Arms, John TaylorBiblio.com
4 987 résultats
1925réf. 9741925. Very good. Etching on antique cream laid paper 7 7/8 x 5 1/8 inches 201 x 130 mm full margins. Edition of 150. Printed by Federick Reynolds. Signed and dated in pencil lower right. Arms was assisted in the completion of this plate by Kerr Eby. In very good condition with minor toning otherwise no visible defects to the sheet archival paper tape hinge at the top sheet edge affixed at the verso. Fletcher 169 Illustrated: Page 86 Arms Dorothy Noyes "Hilltowns and Cities of Northern Italy. unknown
1944réf. 12611944. Very good. Etching on cream wove paper 3 3/16 x 1 9/16 inches 81 x 41 mm full margins. Signed dated and inscribed "II" in pencil lower margin and with an inscription and dedication in the artist's hand in the lower margin. From the second state of 2 before the reduction of the plate. Fletcher states a total of three trial proofs an unknown number of first state impressions and a regular edition of 136 second state impressions. We believe this impression may be an unrecorded second state trial proof impression. In very good condition with notations in pencil in the margins and paper tape at the top corners on the verso and a dog-eared upper right corner well outside of image area. Fletcher 382. No. 32 from the Miniature Series No. 12 from the English Series The inscription in Arms's hand reads: An experiment on wood textures! To my friend FitzRoy Carrington J.T.A. FitzRoy Carrington was born in Surbiton Surrey in England; he was educated at Victoria College Jersey before coming to New York City in 1886. He worked for Frederick Keppel & Co. a dealer of etchings and engravings between 1892 and 1913 and became a member of the firm in 1899. In 1911 the year before he published Prints and their Makers 1912 he became the editor of The Print Collector's Quarterly. After 1913 he became a lecturer on the history of engraving at Harvard University and a curator of prints at the Museum of Fine Arts Boston. He subsequently authored Engravers and Etchers: Six Lectures Delivered on the Scammon Foundation at the Art Institute of Chicago 1917 and On Print Collecting 1929. He died in 1954. -Dumbarton Oaks Research Library and Collection. unknown
1927réf. 9731927. Very good. Etching on antique handmade laid paper 9 5/8 x 4 1/4 inches 246 x 109 mm full margins. Signed and dated 1928 in pencil lower margin. Printed by Frederick Reynolds. In very good condition with some marginal toning around the extreme sheet edges. An excellent inky impression. Fletcher 207. Italian Series No. 13 Illustrated on p. 4 in Dorothy Noyes Arms Hill Towns and Cities of Northern Italy. unknown
1944réf. 12601944. Very good. Etching on cream laid paper 3 3/16 x 1 9/16 inches 81 x 41 mm full margins. Signed dated and inscribed "II" in pencil lower margin. From the second state of 2 before the reduction of the plate. Fletcher states a total of three trial proofs an unknown number of first state impressions and a regular edition of 136 second state impressions. We believe this impression may be one of the two known second state trial proof impressions. Printed by David Strang. In very good condition with paper tape at the top and bottom left-side corners on the verso. Illegible inscription in brown ink in the top right sheet area on the recto well outside of image area. Fletcher 382. No. 32 from the Miniature Series No. 12 from the English Series. unknown
1944réf. 10151944. Very good. Etching on bluish-grey antique laid paper 5 x 3 5/8 inches 127 x 93 mm signed dated and inscribed "III" in pencil lower margin. A proof impression from the third state of 3 after the reduction of the plate and before the regular edition of 72. Printed by David Strang. In very good condition with some minor reddish toning around the extreme sheet edges and in a stripe occurring diagonally across the top sheet area all well outside of image area. Fletcher 340B. Demonstration Series No. 93 Mexican Series No. 1 3rd state Note: Fletcher states that there is confusion regarding the third state in its edition. On prints in the Arms family collection the size is 3 proofs plus an edition of 36 however Fletcher reports that in 1949 Arms told him there were only two proofs and an edition of 72. Fletcher states to own an impression of this work which is annotated "III Ed. 72." Paper: Arms was typical of the artists of this period - he was obsessed with paper a mania for collecting paper that could/would improve an edition. The quantity he left after his death distributed by his wife to fellow artists witnesses his love for finely made paper -paper interesting because of texture color distinctive weave. The earliest paper known to have been used by Arms came from a Baptismal Register Kirchen Ordnung The Reformed Church Middletown Dauphin County Pennsylvania 1708 bought in a bookshop in Philadelphia. His early prints 1915-1919 evidence paper taken from old books with gilded edges. Some prints appear on stationary from the Cisalpine Napoleonic Italy still bearing the estampe of the office or department; others carry penned ink page numbers taken from old ledgers of the Eighteenth Century-all beautiful shades of grey blue and green handmade ribbed and otherwise. Some of his color aquatints were printed on full sheets of heavy chine or Japanese vellum giving a sense of luxury in the richness of the stock and the width of the margins. There was a myriad of modern papers gleaned in England France Italy and the United States. -William Dolan Fletcher A Man For All Times p. 15. unknown
1925réf. 8291925. Very good. Etching on cream wove paper 6 x 4 inches 153 x 102 mm full margins. Signed in pencil lower margin. From the edition of 150 printed by Frederick Reynolds. Fletcher 163. This work was commissioned by The Print Connoissuer and served as the frontispiece for the October 1925 issue. Illustrated on p. 52 Dorothy Noyes Arms Churches of France Note: according to Fletcher Arms was assisted in work on this plate by Kerr Eby both concluding "neither very successful. unknown
