3,495 results
1997Fine Fine Turkish Original bdg. Dust wrapper. 4to. (28 x 20 cm). In Turkish with an English summary (pp. 131-133), [xii], 144 p., color ills. The story of contemporary Turkish art begins approximately one hundred and fifty year ago, with the westernization movement that changed not only art but political and social life as well in this country. In the mid-19th century, when the Ottoman Empire was adopting European social and political institutions, art too was affected, gaining... Within the context of the Turkish people's odyssey of pictorial art, from its inception to the present day, or in other words the dialectic homogenism of Turkish culture, the attempt to distinguish "traditional vs. modern" compartments, or "painting vs. miniature", will, as emerges from our study to this point, vary according to one's approach to the subject..." Signed and inscribed by author to Turkish art historian Ahmet Kamil Gören.
2020New Turkish Paperback. Small 4to. (26 x 19 cm) In Turkish. 72 p., ills. Eski evler ve sokaklar: Tezcan Saglam Suluboya Resim Sergisi. 18 Subat - 20 Mart 2020. [Exhibition catalogue].
M., Centro Cultural de la Villa, 1994, 31,5 x 25 cm., cartoné original con sobrecubiertas en colores, ilustraciones intercaladas y 127 láminas a color, 409 págs. + 2 h.
M., Excmo. Ayuntamiento, 1996, 23 x 20 cm., 393 págs. incluso numerosas ilustraciones y láminas en negro y color.
2015New English Paperback. 4to. (27 x 21 cm). In English and Turkish. 336, [1] p., color ills. Alif Art. Pt. 1: Rare manuscripts and calligraphy collection. Pt. 2: Hifzi Topuz Collection and Ottoman & European works of art.= I. Bölüm: Nadir yazma eserler koleksiyonu. II. Bölüm: Hifzi Topuz Koleksiyonu ve Osmanli & karma sanat eserleri. [Auction catalogue].
Very Good Very Good English Original bdg. Dust wrapper. 4to. (32 x 25 cm). In English and Turkish. 223 p., color and b/w ills. 1500 copies were printed. Mehmet Güler. Peaceful occupation. 1969-2000 painting - graphic.= Barisçil kusatma. 1969-2000 yagliboya - grafik. Texts by Kaya Özsezgin. Foreword by Yüksel Pazarkaya.
Madrid., José Poveda, (hacia 1930), 2 tomos, 21 x 17 cm., rústica editorial, retrato + 25 págs. + 1 hoja. + 31 láminas. = 9 págs. + 1 hoja + 28 láminas + 1 hoja. (Biblioteca Estrella. Primeras 2 hojas del primer volumen, desprendidas).
2004ref. 70823Porto, Museu Serralves, 2004. Origi.Pappband mit Schutzumschlag, quer 4°, 139 Seiten.
2008New English Paperback. 4to. (28 x 24 cm). In English and Turkish. 360 p., color ills. The lure of the East: British orientalist painting.= Dogu'nun cazibesi: Britanya oryantalist resmi. [Exhibition catalogue]. This exhibition focused on the paintings made by British artists of the 'Orient', primarily during the nineteenth century. In this context the term 'Orient', to Western Europeans, meant those parts of the eastern Mediterranean world which could be accessed relatively easily such as Egypt, Palestine and Turkey, particularly after the development of steamboat and rail travel in the 1830s. In these places, predominantly Muslim and at least nominally under the control of the Ottoman Empire, British artists, such as David Roberts, David Wilkie, William Holman Hunt, John Frederick Lewis and Frederic Leighton, sought to develop imagery which captured what they believed to be characteristic of the people, cities and landscapes of the region. In the 1970s the Palestinian-American academic Edward Said published his treatise on Orientalism, initiating a global debate over Western representations of the Middle East. For many, such representations now appeared to be a sequence of fictions, serving the West's desire for superiority and control over the East. The argument for and against Said's Orientalism has continued for thirty years. Its resonance for an exhibition such as this one, however, is as strong as ever given that, by the 1920s (the end of the period covered by this exhibition), Britain was in direct control of much of the newly abolished Ottoman Empire, including Egypt, Palestine and Iraq. As Said argued, these images cannot be viewed in isolation from their wider political and cultural context. Keeping the debates around Orientalism in mind, "The Lure of the East" focuses on the range of pictorial options open to British artists, within five major themes: portraits, genre, religious and domestic subjects and landscape. British painters came to the Middle East from a culture steeped in technical and compositional artistic traditions. Such traditions were not easily unlearned, despite the apparent difference of the people and places the artists encountered on their travels. Given this, British Orientalist painters found many challenges in attempting to represent the Middle East, but they also found inspiration and, more importantly, the freedom to rework, reinvent and even discard those conventions that defined picture-making in Britain.
