Strand, MarkABAA
3 088 résultats
réf. 142488Salt Lake City UT: Red Butte Press 1993. illustrated cloth-covered boards cloth-covered boards clamshell box. Red Butte Press. tall slim 4to. illustrated cloth-covered boards cloth-covered boards clamshell box. 17 leaves. Drawings by Bonnie Sucec. First edition limited to 75 numbered copies signed by the author and the illustrator of which this is one of the 20 hors commerce copies numbered in Roman Numerials. Fine in fine clamshell box. Printed at the Red Butte Press University of Utah Marriott Library under the direction of Everett L. Cooley. Its publication was made possible through the generosity and support of Catherine B. and Claudius Y. Gates. Each of the drawings by Bonnie Sucec was individually painted by her. The book was designed set by hand and printed by Day Christensen. The type is 16 point Van Dijck and the handmade cotton rag paper is from the Twinrocker Paper Mill. It was printed damp on an 1846 Columbian handpress. The books were bound and boxed by BookLab. Red Butte Press unknown books
réf. 654393e année - N° 142 - 4 décembre 1947 - revue illustrée - in-4 broché - 24 pages
réf. 620076316X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. ria9786200763167_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Celem badania jest ustalenie jak czesto zdarzaja sie niebezpieczne sytuacje podczas jazdy na rowerze górskim oraz jakie strategie stosuje sie aby sobie z nimi radzic. Przede wszystkim nalezy porównac dyscypline downhill z innymi dyscy paperback
1969réf. 232051969. Steve Rose's photographic coverage of demonstrations strike activity broadcast spaces and police control in New York City and Washington D.C. circa 1969-1971 with dissent moving through street assembly underground and movement media institutional protest and municipal enforcement. Rose active in New York documentary photography during the early 1970s photographed activists such as Abbie Hoffman crowds radio workers and police at campuses transit sites and city streets where public speech met managed space. These photographs of early 1970s New York and D.C. activism span police violence organizers gathering outside major institutions broadcasters at consoles and microphones and school protest and street demonstration aligned with the same documentary practice that recorded Young Lords and Gay Liberation actions in the city. Photo archive of 19 Large silver gelatin photographs each 8 x 10 inches New York City and Washington D.C. circa 1969-1971. The most confrontational scenes place police with raised batons inside a damaged transit interior with shattered or cracked glass and turnstiles marked "NOT FOR EXIT" locating the violence inside a controlled urban access point rather than an open street. Riot helmets gas masks clubs broken barriers and confined stair and platform space place crowd control transit management and physical force together during moments of unrest. In this group the violent scenes are central evidence of municipal authority enforcing movement and restricting public assembly in New York at the turn of the 1970s. Contents include schoolchildren descending an interior stair with placards reading "A LITTLE RADIATION IS NO GOOD FOR CHILDREN AND OTHER PEOPLE" and "NO NO NO"; a street protester holding a hand-lettered sign reading "Strike! Support the Manifesto"; a crowd assembled outside the Interchurch Center one sign reading "Fight White Racism Join Us"; a woman labeled "Beulah" likely a college student impersonating activist Beulah Sanders addressing a large outdoor gathering; and a dense overhead crowd view made from an elevated vantage point. Another group centers on urban control points and police presence including subway turnstiles marked "NOT FOR EXIT" officers in helmets and gas masks advancing with batons a handwritten wall slogan reading "NO MORE FARE" above a tiled stair and a verso note identifying one image as "grand central subway control booth." Additional prints include a radio or news studio with a control console a broadcaster wearing headphones at a microphone a silhouetted operator in a booth and a saxophonist performing before an audience. Several versos bear Steve Rose photographer stamps signatures a Nancy Palmer Photo Agency stamp crediting Rose the note "view from president's terrace" and dated notations including "Steve Rose / Newsreel 6-9-69." One image is duplicated. The archive contains antiwar activism childcare and school protest strike support racial justice organizing broadcast work and police intervention inside the same metropolitan circuit. Press-marked versos agency stamps location notes and dated inscriptions record the working infrastructure through which Rose's images moved as news and movement documentation. Light handling wear minor curling scattered verso toning and staining editorial stamps and manuscript notations throughout; one duplicate image present. Police violence crowd control and organized dissent intersect inside transit interiors institutional exteriors broadcast studios and city streets in New York City and Washington D.C. unknown
