5 027 résultats
1944réf. 10151944. Very good. Etching on bluish-grey antique laid paper 5 x 3 5/8 inches 127 x 93 mm signed dated and inscribed "III" in pencil lower margin. A proof impression from the third state of 3 after the reduction of the plate and before the regular edition of 72. Printed by David Strang. In very good condition with some minor reddish toning around the extreme sheet edges and in a stripe occurring diagonally across the top sheet area all well outside of image area. Fletcher 340B. Demonstration Series No. 93 Mexican Series No. 1 3rd state Note: Fletcher states that there is confusion regarding the third state in its edition. On prints in the Arms family collection the size is 3 proofs plus an edition of 36 however Fletcher reports that in 1949 Arms told him there were only two proofs and an edition of 72. Fletcher states to own an impression of this work which is annotated "III Ed. 72." Paper: Arms was typical of the artists of this period - he was obsessed with paper a mania for collecting paper that could/would improve an edition. The quantity he left after his death distributed by his wife to fellow artists witnesses his love for finely made paper -paper interesting because of texture color distinctive weave. The earliest paper known to have been used by Arms came from a Baptismal Register Kirchen Ordnung The Reformed Church Middletown Dauphin County Pennsylvania 1708 bought in a bookshop in Philadelphia. His early prints 1915-1919 evidence paper taken from old books with gilded edges. Some prints appear on stationary from the Cisalpine Napoleonic Italy still bearing the estampe of the office or department; others carry penned ink page numbers taken from old ledgers of the Eighteenth Century-all beautiful shades of grey blue and green handmade ribbed and otherwise. Some of his color aquatints were printed on full sheets of heavy chine or Japanese vellum giving a sense of luxury in the richness of the stock and the width of the margins. There was a myriad of modern papers gleaned in England France Italy and the United States. -William Dolan Fletcher A Man For All Times p. 15. unknown
2010réf. 657870Knopf 2010. First Edition. Unknown. Fair/Fair. THE AUTHOR'S PERSONAL COPY - David Shields' own personal working copy of his most influential and controversial book REALITY HUNGER with his extensive notes and markings for appearances and teaching. Heavily annotated and marked up. A fair copy at best shows heavy wear and signs of use. If you want one copy of a book intimately connected with the author from his heavy post-publication use - this would be it. First edition stated hardcover in jacket. Knopf unknown
1856réf. AQ242771856. Manuscript on paper. Single bifolium. With original stamped envelope. Old horizontal and vertical folds. Short tears at folds cross-written on terminal page. Envelope worn and soiled. An autograph letter in the hand of private Thomas Arms of the 12th Royal Lancers addressed to his sister written at Scutari Istanbul 17th January 1856 two months prior to the cessation of hostilities during the Crimean War. Arms references his participation in the Battle of Tchernaïa the fall of Sebastopol and the conditions he and his fellow soldiers had to endure: 'You wished for some small token from Sebastopol but I had nothing but a Russian musket and bayonet and those I sold to one of our officers as I have no means of sending it to England.things are very dear 1lb of bread here is 1/6 meat we cannot buy for any price we give 2 shillings for a bottle of porter or ale and we are only getting half allowance of rum to what we used to get and there it is a great deal of gambling amongst the troops'. The cross-written portion of the letter is of particular note for a passing mention of reformer of army medical services and of nursing organisation Florence Nightingale 1820-1910: 'Dear sister their sic are some kind ladies in these hospitals and kind nurses here to attend upon you. Miss Nightingale is here and Miss Roberts and some more very amicable from England'. . unknown
réf. 117477Paris, Chez Sebastien Mabre-Cramoisy 1669, 380x260mm, VI - 714 + 722pages, reliure veau marbré de l’époque avec titre, et ornementations dorés au dos à six nerfs. Toutes tranches rouge. Bordure fleurie. Manque un bout du cuir au dos, coiffe inférieure manquante, coins émoussés et charnières craquelées, néanmoins reliure solide. Cachet de bibliothèque et mouillures sur le haut des coins des pages 537 à 540, autrement bel exemplaire, intérieur propre.
réf. 175-Do.J. Feder in Braun, Aquarell, Deckfarben und Goldbronze, auf Pergament. 20,7:15,3 cm. - Stellenweise leicht berieben und angeschmutzt.