1992Fine Fine English Original bdg. Dust wrapper. 4to. (28 x 20 cm). In English. 216 p., color ills. Western trend in the Turkish art of painting.
1992Fine Fine English Original bdg. Dust wrapper. In special publisher's box. 4to. (28 x 20 cm). In English. 216 p., color ills. Western trend in the Turkish art of painting.
2001Fine English Paperback. Pbo. 4to. (34 x 24 cm). In English and Turkish. 188 p., color ills. Mehmet Güleryüz. [Artist catalogue]. 2000 copies were printed.
1989Estudio y pies de ilustracion Jose Luis Porfirio.
1978ref. art7mConrad Marca-Relli. Barcelone, 1978. Polygraphe. Toile avec jaquette, 122pp, 23x21cm. Paysage. Illustré de planches n/b.
1992New New English Original bdg. Dust wrapper. Oblong large 8vo. (23 x 24 cm). In English and Turkish. 127, [2] p., color and b/w ills. Avni Arbas. Presentation by Ferit Edgü. Artist catalogue. TURKISH PAINTING Modern - Contemporary art Painter Artist.
2015New English Paperback. Pbo. 4to. (29 x 25 cm). In English and Turkish. 180 p., color ills. The exhibition book published on the occasion of "Spaceliner", a group exhibition comprised of 17 artists, endeavours to illustrate working methods and approaches of contemporary drawing production. The exhibition book offers a selection of the artists' newly produced works for "Spaceliner" and their previous works. The book features besides Barbara Heinrich's curatorial overview of the works and practices of the artists, two newly commissioned essays by art historian Michael Glasmeier from Germany and Ilkay Baliç from Turkey.
2007New English Paperback. Pbo. 4to. (30 x 21 cm). In Turkish. 112 p., color and b/w ills. Ilk Türk kadin ressam Mihri Rasim (Müsfik) Açba. 1886, Istanbul - 1954, New York.
2014New English Original bdg. HC. 4to. (28 x 20 cm). In Turkish. 138 p., color and b/w ills. Tosunbayrak: Sira disi bir hayattan sira disi bir sanata. 1000 copies were printed.
2010New English Paperback. Pbo. 4to. (31 x 24 cm). In English and Turkish. 254, [1] p. With a DVD. Semiha Berksoy. I lived on art, I lived on love.= Ben yasardim ask ve sanatla. [Exhibition catalogue]. Edited by Mine Haydaroglu.
Zaragoza, Abril, 1928, 31 x 22 cm., VIII págs. y páginas 65 a 158 con ilustraciones intercaladas - 3 h. (Número monográfico dedicado a Francisco de Goya. Cubiertas desprendidas).
M., 1987, 28 x 21 cm., numerosas láminas en negro y color, 176 págs. + 11 h.
Madrid, Asilo de Huérfanos, 1902, rústica editorial, 27,5 x 19 cm., 26 págs. (Cubierta anterior desprendida).
B., Gustavo Gili, 1970, 3 tomos, 25 x 17'5 cm., símil piel original con sobrecubiertas, numerosas ilustraciones intercaladas, la mayoría en color, 324 = 304 y 306 págs.
London, The Studio, 1926, 25 x 32 cm., cartoné original, portada - 10 págs. - XII láminas
Barcelona, Imbiasa, 1986, 25 x 27 cm., tela original consobrecubiertas, 3 h. con fotografía del pintor + 61 láminas en colores con reproducciones de cuadros del artista con el tema: "Ese misterio llamado mujer".
