Shields, Mary Ruth,Biblio.com
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réf. PR121400<aside class=""description"">Oblong coat of arms 290 x 590 mm. Very decorative coat of arms of Herman van der Meer Heere van Hoogeveen burgemeester and Johan Meerman burgemeester. With mermaid and Pompebladeren water lily leaves.In good condition with visible verticle fold in the middle and some smudges on the edges. </aside><aside></aside><aside class=""description""></aside> unknown
1876réf. 500037357London: The English Picture Publishing Company 1876. First edition thus. . Paperback. Good. The English Picture Publishing Company was formed by Charles Rowley George Milner and Frederic Shields " It was all done under Madox Brown's influence we lost half our cash but we spread some fine things the like of which was not on the market." They set about to publish photographic reproductions of the work of contemporary and earlier British artists. The company became the Fine Art Autotype Company. The company operated out of Manchester. Any prints by this company are scarce. Some have found their way into prestigious collections e.g. The British Museum & The Wellcome Library. Frederic James Shields March 14 1833February 26 1911 was a British artist illustrator and designer closely associated with the Pre-Raphaelites through Dante Gabriel Rossetti and Ford Madox Brown. This title not mentioned on the net. 15" by 22" though the actual images are 6".5 by 8.5". Marginal damp stain The English Picture Publishing Company paperback
1876réf. 500037356London: The English Picture Publishing Company 1876. First edition thus. . Paperback. Good. The English Picture Publishing Company was formed by Charles Rowley George Milner and Frederic Shields " It was all done under Madox Brown's influence we lost half our cash but we spread some fine things the like of which was not on the market." They set about to publish photographic reproductions of the work of contemporary and earlier British artists. The company became the Fine Art Autotype Company. The company operated out of Manchester. Any prints by this company are scarce. Some have found their way into prestigious collections e.g. The British Museum & The Wellcome Library. Frederic James Shields March 14 1833February 26 1911 was a British artist illustrator and designer closely associated with the Pre-Raphaelites through Dante Gabriel Rossetti and Ford Madox Brown. This title not mentioned on the net. 15" by 22" though the actual images are 6".5 by 8.5". Marginal damp stain The English Picture Publishing Company paperback
2011réf. 2-0500289565Thames & Hudson 2011. Paperback. New. 1st edition. 630 pages. 10.90x8.70x1.20 inches. Thames & Hudson paperback
2006réf. 220261Berkeley CA: University of California Press 2006. ix 346 pages illustrations chiefly colour; 28 cm. Catalogue of an exhibition at the Crocker Art Museum Sacramento February 17 2006 to May 21 2006 and at three other museums. Firm binding clean inside copy. "Few regions rival the magnificence of California's Monterey Peninsula. This beauty together with a mild climate rich history and simplicity of lifestyle encouraged the development of one of the nations foremost art colonies. From 1875 to the first years of the twentieth century artists were drawn to the towns of Monterey Pacific Grove and then Carmel. Artists at Continent's End is the first in-depth examination of the importance of the Monterey Peninsula which during this period came to epitomize California art. Beautifully illustrated with a wealth of images including many never before published this book tells the fascinating story of eight principal protagonists--Jules Tavernier William Keith Charles Rollo Peters Arthur Mathews Evelyn McCormick Francis McComas Gottardo Piazzoni and photographer Arnold Genthe--and a host of secondary players who together established an enduring artistic legacy. Most previous accounts claim that the 1906 San Francisco earthquake and fire were the reason that artists began to gather on the Monterey Peninsula. Shields challenges this view by demonstrating that the colony began much earlier--and in Monterey not Carmel as often asserted. In an absorbing narrative that combines art and social history Shields describes how beginning with Jules Tavernier's arrival in 1875 art produced on the peninsula broke from its East and West Coast antecedents to become increasingly subjective meditative and simple. He maintains that by the turn of the century the majority of the artists in the region had arrived at a tonal style featuring moody atmospheric effects. Some went one step farther producing canvases reductive in color and form; others practiced a more colorful impressionism. Created to accompany a major traveling exhibition of works of the Monterey Peninsula Art Colony Artists at Continent's End places the movement in its art-historical context comparing its achievement with other approaches including the Barbizon style art nouveau arts-and-crafts and impressionism. / Scott A. Shields is Chief Curator at the Crocker Art Museum in Sacramento California." - Publisher. CONTENTS: Introduction: A place where great souls mingle; A new Eden: Jules Tavernier and the beginning of Monterey's Art Colony; Listening to the earth: William Keith and George Inness; Evening meditations: Charles Rollo Peters and the mystery of Monterey; Pacific Parnassus: Arthur and Lucia Mathews's Arcadia by the Sea; An atmosphere of nostalgia: Evelyn McCormick and the "Adobe Painters"; Manufacturing dreams: Francis McComas and California "Reductivism"; Eternal spirit: Gottardo Piazzoni and the Reverence for Land and Sea; Altars of an undiscovered shore: Arnold Genthe and the Colony at Carmel-by-the-Sea; Conclusion: A fabulous dawn darkened. . 1st. Paperback. Fine. 4to. University of California Press Paperback
réf. A9781420521979Hardback. New. hardcover
1982réf. 038033UK 1982. Painting. Illus. by Chris Shields. Fine. Framed. Signed by THE ARTIST. 100mm x 80mm. A fine watercolour illustration of a Swallowtail butterfly on Willow signed to the bottom left. The image size is approximately 100 x 80 mm. the overall size including mount is 285 x 265 mm. In fine condition acid free mount and solid wood frame with fixings. A very well executed entomological watercolour. Biography: British artist and wildlife illustrator Chris Shields graduated Northwich College of Art and Design in 1973. For many decades he has pursued his passion for wildlife as a full-time self-employed illustrator and is now regarded as one of the world's leading exponents of this genera. He has contributed wildlife illustrations to over 300 books numerous calendars greeting cards postcards including a fine series of 30 postcards of British birds for Grange Books/Royle posters and jigsaw puzzles. He has exhibited his paintings widely in the UK and China and his paintings are held in public and private collections worldwide. He has a particular interest in moths and butterflies and was President of the Manchester Entomological Society. His illustrations of insects are particularly accomplished very much in the best tradition of fine zoological illustration. Undoubtedly these highly detailed and accurate gouache and watercolour studies of wildlife subjects are his forte. His more expressive work is not always so successful. unknown
réf. 038035UK Painting. Illus. by Chris Shields. Fine. Framed. Signed by THE ARTIST. 290 x 340 mm. A fine watercolour illustration of common Eider Duck three males and remale signed to the bottom left hand corner. The image size is approximately 220mm x 170mm. The overall size including mount and frame is 430 x 375 mm. In fine condition acid free double mount and stained solid wood frame with a little gilt detail. A very well executed ornithological watercolour. Biography: British artist and wildlife illustrator Chris Shields graduated Northwich College of Art and Design in 1973. For many decades he has pursued his passion for wildlife as a full-time self-employed illustrator and is now regarded as one of the world's leading exponents of this genera. He has contributed wildlife illustrations to over 300 books numerous calendars greeting cards postcards including a fine series of 30 postcards of British birds for Grange Books/Royle posters and jigsaw puzzles. He has exhibited his paintings widely in the UK and China and his paintings are held in public and private collections worldwide. He has a particular interest in moths and butterflies and was President of the Manchester Entomological Society. His illustrations of insects are particularly accomplished very much in the best tradition of fine zoological illustration. Undoubtedly these highly detailed and accurate gouache and watercolour studies of wildlife subjects are his forte. His more expressive work is not always so successful. 0. unknown
