EZQUERRA DEL BAYO, Joaquín.MareMagnum
3,509 results
Madrid, Blass, 1934, 24,5 x 17 cm., cartulina editorial, 62 págs. +1 hoja + LII láminas. (Sello de anterior poseedor).
Madrid, Espasa-Calpe, 1958, 28 x 21,5 cm., tela original con sobrecubiertas algo rasgadas por el plano posterior, 371 págs. + 1 hoja + XIV láminas en color + 14 + 300 láminas en negro en papel couché.
Madrid, Mateu, sin fecha, 22 x 15 cm., holandesa piel de época, 46 págs. + 1 hoja + 56 láminas en papel couché. (Publicado por la Sociedad Española de Amigos del Arte).
Paris, Hachette y Cie., 1914, 21 x 16 cm., tela editorial algo rozada, lámina + 19 págs. + 62 láminas.
München - New York, Prestel, 1997, 30 x 24,5 cm., cartulina editorial, 262 págs. profusamente ilustrada con láminas a color e ilustraciones intercaladas en negro y color + 1 hoja.
Köln, M. DuMont Schauberg, 1975, 33 x 25 cm., tela original con sobrecubiertas, 499 págs. incluso láminas con un total de 757 ilustraciones.
Genève, Galerie Gérald Cramer, 1969, 22 x 29,5 cm., cartoné editorial con sobrecubiertas con una litografía en color original especialmente dibujada por Miró, 25 págs. incluso retrato + 8 láminas + 1 hoja. (Tirada de 1.650 ejemplares numerados).
Genève, Skira, 1958, 29 x 25 cm., tela original con sobrecubiertas, 229 pgs. Incluso 98 láminas en colores + 1 hoja.
Málaga, 1981, 27 x 21 cm., cartulina editorial, 40 págs. incluso retrato y 39 ilustraciones en colores.
Málaga, Artigraf, 1989, 28 x 22,5 cm., cartulina editorial, 14 hojas con textos de María Victoria Atencia, Pablo García Baena, José Infante y Rafael León, incluso 13 láminas en colores, una de ellas plegada.
PARIS, Buchet/Chastel - 1961 - 426 pages. - Gravures dans le texte Petit In-4° Broché. Propre. Traduit de l'américain par Michèle CAUSSEARIS, Buchet/chastel
PARIS, Guy Authier, 1977 - In-8 - Broché -Couverture souple illustré - illustrées de nombreuses photographies NB, certaines PP - 198 pages - Bon état
2019New English Original bdg. In publisher's special box. Folio. (33 x 29 cm). In English. 2 volumes set: (240 p., 5 unnumbered folded plates on pages; Second volume is a hard-case including two reprint panoramas and one reprint map: First panorama is a huge hand-coloured drawing shows Ottoman Palace across Sarayburnu; size 28x336 cm; Second panorama is a huge hand-coloured drawing shows Ottoman Palace across Sarayburnu again which is indicating Palace from a different angle; size 28x196 cm; and one map: 'Carta ufwer Orienten Med de Darom kring Grantzande Lander... (Turkey and its around map printed originally in early 18th century), descriptive text surrounding the map, size 65x85 cm. Cornelius Loos in the Ottoman world: Drawings for the King of Sweden, 1710-1711. [with] Panoramas & map [book]. Prep. by Lâle Uluç, David Jones, Klas Kronberg, Ersu Pekin. 2 volumes. [BOXED]. Cornelius Loos was one of the young military officers who followed Karl XII to the Ottoman Empire in 1709. From the royal headquarters in what is at present the republic of Moldova, Loos was sent to Istanbul on the King's orders in 1710. From there his journey was pursued by boat over the Mediterranean to Egypt and he returned by land through Jerusalem, Damascus, Aleppo, Konya and Izmir. Loos' mission was to make drawings of the "rarities and monuments" that he would encounter on his journey. Out of the drawings that have survived until today, one is from Palmyra, two from Rhodes and Bodrum and around forty aquarelle tush drawings from Istanbul. It is possible that part of the original drawings were destroyed in the "Skirmish at Bender" in 1713, while other works, due to various reasons, disappeared on their way to Sweden. The conserved drawings are kept at the Swedish National Museum and were exhibited there in 1985. (See catalogue titled "Cornelius Loos. Teckningar från en