PETER HRISTOFF.MareMagnum
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1998Fine English Paperback. 4to. (29 x 24 cm). In English and Turkish. 80 p., color and b/w ills. Peter Hristoff. Texts by John Ash. Translated by Fatih Özgüven - Engin Kiliç. Edited by Ahu Antmen. [Exhibition catalogue]. TURKISH ART OF PAINTING History of art Exhibition.
2012Fine English Paperback. Pbo. Large 8vo. (21 x 16,5 cm). In French and Turkish. [48] p., b/w ills. Ainsi parle la fille de pluie. Sur 23 dessins de Colette Deble.= Yagmur kizi böyle diyor. Colette Deble, 23 desen üzerine. Translated into French Ahmet Soysal.
2006New English Paperback. Pbo. 4to. (29 x 25 cm). In English and Turkish. 203 p., color and b/w ills. Women, painting, stories. Transformation of the image of "woman" in Turkish painting in the modernization era.= Kadinlar, resimler, öyküler. Modernlesme sürecindeki Türk resminde "kadin" imgesinin dönüsümü. [Exhibition catalogue]. Art history, one of the liveliest and most exciting branches of knowledge of our times, emphasizes the need to continually re-examine, re-evaluate and re-interpret its primary ingredient - art works of the past. From fresh perspectives in the light of current information, thought and theory about these works, the discourse of knowledge that surrounds a work of art and is continually adapted. Women, Paintings, Stories / Transformation of the image of 'women' in Turkish painting in the modernization era is the product of just such an inclination and re-interpretation. In this exhibition of more than fifty works chosen from a variety of public institutions and private collections spanning the era from the Mesrutiyet / Second Constitution through the Republic, a voyage through the years was embarked upon, during which, the Turkish art of painting underwent a movement towards contemporaneity, within the framework of an exceptional and extremely meaningful theme, a reinterpretation of the transformation of the image of 'women'.
2014New English Paperback. Pbo. 4to. (27 x 24 cm). In English and Turkish. Color and b/w ills. 87 p. 1000 copies were printed. Tekcan's biography: 1940 Born in Trabzon 1963 Graduated from the Painting Department of Ankara Gazi Education Institute. Studied at the Painting Department of Istanbul State Academy of Fine Arts (Miamr Sinan Univeristy) and completed his competense in arts education at the faculty of the same university. 1968-1975 Work as a member of the academic staff at Atatürk Education Faculty 1970-1971 Carried out research in Germany on printmaking education 1975 Joined the staff of Mimar Sinan University Fine Arts Faculty 1985 Professorship. Was appointed to the Chair of the Graphic Art Department the same year 1987 Two-month Original Prints Seminar in Sarajevo Arts Academy 1991 Original Print Seminar at Ankara Bilkent University 1991 Two conferences in Bonn, Germany, named ¿12 Artist in Turkish Graphic Art¿ and ¿ A cross-section of Contemporary Turkish Painting¿ 1994-1995 Dean of the Fine Arts Faculty of Mimar Sinan University as well as the Head of Graphic Arts Department. 1996 Established the Fine Arts Faculty of Yeditepe University which began its educational activities in Büyükada and was the Dean during its first year. 2006 IMOGA-Istanbul Museum of Graphic Arts, Founder and Chairman. 2007 Established the Fine Arts Faculty of I¿¿k University and is the Dean of the Faculty. 2008 Chairman of 1.st International Printmaking Biennial Organization Committee."
1985Fine Fine English Original bdg. Dust wrapper. 4to. (29 x 22 cm). In English and Turkish. 239, [4] p. Color ills. The art of glass and traditional Turkish glassware.= Cam sanati ve geleneksel Türk camciligindan örnekler. With a preface by C. J. Riedel.
1993As New English Paperback. Pbo. 4to. (32 x 23 cm). In English and Turkish. [68] p., b/w ills. Abidin Dino. Torture.= Iskence. [Exhibition catalogue]. Prep. by Ali Artun. Translated into English by Fred Stark.
2015New English Paperback. Pbo. 4to. (29 x 25 cm). In English and Turkish. 180 p., color ills. The exhibition book published on the occasion of "Spaceliner", a group exhibition comprised of 17 artists, endeavours to illustrate working methods and approaches of contemporary drawing production. The exhibition book offers a selection of the artists' newly produced works for "Spaceliner" and their previous works. The book features besides Barbara Heinrich's curatorial overview of the works and practices of the artists, two newly commissioned essays by art historian Michael Glasmeier from Germany and Ilkay Baliç from Turkey.
