4 439 résultats
réf. 3390475 pages in4 - bon état - râtures et corrections -
réf. 4706Manuscrit autographe de 9 pages comportant de nombreuses corrections et ratures, monté sur papier ligné (montage postérieur).Autograph manuscript of 9 pages with numerous corrections and erasures, assembled on lined paper (posterior assembly).
1997réf. 32927Montréal Éditions Louis Lacerte et Atelier-Galerie A. Piroir 1997 In-4 illustré, n.p., 6 cahiers : 3 de textes et 3 pour les 12 gravures (25 x 25 cm)
réf. 39537In-12 (148 x 82 mm), maroquin olive, dos à cinq nerfs, coupes et coiffes filetées or, large dentelle intérieure, tranches dorées sur marbrures (reliure janséniste signée de R. Petit), (6), 338 pages, (1) feuillet de privilège. Paris, Claude Barbin, 1685.
réf. 395463 volumes in-12 (163 x 92 mm), veau moucheté brun, dos à cinq nerfs, titre et tomaisons dorés, tranches mouchetées (reliure janséniste de l'époque). (4), III, 632 p.; (4), 651 p. et (6), 576 p. Utrecht, Aux Depens de la Compagnie, 1742-1744.
réf. 38657In-8, (260 x 143 mm), broché, couverture imprimée de l'éditeur, 224 p., (1) f. d'achevé d'imprimer. Paris, Gallimard, 1945 (Paris, Chantenay imprimeur, 25 juillet 1945).
réf. 13980881Bruxelles: Berthod, 1834 2 ouvrages reliés en 1 volume in-12, 161-(2) pages et 288 pages. Demi reliure toile rouge, plats lég. frottés, pâle mouillure angulaire dans le 2è ouvrage, autrement bon état de ces deux ouvrages fort rares (le premier ouvrage en édition originale) de Zoé Gatti de Gamond (1808-1854), éducatrice et féministe belge d'abord saint-simonienne puis fouriériste.
réf. 39208In-12 (147 x 88 mm), maroquin taupe, dos janséniste à 5 nerfs, titre et date dorés, coiffes guillochées, double filet sur les coupes, dentelle intérieure, tranches dorées sur marbrures, (reliure signée Trautz-Bauzonnet), (8), 223 p., (25) p. de catalogue, titre rouge et noir orné d’un fleuron, portrait frontispice gravé. Amsterdam, Michel Charles le Cene [i.e. En France], 1720.
réf. 395962 parties reliées en un volume in-12 (158 x 94 mm), demi-maroquin vert bronze, dos lisse orné d'un décor romantique de compartiments cloisonnés de quadruples filets dorés et d'un fer spécial répété au centre, palette dorée en pied, titre et tomaisons dorés, tranches jaspées (rel. vers 1825), (12), 186, xxxij p. et (2), 186, xxxiij-xcij (seconde partie des notes), (4) p. "Envoi", titres et dédicace imprimés en rouge et noir. Imprimé à La-Haie (i.e. Rouen, Leboucher), 1773.
réf. 3937318 volumes grand in-8 (225 x 140 mm) et un volume d’atlas in-4 (263 x 185 mm), demi-maroquin noir, dos jansénistes à 5 nerfs, titre et tomaisons dorés, têtes dorées (rel. de L. Bauser), non rogné, imprimé sur papier vergé fort. Paris, Librairie de L. Hachette, 1862-1876.
Petit in-12, cartonnage bordeaux gaufré à la Bradel (rel. moderne signée Goy & Vilaine), xx, 123, (1) p. Edition originale, rare, publiée grâce à une souscription et à un porte-à-porte militant auprès de personnalités célèbres comme d'ouvrières et d'ouvriers, après que le manuscrit ait été refusé par les principaux éditeurs. "L’oeuvre maîtresse de Flora Tristan (…). Pour faire entendre cet appel à la constitution de la classe ouvrière, elle accomplit un tour de France où son enthousiasme généreux est mis à rude épreuve et au bout duquel, seule et épuisée, elle meurt, à quarante et un ans. 'L’Union ouvrière' est le premier manifeste politique cohérent d’une femme qui ne dissocie pas la lutte des femmes de la lutte ouvrière. C’est aux plus démunies, aux plus exploitées d’entre elles qu’elle adresse cette apostrophe qui nous touche encore aujourd’hui: 'Mes sœurs, je vous jure que je vous délivrerai.' C’est aussi, quelques années avant Marx et Engels, l’un des premiers appels à l’union internationale de la classe ouvrière" (D. Armogathe et J. Grandjonc, éd. des Femmes). Parmi la liste de 123 souscripteurs cités en tête, on relève les noms de P.-J. de Béranger, V. Considérant, E. Sue, George Sand, V. Schoelcher, Hortense Allart, Agricol Perdiguier, Pauline Roland, Adolphe Blanqui, Frédérick-Lemaitre, Virginie Ancelot, Marceline Desbordes-Valmore, Anaïs Ségalas, Louise Collet, Marie Dorval..., des célébrités de tous bords, mais aussi d'anonymes "blanchisseuses", "domestiques" ou "ouvrières en mode". (Puech, 'Flora Tristan', Bibliographie, p. 489, n°10). Rousseurs. Un peu court de marge supérieure sans atteinte. Exemplaire bien établi dans une fine reliure de Goy et Vilaine.
