3,502 results
Barcelona, Edit. Gaceta Ilustrada, 1973. 54 páginas especiales. Con 107 reproducciones. 126p. 4º mayor. Rústica editorial ilustrada. Levemente rozada. Buen ejemplar.
Firenze. Edit. Maggio, 1975. Numerosas ilustraciones en b/n fuera texto. S.N. Gran 8è. Rústica editorial il·lustrada. Libro en italiano. Muy buen ejemplar.
Madrid, 1987, 32 x 23,5 cm., cartulina editorial,16 hojas incluso 27 láminas en negro y color y un poema de José García Nieto
Barcelona, Galeria René Métras, 1987. Ilustraciones en color fuera texto. s/p. 4º. Apaisado. Rústica editorial. Muy buen ejemplar. Libro en castellano y catalán. Baldasano, Jordi Colomer, Joan Rom, Xavier Garcés, Mirta Tocci.
Sabadell, Acadèmia de Belles Arts de Sabadell, 2006. Moltes il·lustracions en el text. Rústica editorial il·lustrada. Molt bon exemplar.
2017New New Turkish Original bdg. Dust wrapper. 4to. (29 x 24 cm). Edition in Turkish. 473, [1] p., color and b/w ills., many folding pages, folded planches, additional booklet of life of Fureya. Fureya. [Exhibition catalogue]. Curated by Karoly Aliotti, Nilüfer Sasmazer, Farah Aksoy.
Mallorca. Edit. Fundació Pilar i Joan Miró, 1996. Algunes il·lustracions en b/n. 28 p. 8ºè. Rústica editorial il·lustrada. Molt bon exemplar. 1a edició. Primera edició. 1st edition. First edition
Barcelona, Edit. Polígrafa, 2010. Numerosas ilustraciones en color. 190 p. 4º. Rústica editorial ilustrada y cerrada coon una goma. Muy buen ejemplar. Libro en italiano.
ref. 18002Barcelone, Fundació Joan Miró, 1975. In-4, 133 pp., broché, couverture originale illustrée.
ref. 55CjReiche & Wilberg In4 149 pages - cartonnage editeur - trés nombreuses illustrations - Ecrit en Allemand et Anglais - trés bon etat
ref. 55CjReiche & Wilberg In4 149 pages - cartonnage editeur - trés nombreuses illustrations - Ecrit en Allemand et Anglais - trés bon etat
Barcelona, Imbiasa, 1986, 25 x 27 cm., tela original consobrecubiertas, 3 h. con fotografía del pintor + 61 láminas en colores con reproducciones de cuadros del artista con el tema: "Ese misterio llamado mujer".
Düsseldorf. Edit. A. & G. de May, 1969. Numerosas ilustraciones en color y b/n. Un desplegable de 25 cm. 377 p. 4º. Tela editorial con sobrecubierta ilustrada algo rozada. Buen ejemplar. Book in english. Book in german. Livre en français.
1991Very Good Very Good English Original bdg. Dust wrapper. 4to. (27 x 25 cm). In English and Turkish. 129, [1] p., color ills. From the Society of Ottoman painters to the Association of Fine Arts, 1909-1921.= Osmanli Ressamlar Cemiyeti'nden Güzel Sanatlar Birligi'ne, 1909-1921. Contents; As the society sets out towards its ninetieth year = Cemiyetimizin doksaninci yilina dogru., Nazan Akpinar.; The years behind us, (1909-1991) = Yillar geride kalirken, (1909-1991)., Abdülkadir Günyaz.; Those who take up the torch and carry it forward to days of ever more enlightenment = Mesaleyi, elden ele, daha aydinlik günlere tasiyanlar., Abdülkadir Günyaz;Concerning the Society of Ottoman Painters = Osmanli Ressamlar Cemiyeti hakkinda., Sezer Tansug.; Plates = Eserler.
2020New English Original cloth bdg. 4to. (29 x 24 cm). In English and Turkish. 206 p., color and b/w photos. All Photographs in This Book were Taken by Bülent Eczacibasi Between November 2015 and January 2020. "Traveling - It leaves you speechless, then turns you into a storyteller. (IIbn Batuta).; All journeys have a secret destination of which the travel is unaware. (Martin Buber).
