POULLAIN DE LA BARRE ( François)Livre Rare Book
4 320 résultats
réf. 2544Paris, Jean Dupuis, 112 pp. 118 pp, 112 pp.Deux parties en un volume in-12, pleine basane brune, dos à quatre nerfs orné de fleurons, tranches mouchetées, manques aux coiffes, quelques usures. Reliure d’époque.
1911réf. 68600New York: Mother Earth Publishing Association 1911. Third edition Second revised edition on title page. Hardcover. Good. SIGNED. 277pp. plus 8pp. of publisher's advertisements at the rear. Duodecimo 19 cm Beige cloth over boards with a black ink stamped title on the backstrip and front board and black ink stamped single-ruled borders on the front board. Reproduced photographic frontispiece portrait of the author by T. Kajiwara. Prominent toning to the spine and a large section of the rear board. Cloth a bit frayed at the edges with the underlying boards at times peeking through. Endpapers split along the hinges. Text block cracked at the title page. Name in pencil on the title page. Very occasional brief markings mostly in the form of hatching in pencil and colored pencil. With two newspaper clippings pertaining to Emma Goldman "Red Emma" laid in. A classic of radical literature. Third edition printed on front cover. Emma Goldman was once viewed as "the most dangerous woman in America" and was a thinker so far ahead of her time that even today her views seem strikingly revolutionary. This collection of essays is a magnificent introduction to her thoughts: ranging from her views on women's suffrage and emancipation patriotism's menace to liberty the psychology of political violence the prison system "a social crime and failure" the hypocrisy of Puritanism and the strategies of dissent. These writings all reflect her fearless joyousness her radical dedication to the idea that life is meant to be a source of delight- and that avoiding the meaningless grind of everyday life must be achieved in any way possible. This copy is inscribed not to a specific person by Emma Goldman on the front free endpaper: "Emma Goldman / Portland August / 1916." Emma Goldman 1869-1940 was born in Kovno now Kaunas Lithuania. She grew up in what is now Kaliningrad Russia and in St. Petersburg. Her formal education was limited but she read widely and in St. Petersburg became involved with a radical student circle. She immigrated to the United States in 1885 first settling in Rochester New York then in New Haven Connecticut where she worked in clothing factories and came into contact with socialist and anarchist groups. Subsequently she moved to New York City where in 1893 she was jailed for inciting a riot when a group of unemployed workers reacted to a fiery speech she had delivered. In 1895 upon her release Goldman began lecturing throughout Europe and the United States and later in 1906 Goldman founded Mother Earth a periodical that she edited until its suppression in 1917. Goldman's naturalization as a U.S. citizen was revoked by a legal stratagem in 1908. Two years later she published Anarchism and Other Essays. An early edition of Goldman's famous essays signed by the much revered revolutionary activist author just under a year before she was sentenced to two years in prison for her opposition to the U.S. involvement in World War I and for agitating against mandatory military service. Mother Earth Publishing Association hardcover
1911réf. 68600New York: Mother Earth Publishing Association 1911. Third edition Second revised edition on title page. Hardcover. Good. SIGNED. 277pp. plus 8pp. of publisher's advertisements at the rear. Duodecimo 19 cm Beige cloth over boards with a black ink stamped title on the backstrip and front board and black ink stamped single-ruled borders on the front board. Reproduced photographic frontispiece portrait of the author by T. Kajiwara. Prominent toning to the spine and a large section of the rear board. Cloth a bit frayed at the edges with the underlying boards at times peeking through. Endpapers split along the hinges. Text block cracked at the title page. Name in pencil on the title page. Very occasional brief markings mostly in the form of hatching in pencil and colored pencil. With two newspaper clippings pertaining to Emma Goldman "Red Emma" laid in. A classic of radical literature. Third edition printed on front cover. Emma Goldman was once viewed as "the most dangerous woman in America" and was a thinker so far ahead of her time that even today her views seem strikingly revolutionary. This collection of essays is a magnificent introduction to her thoughts: ranging from her views on women's suffrage and emancipation patriotism's menace to liberty the psychology of political violence the prison system "a social crime and failure" the hypocrisy of Puritanism and the strategies of dissent. These writings all reflect her fearless joyousness her radical dedication