2007Fine English Original bdg. Dust wrapper. 4to. (30 x 25 cm). In Turkish. 271 p., color ills. Naci Kalmukoglu. Texts by Halilhan Dostal, Sema Olcay Kosan. Edited by Isa Kayaalp, Nadia Inciyan.
2007As New English Paperback. Pbo. Mint. 4to. (26 x 21 cm). In English, French, and Turkish. 123 p., color ills. Naci Kalmukoglu. He was a star.= Il etait une etoile.= O bir yildizdi. [Exhibition catalogue]. Text by I. Halilhan Dostal.
1989Fine English Paperback. Pbo. Large 8vo. (22 x 23 cm). In Turkish. 24 p., color ills. Türk resminde ortak bilinç. [Exhibition catalouge]. 23 Ocak - 23 Subat 1989.
1987Fine English Paperback. Pbo. 4to. (30 x 23 cm). In English and Turkish. [56] p., color and b/w ills. A pictoral history of 5000 years of civilization in Tokat.= Yagliboya resimlerle Tokat ilinin 5000 yillik medeniyet tarihi.
1968Fine English Paperback. Pbo. Cr. 8vo. (18 x 14 cm). In Turkish. [32] p., b/w plts. S[ükriye] Dilmen Retrospektif Sergisi. Devlet Güzel Sanatlar Akademisi, 1968. Text by Nurullah Berk. [Exhibition catalogue].
2005New English Paperback. Pbo. 4to. (33 x 24 cm). In English. Color ills. 155 p. Throughout the ages, the Orient has attracted the interest of the West. European intellectual and artists have been mesmerized since the earliest times by this presumably mysterious and relatively closed world. As a natural consequence, during various periods many artists, either by travelling themselves or by travelling in their imaginations, sought to discover the essence of the Orient, and depicted or expressed in their works either the real Orient or their own visions of it. The movement known as Orientalism in European art, which appeared in conjunction with the Romanticist movement of the 19th century, focused on the East, primarily in the lands of the Ottoman Empire. Even long before the rise of Orientalism in European art, many European artists, fascinated by their first glimpses of the mysterious East and by the Turquerie fashion which was the result of the new relations with the Ottoman world. For nearly two hundred years, starting from the 18th century, numbers of painters, some of whom became known as the Bosphorus Painters, worked intensively in the lands of the Empire and depicted the Ottoman world ib its various aspects, consequently engraving those images in mankind's visual memory. The exhibition Portraits from the Empire sheds light on a special part of this opulent world. Almost sixty paintings selected from the Suna and Inan Kiraç and Sevgi and Erdogan Gönül collections bring us face to face with the peoples of the Ottoman world, their portraits and portrayals, sometimes very familiar and sometimes remote, even nearly foreign, in their physiognomies. These paintings, most of them created before the eye of the camera replaced the human eye, in the times when observing, studying, interpreting and depicting the world was the priority of painters, present the lost faces of an era long past with amazing reality and vividness.
2010New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. Color ills. 195 p. From figure to figure. Examples of portraits from Osman Hamdi Bey to the present day.= Suretten surete. Osman Hamdi Bey'den günümüze portre örnekleri. [Exhibition catalogue]. ". The exhibition describes how the Turkish artists interpret this art in the direction of the introduction of the portrait art to the Ottoman Palace and contemporary art movements in four different categories. The catalogue includes 'Painter's portraits' such as 'Avni Lifij' by Hoca Ali Riza, 'Feyhaman Duran' by Nazmi Ziya, 'Hikmet Onat' by Ibrahim Çalli, 'Arttists in the portraits' such as 'Sait Faik Abasiyanik' by Edip Hakki Köseoglu, 'Sinan the Architect' by Sabri Berkel, 'Women from tales' by Bedri Rahmi Eyüboglu, 'Portraits of relatives' such as a portrait of Shehzade Abdulmecid Efendi from his family, 'Belkis Yetik' by Sami Yetik, 'His son Edip Onat' by Hikmet tOnat and 'Disttant relatives' such as 'Hayri Bey' by Halil Pasha, 'Monsignor Orhan Bey' by OSman Hamdi Bey.".