réf. 38779In-12 (185 x 116 mm), maroquin vieux-rose, dos à cinq nerfs, auteur et titre dorés, couverture et dos conservés, contreplats bordés de maroquin encadré d'un pointillé doré, gardes de papier à motifs géométriques argent et violine, couverture illustrée conservée (reliure signée de René Kieffer), (2) f. de faux-titre et titre, (1) f. de dédicace sur papier opaline, iv, 270 p., (1) f. d'achevé d'imprimer, 2 planches gravées dont une en frontispice, partitions musicales dans le texte. Paris, Alphonse Lemerre, 1904.
1789réf. 11350S.l., s.n., 1789 ; in-8 ; demi-chagrin rouge à petits coins, dos à nerfs, titre doré (reliure moderne) ; 206 pp. y compris le faux-titre et le titre (INED, 578 ; Barbier, I-531).
réf. 3878816 livraisons publiées sur 5 années en 4 tomes reliés en 2 volumes grand in-8 (235 x 155 mm), demi-veau rouge cerise de l'époque, dos lisses ornés de filets estampés à froid en place de nerfs et d'un fleuron doré répété au centre, titre et tomaisons dorés, tranches mouchetées rouges, (2), 527, (5) p. de table; (4), 544 p., (4) p. de table et bibliographie; (2), 512 p., (4) p. de tables et bibliographie et (4), 507 p., (3) p. de table et bibliographie. Genève, Bureaux Place du Port, 1 [imprimerie de Paul Richter], 1899-1903.
1643réf. 40267Jouxte la copie imprimée à Paris, (Leyde, Elzevier), 1643. In-12 de 1 f.bl. (14)-361-(10) pp., maroquin rouge, dos orné à quatre nerfs, plaque et roulette à froid sur les plats, frise dorée d'encadrement, roulette intérieure, tranches dorées (Ducastin).
1842réf. 3983Paris ; Londres, H.-L. Delloye, éditeur ; W. Jeffs, libraire, 1842. In-8 de LI-(3)-412 pp., demi-basane havane, dos lisse orné de filets dorés (reliure de l'époque).
1975Very Good Turkish, Ottoman (1500-1928) A large and fine collection and archive of Cahit Uçuk, (1909-2004) including various size clippings, a caricature, her biography, news, her serialized stories published in Turkish periodicals, and newspapers with several autograph corrections by Uçuk (Serialized novels include approx. 65 p., two are complete) as well as her original autograph - manuscript letter, manuscripts titled "Televizyon için notlar" [i.e. Notes for Television] (40 paged), a compilation of Turkish nursery rhymes (17 pp.), stories, fables, and fairy tales, and her population register document (it seems he was born in Diyarbakir city contrary to what is known as Istanbul, or Thessaloniki [Salonica] according to this document), manuscript report of her interview made by Hikmet Altinkaynak (1945-), and an essay titled "Yunanlilar'a Mektup" [i.e. A letter to Greeks]; and her plan for a journey to Italy. Cahit Uçuk was a Turkish female author and story writer. Ibrahim Vehbi Üçok, whose father was the Siverek Deputy and District Governor in the last Ottoman Parliament, and her mother was Hadiye Hanim, who was originally from Thessaloniki. Cahit's first tale was published in the magazine named "Yarim Ay" [i.e. Half Moon] published by Nâzim Hikmet in 1935. Mrs. Cahit, who also wrote poetry before, turned to story and novel writing. In her works, she mostly dealt with women's rights and the place of women in society, and occasionally worked on mystical themes. She's famous for her children's books. Many female writers have adopted male noms-de-plume, or otherwise gender-ambiguous pseudonyms, for a number of reasons: to publish without prejudice in male-dominated circles; to experiment with the freedom of anonymity or to encourage male readership. Cahit Uçuk, in his memoirs about the difficulties of being a woman writer in the world of men, could not keep a secret behind the name that everyone thought belonged to a man, and Bab-i Âlî [i.e. the street in Istanbul where publishers gathered in the Ottoman Empire] soon learned that she was a very beautiful woman.