2015New English Original bdg. HC. In its special box. 4to. (30 x 25 cm). In English and Turkish. 119 p., color ills. One of 1500 copies in March 2015 for the exhibition commemorating the 100th Anniversary of the Çanakkale (Gallipoli) Land Battles entitled "From red to blue: Contemporary Turkish Painting - The Art Collection of the Central Bank of the Republic of Turkey" held at the Çanakkale Ceramics Museum between the dates of March 18 - April 28, 2015. This exhibition consisting of impressionist, modern and contemporary paintings by 28 contemporary Turkish artists, shows special pieces from its collection with a conceptual and spatial reading and a presentation aware of each piece and its theme, from, medium and field. Instead of using a classic theme of concept and displaying a chronology of art history, it places 'experimentally' on the forefront. Introduction by Erdem Basçi.; Foreword by Ahmet Albayrak.; Text by Ahmet Albayrak.; Catalgue and Bibliography.
2019New English Paperback. 4to. (27 x 20 cm). In English and Turkish. 127 p., color ills. From past to present Erol Deneç.= Dünden bugüne Erol Deneç. [Exhibition catalogue]. Catalog of the exhibition 'From Past to Today', which includes the 60 years of artistic life of the first Turkish representative of the school of fantastic realism Erol Deneç.
2000New New English Original bdg. Dust wrapper. 4to. (31 x 23 cm). Edition in English. 307, [1] p., color ills. From Orientalism to contemporary Turkish painting. Translated into English by Valerie Needham. Preface by Ara Altun.
2009New English Paperback. 4to. (29 x 24 cm). In English, French, and Turkish. 311 p., color ills. From Mekteb-i Sultani to Galatasaray Lycee painters, 1868-1968 = De Mekteb-i Sultani au Lycee de Galatasaray peintres, 1868-1968.= Mekteb-i Sultani'den Galatasaray Lisesi'ne ressamlar, 1868-1968. This catalogue was published to accompany the "From Mekteb-i Sultani to Galatasaray Lycée Painters 1868-1968" exhibition held on 10 February 2009 at the Suna and Inan Kiraç Foundation Pera Museum on the occasion of the 100th anniversary of the Galatasaray Alumni Association. Opened on 1 September 1868 with the support of Sultan Abdülaziz, Mekteb-i Sultani was conceived of as a training ground for bureaucracts who would staff the state's newly-designed agencies, it was thought that its students should be inculcated in the ways of international diplomacy and European culture. Among the lessons that were included in the curriculum with this idea in mind were European art and literature and it was due to their influence that major artists emerged both from Imperial-period Mekteb-i Sultani and from Republican-period Galatasaray Lycée. The primary aim of this exhibition is to draw attention to an attitude towards education which, for over a century in the years from 1868 to 1968, upheld stricht standards of quality, fostered an undying love of art from generation to generation and transformed that love into professionalism. When the works of Galatasaray graduates were chosen for the exhibition, attention was given as much as possible to examples of their impressions of Istanbul and Paris in order to emphasize their sojourns in the two cities. The authors of the works on display in this exhibition today figure among the leading names in the history of Turkish art. Viewing this group of works produced by those artists reveals the importance of the role that the institution played in Turkey's artistic environment and the value of the contributions that it made during the course of a century from Mekteb-i Sultani to Galatasaray Lycée. / Ce catalogue a été préparé pour l'exposition "De Mekteb-i Sultani au Lycée de Galatasaray Peintres 1868-1968" ouverte le 10 février 2009 au Musée de Pera, Fondation Suna et Inan Kiraç, à l'occasion du 100éme anniversaire de l'Association des Anciens de Galatasaray. On avait créé Mekteb-i Sultani le 1er septembre 1868 avec