RAFFI PORTAKAL.MareMagnum
COURTHION, Pierre.MareMagnum
PARIS DES TEMPS NOUVEAUX. DE L'IMPRESSIONNISME A NOS JOURS.
195718x17. 142p. Láms. Col. Le Goût de Notre Temps, N. 21. Enc. Tela ed. Sobrecubierta.
Libreria Fernandez Javier · Spain€24.00
3,510 results
2007New English Paperback. Pbo. 4to. (34 x 22 cm). In Turkish. 145, [3] p., color ills. P sanat, kültür, antika dergisi. No. 45. Gezi ve sanat. Special issue, Travel and art.
1997New English Paperback. Pbo. 4to. (34 x 22 cm). In Turkish. 135 p., color ills. P sanat, kültür, antika dergisi. No. 6. Akdeniz. Special issue, Mediterranean.
1998New English Paperback. Pbo. 4to. (32 x 24 cm). In Turkish. 155 p., color ills. P sanat, kültür, antika dergisi. No. 9. Yolculuk ve sanat. Special issue, Voyage and art.
2003New English Paperback. Pbo. 4to. (34 x 22 cm). In English. 141, [5] p., color ills. P. Art, culture, antiques. [Art and culture magazine]. No. 7. Love in art.
2003New English Paperback. Pbo. 4to. (34 x 22 cm). In English. 128, [4] p., color ills. P. Art, culture, antiques. No. 1. The horse in art. Ancient China; Ottoman; Orientalism, Degas.
2014New English Original bdg. HC. 4to. (27 x 24 cm). In Turkish. [124] p., color ills. Türk Ocagi Koleksiyonu ve Selahattin Ömer Resim Sergisi. Prep. by Asuman Akdemir, Hatice Atlihan, Özgür Izzet Pektas, Servet Bayoglu.
2008As New English 20. yuzyil bati resim sanatinda ask olgusu, Sibel Almelek Isman, Arion yayinevi, Ist., 2008. Mint. Paperback. 152 p. Color ills. Large 8vo. (23 x 15 cm). =[The subject of 'love' in the 20th century Western painting art.]. In Turkish.
2013Fine English Paperback. Pbo. Oblong 4to. (26,5 x 26,5 cm). In Turkish. 159 p., color ills. Edirne resimleri.
2011Fine English Original bdg. Hardcover. Demy 8vo. (21 x 15 cm). Color ills. In Turkish. 59, [1] p. Devabil Kara. Dilin söyleyemedikleri M-25.
2000Fine English Paperback. Pbo. Cr. 8vo. (19 x 13 cm). In Turkish. 64 p. In Turkish and English. Fully color ills. Hasim Nur Gürel 2000. Pictures of my 52nd year.= Hasim Nur Gürel 2000. 52 yas resimleri.
1999New English Paperback. Pbo. 4to. (30 x 24 cm). In English and Turkish. 67, [2] p., color and b/w ills. The Artist, The Sultan and his portrait: Mehmed the Conqueror according to Gentile Bellini.= Ressam, Sultan ve portresi: Gentile Bellini'ye göre Fatih Sultan Mehmet. [Exhition catalogue]. Edited by Münevver Eminoglu. Consultant: Günsel Renda. This exhibition consists of a single painting: the famous portrait that the Ottoman Sultan Mehmed the Conqueror had painted by the Italian artist Gentile Bellini about five hundred years ago and is now in the collection of the National Gallery of London. The painting is a magnificent souvenir of a brief 'golden age' in a reminder that, as early as the Renaissance and under the leadership of a strong and foresighted ruler, Ottoman society, which always looked wetward, hd the chance to grasp universal civilization.
1995New English Paperback. 4to. (30 x 21 cm). In Japanese with bilingual descriptive texts in English and Japanese. 31, [1] p., color ills. Miki. People line: On the earth, in the earth. [Exhibition catalogue].
1992New English Paperback. Small folio. (32 x 21 cm). In English and Turkish. [72] p., color ills. No end to seeing.= Görmenin sonu yoktur. Text by Deniz Ayral. [Artist catalogue].
2009New Turkish Paperback. Pbo. 4to. (30 x 21 cm). In Turkish. 88 p. Color ills. A precious study on traditional Ottoman flower painting and painters. Osmanli çiçek yetistiriciligi.