expedition till Främre Orienten 1719-1711", Stockholm, Nationalmuseum, 1985). The drawings represent a unique record of the urban landscape and the monuments in Istanbul in the early 18th century. The collection includes three great panoramas of the city seen from the Topkapi palace to the upper part of the Golden Horn. To the Loos paintings can be added the great Mecca painting brought to Sweden by Mikael Eneman and kept in the Uppsala University Library, and a small group of oil paintings brought back by Loos' travel companion Conrad Sparre, which are also kept in the art collection of Uppsala University. In addition there are travel accounts and correspondence from these journeys. (From the 'SRII's official site, Karin Adahl's project). "In January 1710 the Swedish king Charles XII, in exile in the Ottoman Empire, sent three of his officers on a journey from the royal camp near Bender in Moldova to travel to Constantinople and from there along the Eastern Mediterranean to Egypt. Their mission was 'to view the there existing rarities and monuments, to draw and to measure'. Cornelius Loos, one of the young officers, returned to his king in 1711 with more than 250 drawings. Only forty-nine, kept under the king's bed, survived a skirmish in the camp in 1713, the so called 'kalabalik' at Bender. King Charles had a vision to publish an encyclopaedic work about the Near East, a dream that was lost in the fire in the camp. The drawings were brought to Sweden when the king returned from the Ottoman Empire in 1714. He died in battle in Norway in 1718. Loos' drawings are unique documents of Constanttinople in the early 18th century, with large scale, detailed panoramas, important prospects of the interior of the Hagia Sophia and views from the Ottoman city. A big map is accompanied by minor drawings from the Black Sea, the Eastern Mediterranean and Egypt, as well as a spectacular set of water-colours of head dresses from the Ottoman world. The Loos collection of drawings is today kept in the National Museum in Stockholm.". Texts by Göran Baarnhielm, Ulla Ehrensvard, Nurhan Atasoy, Günsel Renda, Bo Lundstörm
2015New English Paperback. Oblong 4to. (24 x 27 cm). In English and Turkish. 160 p., ills. We elsewhere.= Biz baska yerde. [Biennial catalogue]. We, Elsewhere, a new work by Inci Eviner will be presented in the Pavilion of Turkey at the 58th Venice Biennale, to be held from May 11 through November 24, 2019. Organised by the Istanbul Foundation for Culture and Arts (IKSV) and sponsored by Fiat, the Pavilion of Turkey will be curated by Zeynep Öz and located at Sale d Armi, which is one of the main exhibition venues of the Venice Biennale. We, Elsewhere is created as a site-specific installation for the Pavilion of Turkey at the 58th Venice Biennale and makes use of elements such as reconfigured objects as well as drawings, video, sound, and performance. It is an investigation into the spaces that we create, and are created for us as a result of collective displacement. The exhibition ruminates on how subjects who find themselves in these spaces react and interact with one another and with their memories. Various elements of sound, reconfigured objects and characters crafted by Eviner evoke the sense of a search for the missing, the erased and that which is elsewhere. A certain aggression and abruptness comes out in the characters everyday behaviour informing their identities in transition. The space itself, in which visitors are invited to walk along the ramps, courtyards and edges, displays permeability, allowing views through cuts and cracks along the walls. The paths punctuated by the objects suggest the way in which memory eases conflicts. Together, the characters, the space and the paths tell a story akin to Hannah Arendt s narrative of struggles in We Refugees.
