3,499 results
2010New English Paperback. Pbo. 4to. (28 x 24 cm). In English and Turkish. 268 p., color and b/w ills. Starter. Works from the Vehbi Koc Foundation Contemporary Collection.= Starter. Vehbi Koç Vakfi Çagdas Sanat Koleksiyonu'ndan isler. [Exhibition catalogue]. Edited by Ilkay Baliç.
2006Very Good English Paperback. Pbo. Very good. 4to. (27 x 21.5 cm). In Turkish and English. 223 p. Color ills. Signed and dedicated by artist. 1500 copies were printed. Sali Turan. Yol posadlari. Translator: Mary Isin.
2011New English Paperback. Pbo. 4to. (28 x 23 cm). In Turkish and Italian. [xxv], 125 p. Many folding color plts. [Behçet] Safa. La luce fu su loro leggera.= 1960-1990. Isik vurur üzerlerine hafifçe. 5 Nisan - 5 Mayis 2011 Galeri Tantekin. Translator: Meryem Mine Çilingiroglu. Curated by Jale Durna, Mehmet [Tantekin].
1994Very Good English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. 240 p. Signed and inscribed by Balaban. Kaliba sigmayanlar.
1995New English Original bdg. HC. In special publisher's slip-case. Large 4to. (35 x 25 cm). In Turkish. 59, [114] p., color and b/w ills. Orhan Peker. Ispanyol defteri. Edited by Önder Küçükerman.
2009New English Paperback. Pbo. 4to. (29 x 23 cm). B/w and color ills. 256 p. In Turkish and English. 1000 copies were printed. Exhibition's Exhibition. Istanbul Painting and Sculpture Museum 1937 Opening Collection.= Serginin Sergisi. Istanbul Resim ve Heykel Müzesi 1937 Açilis Koleksiyonu. TURKISH PAINTING History of arts Exhibition.
1955Fine English Paperback. Pbo. Oblong large 8vo. (21 x 21 cm). In English. [18], [44] p., color ills. "Approaches to the human figure in the early development of modern Turkish art reflect both the anthropomorphic influences of western art and an attempt to come to terms with Islamic traditions.". Turkish figurative painting.
1961Very Good English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. 48, [1] p., ills. A study on abstract painting. Soyut resim.
2007New English Ahmet Günestekin. Antik modern = Antique Moderne., text by: Gülseli Inal; translator: Ayperi Okur, Ist., 2007. Paperback. Pbo. 4to. (29 x 23 cm). 212 p. Color ills. In Turkish and English. 1250 copies were printed. "Ahmet Günestekin (born December 22, 1966 in Batman, Turkey) is a Turkish painter. He was born in the workers' camp at Garzan oil field in Batman, where his father was employed. He was the second youngest child of a seven children family. His passion for painting has been with him ever since his childhood. He was awarded his first prize in third grade when he was nine years old. His acquaintanceship with oil colors occurred at the same time, and in addition to this, his interest in literature appeared at this young age. Since that time, the artist has kept on working permanently. When he reached his high school years, he staged his first personal exhibition in the gallery at his school. Shortly after his graduation, he went on to study in the Faculty of Fine Arts at Mimar Sinan University in Istanbul. After a while he dropped out of this programme, but later went on to complete his graduate studies at the Anadolu University's Department of Management. For a period, he went into business, but soon returned to painting. In 1997, Günestekin established his first studio in Beyoglu and from there staged numerous personal and cooperative exhibitions. In the wake of his exhibition ¿Colors After Darkness¿, which he opened in 2003 iat Atatürk Cultural Center (AKM), he gradually began to release his name into the world of art. Through a great number of personal exhibitions, Günestekin¿s works of art now take their place in prestigious domestic and foreign collections. Ahmet Günestekin, whose signature of his great achievements is his distinctive language, has also attained great success in the design field. His art: Antique Modern While it exists as a definite and specific feature in modern art expression, form in post-modern times is observed and experienced as fragmented and imperceptible through a detached yet consecutive visual experience. Modern means: integrity, continuity, order, nature, form and, most importantly, simplicity. Post modern, on the other hand, is about pieces, disarray, detachedness, context, complexity and, most importantly, essence and ethnic culture. While modernism offers a unifying closed-circuit form mechanism, what is dominant in the art expression of the post-modern era is anti-form and a fragmented structure. (We designate the post-modern era as gaining clarity by 1990). The principles in a modern work of art can be listed as goal, distance, sovereignty, depiction of existence, metaphor, depth, interpretation, the designated, main code, narration, paranoia, the origin, metaphysics, and transcendence. What comes to the fore in the post-modern era, conversely, are characteristics like game, anarchy, process, puzzle, anti-thesis, nonexistence, disintegration, personal language (idiolect), irony, ambiguity, and immanence. From this perspective, Ahmet Günestekin's art expression bridges both the modern and post-modern approaches; whilst it harbors the modern characteristics and displays some features of the modern, and displays some features of the modern in terms of the space he reflects, it also offers a refuge for antique characteristics in terms of its themes. In actuality, Ahmet Günestekin, as an artist fascinated by the antique worlds, stands contrary to Modernism. However, the integrity and unity he reflects on the canvass are the principles of the modern work of art and they greet us as the most important principles that the artist gives the utmost importance to in composing his work. On the other hand, Ahmet Günestekin, who displays a completely post-modern attitude, also crosshatches the archetypes of the antique worlds, and transforms the ruptures of time - anachronisms - by greeting time perception, thereby transforming."