1674réf. P1-06-0Dom, Petri Frambotti, 1674. In-4 (200x145 mm), relié plein vélin époque, charnière faible, (16), 391 pp, (29). Deuxième édition parue la même année que la première. Avec 59 figures de Médailles dont 48 recto verso, 4 figures de Blason dont l’une répétée une fois, 6 Initiales gravées et 2 Culs-de-Lampe dont l’un répété 3 fois et une belle Marque de l’Imprimeur à la fin : « À l’image de Minerve appuyée sur un olivier, avec une devise : Pacis opus ». L’ouvrage est divisé en 4 parties dont les 3 dernières consacrées en partie à Byzance et à l’empire Ottoman. Ouvrage peu commun.
réf. 229991911. Grant of Arms on vellum hand-coloured coat of arms and three heraldic crests manuscript text with first line in gilt duty stamps to left margin signed by Sir Alfred Scott-Gatty Garter King of Arms and and William Weldon on behalf of George Edward Cokayne Clarenceux King of Arms to lower margin appended red wax seals in gilt skippets. The document approximately 67 x 72 cm rolled and contained in original hinged wooden box 565 x 145 x 64 mm with red morocco covering the lid bearing three royal gilt-embossed 'GR' ciphers each surmounted by a crown. Very good. 1911. hardcover
réf. Bloomsbury-9781441150196Bloomsbury Academic. Hardback. New. 160 pages Bloomsbury Academic hardcover
réf. Bloomsbury-9781441150196Bloomsbury Academic. Hardback. New. 160 pages Bloomsbury Academic hardcover
1876réf. 500037357London: The English Picture Publishing Company 1876. First edition thus. . Paperback. Good. The English Picture Publishing Company was formed by Charles Rowley George Milner and Frederic Shields " It was all done under Madox Brown's influence we lost half our cash but we spread some fine things the like of which was not on the market." They set about to publish photographic reproductions of the work of contemporary and earlier British artists. The company became the Fine Art Autotype Company. The company operated out of Manchester. Any prints by this company are scarce. Some have found their way into prestigious collections e.g. The British Museum & The Wellcome Library. Frederic James Shields March 14 1833February 26 1911 was a British artist illustrator and designer closely associated with the Pre-Raphaelites through Dante Gabriel Rossetti and Ford Madox Brown. This title not mentioned on the net. 15" by 22" though the actual images are 6".5 by 8.5". Marginal damp stain The English Picture Publishing Company paperback
1876réf. 500037356London: The English Picture Publishing Company 1876. First edition thus. . Paperback. Good. The English Picture Publishing Company was formed by Charles Rowley George Milner and Frederic Shields " It was all done under Madox Brown's influence we lost half our cash but we spread some fine things the like of which was not on the market." They set about to publish photographic reproductions of the work of contemporary and earlier British artists. The company became the Fine Art Autotype Company. The company operated out of Manchester. Any prints by this company are scarce. Some have found their way into prestigious collections e.g. The British Museum & The Wellcome Library. Frederic James Shields March 14 1833February 26 1911 was a British artist illustrator and designer closely associated with the Pre-Raphaelites through Dante Gabriel Rossetti and Ford Madox Brown. This title not mentioned on the net. 15" by 22" though the actual images are 6".5 by 8.5". Marginal damp stain The English Picture Publishing Company paperback
1866réf. 1222Augusta Georgiano publisher 1866.Folio broadside approximately 15" x 13" printed on medium paper employing different fonts & sizes of type. This copy with extensive annotations in pencil providing notes & prices realized suggesting the original owner was present for the sale. Not found in OCLC as of 7/7/2022. Old folds shallow loss in the upper margin briefly affecting a few letters moderately foxed toned & soiled couple of nicks at fold intersects still an attractive example of a fragile broadside. Producing a significant portion of the armaments used late in the Civil War the Augusta Arsenal was not surrendered until May 3 1865. NP books
1849réf. 666Couverture rigide Chez Les principaux libraires et chez l'Auteur, Plainpalais, 386 1849 Genève 21x14 cm
1965réf. 2110502150902424Not Available 1965. Soft Cover. Fine. Volume: 1 Not Available paperback
1998réf. SBBIH-Q4VDY2J4P5DZ2.13.61U.S. 1998. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. 2.13.61,U.S. paperback
1818réf. 000013Paris Janet, Janet et Cotelle 1818
1770réf. 21433Paris, Valade, 1770 ; in-8 (200 mm), demi-veau fauve, pièces de titre et de date, en queue, grenat (reliure de l’époque) ; VIII, 155 pp., [1]p. Fautes à corriger ; portrait en frontispice, bandeau armorié et cul-de-lampe au chiffre, gravés en taille douce par L. Le Grand.