2018New English Paperback. Roy. 8vo. (24 x 17 cm). In English and Turkish.304 p., ills. Theory in the art and design: Add-Ist Art and Design Dialogues Symposium. February 2018 proceedings book and exhibition catalogue.= Sanat ve tasarimda kuram: Add-Ist Sanat ve Tasarim Diyaloglari Sempozyumu - Subat - 2018 bildiriler kitabi ve sergi katalogu.
2015New Turkish Paperback. 4to. (30 x 23 cm). In Turkish. 236, [12] p., color ills. Bir Salt kitabi.
2003New New Japanese Original bdg. Dust wrapper. Large 8vo. (24 x 24 cm). In Japanese. 32, [1] p., color ills. Kikoetekuruyo (Ehon Kanibaru 4). [With photograph an original drawing of illustrator].
1999As New Japanese Paperback. Mint. Large roy. 8vo. (25 x 17 cm). In Japanese with bilingual title in English and Japanese. [14] p., color and b/w ills. Atsushi Hosoi. SamazanaME102. Jul. 1 - Aug. 3, 1999. IBM-Kawasaki City Gallery. [Exhibition catalogue].
1996Very Good Japanese Original bdg. HC. Oblong large 8vo. (24,5 x 25,5 cm). In Japanese, bilingual descriptive texts in English and Japanese. [62] p., color and b/w ills. Ushio Takeshi. Japanese Painting Exhibition.
1995New English Paperback. 4to. (30 x 21 cm). In Japanese with bilingual descriptive texts in English and Japanese. 31, [1] p., color ills. Miki. People line: On the earth, in the earth. [Exhibition catalogue].
2001New English Paperback. 4to. (30 x 21 cm). In English and Japanese. 12 p., color ills. Toshiya Motai.= Real view and painting.= Ta-ma unou hi. Text by Kunio Motoe. [Exhibition catalogue]. March 23 - April 22, 2001. Forum Art Shop.
2001Fine English Paperback. 4to. (30 x 21 cm). In English and Turkish. 31, [1] p., color ills. Devrim Erbil. 2 Subat - 2 Mart 2001, Axa Oyak Sanat Galerisi. [Exhibition catalogue]. Text by Mehmet Ergüven. Translated by Fred Stark. 1000 copies were printed. TURKISH PAINTING Modern art Painter.
2001Fine English Paperback. 4to. (30 x 21 cm). In English and Turkish. 44 p., color ills. Rendez-vous with Sculpture at the 78th Anniversary of the Republic. Joint Sculpture Exhibition.= Cumhuriyet'in 78. Yilinda Heykelle Bulusma. Karma Heykel Sergisi. [Exhibition catalogue]. October 11 - November 17, 2001.
2003New New English Original cloth bdg. Dust wrapper. Folio. (32 x 24 cm). Edition in English. 251 p., b/w and color ills. An eyewitness of the Tulip Era: Jean-Baptiste Vanmour. Edited by Melis H. Seyhun, Arzu Karamani Pekin. An eyewitness of one the most interesting periods in Ottoman history is a Western artist: Jean-Baptiste Vanmour. Today, as part of the collection of Rijksmuseum Amsterdam, nearly sixty paintings of the artist depict the Ottoman world in a realistic style: Sultans, grand viziers, prominent imperial officials, daily life scenes from Istanbul, an ambassador´s audience with the Sultan and other significant events such as the Patrona Halil Rebellion. An eyewitness of Tulip Era: Jean Baptiste Vanmour, sheds light to the works of this unique painter and documents one of the most significant periods in Ottoman civilization and culture through the perspectives of four renowned art histroians.
1993Fine English Paperback. Oblong large 8vo. (16,5 x 24,5 cm). Edition in English. 56, [1] p., color and b/w ills. C. G. Löwenhielm: Artist & diplomat in Istanbul, 1824-1827 (Uppsala University Library Exhibition Catalogue No. 33). Contents: Preface., Thomas Tottie - Introduction.; Karin Adahl - Carl Gustaf Löwenhielm: Life & art.; Mikael Borrman - Catalogue.; Lars Karlsson.