Bacon, Francis - DELEUZE, GillesMareMagnum
3,519 results
Madrid, Edit. Arena Libros, 2002. Ilustraciones en b/n fuera texto. 167 p. 8º mayor. Rústica editorial ilustrada con solapas. Muy buen ejemplar.
1978Láminas con reproducciones a color intercaladas en el texto. ARTISTAS ESPAÑOLES CONTEMPORANEOS.
Madrid, Artes y Artistas, 1955, 23 x 16'5 cm., cartoné original con sobrecubiertas, 40 págs. y 48 láminas en papel couché.
Madrid, Edit. Galeria Leandro Navarro, 2007. Numerosas ilustraciones en color fuera texto. 79 p. 4º. Rústica editorial. Muy buen ejemplar.
M., Sáenz de Jubera Hermanos, 1909, 18 x 13 cm., 62 págs. - 1 h. - retrato y 16 láminas. (Falto de la cubierta original anterior. Volumen I de Monografías de Arte Universal).
Barcelona, Labor, 1974, 32,5 x 24,5 cm., símil piel original con sobrecubiertas en colores, 164 págs. con ilustraciones intercaladas + 48 láminas en colores.
1972Presentacion por Antonio Segovia Lobillo.
M., Aro Artes Gráficas, 1976, 26 x 21,5 cm., 128 págs. incluso 43 ilustraciones, la mayoría a toda página en blanco y negro y 9 láminas en colores.
La Coruña, Fundación Pedro Barrié de la Maza, 1988, 28'5 x 22'5 cm., cartoné original con sobrecubiertas, retrato y láminas en colores, ilustraciones en negro intercaladas en el texto, 222 págs. - 1 h.
Madrid, Edit. Dir. Gen. Bellas Artes, 1972. Artistas españoles contemporáneos. 40. Numerosas ilustraciones en color y negro. 88 p. 8º. Rústica editorial ilustrada. Muy buen ejemplar.
B., Edic. Sagitario, 1951, 19 x 14 cm., frontis en color - 14 págs. - 32 láminas en papel couché.
M., Ediciones Rayuela, 1978, 25'5 x 22 cm., tela original con sobrecubiertas, retrato y numerosas ilustraciones, algunas a color, 108 págs.
Málaga, el Guadalhorce, 1970, 25,5 x 18,5 cm., cartulina editorial, retrato + 70 págs. incluso 10 láminas + 3 hojas. (Tirada de 200 ejemplares en papel de hilo).
2008New English Paperback. Large 8vo. (22 x 21 cm). In Italian, English and Turkish. 72 p., color ills. Franco Gervasio's first verified exhibition was "Franco Gervasio - Lights In Landscapes - from Italian abstracts Landscapes to Istanbul lights at Galeri Artist - Istanbul" in Istanbul in 2008, and the most recent exhibition was Franco Gervasio - Places of the soul at Casa del Mantegna in Mantova in 2015. Franco Gervasio is most frequently exhibited in Italy, but also had exhibitions in Turkey. Gervasio has at least two solo shows and one group show over the last 7 years. A notable show was Franco Gervasio - Lights In Landscapes - from Italian abstracts Landscapes to Istambul lights at Galeri Artist - Istanbul in Istanbul in 2008. Other notable shows were at Casa del Mantegna in Mantova and Fiere di Parma in Parma. Franco Gervasio has been exhibited with Patricio Reig and Andrea Giovannini. (Artfacts). One of printed 1000 copies. "Alla ricerca della luce della natura": L'avventura artistica di Franco Gervasio.
Praga, Edit. Horejsova Galerie Praze, 1946. Ilustraciones en b/n. 13 p. 4º.mayor. Rústica editorial ilustrada, algo rozado. Book in Czech. Buen ejemplar.
Barcelona, Galería Trece, 1976. Presentación de Francesc Vicens. 15 hojas con reproducciones de obras. 8º apaisado ilustrado levemente rozado. Muy buen ejemplar.
Barcelona, Edit. Galeria Cypruss, 1996. Nombroses il·lustracions en color. Fotografia de les ceràmiques de Francesc Català Roca. 8è. Rústica editorial il·lustrada. Molt bon exemplar. Dedicatòria d'antic posseïdor.
London, Methuen & Co., 1904, 15 x 12 cm., tela original con adornos en seco en ambos planos y lomo dorado, XII + 221 págs. + 38 láminas.
1936144 ilustraciones fuera de texto.
2004Fine English Paperback. Pbo. Small 4to. (28 x 18 cm). In German and Turkish. 31, [2] p., color ills. Freundschafsspiel.= Dostluk maci. [Exhibition catalogue].
2010New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. Color ills. 195 p. From figure to figure. Examples of portraits from Osman Hamdi Bey to the present day.= Suretten surete. Osman Hamdi Bey'den günümüze portre örnekleri. [Exhibition catalogue]. ". The exhibition describes how the Turkish artists interpret this art in the direction of the introduction of the portrait art to the Ottoman Palace and contemporary art movements in four different categories. The catalogue includes 'Painter's portraits' such as 'Avni Lifij' by Hoca Ali Riza, 'Feyhaman Duran' by Nazmi Ziya, 'Hikmet Onat' by Ibrahim Çalli, 'Arttists in the portraits' such as 'Sait Faik Abasiyanik' by Edip Hakki Köseoglu, 'Sinan the Architect' by Sabri Berkel, 'Women from tales' by Bedri Rahmi Eyüboglu, 'Portraits of relatives' such as a portrait of Shehzade Abdulmecid Efendi from his family, 'Belkis Yetik' by Sami Yetik, 'His son Edip Onat' by Hikmet tOnat and 'Disttant relatives' such as 'Hayri Bey' by Halil Pasha, 'Monsignor Orhan Bey' by OSman Hamdi Bey.".