1629réf. 21438Lugd. Batav. (Leyde), ex officina Elzeviriana, 1629 ; in-24 (108 mm), vélin rigide de l’époque, titre manuscrit au dos ; [16], 498 pp., [1] f. de Privilège, titre gravé illustré de blasons.
1908réf. 20939Privas, Imprimerie Centrale, 1908 ; in-4° (315 mm), demi-chagrin rouge sang, dos à nerfs plats, titre doré (reliure de l'époque) ; [6], 495, [1], LXI pp., nombreux blasons.
1600réf. 21332Paris, Jérémie Perrier, 1600 ; in-8 (166 mm), demi veau havane, dos lisse à faux nerfs de filets dorés, fleurons à froid, titre en long (reliure ancienne postérieure); [4], 60 ff. Fleuron au titre, gravé sur bois montrant un chevalier qui pique un chien sauvage qui l’attaque, lettrines et bandeaux gravés sur bois ; l’Achevé d’imprimer est du 15 janvier 1600.
1912réf. 16140Paris, Honoré Champion, 1912 ; in-4 ; demi-chagrin maroquiné vert-empire à coins, dos à nerfs, titre doré, couverture et dos conservés (reliure moderne) ; X, (2), 507, (1) pp., 5 planches hors-texte de blasons chromolithographiés.
1926réf. 20501926. Very good. Etching on watermarked FJ Head cream laid paper with a deckle edge 11 1/8 x 8 3/4 inches 283 x 223 mm; sheet 14 3/4 x 11 1/2 inches 374 x 292 mm full margins. Signed and dated in the lower margin in pencil. From the edition of 100 printed by Frederick Reynolds in 1926. In very good condition with scattered light areas of minor discoloration unobtrusive and only visible when the sheet is viewed through raking light. Fletcher 176. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
réf. 310565R Ware J and P Knapton T Longman C Hitch D Browne H Lintot C Davis J Hodges A Millar W Bowyer J Whiston J and J Rivington & J Ward 1753. 15 VERY TIDY DETAILED MAPS PRESENT folio half leather bound marbled boards gilt lettering to leather title plates with raised bands & gilt tooling to spine paginated 697-1526 with numerous additions annals & index to rear illus & folding maps VG moderate scuffing & surface loss to board edges & extrems 5mm missing from top edge of spine moderate scuffing & cracking to spine & hinges moderate chafing & surface loss/soiling to boards heavy tanning & staining to page edges light to moderate insect damage to some page corners throughout light to moderate tanning & wrinkling to eps occasional sm closed tearing to edge of maps & other pgs age appropriate tanning & foxing to pages- increasing towards rear pages occasional light crack to some gutters- otherwise gutters largely intact R Ware, J and P Knapton, T Longman, C Hitch, D Browne, H Lintot, C Davis, J Hodges, A Millar, W Bowyer, J Whiston, J and J Rivin hardcover
1979réf. 167218N.p.: N.p. 1979. Draft script for the 1979 film. A teenage pinball prodigy joins forces with an aspiring country music singer in order to raise money for a demo tape. Set and shot on location in West Hollywood Santa Cruz and Los Angeles California and in Corpus Christi Texas. Green titled wrappers. Title page present undated with credits for director Rudy Durand and uncredited screenwriters James Creech and Martin Zweiback. 140 leaves with last page of text numbered 151. Mimeograph duplication rectos only with undated blue revision pages throughout. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1979réf. 167218N.p.: N.p. 1979. Draft script for the 1979 film. A teenage pinball prodigy joins forces with an aspiring country music singer in order to raise money for a demo tape. Set and shot on location in West Hollywood Santa Cruz and Los Angeles California and in Corpus Christi Texas. Green titled wrappers. Title page present undated with credits for director Rudy Durand and uncredited screenwriters James Creech and Martin Zweiback. 140 leaves with last page of text numbered 151. Mimeograph duplication rectos only with undated blue revision pages throughout. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown books