3,509 results
2006New Turkish Paperback. Pbo. 4to. (27 x 24 cm). In Turkish. 400 p., color and b/w ills. The Sabanci University Sakip Sabanci Museum (SSM) hosts works by the French sculptor Auguste Rodin. The exhibition titled "The Master Sculptor Rodin in Istanbul" comprises 203 artworks selected from the collection of the Rodin Museum in Paris. The exhibition features the artist's bronze, plaster and marble sculptures, archival photographs, many drawings as well as some pieces from his collection of antique-style statues. Among nearly 100 sculptures that will be exhibited by SSM, which aims to promote wider public appreciation of the art of sculpture through the works of a renown master sculptor, are Rodin's masterpieces like The Thinker, The Kiss, The Burghers of Calais, The Monument to Balzac and The Walking Man. In addition to 18 statues and many other diassembled-assembled pieces drawn from The Gates of Hell, on which Rodin worked for long years but could not succeed to complete, 20 antique-style statues from Rodin's special collection are displayed at the exhibition. The bronze horse statue, after which the Horse Mansion was named and which has been saluting the Bosphorus since 1952, has been replaced with the Monument to Victor Hugo for the first time on the occasion of the exhibition. The statue of the renown poet, writer and thinker Victor Hugo made by Rodin is 1.85 m in height and 2.85 m in width. The photographs and sketches exhibited along with the other works enable visitors to track the artist's journey from his early works to his most famous masterpieces, and also shed light on the artist as a sketcher and a collector. The bilingual exhibition catalogue, which was prepared in Turkish and English, and whose texts were compiled by Samih Rifat, briefs on Rodin's life and artistic journey. The exhibition also proposes a set of events such as conferences, sculpture workshops and training programs for the kids. The exhibition, which is sponsored by Akbank and held in cooperation with the Rodin Museum in Paris and the French Cultural Center, will be open until September 3, 2006. The Artist - Born in Paris on November 12, 1840, François-Auguste-René Rodin discovered sculpture after he attended La Petite École, a special school for drawing and mathematics, and began to improve his drawing skill. He rented his first workshop in 1864 and met Rose Beuret, aged 20. In 1871, he exhibited his works in Belgium for the first time. In 1875, he started to work on a life-size human body, which he called The Bronze Age. In 1882, he sculptured the figures of Adam, Eve and the Thinker. After a while, he met Camille Claudel who soon became his mistress and biggest rival. In 1883, he created his Monument to Victor Hugo, and was commissioned by the City Council of Calais to sculpture the Monument to the Burghers of Calais two years later. The following year, he completed The Kiss. In 1888, the state commissioned The Kiss in marble for the Universal Exhibition. In 1889, he exhibited together with Claude Monet, the famous French painter and one of the founders of impressionism. In 1895, he bought the Villa des Brillants in Meudon and started to build up his collection of paintings and antique statues. The Rodin Pavilion was inaugurated at the Alma Square in Paris on the occasion of the Universal Exhibition of 1900, and a major exhibition of Rodin took place in Prague in 1902. In 1904, the first exhibition of a large-scale plaster of The Thinker took place at the International Society in London, then a bronze version of it at the Salon de Paris. The Thinker was placed in front of the Panthéon in 1906, which was later taken to Hôtel Biron (now the Rodin Museum) in 1908. The French National Assembly decided to establish the Rodin Museum in the Hôtel Brion in memory of the artist who handed over his collections to the state through three successive donations. On January 29, 1917, Rodin married Rose Beuret. Rose died on February 14, Valentine's Day. Die
2019New New English Original bdg. Dust wrapper. 4to. (29 x 23 cm). Edition in English. 248 p., color ills. Bazaar painters: Ottoman figurative arts 2. Edited by Tülün Degirmenci, M. Sabri Koz. Coining the phrase 'bazaar painters' in a 1985 article, Metin And enriched our art history terminology with a new concept as well as offer a glimpse into the world of these artists: how they worked, what they drew, where their works are today and how they contribute to our study of history of art and culture. He continued to promote and popularise their work through books and articles published until 2007, at times repeating earlier content as required. Bazaar painters and their work were not initially identified as a distinctive genre; Franz Taeschner, the first researcher to publish a selection, felt no need to refer to them as anything other than 'miniatures'. Challenging this trend, Metin And set about the immensely difficult task of obtaining pictures of bazaar painting albums from four corners of the globe in order to illustrate a prolific series of essays and books.The second volume of Ottoman Figurative Arts, Bazaar Painters consists of twelve articles published between 1985 and 2007, a comprehensive introduction by Tülün Degirmenci, and a concise album. The pictures and inscriptions Metin And chased enthusiastically all his life are but the echoing footsteps of a book, one that was either never written, or somehow got lost before it could be published.
1984Fine Fine English Original bdg. Dust wrapper 4to. (28 x 20 cm). In English and Turkish. viii, 215 p., color and b/w ills. with a long illustrated chapter titled "A pictorial account of Istanbul women through the centuries". Detailed accounts of the women of Istanbul, the capital of the Ottoman Empire, their daily lives, their place in society, their dress, and their customos and traditions, often illustrated with fascinating pictures, have been given by many, mostly European writers, travelers and diplomats. They include Edmondo de Amicis, Chalcondile Athenien, W. H. Bartlett, Djeval, D'Ohsson, De Ferrario, Lewis, Hobhouse, Texier, Tournefort, et alli. A small number of Ottoman writers also give accounts of Istanbul women. They include Fazil Hussein Enderuni (1759-1811), Abdullah-al Buharî (18th century), and Osman Hamdi Bey (1842-1910). The works of both foreign and Ottoman writers are generally masterfully illustrated by artists and engravers of many nationalities.
2008New English Paperback. 4to. (29 x 24 cm). In English and Turkish. 251 p., color ills. Seker Ahmed Pasa, 1841-1907. [Exhibition catalogue]. Prep. by Ömer Faruk Serifoglu, Ilona Baytar. Texts by Enis Batur, et alli. Contents: Seker Ahmed Pasha: So close yet still a mystery. ENIS BATUR; (Seker) Ahmed Pasa'yi yazmak, (1841-1907), AHMET KAMIL GÖREN; Basyaver Seker Ahmed Pasa ve sarayin yabanci konuklari. GÜLSEN SEVINÇ KAYA; Seker Ahmed Pasa üzerine yeni görüsler ve belgeler. ILONA BAYTAR; Catalogue.; Photos.; Texts.; Bibliography, and Index.
2002New New English Original bdg. Dust wrapper. 4to. (29 x 24 cm). In English. 331 p., b/w and color ills. Constantinople and the orientalists. Since the publication of our earlier study; 'Orientalism and Turkey', we have been exploring the ramifications of Orientalism in the Ottoman capital of Istanbul itself, or as it was generally known in the nineteenth and early twentieth century: Constantinople. The present study, documented by both visual and written records, including memories, reveals not only the ways in which Istanbul was perceived and portrayed by European artists in the nineteenth century, but it also tries to represent the contemporary city as it truly lived and breathed. In the present work, the reader will discover the identity of Western artists whose works pictorially limned the Ottoman capital, their favorite subjects ¿the harem, the bath, the coffeehouse, and the slave market- and the nature of their interpretation of these subjects.
1964Retrato original hecho con rotulador y firmado con una dedicatoria autografa del propio A. Gironella al pintor Gonzalo Perales en la portadilla del libro. Esta fechado en Mexico el 31 de enero de 1979.
195734,5x25. 181p. 202p. 2 Vols. Láms. Col. Peinture, Couleur, Histoire. Enc. Tela ed. Sobrecubierta.
195735x26. 181p. 202p. 2 Vols. Láms. Col. Peinture, Couleur, Histoire. Enc. Tela ed. Sobrecubierta.
2014New English Original bdg. HC. Oblong large 4to. (21 x 41 cm). In Turkish. Color and b/w photos and ills. Akdemir's bicycle tour of Cuba and photographs taken during the tour by him with his travel notes. Küba iste böyle gezilir: Havana'dan, Türkler'den Kübalilar'dan, seyahatlerden konustuk. Publishing director: Eren Teoman. Project Coord.: Öykü Eras. [Album of photographs]. Preface by Bedri Baykam.
Belize, Edit. Team, 2013. Numerosas ilustraciones en color. s/p. 4º mayor. Tela editorial con sobrecubierta. Cerrado en funda de cartón. Libro en español e inglés. Book in English. Muy buen ejemplar.
Paris, Éditions de l'Illustration, 1946, 39 x 29'5 cm., 112 págs. profusamente ilustradas con láminas e ilustraciones al todo color - 2 h.
Paris, Éditions de l'Illustration, 1957, 39 x 29'5 cm., 122 págs. profusamente ilustradas con ilustraciones intercaladas y láminas a todo color - 2 h.
Lisboa, Typ. Universal, 1866, 18 x 12 cm., hol. piel, VII – 275 págs. – 2 h.
Oviedo, Imprenta del ?Boletín Oficial?, 1963, 25 x 18 cm., tela original, XVIII + 418 págs. + 2 h. + láminas en papel couché con 195 ilustraciones en negro y color.
Genève, Galerie Gérald Cramer, 1969, 22 x 29,5 cm., cartoné editorial con sobrecubiertas con una litografía en color original especialmente dibujada por Miró, 25 págs. incluso retrato + 8 láminas + 1 hoja. (Tirada de 1.650 ejemplares numerados).
M., Editorial Ameris, 1981, 27 x 26'5 cm., símil piel original con sobrecubiertas en colores, numerosas ilustraciones intercaladas en el texto, muchas de ellas a toda página, 160 págs. - 3 h.
Paris, Paul Ollendorff, s.a., 2 tomos, 20 x 13 cm., láminas, 2 h. - 321 págs. - 1 h. = 2 h. - 325 págs. (Ejemplar intonso).