to the idea that life is meant to be a source of delight- and that avoiding the meaningless grind of everyday life must be achieved in any way possible. This copy is inscribed not to a specific person by Emma Goldman on the front free endpaper: "Emma Goldman / Portland August / 1916." Emma Goldman 1869-1940 was born in Kovno now Kaunas Lithuania. She grew up in what is now Kaliningrad Russia and in St. Petersburg. Her formal education was limited but she read widely and in St. Petersburg became involved with a radical student circle. She immigrated to the United States in 1885 first settling in Rochester New York then in New Haven Connecticut where she worked in clothing factories and came into contact with socialist and anarchist groups. Subsequently she moved to New York City where in 1893 she was jailed for inciting a riot when a group of unemployed workers reacted to a fiery speech she had delivered. In 1895 upon her release Goldman began lecturing throughout Europe and the United States and later in 1906 Goldman founded Mother Earth a periodical that she edited until its suppression in 1917. Goldman's naturalization as a U.S. citizen was revoked by a legal stratagem in 1908. Two years later she published Anarchism and Other Essays. An early edition of Goldman's famous essays signed by the much revered revolutionary activist author just under a year before she was sentenced to two years in prison for her opposition to the U.S. involvement in World War I and for agitating against mandatory military service. Mother Earth Publishing Association hardcover books
1965réf. 157435San Francisco: Determined Productions 1965. Vintage wall calendar for the year 1966 composed of twelve calendar sheets illustrated with twelve lithographs held together at the top edge with a metal rod. Designed and illustrated by noted fashion artist Betty Brader best known for her work for San Francisco specialty store Joseph Magnin as well as her freelance work for Neiman Marcus in Dallas. Bay Area publisher Determined Productions was founded by Connie Boucher in 1961 largely creating licensed products-including some of the first Peanuts merchandise. The company quickly expanded producing books and ephemera on a variety of topics including astrology the occult and alcohol. With a vibrant feminist overtone the calendar on offer here features illustrations of women from around the world posed in bright and nationally specific garments with text focusing on the way language is often used to discriminate against women. Not found in OCLC. Housed in the original pictorial paper tube. 19 x 14 inches rolled as issued. Calendar sheets Fine. Paper tube Near Fine with light wear at the right end of the tube. Determined Productions unknown
1965réf. 157435San Francisco: Determined Productions 1965. Vintage wall calendar for the year 1966 composed of twelve calendar sheets illustrated with twelve lithographs held together at the top edge with a metal rod. Designed and illustrated by noted fashion artist Betty Brader best known for her work for San Francisco specialty store Joseph Magnin as well as her freelance work for Neiman Marcus in Dallas. Bay Area publisher Determined Productions was founded by Connie Boucher in 1961 largely creating licensed products-including some of the first Peanuts merchandise. The company quickly expanded producing books and ephemera on a variety of topics including astrology the occult and alcohol. With a vibrant feminist overtone the calendar on offer here features illustrations of women from around the world posed in bright and nationally specific garments with text focusing on the way language is often used to discriminate against women. Not found in OCLC. Housed in the original pictorial paper tube. 19 x 14 inches rolled as issued. Calendar sheets Fine. Paper tube Near Fine with light wear at the right end of the tube. Determined Productions unknown books
réf. 391532 volumes in-12 (175 x 114 mm), plein parchemin ivoire à petit recouvrement (reliure moderne), (10) f., 344 p., (1) f. d’errata et (1) f., 298 p., (7) f. d’errata et de table, exemplaire entièrement non rogné. La Haye, P. Gosse, J. Neaulme & Comp., 1726.
1840réf. 44426Paris ; Londres, H.-L. Delloye, éditeur ; W. Jeffs, libraire, 1840. In-8 de LI-(3)-412 pp., demi-toile verte, dos lisse orné de filets à froid, couverture jaune imprimée conservée (relié vers 1870).
1555réf. 42249Paris, Jean d’Allyer, 1555. In-4 (161 x 232 mm) (6)-256-(3) ff. et 1 feuillet blanc (erreurs de pagination sans manque), demi-maroquin brun, dos à nerfs, tranches rouges (reliure du XIXe siècle).
réf. 60342BBo.J. [6 Warenabbildungen] Niki de Saint Phalle, (eigentlich Catherine Marie-Agnès Fal de Saint Phalle), geboren am 29. Oktober 1930 in Neuilly-sur
1795réf. 42285S.l.n.d., , (1795). Manuscrit in-folio broché de 4 pp. à 62 lignes par page.