1920réf. 21756Paris DEVAMBEZ 1920 1 Réflexions de René Kerdyk et images par Guy ARNOUX. Paris, Devambez, A l'Enseigne du Masque d'Or, 1920, in-4, cartonnage beige orné d'une tête de femme coiffée à la garçonne avec pattes effilées sur les joues, 10 planches et 10 pages.
réf. 39200In-12 (170 x 98 mm), vélin souple d'époque, dos lisse titré à l'encre noire, (2), 381 p., (1) p. bl., (1) f. d'errata et (1) f. bl., (2), 324, pages, (1) f. d'errata, pages de titre rouge et noir. S.l. [Rouen], 1726.
réf. 2544Paris, Jean Dupuis, 112 pp. 118 pp, 112 pp.Deux parties en un volume in-12, pleine basane brune, dos à quatre nerfs orné de fleurons, tranches mouchetées, manques aux coiffes, quelques usures. Reliure d’époque.
1911réf. 68600New York: Mother Earth Publishing Association 1911. Third edition Second revised edition on title page. Hardcover. Good. SIGNED. 277pp. plus 8pp. of publisher's advertisements at the rear. Duodecimo 19 cm Beige cloth over boards with a black ink stamped title on the backstrip and front board and black ink stamped single-ruled borders on the front board. Reproduced photographic frontispiece portrait of the author by T. Kajiwara. Prominent toning to the spine and a large section of the rear board. Cloth a bit frayed at the edges with the underlying boards at times peeking through. Endpapers split along the hinges. Text block cracked at the title page. Name in pencil on the title page. Very occasional brief markings mostly in the form of hatching in pencil and colored pencil. With two newspaper clippings pertaining to Emma Goldman "Red Emma" laid in. A classic of radical literature. Third edition printed on front cover. Emma Goldman was once viewed as "the most dangerous woman in America" and was a thinker so far ahead of her time that even today her views seem strikingly revolutionary. This collection of essays is a magnificent introduction to her thoughts: ranging from her views on women's suffrage and emancipation patriotism's menace to liberty the psychology of political violence the prison system "a social crime and failure" the hypocrisy of Puritanism and the strategies of dissent. These writings all reflect her fearless joyousness her radical dedication to the idea that life is meant to be a source of delight- and that avoiding the meaningless grind of everyday life must be achieved in any way possible. This copy is inscribed not to a specific person by Emma Goldman on the front free endpaper: "Emma Goldman / Portland August / 1916." Emma Goldman 1869-1940 was born in Kovno now Kaunas Lithuania. She grew up in what is now Kaliningrad Russia and in St. Petersburg. Her formal education was limited but she read widely and in St. Petersburg became involved with a radical student circle. She immigrated to the United States in 1885 first settling in Rochester New York then in New Haven Connecticut where she worked in clothing factories and came into contact with socialist and anarchist groups. Subsequently she moved to New York City where in 1893 she was jailed for inciting a riot when a group of unemployed workers reacted to a fiery speech she had delivered. In 1895 upon her release Goldman began lecturing throughout Europe and the United States and later in 1906 Goldman founded Mother Earth a periodical that she edited until its suppression in 1917. Goldman's naturalization as a U.S. citizen was revoked by a legal stratagem in 1908. Two years later she published Anarchism and Other Essays. An early edition of Goldman's famous essays signed by the much revered revolutionary activist author just under a year before she was sentenced to two years in prison for her opposition to the U.S. involvement in World War I and for agitating against mandatory military service. Mother Earth Publishing Association hardcover
1911réf. 68600New York: Mother Earth Publishing Association 1911. Third edition Second revised edition on title page. Hardcover. Good. SIGNED. 277pp. plus 8pp. of publisher's advertisements at the rear. Duodecimo 19 cm Beige cloth over boards with a black ink stamped title on the backstrip and front board and black ink stamped single-ruled borders on the front board. Reproduced photographic frontispiece portrait of the author by T. Kajiwara. Prominent toning to the spine and a large section of the rear board. Cloth a bit frayed at the edges with the underlying boards at times peeking through. Endpapers split along the hinges. Text block cracked at the title page. Name in pencil on the title page. Very occasional brief markings mostly in the form of hatching in pencil and colored pencil. With two newspaper clippings pertaining to Emma Goldman "Red Emma" laid in. A classic of radical literature. Third edition printed on front