paperback
2004rif. 9517Chicago Illinois U.S.A.: Stanford Univ Pr. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY AVOID WEEKS OF DELAY ELSEWHERE. -- clean and crisp tight and bright pages with no writing or markings to the text. -- -- with a bonus offer--; 009517 . 2004. 0804742979 . Stanford Univ Pr paperback
1990rif. 74975Reunion des musees nationaux. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 142 pp. With 71 ills. 22 col. . 30 x 21 cm. -- with a bonus offer-- . 1990. 2711823776 . Reunion des musees nationaux paperback
2002rif. 57655Stanford Univ Pr. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 404 pages. -- with a bonus offer-- . 2002. 0804738920 . Stanford Univ Pr paperback
1978rif. 50688Johns Hopkins University Press. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text pristine pages clean and unmarked tight to spine - 354 pages -- with a bonus offer-- . 1978. 0801818796 . Johns Hopkins University Press paperback
2010rif. 90983Stanford University Press. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 262 pages. -- with a bonus offer--; Cultural Memory in the Present; Parages brings together four essays by Derrida on the fictions of Maurice Blanchot. Three of the essays—"Living On" "Title To Be Specified" and "The Law of Genre" are by now canonical. The fourth "Pace Nots" as well as Derrida's 1986 introduction to the French edition of the book appear here in English for the first time. This was a breakthrough publication in the analysis of Blanchot a notoriously difficult writer. It is safe to say Derrida contributed much to that writer's reputation in both French and English always insisting on the philosophical pertinence of Blanchot's work to any discussion of the relationship between literature and critical thought. Through patient citation and an ample collocation and readings of Blanchot's various motifs Derrida explores a variety of questions including the limits of genre the procedure of crossing out and the evocation of a non-dialectical and non-privative negativity. The book marks a crucial stage in Derrida's itinerary and provides a context for his later writings on apophatics in such works as On the Name SUP 1995 and his response to Heidegger on death in Aporias SUP 1993. . 2010. 0804735824 . Stanford University Press paperback
2002rif. 57651Stanford Univ Pr. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 304 pages. -- with a bonus offer-- . 2002. 0804744114 . Stanford Univ Pr paperback
1967rif. 50993Paris Minuet 1967. 8vo. Original wrappers. A bit of tanning and soiling to wrappers and usual wear to spine. Internally fine and clean with pencil notes and underlinings by Gardair. 445 3 pp. First edition 20 Septembre 1967 numéro 630 - SIGNED PRESENTATION-COPY FOR JEAN-MICHEL GARDAIR - of Derrida's seminal main work the foundational text for deconstructive criticism.1967 marks a turning point in the history of modern philosophy constituting the birth of "Deconstruction". In this one year Derrida publishes all of his three break-through books "De la grammatologie" "L'écriture et la difference" and "La Voix et le phenomene" profoundly altering the course of modern thought. Although all three books are responsible for the introduction of Deconstruction it is primarily "De la Grammatologie" Derrida's magnum opus that has come to be associated with this groundbreaking concept.Jean-Michel Gardair 1942-2013 was a highly esteemed professor at the Sorbonne and a famous author and translator from Italian into French who also wrote the prefaces for many of the great classics that appeared at Minuet where Derrida also published his main works. He is responsible for enriching French Italianism with an original presence both through his own novels and his critical works through his numerous translations and through his highly esteemed prefaces. "Jacques Derrida's revolutionary theories about deconstruction phenomenology psychoanalysis and structuralism first voiced in the 1960's forever changed the face of European and American criticism. The ideas in "De la grammatologie" sparked lively debates in intellectual circles that included students of literature philosophy and the humanities inspiring these students to ask questions of their disciplines that had previously been considered improper. Thirty years later the immense influence of Derrida's work is still igniting controversy." Review Spivak's translation of Derrida's "Of Grammatology" 1997.Derrida's concern is to bring to light the binary schema that is hidden in all kinds of texts and ideas of culture. In the present text Derrida brilliantly reveals some of the principles of deconstruction not through theoretical explication but rather by demonstration showing that the arguments promulgated by their subject-matter exceed and contradict the oppositional parameters in which they are situated. Put into other words deconstruction seeks to expose and then to subvert the various binary oppositions that undergird our dominant ways of thinking.The ideas that Derrida here present have had an enormous impact on a number of the human sciences including psychology literary theory cultural studies linguistics feminism sociology and anthropology. Due to this work a whole new world of problematic suppression and marginalisation has become apparent making "De la grammatologie" one of the most important philosophical works of the later part of the 20th century. "One of the major works in the development of contemporary criticism and philosophy". J. Hillis Miller Yale University. unknown
