155 résultats
1978réf. 161136London: London Features International 1978. Vintage photograph of the Sex Pistols during the first performance of their 1978 US tour at the Great Southeast Music Hall in Atlanta on January 5 1978. Mimeo snipe and the label of London Features International on the verso. Initially scheduled for nine dates the Pistols' tour was cut short after five shows attributed to Sid Vicious' increasing drug use and the deteriorating relationship between John Lydon and manager Malcolm McLaren. 10 x 8 inches. Minute creasing at the top corners else Fine. London Features International unknown
réf. 41240London: n.p. 1976. First Edition. Very good. Original flyer from a series of dates that would help define the legendary and infamous band. Beginning in 1976 The Sex Pistols' took up Tuesday night residency at the 100 Club a venue better known until then for jazz gigs that would be pivotal for the band. As Jon Savage has written in his definitive ENGLAND'S DREAMING: "In the intimate setting of the 100 Club the group could relax enough to take risks with their material and their performances. There they began to master their equipment using the acoustics of the small club to experiment with overload feedback and distortion. Electric amplification had provided much of the excitement of early Rock'n'Roll: pushing their equipment to the limit . the Sex Pistols twisted their limited repertoire into a noise as futuristic as their rhetoric" 177. The club also served as location for the famed 100 Club Punk Special a two-day festival featuring the Pistols The Damned The Buzzcocks The Clash Siouxsie and the Banshees and other unsigned acts an event that was instrumental in bringing punk to the mainstream. It was also at the 100 Club pogoing was first invented a development often attributed to Sid Vicious but more likely simply fans' practical response to poor visibility in the tight confines of the club. Describing the June 29th date of which bootlegs exist Savage writes: "But the 100 Club take is something else. Here the Pistols are wound up to a pitch of impossible tautness: they swoop and drive through their fifteen songs more than half of all they would ever play in their brief life." This performance also almost certainly marked the first public performance of "Flowers of Romance." In addition the July 6 date is significant the first "real" show by The Damned who opened. Together two landmark performances for the group that defined British punk rock. While Reid's more commercial work for the Pistols appears with some regularity early and ephemeral promotional items like this are decidedly more scarce. And after Reid's iconic "God Save the Queen" flyer arguably the defining Sex Pistols handbill perfectly combining the raw energy of the group with Reid's signature punk style. This image was also utilized by Reid in his design of the Sex Pistols' press kit. 8.25'' x 11.75'. Broadside handbill. Offset duplicated recto only. Artwork by Jamie Reid featuring a repeated image of Rotten/Lydon snarling into a mic. Very good with some flattened creases and a 1/3" edge tear on the bottom. n.p. unknown books
réf. 41240London: n.p. 1976. First Edition. Very good. Original flyer from a series of dates that would help define the legendary and infamous band. Beginning in 1976 The Sex Pistols' took up Tuesday night residency at the 100 Club a venue better known until then for jazz gigs that would be pivotal for the band. As Jon Savage has written in his definitive ENGLAND'S DREAMING: "In the intimate setting of the 100 Club the group could relax enough to take risks with their material and their performances. There they began to master their equipment using the acoustics of the small club to experiment with overload feedback and distortion. Electric amplification had provided much of the excitement of early Rock'n'Roll: pushing their equipment to the limit . the Sex Pistols twisted their limited repertoire into a noise as futuristic as their rhetoric" 177. The club also served as location for the famed 100 Club Punk Special a two-day festival featuring the Pistols The Damned The Buzzcocks The Clash Siouxsie and the Banshees and other unsigned acts an event that was instrumental in bringing punk to the mainstream. It was also at the 100 Club pogoing was first invented a development often attributed to Sid Vicious but more likely simply fans' practical response to poor visibility in the tight confines of the club. Describing the June 29th date of which bootlegs exist Savage writes: "But the 100 Club take is something else. Here the Pistols are wound up to a pitch of impossible tautness: they swoop and drive through their fifteen songs more than half of all they would ever play in their brief life." This performance also almost certainly marked the first public performance of "Flowers of Romance." In addition the July 6 date is significant the first "real" show by The Damned who opened. Together two landmark performances for the group that defined British punk rock. While Reid's more commercial work for the Pistols appears with some regularity early and ephemeral promotional items like this are decidedly more scarce. And after Reid's iconic "God Save the Queen" flyer arguably the defining Sex Pistols handbill perfectly combining the raw energy of the group with Reid's signature punk style. This image was also utilized by Reid in his design of the Sex Pistols' press kit. 8.25'' x 11.75'. Broadside handbill. Offset duplicated recto only. Artwork by Jamie Reid featuring a repeated image of Rotten/Lydon snarling into a mic. Very good with some flattened creases and a 1/3" edge tear on the bottom. n.p. unknown
1980Features: Hosstail's Small Talk - 'Me - An Old-Timer?'; The Soldier Who Never Quit - General Guy V. Henry; The Baron of Cananea - William E. Green; Through the Black Range - Solitide has returned to the Devil Mountains; Indian Women Warriors; Walt Coburn's Tally Book; Wife of a Panhandle Sheriff - Sophia Connell; A Locked Door - memories from northern Colorado country; Mathew 'Bones' Hooks of Amarillo - a story of a black cowboy and white flowers; Where Schoolboys Packed Pistols - Tombstone; Rekindling Camp Fires - the exploits of Ben Arnold (Connor) (Wa-si-cu Tam-a-he-ca) Part III of the authentic narrative of sixty years in the Old West as Indian fighter, gold miner, cowboy, hunter and army scout; and more. Average wear. Unmarked. Sound copy. Magazine
2004réf. 192635London: Paul Stolper and Andrew Wilson in association with The Hospital 2004. First edition published to coincide with the exhibition of Sex Pistols ephemera Punk: A True and Dirty Tale at The Hospital in London. Square octavo. Full-page photographic illustrations throughout. Original illustrated wrappers. A fine copy. unknown
2002No marks or inscriptions. Creasing to covers. A very clean very tight copy with bright unmarked, lightly rubbed boards. 147pp. The Punk Issue with features on Sex Pistols, Buzzcocks, Ramones, Class, Television, Siouxsie and the Banshees, Sham 69, Jam, Stranglers, Damned, Blondie, Elvis Costello, Undertones, Ian Dury. Very scarce.
réf. 0571537138.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1977réf. 2090502113709600Not Available 1977. Soft Cover. Fine. The book is in fine condition. Not Available paperback
2010réf. C88785London: Concert Live Publishing 2010. First Edition. Hardback. Hardcover Hardcover. Fine. First Edition. Hardback. Folio. 253 pages. 36 by 35 cms.A look into the life and mind of John Lydon aka Johnny Rotten. Striking inlaid cover with his skull x-ray black moire boards and leather style unlettered spine With chapters on Roots Sex Pistols Life Screen Public Image Ltd. Mr RottenÕs Scrapbook is abn exciting and intimate journey through John LydonÕs life from inception to present day.The volume is illustrated throughout with numerous images including previously unseen John Lydon paintings and artwork. Published in a limited edition of 750 numbered copies signed by Lydon this numbered 659. The edition sold out on publication and is seldom offered for sale. The price also includes a 12in vinyl picture disc built into the back of the book featuring live recordings from his band Public Image Ltd PiL taken from shows in 2009 as well as spoken word tracks. Loosely inserted is a black sealed envelope with 'Teets or Tonsils Open up' in gold on cover it remains sealed. Comes in a stylish black moir slipcase boldly lettered in red and original plain protective cardboard box. Flamboyantly signed in red ink '""Johnny Rotten Was Here!!' the W of 'was' formed into breasts. Fine. As new. In original plain slightly used plain mailing box fwiw. Concert Live Publishing, hardcover
réf. DG-48Good. First Edition. Author signed Inscribed and dated. Lightly aged dust jacket in Mylar. unknown
1995réf. 1240481995 Editions Histoire & Collections - 1995 - In- Folio, cartonnage illustré de l'éditeur - 184 pages - Nombreuses reproductions photographiques in-texte en N&B
1972réf. 22021972 cartonné éditeur in-quarto carré, dos jaune, premier plat illustré, nombreuses illustrations photographiques et figures, 168 pages, 1972 à Paris Crepin-Leblond Editeurs,
1975réf. 44DdParis Crepin Leblond 1975 In4 3eme édition - 167 pages - trés nombreuses illustrations - cartonnage editeur - trés bon etat
1975réf. 44DdParis Crepin Leblond 1975 In4 3eme édition - 167 pages - trés nombreuses illustrations - cartonnage editeur - trés bon etat
1877réf. 124881877 P., Tanera, 1877, 1 vol. in-4° (250 x190) relié 1/2 chagrin bordeaux, dos à 5 nerfs avec auteur et titre dorés, plats de papier marbré noir et rose, de (3) ff. (faux-titre, titre et préface) - 195 pp. (errata au verso de la p. 195) - 8 pp. (titre de l'atlas et table des planches) - 58 planches.Papier jauni, très rares rousseurs, très bel exemplaire.