1517réf. 41471Paris, Jehan Petit, (1517 ca). In-16 gothique (87 x 119 mm) de (259) ff. (sign. A-Z , a-i , k ), veau fauve glacé, dos orné à nerfs, pièces de titre en maroquin fauve et vert, triple filet doré d'encadrement sur les plats, filet et frise dorées intérieures, tranches dorées (Petit succr de Simier).
1555réf. 41984Paris, Jean d’Allyer, 1555. In-4 (165 x 239 mm) de (6)-256-(3) ff. (erreurs de pagination sans manque, sign. A4, e2, A-3S4, 3T3), maroquin havane à grains longs, dos orné à nerfs, double filet et fleurons d’angle sur les plats, tranches dorées (bound by C. Lewis).
réf. Cat352United States 1980. Approximately 170 pieces; see below for full inventory. Conditions vary; generally very good to excellent. An archive of material belonging to Rosemary Gaffney -2024. Gaffney lived in the New York City area with her partner Joyce Vinson; the two were involved in a number of feminist activist organizations including the New York Radical Feminists NYRF the National Organization for Women NOW-NYC and the Women's Liberation Center. Gaffney was a performer involved in filmmaking with Women Make Movies WMM and an employee at Mother Courage for the entire duration that the restaurant was in business from 1972 to 1977. She also collected feminist literature and material from across the country. The collection spans several decades and includes numerous publications event flyers and behind-the-scenes notes from feminist groups. It is highlighted by collections of material related to WMM-particularly the 1976 short Healthcaring: From Our End of the Speculum-women's theater and performance and women's health. The film and performing arts material records the efforts women put in to carve out a space for their own work in creative fields that were then disproportionately composed of men while the women's health material documents some of the early organizing around issues that arose from the similar underrepresentation of women and their issues in healthcare. Interestingly the two topics intersect in the archive particularly in Healthcaring but also in projects like the "Mental Prisoners Liberation" screening at the Kitchen which suggests a connection to the psychiatric survivors movement. These materials are of interest to researchers not just of feminist history but also the history of women in film and the arts; working both in performance and healthcare; and in patient activism. The following description begins with these materials before turning to the remainder of the collection: Other Original and Unpublished Material; NYRF; Women's Strike for Equality; NOW; The Women's Liberation Center; Mother Courage Restaurant; Other Events and Organizations; and Other Publications. Women Make Movies WMM Founded in 1969 by Ariel Dougherty Sheila Paige and Dolores Bargowski Women Make Movies is a non-profit feminist film organization based in New York City. It started as a workshop to teach local women to make films and expanded to include screenings and film distribution. Today WMM distributes films from nearly thirty countries and its films have played at Sundance and Cannes. Though generally not found in OCLC some items offered here may appear in WMM collections at the MoMA and the Academy Film Archive or in the Ariel Dougherty collection at Harvard University. The present collection includes a significant amount of material on Denise Bostrom and Jane Warrenbrand's 1976 short film Healthcaring: From Our End of the Speculum which is listed in its own section. Items presented in alphabetical order. • Blank WMM letterhead 8 ½ x 11 inches. • Copy of a letter from the IRS to WMM. The letter which addresses the group as "Gentlemen" approves its 501c3 status. 8 ½ x 11 inch photocopy. Very good minus. • Grant application materials two pieces. November 1974 materials sent to Youthgrants for creating the film The Women's Movement: The Past Seven Years by Carol Clement Ariel Dougherty and Sheila Paige. Five pages 8 ½ x 11 inches. With large packet of grant-writing material. • Manuscript notes about a film relating to a women's bank in Bethesda. • MENTAL " PRISONERS " LIBERATION / VIDEOTAPES at the kitchen. A flyer for a screening at the avant-garde Chelsea performance space The Kitchen co-sponsored by The Kitchen and WMM. Titles include He Lives Alone dir. Dixie Beckham N.d.; Chelsea Infants of the Martial Arts dir. Jane Warrenbrand N.d.; and Career Women dir. Lisa Methfessel N.d. The flyer reads in part "The Mental 'Patient' Movement / Radical Alternatives / Social Rejection Stigmas" and "Violence and Psychiatry / The Myth of 'Mental Illness' / Poetry and Music" indicating a connection with