4 478 résultats
réf. DADAX073933431XNew unknown
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1887réf. 70933Avec 144 illustrations dont 2 eaux-fortes et 3 planches en couleurs, 1 vol. in-8 reliure postérieure demi-basane à coins marron, dos à 4 nerfs, couvertures conservées, Louis Westhausser, Paris, 1887, VI-327 pp.
1896réf. 14598Douai Chez tous les libraires 1896
1822réf. 28527Paris Colnet, libr. 1822
réf. DADAX0888645503New unknown
réf. 16132Married Women's Property Committee. 'A. Ireland & Co. Printers Pall Mall Manchester.' 1880. 1 16pp. 8vo. In good condition lightly-aged no wraps disbound. No copy of this proof on either COPAC or OCLC WorldCat. Three copies of the report on OCLC WorldCat and none on COPAC or at the British Library. [Married Women's Property Committee.] ['A. Ireland & Co., Printers, Pall Mall, Manchester.'] [1880.] paperback
réf. 16133Married Women's Property Committee. Manchester: Alexander Ireland & Co. Printers. 1879. 39 1pp. 8vo. In good condition lightly-aged no wraps disbound. One copy on COPAC at the Bishopsgate Library and none on OCLC WorldCat. [Married Women's Property Committee.] Manchester: Alexander Ireland & Co., Printers. 1879. paperback
réf. 16172Manchester: Palmer & Howe Bond Street. 1876. 24pp. 8vo. In good condition lightly-aged no wraps disbound. Copies in copyroight libraries. None on market currently. Manchester: Palmer & Howe, Bond Street. 1876. paperback
réf. 16184Published by the London National Society for Women's Suffrage. London: Printed by Spottiswoode & Co. New-street Square Farringdon Street and 30 Parliament Street Westminster. 1869. 24pp. 8vo. In good condition lightly-aged no wraps disbound. Published by the London National Society for Women's Suffrage. London: Printed by Spottiswoode & Co., New-street Square, Farring paperback
1967réf. 31244Montréal Jour, "les romanciers du jour" [1967, 9 février] In-8, 128p. Couverture couleurs à rabats, illustrée d'un portraitsur le rabat, avec la mention : Prix Médicis 1966.
réf. DADAX0415803454New unknown
réf. DADAX0198782438New unknown
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1990réf. 022873Albany CA: Lisbet Publisher 1990. Wraps. Good. Illustrated wraps. Saddle stapled. 8 ½ by 11 inched. 40 pp. including covers. A few illustrations throughout. Single issue of this magazine. Founded in 1989 by Pippa Fleming and Lisbet Tellefsen Ache was created "for and about Black lesbians in the San Francisco Bay Area." See Yale University Online Exhibition for previous and following information. The magazine grew into the Ache Project and was published for five years and provided Black queer women worldwide a venue to share resources get published and build community. This issue with poetry report on a conference on Lesbian and Gay media etc. GOOD condition. Some curling and creasing to the corners and along the spine. Lisbet, Publisher unknown
1985réf. 022786Los Angeles: African Activists Association Presumed Publisher 1985. Unbound. Good. Single sheet folded into four pages. Glossy paper stock. Roughly 8 ½ by 5 ½ inches. Front cover illustration by Asungi. A promotional brochure for an exhibition of art held in commemoration of Black History Month and International Women's Day from March 4-31 1985. The exhibition featured work by Asungi who also curated the event as well as work by activist Angela Y. Davis Pamela Boddie Vera Jackson Gail Jones and others. A symposium subtitled "An overview of Black women artists as social critics" was also held. The exhibition took its name from a famous anti-apartheid song that served as the basis for this slogan. Drawing on this inspiration a multimedia exhibition was created that showcased art by Black women that explored the intersection of racism Black culture and history and feminism. Front cover is art by Asungi who's work explores Black queer and goddess themes much of it recalling mythical themes from Africa. She founded MAMAROOTS: AJAMA-JEBITM an "AfraGoddess sistahoood dedicated to Afracentric spirituality and cultural awareness" quoting Asungi as quoted in Sacred Women of Africa and the African Diaspora: A Womanist Vision an essay by Arisika Razak. As Razak further notes Asungi's work idealizes the form of dark-skinned woman removes it from a male gaze and counters "negative racially charged stereotypes of Black women." It is not clear what Angela Davis may have contributed to the exhibition. GOOD condition. General toning. Minor soiling and edgewear. African Activists Association, Presumed Publisher unknown
réf. DADAX0313360316New unknown
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réf. SONG0803977875Used: Good unknown
réf. DADAX0199267243New unknown
réf. AMA-8093 pp in 8°.