2010New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. Color ills. 195 p. From figure to figure. Examples of portraits from Osman Hamdi Bey to the present day.= Suretten surete. Osman Hamdi Bey'den günümüze portre örnekleri. [Exhibition catalogue]. ". The exhibition describes how the Turkish artists interpret this art in the direction of the introduction of the portrait art to the Ottoman Palace and contemporary art movements in four different categories. The catalogue includes 'Painter's portraits' such as 'Avni Lifij' by Hoca Ali Riza, 'Feyhaman Duran' by Nazmi Ziya, 'Hikmet Onat' by Ibrahim Çalli, 'Arttists in the portraits' such as 'Sait Faik Abasiyanik' by Edip Hakki Köseoglu, 'Sinan the Architect' by Sabri Berkel, 'Women from tales' by Bedri Rahmi Eyüboglu, 'Portraits of relatives' such as a portrait of Shehzade Abdulmecid Efendi from his family, 'Belkis Yetik' by Sami Yetik, 'His son Edip Onat' by Hikmet tOnat and 'Disttant relatives' such as 'Hayri Bey' by Halil Pasha, 'Monsignor Orhan Bey' by OSman Hamdi Bey.".
2001Very Good English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. 278, [2] p. O günlerden bu günlere. Anilar / elestiriler. HISTORY OF ART Turkish art Painting Criticism.
2007New English Paperback. Pbo. 4to. (30 x 21 cm). In Turkish. 112 p., color and b/w ills. Ilk Türk kadin ressam Mihri Rasim (Müsfik) Açba. 1886, Istanbul - 1954, New York.
2012New New English Original bdg. Dust wrapper. In publisher's special box. 4to. (32 x 24 cm). In Turkish. 3 volumes set: ([6], 1172 p.), color and b/w ills. Yahsi Baraz is a well known art gallery owner. This set is about his selection of important exhibitions of Turkish paintings and of exhibitions which were a benchmark in the history of Turkish painting. Türk sanatina yön veren sergiler ve Yahsi Baraz'in büyük sergileri. 3 volumes set in special box.
2014New New English Original bdg. HC. 4to. (29 x 25 cm). In Turkish. 255, [3] p., color ills. Eco awareness has had an enormous impact across all cultural and political spectrums, not least in the art world. This accessible and thought-provoking book is the first in-depth exploration of the ways in which contemporary artists are confronting nature, the environment, climate change and ecology. Organized into six chapters, the book moves through the various levels of artists engagement, from those who act as independent commentators, documenting and reflecting on nature, to those who use the physical environment as the raw material for their art, and those committed activists who set out to make art that transforms both our attitudes and our habits. More than 300 illustrations feature the work of 95 artists and art collectives from all over the world, including The Artist as Family, Nyaba Leon Ouedraogo, Yao Lu, Tue Greenfort, Eva Jospin, Ravi Agarwal, Nadav Kander, Naoya Hatakeyama, Tattfoo Tan, Berndnaut Smilde, Simon Starling, and Jennifer Allora and Guillermo Calzadilla.
2010New English Paperback. 4to. (29 x 25 cm). In English and Turkish. 129, [5] p., color ills. Kutlug Ataman's video and film works document the lives of marginalized individuals who explicitly give voice to their own obsessions, their relations with micro and macro power structures and verbalize straightforwardly their subliminal issues or sexuality. "I am not interested in exposing these people and turning them into a show," says Ataman, about his preference of these characters, "I only work with people that I see myself in." Ataman chooses narratives that dangle between reality and fiction in his work, which chiefly retains the documentary style. He questions how individuals manifest their identities through storytelling and how narratives are used to re-fabricate another 'self'. While offering an alternative to the categorizing structure of identity politics by putting the individual at the core, Ataman also interconnects significant issues of contemporary art today, such as historiography, social/individual identity, memory, plurality, myth, game and power. Individuals at the centre of Ataman's works narrate not over an academic, institutionalized and fixed representation of history, but over flexible performances such as personal myth-making, masking and shielding. While verbalizing personal stories, individuals expose the ease of verbal expression and persuasiveness of language. Ataman also shapes the screen layout of his video works into installation / sculpture like forms.
