5 021 résultats
2025réf. Adhya-9781009520331CAMBRIDGE UNIVERSITY PRESS 2025. PB. New. CAMBRIDGE UNIVERSITY PRESS paperback
réf. 654362977Ashgate Publishing Company . Hardback. New. pp. 196 Ashgate Publishing Company hardcover
réf. elala2868Chicago & New York: Rand McNally & Company 1889. First Edition. Adams Rampaging Herd 2060. Smith 9422. Starkman & Read p. 105. cfSlater p. 33. 8vo. pp. 339 12ads. frontis. & numerous text illus. some full-page. original blind & gilt-stamped cloth covers spotted Chicago & New York: Rand, McNally & Company, 1889 hardcover
1944réf. 20411944. Very good. Etching on cream laid paper with a deckle edge and with an unidentified watermark with an "AL" inside an ovoid cartouche with a garter and buckle likely English 19th century 9 1/2 x 5 1/2 inches 242 x 140 mm; sheet 13 x 7 1/2 330 x 190 mm full margins. Signed titled dated and numbered "II" in pencil in the lower margin. In very good condition with some minor mat tone and uniform age tone with paper tape at the top and bottom corners at the right sheet edge verso. A trial proof from a total of 13 proof impressions. A good impression on antique paper. English Series No. 11. Fletcher 181. On an impression of this work belonging to William Dolan Fletcher Arms mentions that he spent 236 hours on the first state and an additional 53 1/2 hours on the second state. Awards: 1945: Annual Exhibition of the Royal Academy London 1945: Best Print in Exhibition 22nd Annual Exhibition Arts & Crafts Assoc. Meriden CT. 1947: Honorable Mention for Excellence 30th Annual Exhibition Chicago Society of Etchers Chicago IL. 1948: Special Mention for Excellence 30th Annual Exhibition Palm Beach Art League West Palm Beach FL. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
1925réf. 12641925. Superb. Etching on cream wove paper 5 7/8 x 3 3/8 inches 150 x 86 mm. Signed and dated in pencil in the lower margin. First state of 2 before the removal of the inscription in the lower margin. Likely a signed trial proof aside from the editon of 258 Christmas Card impressions. Printed by David Strang. Fletcher 171. unknown
1946réf. 633Miniature Print Society 1946. Excellent. Etching and drypoint on greenish cream wove paper 3 1/4 x 1 15/16 inches 81 x 48 mm full margins. Signed dated and inscribed "III" in pencil. Number 46 from the French Churches series; number 37 from the Miniature series. In superb condition with all of the fine lines printing clearly. With the John Taylor Arms collectors stamp in the lower-center margin. Fletcher 409. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. Miniature Print Society unknown
réf. 11331Arms John Taylor. Arms John Taylor. LA CHIESA BORGIO. F. 178. Etching 1926. Edition of 106 printed by Frederick Reynolds. Signed "Arms 1926" in the plate and signed in pencil in the margin. This Number 7 in the Italian series and is illustrated on page 8 of Dorothy Noyes Arms' "Hill Towns and Cities of Northern Italy." 6 1/8 x 4 1/2 inches 156 x 115 mm. In excellent condition. unknown
1924réf. 8261924. Superb. Etching on antique cream laid paper 5 x 2 inches 127 x 52 mm full margins. Signed and dated in pencil lower margin. From the editoin of 156 printed by Frederick Reynolds. In superb condition an excellent impression with good inking. Fletcher 141. Paper: Arms was typical of the artists of this period - he was obsessed with paper a mania for collecting paper that could/would improve an edition. The quantity he left after his death distributed by his wife to fellow artists witnesses his love for finely made paper -paper interesting because of texture color distinctive weave. The earliest paper known to have been used by Arms came from a Baptismal Register Kirchen Ordnung The Reformed Church Middletown Dauphin County Pennsylvania 1708 bought in a bookshop in Philadelphia. His early prints 1915-1919 evidence paper taken from old books with gilded edges. Some prints appear on stationary from the Cisalpine Napoleonic Italy still bearing the estampe of the office or department; others carry penned ink page numbers taken from old ledgers of the Eighteenth Century-all beautiful shades of grey blue and green handmade ribbed and otherwise. Some of his color aquatints were printed on full sheets of heavy chine or Japanese vellum giving a sense of luxury in the richness of the stock and the width of the margins. There was a myriad of modern papers gleaned in England France Italy and the United States. -William Dolan Fletcher A Man For All Times p. 15. unknown
1946réf. 8241946. Superb. Etching on light cream wove paper 2 5/8 x 2 11/16 inches 68 x 69 mm full margins. Signed titled and inscribed "IV" in pencil lower margin. Likely a proof impression of the third state of 4 printed by David Strang. With the John Taylor Arms ink stamp in black ink in the lower-center margin on the recto not in Lugt. In superb condition with a tab of linen tape at both the top and bottom corner on the left sheet edge verso. Fletcher 397. According to Fletcher Arms spent 103 1/2 hours on the creation of the plate. No. 36 from the Miniature Series. unknown