Madrid, Ediciones Giner, 1972, 35 x 25 cm., tela original con sobrecubiertas, 393 págs. con numerosas ilustraciones y láminas a toda página en color + 1 h.
Madrid, Patronato Nacional de Museos, 1978, 21 x 15,5 cm., cartulina editorial, 205 págs. incluso láminas en papel couché con 130 ilustraciones + 1 h.
Madrid, CADSA, 1993, 30,5 x 22 cm., tela original con sobrecubiertas, 77 págs. con numerosas ilustraciones en color intercaladas, la mayoría a toda página + 1 h.
195718x17. 142p. Láms. Col. Le Goût de Notre Temps, N. 21. Enc. Tela ed. Sobrecubierta.
Buenos Aires, Edit. Kapelusz, 1970, 23'5 x 16'5 cm., tela original con sobrecubiertas, profusión de ilustraciones en color intercaladas en el texto, 351 págs.
Bilbao, La Gran Enciclopedia Vasca, 1977, 32 x 25 cm., cartoné original con sobrecubiertas, 51 págs. con ilustraciones intercaladas en balnco y negro y 45 en color, varias de ellas a toda página.
M., Época, 1997, 29,5 x 21 cm., ilustraciones intercaladas, 607 págs.
2015New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. 205 p., color and b/w ills. Bare, naked, nude: A story of modernization in Turkish painting.= Üryan, çiplak, nü: Türk resminde bir modernlesme öyküsü. [Exhibition catalogue]. Bare, Naked, Nude: A Story of Modernization in Turkish Painting focuses on the evolution of nude painting as one of the foremost genres alongside portraiture, landscape, and still life in Turkish modern art. The rich diversity of styles represented in the paintings that come together in this exhibition reveal that the nude, far from being a subject for Turkish artists constitutes a means of expression fundamental in the search for form. The most challenging trial for artists in their student years, the human body emerges as a central source of inspiration in both the pursuit for modernist tendencies in Western art and in the efforts to articulate an individual artistic language. The exhibition catalogue, through the essay of the curator, Ahu Antmen and the selected paintings offer us the possibility to envisage the visual adventure behind Turkey's story of modernization, providing an insight into the formation of artistic identity in the period extending from the Ottoman Empire to the Republic, the challenges of transforming the perception of the female body from a framework of privacy to that of a desexualized object and the connections between the art and the nude in the perception of a modern identity. HISTORY OF ART TUrkish painting Modernism Contemporary Turkish art of painting.
2007New English Paperback. 4to. (28 x 24 cm). In English and Turkish. 113 p., color and b/w ills. Prints, drawings and watercolours by the masters of the 20th century. A selection from the Cathedral and Diocesan Museum, Vienna Otto Mauer Collection.= 20. yüzyil ustalarindan baski, desen ve suluboyalar. Viyana Katedral ve Baspiskoposluk Müzesi, Otto Mauer Koleksiyonu'ndan bir seçme. [Exhibition catalogue]. Monsignore Otto Mauer was a Catholic priest. He was also a passionate, foresighted collector who, apart from his position as a clergyman, was enthusiastic about all domains of contemporary art and regardless of their beliefs or origins, approached all "avant-garde" artists with the same openness. As one of the most outstanding collections of Modern Austrian art, the names of the artists represented within the collection is almost a "who is who" of post-1945 Austrian art. By encompassing a wide spectrum from "classical" modern to postmodern, Mauer tried to create a "reference collection," analogous to an atlas of art history. By World War II, he had already begun collecting with great resolution, the lithographs of the leading representatives of Parisian modern art, as well as the original works of German and Austrian artists. Gallery St Stephan, which he founded in 1954, evolved into the leading avant-garde gallery of Vienna under his management in the 1950s and 60s; it also acquired a considerable and well-deserved fame on the international art scene. Otto Mauer's relationship with art was always defined by his personal and amicable connections with the artists. His collection, which he was able to expand uninterruptedly until 1973, by purchases and artists' gifts, must be perceived not only as an indication of his progressive interest in art, but also as a very subjective interpretation of modern Austrian painting.