1986rif. 62299s. l.: Par l'auteur 1986. Fine. Par l'auteur s. l. 1986 22 x 22 cm une feuille Large original black-and-white photographic portrait by Marc Trivier. Original gelatin silver print unsigned as is the case with most of Trivier's works. A rare original silver print by the celebrated Belgian photographer one of the most secretive contemporary artists who despite early international success chose to restrict his output in order to preserve the coherence of his work. Marc Trivier does not produce new prints of his earlier portraits; moreover the printing paper he once used is no longer manufactured. The artist « réalise lui-même ses tirages sur papier baryté Ilford consacrant plusieurs jours de travail à chacun avec une concentration particulière pour rendre les blancs par contraste avec des noirs d'une rare densité. Un tirage de Marc Trivier ne ressemble à aucun autre. Lorsqu'il accepte de les exposer il les suspend dans des cadres en inox de sa fabrication laissant libre cours à la vie du papier. » Xavier-Gilles « Marc Trivier et la tragédie de la lumière » in Le Monde Libertaire 2011. This « life of the paper » is part of the work itself just as the various alterations photographs undergo when exposed: « Dans les boites les tirages gondolent mais qu'importe : le photographe affectionne ce genre d'accident. » Claire Guillot « Les face à face sans échappatoire du photographe Marc Trivier » Le Monde 2011. Trivier shows a singular sensitivity to the material dimension of his art. Although photography is by nature a medium of multiples his direct intervention throughout the creative process confers an almost autographic aura on these prints. Photographs of artists the insane trees or slaughterhousesMarc Trivier approaches each of these subjects with a gaze at once precise and intense. « Dans sa cosmogonie chaque chose chaque être végétal animal ou humain mérite le même respect. Car tous sont confrontés à la même loi d'airain : la solitude. » Luc Desbenoit. The beauty that emanates from his images arises from this nakedness. There is neither retouching nor cropping. His work consistently preserves the square format emphasized by the square of the negative left visible on his prints. This frame ensnares the gaze in images where the cosmetic distractions of colour are rejected in favour of incisive black and white. With all artifice removed we are not confronted with staged subjects but with presences heightened by a singular radiant light witness to a lived moment rather than a posed one. It is this light intrinsic to the photographic medium that unites Triviers series: « Les photographies de Marc Trivier écrivent une tragédie de la lumière celle-ci n'accueillant les êtres - hommes arbres ou bêtes - qu'en les brûlant avant disparition. » Xavier-Gilles in Le Monde Libertaire. It is also this light stripped of all artifice that endows his works with the aura that makes them so compelling. This « burning » of the light recalls the reality of an instant the « ça a été » of Barthes La Chambre Claire 1980: « De trente-cinq ans de pratique photographique d'obsessions c'est peut-être ça qui reste : un mode d'enregistrement singulier de la brûlure de la lumière décliné d'une image à l'autre en une succession de propositions qui se ressemblent et pourtant chacune est aussi singulière que la fraction de temps auquel elle renvoie. » Marc Trivier. « La photographie ne dit qu'une chose : « C'était. » On ne fixe que ce qui a été. S'il y a une tragédie elle est là. » Marc Trivier Warhol Foucault Beckett Dubuffet . the greatest writers and artists sat for Trivier. At the same time the artist turned his lens to the margins of society to what men would rather not see. He photographed the mentally ill and slaughterhouses setting them in counterpoint to celebrities. From the late 1980s his work was widely acclaimed earning him the prestigious Young Photographer Award from the International Ce Par l'auteur unknown
1967rif. 49775Paris Minuet 1967. 8vo. Original wrappers. An excellent very nice clean and fresh copy with only faint tanning to wrappers. Spine a bit browned. Internally near mint. 445 3 pp. First edition 20 Septembre 1967 numéro 630 - SIGNED PRESENTATION-COPY FOR ANDRÈ GREEN AND WIFE - of Derrida's seminal main work the foundational text for deconstructive criticism.1967 marks a turning point in the history of modern philosophy constituting the birth of "Deconstruction". In this one year Derrida publishes all of his three break-through books "De la grammatologie" "L'écriture et la difference" and "La Voix et le phenomene" profoundly altering the course of modern thought. Although all three books are responsible for the introduction of Deconstruction it is primarily "De la Grammatologie" Derrida's magnum opus that has come to be associated with this groundbreaking concept.This magnificent presentation-copy of Derrida's main work unites two of the greatest intellectual thinkers of the 20th century both having profoundly altered the face of psychoanalysis and intellectual history in general. As Derrida is considered one of the greatest philosophers of the 20th century so André Green 1927 - 2012 is considered one of the most important psychoanalytic thinkers of our times creating what is now known as the Greenian theory of psychoanalysis."Jacques Derrida's revolutionary theories about deconstruction phenomenology psychoanalysis and structuralism first voiced in the 1960's forever changed the face of European and American criticism. The ideas in "De la grammatologie" sparked lively debates in intellectual circles that included students of literature philosophy and the humanities inspiring these students to ask questions of their disciplines that had previously been considered improper. Thirty years later the immense influence of Derrida's work is still igniting controversy." Review Spivak's translation of Derrida's "Of Grammatology" 1997.Derrida's concern is to bring to light the binary schema that is hidden in all kinds of texts and ideas of culture. In the present text Derrida brilliantly reveals some of the principles of deconstruction not through theoretical explication but rather by demonstration showing that the arguments promulgated by their subject-matter exceed and contradict the oppositional parameters in which they are situated. Put into other words deconstruction seeks to expose and then to subvert the various binary oppositions that undergird our dominant ways of thinking.The ideas that Derrida here present have had an enormous impact on a number of the human sciences including psychology literary theory cultural studies linguistics feminism sociology and anthropology. Due to this work a whole new world of problematic suppression and marginalisation has become apparent making "De la grammatologie" one of the most important philosophical works of the later part of the 20th century. "One of the major works in the development of contemporary criticism and philosophy". J. Hillis Miller Yale University. unknown