the psychiatric survivors movement. Sheet measuring 11 x 18 inches folded in half. Some damage to edges. Very good. • MOVIES / international ♀'s day / SATURDAY MARCH 8TH 1975 / after the march. A flyer for two screenings at Washington Square Methodist Church with proceeds going to the International Women's Day Coalition. Titles include "Fear & Domestic Tranquility" and "The Emerging Woman". Double-sided 8 ½ x 11 inch sheet. Excellent. • Photograph of the WMM c. 1970s photocopy. • "the problem" and "a solution". Promotional material for the films Superwoman dir. Anne Sandys Men's Film no director The Women's Martial Arts Center Teaches no director and The Betrayed Daughter dir. Isabel Castellano Carmen Colon and Toni Santiago. Two sheets 8 ½ x 11 inches. Very good. • WMM Newsletter. Fourteen-page newsletter 8 ½ x 11 inches. Excellent. • "women make movies is women making history" 1973. A flyer advertising WMM and several of its films including Domestic Tranquility dir. Harriet Kriegel 1973; Fear dir. Jean Shaw 1973; and The Women's Happy Tine Commune dir. Sheila Paige 1972. Sheet measuring 8 ½ x 13 ¾ inches folded in half. Small fold to one corner else Near Fine. Feminist film conference materials. Several pieces concern a 1975 event the Conference of Feminist Film & Video Organizations in Womanhattan which does not appear to have been documented. • "An Ongoing Manifesto". Single 8 ½ x 11 inch sheet. Very good. • "Conference of Feminist Film & Video Organizations in Womanhattan". Eleven-page stapled conference information packet 8 x ½ x 11 inches. Excellent. • "Policy on Freelance Work" written at the conference. Single 8 ½ x 11 inch sheet. Very good. Healthcaring: From Our End of the Speculum. A documentary short film directed by Denise Bostrom and Jane Warrenbrand the film discusses women's experiences as patients with primarily male practitioners especially in obstetrics and gynecology. • Copy of a letter to Lucille Goodman of Brooklyn 1974. A letter asking for financial support for Healthcaring with a short proposal. Two pages 8 ½ x 11 inches. Very good. • Grant application materials from Healthcaring and an untitled film on street harassment possibly A Film on Street Harassment dir. Sheila Paige 1977. These date to early in Healthcaring's production when it had the earlier title
réf. Cat352United States 1980. Approximately 170 pieces; see below for full inventory. Conditions vary; generally very good to excellent. An archive of material belonging to Rosemary Gaffney -2024. Gaffney lived in the New York City area with her partner Joyce Vinson; the two were involved in a number of feminist activist organizations including the New York Radical Feminists NYRF the National Organization for Women NOW-NYC and the Women's Liberation Center. Gaffney was a performer involved in filmmaking with Women Make Movies WMM and an employee at Mother Courage for the entire duration that the restaurant was in business from 1972 to 1977. She also collected feminist literature and material from across the country. The collection spans several decades and includes numerous publications event flyers and behind-the-scenes notes from feminist groups. It is highlighted by collections of material related to WMM-particularly the 1976 short Healthcaring: From Our End of the Speculum-women's theater and performance and women's health. The film and performing arts material records the efforts women put in to carve out a space for their own work in creative fields that were then disproportionately composed of men while the women's health material documents some of the early organizing around issues that arose from the similar underrepresentation of women and their issues in healthcare. Interestingly the two topics intersect in the archive particularly in Healthcaring but also in projects like the "Mental Prisoners Liberation" screening at the Kitchen which suggests a connection to the psychiatric survivors movement. These materials are of interest to researchers not just of feminist history but also the history of women in film and the arts; working both in performance and healthcare; and in patient activism. The following description begins with these materials before turning to the remainder of the collection: Other Original and Unpublished Material; NYRF; Women's Strike for Equality; NOW; The Women's Liberation Center; Mother Courage Restaurant; Other Events and Organizations; and Other Publications. Women Make Movies WMM Founded in 1969 by Ariel Dougherty Sheila Paige and Dolores Bargowski Women Make Movies is a non-profit feminist film organization based in New York City. It started as a workshop to