London, Smith and Son, 1837, 26'5 x 17'5 cm., tela original, retrato - LXV págs. - 1 h. - 486 págs. - 1 h. - carta facsímil plegada y 6 láminas grabadas. (Ejemplar intonso).
London, Smith and Son, 1835, 26'5 x 17'5 cm., tela original con leve desgarro en la parte superior del lomo, retrato - VII págs. - 1 h. - 573 págs. - 1 h. y 5 láminas grabadas. (Ejemplar intonso).
London, Phaidon Press, 1953, 31 x 23 cm., tela original con sobrecubiertas, numerosas ilustraciones intercaladas, X - 199 págs. - 8 láminas en colores.
1997New Turkish Paperback. 4to. (28 x 23 cm). In Turkish. 208 p., color and b/w ills. This book has been prepared due to the exhibition held in the Military Museum and Culture Site between May 6 and May 15, 1997 in cooperation with the Municipality of Sisli and the Painting and Sculpture Museums Association. One of 1000 copies. "... The old "La Societa Operaia" and the new "Galatasaraylilar Yurdu" [i.e. Dormitory of Galatasaray Lycee] in Beyoglu, Pera started to host three art exhibitions; the first two would be held in the spring of 1916 and 1917, and the last one, which hosted paintings about the war - what would later become known as the Sisli Studio - was held in late 1917 before being brought to Vienna. The Vienna exhibition hosted 20 artists; Zekai Pasha, who had exhibited only one work in the late 1917 exhibition, "Bir Konak Dahili" [i.e. Interior of a Mansion] did not take part in the Vienna show, while the Prince Abdülmecid Efendi, the honorary president of the Society, who had not attended the 1917 exhibition, sent four paintings to Vienna. The opening of the Vienna exhibition was conducted by the Archduke himself. The exhibition, as Celal Esad pointed out, was well received by both Austrian visitors and the press. A poster was designed and the exhibition was accompanied with a German catalogue, Ausstellung Türkischer Maler [i.e. Exhibition of Turkish Painters]. Turkish artists who attended Vienna Exhibition are: Prince Abdulmejid, Ömer Adil Bey, Ali Cemal Ben'im, Ali Sami Boyar, Cevat Bey, Feyhaman Duran, Harika (Sirel Lifij) Hanim, Halil Pasha, Hikmet Onat, Hüseyin Avni Lifij, Ismail Hakki Bey, Mehmed Ali Laga, Mahmud Bey, Namik Ismail, Rusen Zamir Hanim, Mehmed Ruhi Bey, Mehmed Sami Bey (Yetik), Sevket Dag, Diyarbakirli Tahsin, and Ibrahim Çalli; with their 142 pieces of paintings totally, in different techniques.
2018New English Paperback. Roy. 8vo. (24 x 17 cm). In English and Turkish.304 p., ills. Theory in the art and design: Add-Ist Art and Design Dialogues Symposium. February 2018 proceedings book and exhibition catalogue.= Sanat ve tasarimda kuram: Add-Ist Sanat ve Tasarim Diyaloglari Sempozyumu - Subat - 2018 bildiriler kitabi ve sergi katalogu.
1991Fine Fine English Original bdg. Dust wrapper. 4to. (28 x 22 cm). In English, French, and Turkish. [6], 250 p., color plts. 2000 copies were printed. Ercümend Kalmik, 1908-1971. [Artist catalogue]. Ercümend Kalmik, (1908-1971), known for his work in understanding the lyrical-abstract Turkish painters. n 1928, Academy of Fine Arts in the Department of Painting by entering the first Nazmi Ziya's, then Ibrahim Calli 's was a student. In 1937, after graduation time in various newspapers and magazines and worked. Previously, impressionistic understanding Kalmik employees, located in Europe at the time of cubism was interested. Braque 'la Picasso 's, then Fernand Léger and Henri Matisse's figures were impacted by understanding. After returning to Turkey maintained a distinct outer line of figurative abstraction and had a strong sense of pattern. In the 1960s, fishermen, boats and sailboats in front of an abstract landscape imagery began funding. With solid color stain, which highlights the contours of a lyrical expression in the works of this period are seen. As well as the etching Kalmik also makes the picture in the 1960s in the figurative sense of the prints that are dominant. As well as objects and natural appearance of the figure given the place and occupancy of the space in this building has been used in a balanced manner. Domestically and abroad, participated in many group exhibitions, solo exhibitions opened.
2014New English Paperback. Pbo. 4to. (30 x 24 cm). In English and Turkish. 139 p., color ills. Özdemir Altan. Retrospective.= Retrospektif. TURKISH PAINTING History of art Painter Retrospective.
1999Fine English Original bdg. HC. 4to. (28 x 20 cm). In English and Turkish. 315, [4] p., color and b/w ills. Portraits of Ottoman Empire's sultans.= Padisah portreleri.