2013New English Paperback. 4to. (29 x 25 cm). In English and Turkish. 128 p., color ills. Envy - enmity - embarrassment.= Haset - husumet - rezalet. [Exhibition catalogue]. Edited and curated by Ilkay Baliç. Envy, Enmity, Embarrassment 2/2 provides a visual documentation of the exhibition through installation photos, comprehensive details and video stills of each work in the exhibition. Resembling a photo album, the book is organised in line with the viewer's experience: it begins with the works on the ground floor and follows the viewer's probable route in the space both through installation views and floor plans. The book also includes a number of photos from the exhibition's opening, by Cem Turgay.
2013New English Paperback. 4to. (29 x 25 cm). In English and Turkish. 264 p., color ills. Envy - enmity - embarrassment.= Haset - husumet - rezalet. [Exhibition catalogue]. Edited and curated by Ilkay Baliç. The first book published to accompany ''Envy, Enmity, Embarrassment'' at Arter focuses on the processes and environments related to the production of the works in the exhibition. Entitled Envy, Enmity, Embarrassment 1, the book includes, along with Emre Baykal's conceptual framework text, new commissioned essays on each artist and their work(s) in the exhibition. Contributing authors: Murat Alat, Ilkay Baliç, Tanil Bora, Ibrahim Cansizoglu, Duygu Demir, Övül Durmusoglu, Özge Ersoy, Lara Fresko, Melek Özman, Basak Doga Temür, Merve Ünsal, Adnan Yildiz.
2005Fine English Paperback. Pbo. Cr. 8vo. (18 x 13 cm). In Turkish. 67 p., b/w ills. by Yüksel Arslan. Büyük ve korkunçtur gülmenin kudreti. Arslan-Philippe Krebs mektuplasmalari. Translated by Ali Berktay. Letters of Turkish painter Yüksel Arslan and Philippe Krebs. TURKISH PAINTING Letter Turkish literature.
2015New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. 315, [5] p., color and b/w ills. Artists in their time.= Sanatçi ve zamani. [Exhibition catalogue]. Edited by N. Can Kantarci. Prep. by Levent Çalikoglu. Istanbul Modern's collection exhibition, "Artists in Their Time", focuses on how artists position their work and themselves within the concept of time. It suggests a conceptual field for examining, and reconciling, the links between an artist's time and societal, cultural, natural and universal time. It unites artists from very different periods, geographies and disciplines around common themes. "Artists in Their Time" takes as its starting point the words of Ahmet Hamdi Tanpinar (1901-1962), one of Turkey's foremost intellectual and literary figures: "I am neither within time nor completely outside of it." Tanpinar's views about time illuminate the process by which artists come to terms with the relationship of their work with the past, the present and the future. Accordingly, this exhibition groups together works of art from distinct geographies, periods and disciplines that share the same emotions with respect to a variety of themes: the intersecting responses of abstract art from different periods; the role of materials and studios in the production of art; the transformation from landscapes and still lifes to the present conception of nature; the search for identity; attraction to the Higher and the spiritual; existential questioning; body politics; feminist approaches; the complex problems imposed by the new urban culture; the struggle against war, death and destruction; life stories from Istanbul, a metropolis defined by water and embracing the sea; and efforts to understand the people of Anatolia.
2013New English Paperback. Pbo. 4to. In English and Turkish. 63, [1] p., 17 huge color folding plts., color ills. "The book published on the occasion of Sarkis' exhibition entitled ''Interpretation of Cage / Ryoanji'' comprises three sections. The first section features new texts commissioned exclusively for this publication along with photos from Sarkis' works that are mentioned in the essays. Opening with Melih Fereli's comprehensive curatorial introduction that offers an intense journey into the musical and intellectual references of Sarkis' works in the exhibition, this section includes texts by art historian Gabriele Knapstein ("Fleeting Images and Fleeing Sounds: Music in the Work of Sarkis"), editor and translator Mine Haydaroglu (''Conveyed Through Sound and Images: The Element of Chance in Art and in the Work of Sarkis''), and philosopher Elie During (''Blocks of Silence, Stretches of Time: Sarkis' Ryoanji''). The second section brings together the 96 watercolours that form Sarkis' work entitled ''Partition de flûte Ryoanji / Cage selon Sarkis'' while the third consists of a CD that includes a pre-recorded musical interpretation of Sarkis' work by Kudsi Erguner (ney) and Jean-Francois Lagrost (shakuhachi).".