cover. Emma Goldman was once viewed as "the most dangerous woman in America" and was a thinker so far ahead of her time that even today her views seem strikingly revolutionary. This collection of essays is a magnificent introduction to her thoughts: ranging from her views on women's suffrage and emancipation patriotism's menace to liberty the psychology of political violence the prison system "a social crime and failure" the hypocrisy of Puritanism and the strategies of dissent. These writings all reflect her fearless joyousness her radical dedication to the idea that life is meant to be a source of delight- and that avoiding the meaningless grind of everyday life must be achieved in any way possible. This copy is inscribed not to a specific person by Emma Goldman on the front free endpaper: "Emma Goldman / Portland August / 1916." Emma Goldman 1869-1940 was born in Kovno now Kaunas Lithuania. She grew up in what is now Kaliningrad Russia and in St. Petersburg. Her formal education was limited but she read widely and in St. Petersburg became involved with a radical student circle. She immigrated to the United States in 1885 first settling in Rochester New York then in New Haven Connecticut where she worked in clothing factories and came into contact with socialist and anarchist groups. Subsequently she moved to New York City where in 1893 she was jailed for inciting a riot when a group of unemployed workers reacted to a fiery speech she had delivered. In 1895 upon her release Goldman began lecturing throughout Europe and the United States and later in 1906 Goldman founded Mother Earth a periodical that she edited until its suppression in 1917. Goldman's naturalization as a U.S. citizen was revoked by a legal stratagem in 1908. Two years later she published Anarchism and Other Essays. An early edition of Goldman's famous essays signed by the much revered revolutionary activist author just under a year before she was sentenced to two years in prison for her opposition to the U.S. involvement in World War I and for agitating against mandatory military service. Mother Earth Publishing Association hardcover books
1965réf. 157435San Francisco: Determined Productions 1965. Vintage wall calendar for the year 1966 composed of twelve calendar sheets illustrated with twelve lithographs held together at the top edge with a metal rod. Designed and illustrated by noted fashion artist Betty Brader best known for her work for San Francisco specialty store Joseph Magnin as well as her freelance work for Neiman Marcus in Dallas. Bay Area publisher Determined Productions was founded by Connie Boucher in 1961 largely creating licensed products-including some of the first Peanuts merchandise. The company quickly expanded producing books and ephemera on a variety of topics including astrology the occult and alcohol. With a vibrant feminist overtone the calendar on offer here features illustrations of women from around the world posed in bright and nationally specific garments with text focusing on the way language is often used to discriminate against women. Not found in OCLC. Housed in the original pictorial paper tube. 19 x 14 inches rolled as issued. Calendar sheets Fine. Paper tube Near Fine with light wear at the right end of the tube. Determined Productions unknown
1965réf. 157435San Francisco: Determined Productions 1965. Vintage wall calendar for the year 1966 composed of twelve calendar sheets illustrated with twelve lithographs held together at the top edge with a metal rod. Designed and illustrated by noted fashion artist Betty Brader best known for her work for San Francisco specialty store Joseph Magnin as well as her freelance work for Neiman Marcus in Dallas. Bay Area publisher Determined Productions was founded by Connie Boucher in 1961 largely creating licensed products-including some of the first Peanuts merchandise. The company quickly expanded producing books and ephemera on a variety of topics including astrology the occult and alcohol. With a vibrant feminist overtone the calendar on offer here features illustrations of women from around the world posed in bright and nationally specific garments with text focusing on the way language is often used to discriminate against women. Not found in OCLC. Housed in the original pictorial paper tube. 19 x 14 inches rolled as issued. Calendar sheets Fine. Paper tube Near Fine with light wear at the right end of the tube. Determined Productions unknown books
réf. 391532 volumes in-12 (175 x 114 mm), plein parchemin ivoire à petit recouvrement (reliure moderne), (10) f., 344 p., (1) f. d’errata et (1) f., 298 p., (7) f. d’errata et de table, exemplaire entièrement non rogné. La Haye, P. Gosse, J. Neaulme & Comp., 1726.