teach local women to make films and expanded to include screenings and film distribution. Today WMM distributes films from nearly thirty countries and its films have played at Sundance and Cannes. Though generally not found in OCLC some items offered here may appear in WMM collections at the MoMA and the Academy Film Archive or in the Ariel Dougherty collection at Harvard University. The present collection includes a significant amount of material on Denise Bostrom and Jane Warrenbrand's 1976 short film Healthcaring: From Our End of the Speculum which is listed in its own section. Items presented in alphabetical order. • Blank WMM letterhead 8 ½ x 11 inches. • Copy of a letter from the IRS to WMM. The letter which addresses the group as "Gentlemen" approves its 501c3 status. 8 ½ x 11 inch photocopy. Very good minus. • Grant application materials two pieces. November 1974 materials sent to Youthgrants for creating the film The Women's Movement: The Past Seven Years by Carol Clement Ariel Dougherty and Sheila Paige. Five pages 8 ½ x 11 inches. With large packet of grant-writing material. • Manuscript notes about a film relating to a women's bank in Bethesda. • MENTAL " PRISONERS " LIBERATION / VIDEOTAPES at the kitchen. A flyer for a screening at the avant-garde Chelsea performance space The Kitchen co-sponsored by The Kitchen and WMM. Titles include He Lives Alone dir. Dixie Beckham N.d.; Chelsea Infants of the Martial Arts dir. Jane Warrenbrand N.d.; and Career Women dir. Lisa Methfessel N.d. The flyer reads in part "The Mental 'Patient' Movement / Radical Alternatives / Social Rejection Stigmas" and "Violence and Psychiatry / The Myth of 'Mental Illness' / Poetry and Music" indicating a connection with the psychiatric survivors movement. Sheet measuring 11 x 18 inches folded in half. Some damage to edges. Very good. • MOVIES / international ♀'s day / SATURDAY MARCH 8TH 1975 / after the march. A flyer for two screenings at Washington Square Methodist Church with proceeds going to the International Women's Day Coalition. Titles include "Fear & Domestic Tranquility" and "The Emerging Woman". Double-sided 8 ½ x 11 inch sheet. Excellent. • Photograph of the WMM c. 1970s photocopy. • "the problem" and "a solution". Promotional material for the films Superwoman dir. Anne Sandys Men's Film no director The Women's Martial Arts Center Teaches no director and The Betrayed Daughter dir. Isabel Castellano Carmen Colon and Toni Santiago. Two sheets 8 ½ x 11 inches. Very good. • WMM Newsletter. Fourteen-page newsletter 8 ½ x 11 inches. Excellent. • "women make movies is women making history" 1973. A flyer advertising WMM and several of its films including Domestic Tranquility dir. Harriet Kriegel 1973; Fear dir. Jean Shaw 1973; and The Women's Happy Tine Commune dir. Sheila Paige 1972. Sheet measuring 8 ½ x 13 ¾ inches folded in half. Small fold to one corner else Near Fine. Feminist film conference materials. Several pieces concern a 1975 event the Conference of Feminist Film & Video Organizations in Womanhattan which does not appear to have been documented. • "An Ongoing Manifesto". Single 8 ½ x 11 inch sheet. Very good. • "Conference of Feminist Film & Video Organizations in Womanhattan". Eleven-page stapled conference information packet 8 x ½ x 11 inches. Excellent. • "Policy on Freelance Work" written at the conference. Single 8 ½ x 11 inch sheet. Very good. Healthcaring: From Our End of the Speculum. A documentary short film directed by Denise Bostrom and Jane Warrenbrand the film discusses women's experiences as patients with primarily male practitioners especially in obstetrics and gynecology. • Copy of a letter to Lucille Goodman of Brooklyn 1974. A letter asking for financial support for Healthcaring with a short proposal. Two pages 8 ½ x 11 inches. Very good. • Grant application materials from Healthcaring and an untitled film on street harassment possibly A Film on Street Harassment dir. Sheila Paige 1977. These date to early in Healthcaring's production when it had the earlier title books
1833réf. YQV-142 volumes in-8 (207 x 122 pp) de 4 ff.n.ch. (faux-titre, titre, dédicace, exergue) et 350 pp. pour le premier volume ; 3 ff.n.ch. (faux-titre, titre, vers d Alfred de Musset) et 383 pp. pour le second (comme dans la plupart des exemplaires reliés à l époque, le relieur a supprimé le dernier feuillet blanc du tome I et le premier feuillet blanc du tome II) ; demi-veau fauve, dos lisses, compartiments de filets et chaînettes ornés de grands fleurons géométriques dorés, roulette en pied, plats recouverts de papier marbré, tranches marbrées dans les mêmes tons (reliure de l époque).
