TERRASSE, AntoineMareMagnum
3,514 results
Paris, Éditions Gallimard, 2003. Colección Découvertes Gallimard nº 173. Numerosas ilustraciones en color y b/n. 160p. 8º. Rústica editorial ilustrada. Muy buen ejemplar. Libro en francés. Book in french. Livre en français.
Lisboa, Edit. PLMJ, 2007. Numerosas ilustraciones en color. 275 p. 4º mayor. Cartoné editorial ilustrada. Book in Portugues and English. Muy buen ejemplar.
London, Edit. Mercury Communications, 1991. Numerosas ilustraciones en color. 308 p. 4º mayor. Tela editorial con sobrecubierta ilustrada. Book in English. Muy buen ejemplar.
Barcelona, Editorial Gustavo Gili, 1971. Colección Pequeña Enciclopedia de Arte nº 82. 15 láminas ilustradas en color. s/n. 8º menor. Rústica editorial ilustrada. Muy buen ejemplar.
Madrid, Edit. CEEH, 2008. Numerosas ilustraciones en color y negro fuera texto. 245 p. 4º. Rústica editorial ilustrada. Muy buen ejemplar.
2010New English Paperback. Pbo. 4to. (26 x 21 cm). In Turkish. 78, [2] p. Color ills. 1500 copies were printed. Portable art.= Tasinabilir sanat, 2008-2009.
2008New English Paperback. Pbo. 4to. (32 x 24 cm). In Turkish. 89 p., color ills. Auction catalogue of Ottoman painting. Portakal Sanat ve Kültür Evi Raffi Portakal Sonbahar Müzayedesi, 2008. 2- Büyük ustalardan tablolar. 'Osman Hamdy'.
2005New English Paperback. Pbo. 4to. (33 x 24 cm). In English. Color ills. 155 p. Throughout the ages, the Orient has attracted the interest of the West. European intellectual and artists have been mesmerized since the earliest times by this presumably mysterious and relatively closed world. As a natural consequence, during various periods many artists, either by travelling themselves or by travelling in their imaginations, sought to discover the essence of the Orient, and depicted or expressed in their works either the real Orient or their own visions of it. The movement known as Orientalism in European art, which appeared in conjunction with the Romanticist movement of the 19th century, focused on the East, primarily in the lands of the Ottoman Empire. Even long before the rise of Orientalism in European art, many European artists, fascinated by their first glimpses of the mysterious East and by the Turquerie fashion which was the result of the new relations with the Ottoman world. For nearly two hundred years, starting from the 18th century, numbers of painters, some of whom became known as the Bosphorus Painters, worked intensively in the lands of the Empire and depicted the Ottoman world ib its various aspects, consequently engraving those images in mankind's visual memory. The exhibition Portraits from the Empire sheds light on a special part of this opulent world. Almost sixty paintings selected from the Suna and Inan Kiraç and Sevgi and Erdogan Gönül collections bring us face to face with the peoples of the Ottoman world, their portraits and portrayals, sometimes very familiar and sometimes remote, even nearly foreign, in their physiognomies. These paintings, most of them created before the eye of the camera replaced the human eye, in the times when observing, studying, interpreting and depicting the world was the priority of painters, present the lost faces of an era long past with amazing reality and vividness.
1999Fine English Original bdg. HC. 4to. (28 x 20 cm). In English and Turkish. 315, [4] p., color and b/w ills. Portraits of Ottoman Empire's sultans.= Padisah portreleri.
1999Fine English Original creme bdg. 4to. (32 x 23 cm). In English and Turkish. 317, [1] p., color and b/w ills. Portraits of Ottoman Empire's sultans.= Padisah portreleri. OTTOMANIA Ottoman Sultans Turkish art of painting History of art Portrait Orientalism.
1996Fine English Paperback. Roy. 8vo. (24 x 17 cm). In English. 202 p., b/w ills. Post peripheral flux. A decade of contemporary art in Istanbul. History of contemporary art and exhibitions in Istanbul.
Paris, Éditions de l'Illustration, 1946, 39 x 29'5 cm., 112 págs. profusamente ilustradas con láminas e ilustraciones al todo color - 2 h.
Barcelona, Edit. Museu d'Historia de Catalunya, 2006. Nombroses il·lustracions en color fora text. 140 p. Gran 8è. Cartoné editorial il·lustrada. Molt bon exemplar.
1996ref. 107861996 broché (paperback) in-quarto, dos (spine) blanc, couverture illustrée en couleurs (cover illustrated in colours), illustrations photographiques en couleurs de Roger Krump, 32 pages, 1996 à Paris Editions Fleurus,
New York, 1928, 17 x 11 cm., V - 7 págs. - 1 lámina.
1974Papel couché, 5 láminas y varias ilustraciones intercaladas.
Reus. Edit. Centre de Lectura, 1993. Nombroses il·lustracions en color i b/n. 149 p. 4t. Rústica editorial il·lustrada. Molt bon exemplar.
2014New New English Original bdg. Dust wrapper. 4to. (32 x 24 cm). In English. 3 volumes set: 1080 p.). A very heavy set. "With unmatched interest and concern, our 11th Abdullah Gül, who was elected on Augusth 28th, 2007, and his wife Hayrünnisa Gül initiated the restoration and renovation of many Presidential buildings in the (Çankaya and Tarabya premises. In this context, the furnishings of the renovated buildings were replaced, and all artworks within the Presidential collection examined, with a significant number of new works added. Many innovations were made to preserve, transport, and display the works in the Presidential art collection in conditions that meet world standards. The whole collection was digitized, making it easy and safe to control and track the artworks with the help of optical reader systems. The Presidential Office undertook a pioneering role in preserving for future generations our art heritage which had been neglected for years. In another pioneering attempt by the Presidential Office, the valuable works in the collection in need of conservation and preservation were restored in the context of a project executed with the collaboration of the Rijksmuseum in Amsterdam and Mimar Sinan University of Fine Arts. Permanent channels of interaction were established between the partners that took part in the process, aiming to make the results and outcome of the project available for other institutions to benefit from. With the personal involvement and supervision of Hayrünnisa Gül, a detailed classification and evaluation of the collection was made, its pros and cons determined. All artworks in the collection possessing historical or artistic value have been conserved and restored. When making new acquisitions, priority was given to those artists whose works were not already featured in the collection. In this context, an attempt at completing the missing pieces.".
M., 1975, 25 x 21 cm., 105 hojas - 78 láminas, una de ellas plegadas y varias en color - 4 h.