réf. A9781734807400Hardback. New. hardcover
réf. B9783034301152Paperback. New. A collection of essays can be situated in a development that has been underway in translation studies since the early 1990s namely the increasing focus on translators themselves: translators as embodied agents not as instruments or conduits. It deals with different kinds of emotion and different levels of the translation process. paperback
réf. A9781632429179Hardback. New. hardcover
réf. B9783337221713Paperback / softback. New. paperback
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réf. B9783337236700Paperback / softback. New. paperback
réf. B9780810832114Hardback. New. Much more than a style guide that teaches students the correct way to set up a footnote Where Credit is Due provides complete nuts-and-bolts information for all aspects of researching writing laying out and presenting a research or term paper. hardcover
réf. B9780810845145Paperback / softback. New. Catch a new vision of leadership that fosters school communities that are socially just and academically excellent with this accessible guide. paperback
1976réf. 59994Dallas TX: Taylor Publishing Co. 1976. 4to. xxviii 523 1 pp. Illustrated title numerous colour plates many photo illustrations diagrams charts. Embossed black publisher’s simulated calf raised embossed Colt on front cover raised gilt lettering front cover & spine slight shelfwear NF/VG. First edition thus of this lavishly illustrated history of Colt revolvers and automatics including the New Service Double Action Revolver Colt Army Special Double Action Revolver Officers’ Model Target Police-Positive Special Bisley Model Target the discontinued Colt Automatic Pistol Military Model .45 caliber .38 caliber Military Model Automatic Pistol decorative grips medallion inserted for ivory and pearl handle grips and parts. Taylor Publishing Co., unknown
réf. 3777438391.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1939réf. 12691939. Very good. Etching on cream wove paper 2 3/8 x 3/14 inches 61 x 83 full margins. Signed dated and inscribed "IV" in the artist's hand. In very good condition. Fletcher states only two trial proofs this is perhaps an unrecorded proof aside from the additional edition of 101 printed by David Strang. Fletcher 324. This plate was the section cut from Stanwick becoming a separate plate after the additional work had been done on it edges beveled. William Dolan Fletcher p 206. unknown
1944réf. 12671944. Very good. Etching on bluish-grey thin laid paper 9 1/2 x 5 1/2 inches 242 x 140 mm full margins. Signed dated and numbered "II." In very good condition with three pin-point sized dots of brown discoloration in the left margin well outside of the image area and paper tape at the top and botton corners at the right sheet edge verso. A trial proof from a total of 13 proof impressions. A luminous impression on unusual paper. English Series No. 11. Fletcher 381. On an impression of this work belonging to William Dolan Fletcher Arms mentions that he spent 236 hours on the first state and an additional 53 1/2 hours on the second state. Awards: 1945: Annual Exhibition of the Royal Academy London 1945: Best Print in Exhibition 22nd Annual Exhibition Arts & Crafts Assoc. Meriden CT. 1947: Honorable Mention for Excellence 30th Annual Exhibition Chicago Society of Etchers Chicago IL. 1948: Special Mention for Excellence 30th Annual Exhibition Palm Beach Art League West Palm Beach FL. unknown
1940réf. 12701940. Very good. Etching on cream wove paper 5 9/16 x 2 3/4 inches 142 x 70 mm full margins. Signed titled numbered "III" and inscribed in pencil by the artist in the lower margin recto. In very good condition with some pencil inscriptions in the margins adhesive residue and canvas tape tabs at the top corners and a small loss in the lower left corner from a natural paper defect all well outside of image area. With the John Taylor Arms collector's stamp in black ink in the lower left margin on the recto not in Lugt. The third impression of 3 from the third trial state of 3 before the regular edition of 443. Printed by the artist. Fletcher 336 English Series No. 8; Miniature Series No. 25. This image was used in part to illustrate David Strang Etching: The Printer Proves the Plate Print II: 3 4 October December 1941. unknown
1941réf. 12681941. Very good. Etching on cream laid paper 3 7/8 x 5 7/8 inches 99 x 150 mm full margins. Signed dated and inscribed "Sketch Grolier Club Library Demonstration Print" and numbered "I" in pencil in lower margin in the artist's hand. In very good condition with good inking. From the edition of only 3 impressions printed by the artist. Demonstration Series No. 105. Fletcher 353. Plate Inscription: Library of the Grolier Club Demonstration Plate Drawn Etched and Printed in a little over two hours at the Grolier Club New York City on the evening of March 9 1941 John Taylor Arms. unknown
réf. B9783752362657Hardback. New. hardcover
réf. B9783337236717Paperback / softback. New. paperback
réf. B9783752426700Paperback / softback. New. paperback
1930réf. 4981930. Very good. Etching and aquatint on antique laid paper 10 1/4 x 12 1/8 inches 262 x 308 mm wide margins. Signed dated and inscribed "Edition of 100" in pencil lower margin. Second state of 2. A rich and inky impression of this extraordinary image. Bottom edge is irregularly trimmed with the Conseil Départemental de la Haute-Garonne's tarriff stamp on the verso in two places. Areas of minor toning paper tape hinges at the top sheet edge some minor scattered surface soiling. Fletcher 229ii/II Illustrated: Page 208 Arms Dorothy Noyes "Hilltowns and Cities of Northern Italy". Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
réf. A9780521190947Hardback. New. This book examines the literary negotiation of Anglo-Scottish relations in the century following the 1707 Union between Scotland's and England's parliaments. hardcover