1972Iconic preview issue of Ms. signed and inscribed by its co-founder, Gloria Steinem, upon front cover. This landmark feminist publication was "written for all women, everywhere, in every occupation and profession - women with deep, diverse ambitions, and those who have not yet had a chance to formulate ambition - women who are wives, mothers, and grandmothers, or none of these - women who want to be fully a female person and proud of it. In brief, women who want to humanize politics, business, education, the arts and sciences... in the home, the community , and the nation." - p113. Cover art by Miriam Wosk [1947-2010] depicts frantic eight-armed pregnant woman struggling to satisfy the many demands of her work, marriage and motherhood. 128 pages including such articles as: De-Sexing the English Language; Men's Cycles (They Have Them Too, You Know); Down With Sexist Upbringing; We Have Had Abortions; Why Women Fear Success; My Mother, The Dentist; How To Write Your Own Marriage Contract; The Black Family and Feminism - A Conversation with Eleanor Holmes Norton; The Sexual Revolution Wasn't Our War; Can Women Love Women; The Birth of Individual Architecture; and more. Interesting ads. Complete and unmarked with average wear. Signature and inscription appear more clearly than is indicated in our photos. A very special piece of American feminist history. Book
réf. 000059Huda Sha'rÄwī 1879–1947 Collection of 19 Photographs A group of nineteen individual photographic prints of varying sizes depicting Huda Sha'rÄwī the pioneering Egyptian feminist leader nationalist and founder of the Egyptian Feminist Union. Four photographs are signed by Huda Sha'rÄwī including two dedicated and signed in Paris to Majd ed-Din Nasif. Approximately fourteen are studio photographs taken predominantly in Paris with several examples from Cairo. One notable photograph shows Sha'rÄwī in Egyptian local dress signed by the photographer Lekegian Cairo. The photographs document Sha'rÄwī in both European and Egyptian contexts reflecting her transnational life and public persona during the early twentieth century. Biographical Note: Huda Sha'rÄwī June 23 1879 – December 12 1947 was a leading figure in Egyptian feminism and nationalism. Born into a wealthy family in Minya she was the daughter of Muhammad Sultan the first president of the Egyptian Representative Council. Raised in the seclusion of an upper-class harem she married her cousin Ali Pasha Sha'rÄwī at the age of thirteen. A later separation allowed her to pursue formal education and develop an early sense of independence. Educated in Quranic studies Arabic Turkish and Islamic subjects she also wrote poetry in Arabic and French. Her memoir Harem Years: The Memoirs of an Egyptian Feminist 1879–1924 remains a key source for understanding her life and era.
réf. 14713In 8 broché 195x150mm,faux titre,VIII,208 pages, quelques illustrations hors texte sur papier couché.P.CARRERE maître imprimeur Rodez,E de BOCARD Paris.15 janvier 1927.Quelques rousseurs éparses
réf. AMA-959Publisud, 1991. in 8°, broché. 262 pp., [1 f.], illustrations hors texte.
réf. 230404FEFormat 12 x 28 cm, 88 pages, éditions Noir (Genève) 1977. Le présent volume réunit (avec 10 pages de présentation et un portrait de M. Faas) la réimpression en fac-similé des 17 numéros de ce bulletin, « Organe des femmes travaillant dans les usines, les ateliers et les ménages » parus en 1907 et 1908. Margarethe Faas lancera « L’exploitée » en 1907, après la grève générale du canton de Vaud. Le 1er n° sort en mai, la parution s’arrêtera avec le n° de septembre/octobre 1908, certainement par manque d’argent. Le départ de M. Faas de la Direction de l’Union des Syndicats Suisses début 1909 entérinera l’arrêt. 20€, 6€, LV