1969réf. 232051969. Steve Rose's photographic coverage of demonstrations strike activity broadcast spaces and police control in New York City and Washington D.C. circa 1969-1971 with dissent moving through street assembly underground and movement media institutional protest and municipal enforcement. Rose active in New York documentary photography during the early 1970s photographed activists such as Abbie Hoffman crowds radio workers and police at campuses transit sites and city streets where public speech met managed space. These photographs of early 1970s New York and D.C. activism span police violence organizers gathering outside major institutions broadcasters at consoles and microphones and school protest and street demonstration aligned with the same documentary practice that recorded Young Lords and Gay Liberation actions in the city. Photo archive of 19 Large silver gelatin photographs each 8 x 10 inches New York City and Washington D.C. circa 1969-1971. The most confrontational scenes place police with raised batons inside a damaged transit interior with shattered or cracked glass and turnstiles marked "NOT FOR EXIT" locating the violence inside a controlled urban access point rather than an open street. Riot helmets gas masks clubs broken barriers and confined stair and platform space place crowd control transit management and physical force together during moments of unrest. In this group the violent scenes are central evidence of municipal authority enforcing movement and restricting public assembly in New York at the turn of the 1970s. Contents include schoolchildren descending an interior stair with placards reading "A LITTLE RADIATION IS NO GOOD FOR CHILDREN AND OTHER PEOPLE" and "NO NO NO"; a street protester holding a hand-lettered sign reading "Strike! Support the Manifesto"; a crowd assembled outside the Interchurch Center one sign reading "Fight White Racism Join Us"; a woman labeled "Beulah" likely a college student impersonating activist Beulah Sanders addressing a large outdoor gathering; and a dense overhead crowd view made from an elevated vantage point. Another group centers on urban control points and police presence including subway turnstiles marked "NOT FOR EXIT" officers in helmets and gas masks advancing with batons a handwritten wall slogan reading "NO MORE FARE" above a tiled stair and a verso note identifying one image as "grand central subway control booth." Additional prints include a radio or news studio with a control console a broadcaster wearing headphones at a microphone a silhouetted operator in a booth and a saxophonist performing before an audience. Several versos bear Steve Rose photographer stamps signatures a Nancy Palmer Photo Agency stamp crediting Rose the note "view from president's terrace" and dated notations including "Steve Rose / Newsreel 6-9-69." One image is duplicated. The archive contains antiwar activism childcare and school protest strike support racial justice organizing broadcast work and police intervention inside the same metropolitan circuit. Press-marked versos agency stamps location notes and dated inscriptions record the working infrastructure through which Rose's images moved as news and movement documentation. Light handling wear minor curling scattered verso toning and staining editorial stamps and manuscript notations throughout; one duplicate image present. Police violence crowd control and organized dissent intersect inside transit interiors institutional exteriors broadcast studios and city streets in New York City and Washington D.C. unknown books
réf. ria9781032675640_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Political Prayer in Nineteenth-Century American Literature explores how white American women writers translated petitioning -- a political form for redress of grievances with religious resonance or what Strand calls "political prayer" paperback
2026réf. x-1032675640Taylor & Francis Ltd 2026. Paperback. New. 242 pages. 6.00x0.51x9.00 inches. Taylor & Francis Ltd paperback
réf. 1032675640.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 47625494-nnew. unknown
réf. 47625494like new. unknown
2024réf. x-1032675578Routledge 2024. Hardcover. New. 256 pages. 9.00x6.00x9.00 inches. Routledge hardcover
réf. 9786555861778-11-73864FisicalBook. New. FisicalBook unknown
réf. 8474915163.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2021réf. x-0198853254Oxford Univ Pr 2021. Paperback. New. 304 pages. 9.75x7.50x0.75 inches. Oxford Univ Pr paperback
2004réf. mon0003784931Diagonal 2004-10-01. Paperback. Good. 0.7000 7.2000 5.2000. Cover and edges may have some wear. Diagonal paperback
réf. 9513Comité d'entraide Sud Est PTT In-4° (21x30cm),267 pages,très bel exemplaire ,à l'état de neuf,une documentation (cartes postales) en noir et en couleurs exhaustive,en vignettes et à pleine page.
1995réf. 99918659Comité d'Entraide Sud Comité d'Entraide Sud Est P.T.T 1995, In-4 cartonnage de l'éditeur illustré. 267 pages. Nombreuses photos. Cachet de bibliothéque. Trés bon état.
1995réf. USD_9780387825229Springer 1995. 1st. Paperback. Used - Like New/Used - Like New. Springer paperback
réf. 0365024821.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0259796131.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1987réf. 63309Chicago: S.i. 1987. Original poster with text and team photo offset printed on white stock measuring 42.5cm x 28cm 16.75" x 11". A Fine copy. A relic of the month-long NFL players' strike during the 1987 season. During the brief period that NFL players went on strike owners were forced to hire replacements to come in and play the games; in Chicago those players were known as "the Spare Bears" who went 2-1 in the three games they played during the strike. The present poster possibly produced by the Chicago NFL Players Association draws attention to the strike in hopes of supporting the "Real Bears." Not separately listed in OCLC though we note an example held by the Chicago Public Library in their Chicago City-Wide Collection. S.i. unknown books
1995Comité d'Entraide Sud Est P.T.T 1995, In-4 cartonnage de l'éditeur illustré. 267 pages. Nombreuses photos. Cachet de bibliothéque. Trés bon état.
2023réf. x-1476690537McFarland Publishing 2023. Paperback. New. 215 pages. 9.00x6.00x0.43 inches. McFarland Publishing paperback
2019réf. Atlantic-9780367276362Routledge 2019. 1. Paperback. New. Routledge paperback