2010New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. Color ills. 195 p. From figure to figure. Examples of portraits from Osman Hamdi Bey to the present day.= Suretten surete. Osman Hamdi Bey'den günümüze portre örnekleri. [Exhibition catalogue]. ". The exhibition describes how the Turkish artists interpret this art in the direction of the introduction of the portrait art to the Ottoman Palace and contemporary art movements in four different categories. The catalogue includes 'Painter's portraits' such as 'Avni Lifij' by Hoca Ali Riza, 'Feyhaman Duran' by Nazmi Ziya, 'Hikmet Onat' by Ibrahim Çalli, 'Arttists in the portraits' such as 'Sait Faik Abasiyanik' by Edip Hakki Köseoglu, 'Sinan the Architect' by Sabri Berkel, 'Women from tales' by Bedri Rahmi Eyüboglu, 'Portraits of relatives' such as a portrait of Shehzade Abdulmecid Efendi from his family, 'Belkis Yetik' by Sami Yetik, 'His son Edip Onat' by Hikmet tOnat and 'Disttant relatives' such as 'Hayri Bey' by Halil Pasha, 'Monsignor Orhan Bey' by OSman Hamdi Bey.".
2009New English Paperback. 4to. (29 x 24 cm). In English, French, and Turkish. 311 p., color ills. From Mekteb-i Sultani to Galatasaray Lycee painters, 1868-1968 = De Mekteb-i Sultani au Lycee de Galatasaray peintres, 1868-1968.= Mekteb-i Sultani'den Galatasaray Lisesi'ne ressamlar, 1868-1968. This catalogue was published to accompany the "From Mekteb-i Sultani to Galatasaray Lycée Painters 1868-1968" exhibition held on 10 February 2009 at the Suna and Inan Kiraç Foundation Pera Museum on the occasion of the 100th anniversary of the Galatasaray Alumni Association. Opened on 1 September 1868 with the support of Sultan Abdülaziz, Mekteb-i Sultani was conceived of as a training ground for bureaucracts who would staff the state's newly-designed agencies, it was thought that its students should be inculcated in the ways of international diplomacy and European culture. Among the lessons that were included in the curriculum with this idea in mind were European art and literature and it was due to their influence that major artists emerged both from Imperial-period Mekteb-i Sultani and from Republican-period Galatasaray Lycée. The primary aim of this exhibition is to draw attention to an attitude towards education which, for over a century in the years from 1868 to 1968, upheld stricht standards of quality, fostered an undying love of art from generation to generation and transformed that love into professionalism. When the works of Galatasaray graduates were chosen for the exhibition, attention was given as much as possible to examples of their impressions of Istanbul and Paris in order to emphasize their sojourns in the two cities. The authors of the works on display in this exhibition today figure among the leading names in the history of Turkish art. Viewing this group of works produced by those artists reveals the importance of the role that the institution played in Turkey's artistic environment and the value of the contributions that it made during the course of a century from Mekteb-i Sultani to Galatasaray Lycée. / Ce catalogue a été préparé pour l'exposition "De Mekteb-i Sultani au Lycée de Galatasaray Peintres 1868-1968" ouverte le 10 février 2009 au Musée de Pera, Fondation Suna et Inan Kiraç, à l'occasion du 100éme anniversaire de l'Association des Anciens de Galatasaray. On avait créé Mekteb-i Sultani le 1er septembre 1868 avec l'accord du Sultan Abdülaziz dans le but de former les futurs bureaucrates de la fonction publique nouvellement organisée, en développant leur savoir sur la culture occidentale et la politique mondiale. Parmi ces étudiants, un certain nombre d'artistes importants s'étaient révélés, aussi bien du temps de Mekteb-i Sultani à l'époque ottomane qu'à celui du Lycée de Galatasaray sous la République, grâce aux cours de littérature et de dessin mis au programme de l'école dans ce but précis. Le but principal de l'exposition est ainsi de se focaliser sur la période d'une centaine d'années qui s'étend de 1868 à 1968, durant laquelle on s'est efforcé de maintenir un enseignement de qualité de façon constante, et durant laquelle aussi, l'amour de l'art a pu se transmettre sur plusieurs générations, finissant par se transformer en un véritable professionalisme. On s'est efforcé de choisir autant que possible pour l'exposition, parmi les différentes oeuvres des artistes de Galatasaray, es toiles représentant des impressions de Paris et d'Istanbul, afin de souligner leurs séjours dans ces deux villes. Aujourd'hui encore, les auteurs des oevres exposées sont des noms essentiels de l'histoire de l'art turque. Voir rassemblées les oeuvres des ces artistes sur une période de cent ans, de l'époque de Mekteb-i Sultani jusqu'à celle du Lycée de Galatasaray, permet de prendre la mesure de la valeur incontestable de soutien et du rôle essentiel que jouait cet établissement dans le monde de l'art en Turquie.
2000New New English Original bdg. Dust wrapper. 4to. (31 x 23 cm). Edition in English. 307, [1] p., color ills. From Orientalism to contemporary Turkish painting. Translated into English by Valerie Needham. Preface by Ara Altun.