1970réf. 4FnParis Balland 1970 In8 227 pages - cartonnage editeur avec jaquette - trés nombreuses photographies - bon etat
1970réf. 4FnParis Balland 1970 In8 227 pages - cartonnage editeur avec jaquette - trés nombreuses photographies - bon etat
réf. 19000Editions DVA, 1975. 15 x 23, sans pagination, nombreuses illustrations en N/B, cartonnage d'édition illustré, bon état.
réf. 102655Jacques Grancher Jacques Grancher Editeur, Coll. le Livre des Armes, 1979, 209 p., cartonnage éditeur sous jaquette, des déchirures le long de la jaquette, des pliures sur les rabats de la jaquette, bon état pour le reste et intérieur propre.
1984réf. LFA-126730580Un ouvrage de 256 pages, format 110 x 190 mm, illustré, broché couverture couleurs, publié en 1984, Hatier, collection "Trésors des Mécanismes", bon état
1850In-16° (cm. 18,5x11,8), pp. 180 con una TAVOLA xilogr. in antiporta e con 7 grandi VIGNETTE xilogr. (scene di tiro) e 2 DISEGNINI n.t. Capilettera orn. Bross. edit. HOUDETOT, autore di celeberrimi manuali sulla caccia. Esemplare perfetto, freschissimo e immacolato, nelle sue barbe.
1844A Messieurs Le Membres de l'ancien Cercle du Pistolet - Introduction 1 16x11 cm., legatura in mezza pelle, fregi e titolo in oro al dorso, pp. 160 (12 catalogo), 7 tavole incisioni bianconero in pagina e vignetta figurata in frontespizio, capilettera floreali, in lingua francese; dorso in parte staccato e pezzettino mancante, tracce tarli sparse agli angoli delle copertine e anche interno, gore di umidit? diffuse, condizioni discrete, Ex libris
1978réf. ABE-155320093796430 PAGES-35 CM X 50 CM-LES SCULPTURES D'IPOUSTEGUY DIRE L'HOMME, PAR PAULE-MARIS GRAND-CYCLE MONTEVERDI A ZURICH ENTRE UN CHANT ET SA BASSE, DEMI-PAGE-LE PETIT LIVRE JAUNE DES SEX PISTOLS-UN ENTRETIEN AVEC IPOUSTEGUY LE CHAMP SOMPTUAIRE DU SCULPTEUR, 1P-MARCEL BOUSSAC VEND SES JOURNAUX-COMPLET
1978réf. LFA-126720246Un ouvrage de 160 pages, format 175 x 245 mm, illustré, relié cartonnage couleurs, publié en 1978, Editions Garnier, bon état
1978réf. LFA-126746473Un ouvrage de 165 pages, format 175 x 245 mm, illustré, relié cartonnage couleurs, publié en 1978, Editions Garnier, bon état
