Blasons

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Impressionism in the Age of Industry

2019réf. 106567Toronto Munich and New York: Art Gallery of Ontario; Prestel; DelMonico Books 2019. Pictorial boards 243 pages illustrations chiefly colour; 29 cm. Firm binding clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A large-format coffee-table book.Richly illustrated with colour plates. "This generously illustrated book examines the relationship between 19th-century Impressionism and industry in Europe. The late-19th century was a time of new technology industry and modernity. People were enthralled with their changing world and artists were not an exception. Fascinated by progress in every form artists depicted factories trains and construction sites. Artists such as Claude Monet Edgar Degas Vincent van Gogh and Camille Pissarro began to paint the world around them from laundresses in the basements of Paris to rural laborers in fields. This book focuses on how Impressionist artists engaged and treated the topic of industry in their art. Chapters discuss how Paris was transformed into a bustling modern city the role of women in labor and the demographic shift from rural to urban centers. Paintings drawings and prints along with archival photographs help to illustrate this rich and complicated moment in art history." - Publisher. CONTENTS: Director's foreword by Stephan Jost; Geographies of Impressionism in the age of industry: an introduction by Caroline Shields; That great brouhaha: picturing sound in nineteenth-century France by Joseph L. Clarke; White collars and working bodies in the age of industry by Mary Hunter; Industry and labour at the Impressionist exhibitions by James H. Rubin; Figuring industry in the photographic archive by Monique L. Johnson; Appendix: collecting representations of Industry in the after of Impressionism by Caroline Shields. 1st. Hardcover. Fine. 4to. Collectible. Art Gallery of Ontario; Prestel; DelMonico Books Hardcover

LEFT COAST BOOKS · États-Unis69,50 $US≈ 62,09 €

Shields, Scott ABiblio.com

Artists at Continent's End: The Monterey Peninsula Art Colony 1875-1907

2006réf. 220261Berkeley CA: University of California Press 2006. ix 346 pages illustrations chiefly colour; 28 cm. Catalogue of an exhibition at the Crocker Art Museum Sacramento February 17 2006 to May 21 2006 and at three other museums. Firm binding clean inside copy. "Few regions rival the magnificence of California's Monterey Peninsula. This beauty together with a mild climate rich history and simplicity of lifestyle encouraged the development of one of the nations foremost art colonies. From 1875 to the first years of the twentieth century artists were drawn to the towns of Monterey Pacific Grove and then Carmel. Artists at Continent's End is the first in-depth examination of the importance of the Monterey Peninsula which during this period came to epitomize California art. Beautifully illustrated with a wealth of images including many never before published this book tells the fascinating story of eight principal protagonists--Jules Tavernier William Keith Charles Rollo Peters Arthur Mathews Evelyn McCormick Francis McComas Gottardo Piazzoni and photographer Arnold Genthe--and a host of secondary players who together established an enduring artistic legacy. Most previous accounts claim that the 1906 San Francisco earthquake and fire were the reason that artists began to gather on the Monterey Peninsula. Shields challenges this view by demonstrating that the colony began much earlier--and in Monterey not Carmel as often asserted. In an absorbing narrative that combines art and social history Shields describes how beginning with Jules Tavernier's arrival in 1875 art produced on the peninsula broke from its East and West Coast antecedents to become increasingly subjective meditative and simple. He maintains that by the turn of the century the majority of the artists in the region had arrived at a tonal style featuring moody atmospheric effects. Some went one step farther producing canvases reductive in color and form; others practiced a more colorful impressionism. Created to accompany a major traveling exhibition of works of the Monterey Peninsula Art Colony Artists at Continent's End places the movement in its art-historical context comparing its achievement with other approaches including the Barbizon style art nouveau arts-and-crafts and impressionism. / Scott A. Shields is Chief Curator at the Crocker Art Museum in Sacramento California." - Publisher. CONTENTS: Introduction: A place where great souls mingle; A new Eden: Jules Tavernier and the beginning of Monterey's Art Colony; Listening to the earth: William Keith and George Inness; Evening meditations: Charles Rollo Peters and the mystery of Monterey; Pacific Parnassus: Arthur and Lucia Mathews's Arcadia by the Sea; An atmosphere of nostalgia: Evelyn McCormick and the "Adobe Painters"; Manufacturing dreams: Francis McComas and California "Reductivism"; Eternal spirit: Gottardo Piazzoni and the Reverence for Land and Sea; Altars of an undiscovered shore: Arnold Genthe and the Colony at Carmel-by-the-Sea; Conclusion: A fabulous dawn darkened. . 1st. Paperback. Fine. 4to. University of California Press Paperback

LEFT COAST BOOKS · États-Unis69,50 $US≈ 62,09 €

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