2010New English Fatih Mika. Dönüs. Cennet kültür ve sanat merkezi [Engraving exhibition catalogue]., text by: Lale Gürsel, prep by: Erkan Doganay, Küçükçekmece Belediye baskanligi, Ist., 2010. Paperback. Pbo. Oblong 4to. (21 x 27 cm). 100 p. Color ills. In Turkish.
As New English Karadana, [Selim]. Çarpik gölgeler = Distorted shadows. 2006-2009 [Exhibition catalogue]., texts by: Ekrem Kahraman, Hasan Erkul, Özkan Eroglu, Ümit Gezgin, Belgin Balanoglu Alagöz, Hale Seval, Sadik Türksavas., Ist., 2009. Paperback. Pbo. Mint. 4to. (30 x 21 cm). 67 p. In Turkish and English. Color ills. 1000 copies were printed. "He was born in 1960 in Ankara. He graduated from the Istanbul Devlet Güzel Sanatlar Akademisi and Özdemir Altan workshop. He works on phosphorous paintings that's seen in the darkness and nights."
2011As New English Paperback. Pbo. Mint. 4to. (30 x 24 cm). 98 p. Color ills. In Turkish and English. 750 copies were printed. Merkezde! 03 Mayis - 10 Haziran 2011 Gallery Linart [Exhibition catalogue]. Translated by Özlem Horuztepe.
1984Very Good English Paperback. Pbo. Demy 8vo. (21 x 14 cm). In Turkish. 72 p., b/w ills., 32 color plates. A. Abidin Elderoglu. Texts: Devrim Erbil, Zahit Büyükisleyen, Ozan Sagdiç.
1996Fine English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. [x], 150 p., color plates. A biographical study on Turkish painter and poet Bedri Rahmi Eyuboglu, (1911-1975). Bedri Rahmi Eyuboglu.
1965Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 163, [3] p., ills. Asker ressamlar ve ekoller. Soldier Turkish painters and schools. Asker ressamlar ve ekoller.
1948Very Good English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. [4], [vii], 255 p., ills., 45 plates. Best reference study on classic and contemporary Turkish painters of Turkish Republic and Ottoman Empire. Osmanli Imparatorlugu ve Türkiye Cumhuriyeti devirlerinde Türk ressamlari. Hayatlari ve eserleri.
1990Very Good English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 173 p. Articles on Turkish painting art and Turkish history of art. Sanatin icinden.
1991Fine English Paperback. Pbo. 4to. (28 x 22 cm). In English, French, and Turkish. [34] p., color ills. Dogançay. Walls '80.= Les murs '80.= Duvarlar '80. [Exhibition catalogue]. Texts by Gülnar Önay.
1989Fine English Original bdg. Dust wrapper. Roy. 8vo. (23 x 17 cm). In Turkish. 388 p., 59 b/w plates. Signed and inscribed by Köktürk. Paletten kaleme. (De la palette a la plume).
1984Very Good English Paperback. Pbo. Large 8vo. (22 x 22 cm). In English and Polish. [72] p., b/w plates. Adam Mickiewicz Museum in Stamboul.= Muzeum Adama Mickiewicza w Stambule. Catalogue - guide.
2014New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. 395 p., color and b/w ills. "Ekrem Hakki Ayverdi was raised at a time in which Istanbul was undergoing its late Ottoman-early Republican period. Apart from his persona as an engineer-architect, restorer, and architectural historian, he was a collector passionately dedicated to Ottoman art. Undertaking the construction of different public buildings in Istanbul, Bursa and Edirne, as well as the restoration of many architectural works, Ayverdi not only brought together the most select and refined works of Ottoman art, which had begun to lose its prestige amidst the changing values of high culture in the time he lived, but he also paid particular attention to their conservation and preservation. Ayverdi's two seminal corpuses that study Ottoman architecture from its early days until the end of the Mehmed II era, as well as its examples in Roumelia, continue to maintain their place as the most important reference books for those working in this field. Istanbul Research Institute commemorates Ekrem Hakki Ayverdi, his professional work, and his priceless collection with an exhibition in the 30th anniversary of his passing and hopes to bring together wide audiences with this versatile and colorful man of culture, who, as one of the last representative of a lost world, holds a unique place in Ottoman art studies and Ottoman architectural history in particular.".
1992Very Good English Paperback. Pbo. Oblong large 8vo. (20 x 21 cm). In Turkish. 11, [1] p., color ills. Evgeniy Plesovskih. 10 Ocak - 29 Ocak 1992, Galeri Baldem. [Exhibition catalogue]. Text by Sezer Tansug.
2012New New English Paperback. Pbo. 4to. (27 x 24 cm). In Turkish. 143 p., color ills. Tanzimattan Cumhuriyete Türk resmi. Sakip Sabanci Müzesi Resim Koleksiyonu.
2014New English Paperback. Pbo. Oblong large 8vo. (21 x 21 cm). In English and Turkish. [28] p., color ills. Ibrahim Balaban Resim Sergisi. [Exhibition catalogue]. 29 Kasim - 29 Aralik 2014. Poems by Nazim Hikmet.; Texts by H. Nazim Balaban.
2014New English Paperback. Pbo. 4to. (30 x 24 cm). In English and Turkish. 139 p., color ills. Özdemir Altan. Retrospective.= Retrospektif. TURKISH PAINTING History of art Painter Retrospective.