l'accord du Sultan Abdülaziz dans le but de former les futurs bureaucrates de la fonction publique nouvellement organisée, en développant leur savoir sur la culture occidentale et la politique mondiale. Parmi ces étudiants, un certain nombre d'artistes importants s'étaient révélés, aussi bien du temps de Mekteb-i Sultani à l'époque ottomane qu'à celui du Lycée de Galatasaray sous la République, grâce aux cours de littérature et de dessin mis au programme de l'école dans ce but précis. Le but principal de l'exposition est ainsi de se focaliser sur la période d'une centaine d'années qui s'étend de 1868 à 1968, durant laquelle on s'est efforcé de maintenir un enseignement de qualité de façon constante, et durant laquelle aussi, l'amour de l'art a pu se transmettre sur plusieurs générations, finissant par se transformer en un véritable professionalisme. On s'est efforcé de choisir autant que possible pour l'exposition, parmi les différentes oeuvres des artistes de Galatasaray, es toiles représentant des impressions de Paris et d'Istanbul, afin de souligner leurs séjours dans ces deux villes. Aujourd'hui encore, les auteurs des oevres exposées sont des noms essentiels de l'histoire de l'art turque. Voir rassemblées les oeuvres des ces artistes sur une période de cent ans, de l'époque de Mekteb-i Sultani jusqu'à celle du Lycée de Galatasaray, permet de prendre la mesure de la valeur incontestable de soutien et du rôle essentiel que jouait cet établissement dans le monde de l'art en Turquie.
2010New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. Color ills. 195 p. From figure to figure. Examples of portraits from Osman Hamdi Bey to the present day.= Suretten surete. Osman Hamdi Bey'den günümüze portre örnekleri. [Exhibition catalogue]. ". The exhibition describes how the Turkish artists interpret this art in the direction of the introduction of the portrait art to the Ottoman Palace and contemporary art movements in four different categories. The catalogue includes 'Painter's portraits' such as 'Avni Lifij' by Hoca Ali Riza, 'Feyhaman Duran' by Nazmi Ziya, 'Hikmet Onat' by Ibrahim Çalli, 'Arttists in the portraits' such as 'Sait Faik Abasiyanik' by Edip Hakki Köseoglu, 'Sinan the Architect' by Sabri Berkel, 'Women from tales' by Bedri Rahmi Eyüboglu, 'Portraits of relatives' such as a portrait of Shehzade Abdulmecid Efendi from his family, 'Belkis Yetik' by Sami Yetik, 'His son Edip Onat' by Hikmet tOnat and 'Disttant relatives' such as 'Hayri Bey' by Halil Pasha, 'Monsignor Orhan Bey' by OSman Hamdi Bey.".
2010New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. Color ills. 195 p. From figure to figure. Examples of portraits from Osman Hamdi Bey to the present day.= Suretten surete. Osman Hamdi Bey'den günümüze portre örnekleri. [Exhibition catalogue]. ". The exhibition describes how the Turkish artists interpret this art in the direction of the introduction of the portrait art to the Ottoman Palace and contemporary art movements in four different categories. The catalogue includes 'Painter's portraits' such as 'Avni Lifij' by Hoca Ali Riza, 'Feyhaman Duran' by Nazmi Ziya, 'Hikmet Onat' by Ibrahim Çalli, 'Arttists in the portraits' such as 'Sait Faik Abasiyanik' by Edip Hakki Köseoglu, 'Sinan the Architect' by Sabri Berkel, 'Women from tales' by Bedri Rahmi Eyüboglu, 'Portraits of relatives' such as a portrait of Shehzade Abdulmecid Efendi from his family, 'Belkis Yetik' by Sami Yetik, 'His son Edip Onat' by Hikmet tOnat and 'Disttant relatives' such as 'Hayri Bey' by Halil Pasha, 'Monsignor Orhan Bey' by OSman Hamdi Bey.".
2004Fine English Paperback. Pbo. Small 4to. (28 x 18 cm). In German and Turkish. 31, [2] p., color ills. Freundschafsspiel.= Dostluk maci. [Exhibition catalogue].
1936144 ilustraciones fuera de texto.
London, Methuen & Co., 1904, 15 x 12 cm., tela original con adornos en seco en ambos planos y lomo dorado, XII + 221 págs. + 38 láminas.