1946réf. 12651946. Superb. Etching on cream wove paper 3 5/16 x 1 7/8 inches 84 x 49 mm full margins. Signed dated and inscribed "II" in pencil lower margin. Likely one of eight trial proof impressions from the second state of 2. From a total edition of 305; 260 of which were published by the Miniature Print Society Kansas City MO. Printed by David Strang. Miniature Series No. 37. Fletcher 398. unknown
1942réf. 1259The Minature Print Society of Kansas City Mo 1942. Excellent. Etching on cream colored Japon wove paper 2 1/4 x 2 15/16 inches 58 x 75 mm full margins. Signed dated and inscribed "II" in pencil in the lower margin. In excellent condition. One of nine trial proof impressions of the second state of 2 printed by Charles S. White aside from the regular edition of 365 signed impressions and 250 unsigned impressions. Fletcher 369. Comission of Alfred Fowler The Miniature Print Society of Kansas City MO. Ed.; 200. No. 30 from the Minature Series; No. 9 European Series. The Minature Print Society of Kansas City, Mo unknown
1940réf. 12701940. Very good. Etching on cream wove paper 5 9/16 x 2 3/4 inches 142 x 70 mm full margins. Signed titled numbered "III" and inscribed in pencil by the artist in the lower margin recto. In very good condition with some pencil inscriptions in the margins adhesive residue and canvas tape tabs at the top corners and a small loss in the lower left corner from a natural paper defect all well outside of image area. With the John Taylor Arms collector's stamp in black ink in the lower left margin on the recto not in Lugt. The third impression of 3 from the third trial state of 3 before the regular edition of 443. Printed by the artist. Fletcher 336 English Series No. 8; Miniature Series No. 25. This image was used in part to illustrate David Strang Etching: The Printer Proves the Plate Print II: 3 4 October December 1941. unknown
1927réf. 9731927. Very good. Etching on antique handmade laid paper 9 5/8 x 4 1/4 inches 246 x 109 mm full margins. Signed and dated 1928 in pencil lower margin. Printed by Frederick Reynolds. In very good condition with some marginal toning around the extreme sheet edges. An excellent inky impression. Fletcher 207. Italian Series No. 13 Illustrated on p. 4 in Dorothy Noyes Arms Hill Towns and Cities of Northern Italy. unknown
1927réf. 4961927. Superb. Etching on antique cream laid paper with a partial watermark 9 5/8 x 4 1/4 inches 246 x 109 mm; full margins. Siged and dated "1928" in pencil lower margin. Inscribed "Street in Porto Maurizio" in the plate. Edition of 100. Printed by Frederick Reynolds. Minor toning at sheet edges and at corners with paper tape remnants from a former mount. Number 13 from the Italian Series. Fletcher 207 Illustrated: Page 4 Arms Dorothy Noyes "Hilltowns and Cities of Northern Italy.". Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
réf. 13844Arms John Taylor. THE OLD ORDER Or THE CHURCH OF ST. MARY AND ARLINGTON ROW or BRIDGE OVER COLNRIVER AT BIBURY. Etching 1948. Fletcher 412. Signed and dated in pencil lower right and inscribed "ii" lower left. Apparently one of 6 Trial proofs in the Second State printed by David Strang before the edition of 200 published by The Print Club of Albany in its original mat and folder and with the Accompanying Artist's Statement by Arms. In very good condition except for adhesive residue top recto. unknown
1999réf. 43282W. B. Saunders Company. VG/NONE. 1999. Hardcover. 0721667562 . Two-volume hardback set with minimal wear. No DJs as issued. NOT library discard. ; . W. B. Saunders Company, hardcover
1889réf. 24097Chicago: RAND McNally & Company. Very Good with no dust jacket. 1889. First Edition; First Printing. Hardcover. 8vo; 339 pages; Covers with some light rubbing and wear. Interior very clean and tight. . RAND, McNally & Company hardcover
1921réf. 21464New York: Vechten Waring Company. Very Good with no dust jacket. 1921. First Edition; First Printing. Hardcover. Large 8vo 9" - 10" tall; 322 pages; Some light rubbing and wear to covers. Very minor bumping to corners. Limited edition of 500 copies with signed author's bookplate. Contains a list of subscribers in rear. New Howes S-420. . Vechten Waring Company hardcover
réf. 6767067Taylor & Francis Group . Hardback. New. pp. 190 Taylor & Francis Group hardcover
réf. 21393452-nnew. unknown
réf. 654441055Ashgate Publishing Company . Hardback. New. Ashgate Publishing Company hardcover
1988réf. 324886New York: Rizzoli 1988. First Edition; First Printing. Hardcover. Very Good in a Very Good dust jacket. Small closed tear on spine heel.; Title page personalized by Jody Shields.; 175 pages; Signed by Author. Rizzoli hardcover
réf. 19780062like new. unknown
réf. 38515154-nnew. unknown
réf. 19956675-nnew. unknown
